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that when the paper is pressed between them, the raised die forces the stock into the recessed die and creates the embossed impression. A specific level of pressure is applied to the dies in order to squeeze the fibers of the paper, which results in a permanently raised area in the paper. When the dies are produced, a die maker engraves the desired image into several metal plates, which are the embossing dies for use on an embossing press. A thorough understanding of the process will enable a more successful result. Generally, embossing is the process most often employed to attract attention or convey a high quality textural contrast in relation to the surrounding area of the paper stock.
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230:"Debossing" is similar to embossing, but recesses the design rather than raising it. Rather than the paper being raised in specific areas, it is indented. The process involves applying pressure to the front side of a substrate and forcing the material down from the surface. Although it is not as common as embossing, it is occasionally used to provide a different effect or appearance that fits a particular theme. Embossing and debossing on digitally printed applications is an off-line process, which may add a significant cost to the job.
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shaded appearance. It is best to use a lighter colored stock for this procedure in order to provide a unique two-toned appearance. Caution should be used in requesting this effect, since it is easy to burn the stock if too much heat is used. If scorching occurs too close to the printed copy, it can interfere with the clarity of the printed copy; however, this may be the effect that is desired for a particular application.
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Glazing refers to an embossed area that has a shiny or polished appearance. Most often this process is accomplished with heat that is applied with pressure in order to create a shiny impression on the stock. Dark colored heavy weight stocks generally work best with glazing because the polished effect
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Pastelling is also referred to as tint leaf embossing. It involves the process of using a combination die to provide a subtle antique appearance to a substrate that is embossed and foil stamped. Pearl finishes, clear gloss, or similar pastel foil finishes can be selected that provide a soft two-color
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Blind embossing does not include the use of ink or foil to highlight the embossed area. The change in the dimensional appearance of the material is the only noticeable difference resulting from the embossing. The blind embossing process provides a clean and distinctive or subtle image on paper stock.
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Embossing involves a separate stage in the production process, after any varnishing and laminating. It requires a separate press run, and is priced accordingly. In addition to being used as a design element, embossing can be used to improve the performance of paper products like napkins, diapers, and
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Die depth: the client's artwork or the engraver's efforts will initially determine the die depth, however, if by looking at the artwork it appears that an adjustment of the die depth may be necessary, the die may need to be retooled to achieve a greater depth. Most types of paper can be embossed, and
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Embossing is basically used to create a distinctive effect. The greatest concern and emphasis on the client’s behalf should be placed on the outcome of the embossed effect. In order to achieve the best possible effect, it is important to understand the embossing process and the types of dies that are
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Often used in combination with foil stamping, embossing alters the surface of paper stock or other substrates by providing a three-dimensional or raised effect on selected areas. The procedure requires the use of two dies: one that is raised and one that is recessed. The dies fit into each other so
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Scorching is similar to glazing except that it is not used to polish the stock. Instead, scorching does what it implies: as the temperature of the die heating plate is increased beyond a normal temperature range, a scorched effect is created in the embossed image, which results in an antique or
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Combination embossing is the process of embossing and foil stamping the same image. It involves imprinting and aligning foil over an embossed image to create a foil emboss. A sculptured die, generally made of brass is used for this procedure. The process requires close registration that must be
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controlled to keep the image and foil matched precisely. The process of embossing and foil stamping is accomplished in one operation with the use of a combination die. The combination die has a cutting edge around the perimeter to cleanly break the excess foil away from the embossed area.
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size is not normally a consideration. Embossing without ink, so that the image is raised but not colored, is called "blind embossing". Embossing used in conjunction with ink, so that the raised area is coloured, is called "colour register embossing". Embossing used in conjunction with
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is much more noticeable and the dark color of the stock helps to eliminate or soften any burned appearance that may result from the application of the heat. When used in conjunction with foil, the process can provide the foil with a slightly brighter appearance.
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may use an embossed seal to mark legal papers, either in the form of an adhesive seal, or using a clamp-like embossing device, to certify a signature on a document, contract, etc., or cause to become certified through a notary public or bill.
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also use embossing seals to certify drawings, thereby guaranteeing to the recipient that due diligence has been exercised in the design. Government agencies use embossed seals to certify that an important document, such as a
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The metals most often used for die construction are zinc, magnesium, copper, and brass. The material used for a specific application depends upon a number of factors.
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Registered embossing is a process that places the embossed image in alignment with another element created with ink, foil, punching, or with a second embossed image.
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It is best used to create a subtle impression or low level of attention to the piece, yet provide some slight form of differentiation for the finished work.
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402:, and Switzerland, as well as the early high values of Great Britain (1847–54). Modern stamps still sometimes use embossing as a design element.
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antique look (without scorching) to the embossed image. Lighter colored stocks work best to provide this soft contrasting effect.
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pattern is sunken into the surface of the material but might protrude somewhat on the reverse side.
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used for embossing. The three factors that need to be controlled during the embossing process are:
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are the processes of creating either raised or recessed relief images and designs in
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Stanley
Gibbons Stamp Catalogue: Commonwealth and British Empire Stamps 1840–1970
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Pressure: the intensity of the impact on the weight of the stock being embossed.
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Heat: the ability to maintain a consistent heat level for the best impression.
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An embossed postcard, Carnegie
Library, Houston, Texas (circa 1900-1924).
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398:. Notable early examples include some of the earliest stamps of Italy,
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is called "combination stamping" or "combo stamping".
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386:and other types of stamps. The embossed paper of a
67:. Unsourced material may be challenged and removed.
214:pattern is raised against the background, while a
362:that could be altered in the copying process.
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27:Process to create reliefs in paper materials
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127:Learn how and when to remove this message
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382:Embossing has been used regularly on
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65:adding citations to reliable sources
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347:Registered professional engineers
1107:Bronze and brass ornamental work
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179:Hand-operated embossing machine
52:needs additional citations for
187:Hand-operated embossing for a
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473:. 111th edition. London:
442:List of stationery topics
283:Blind embossed stationary
30:For embossing metal, see
210:and other materials. An
1242:Painting in Hälsingland
336:Document authentication
458:References and sources
437:List of art techniques
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159:A debossed map of the
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498:Library of Technology
432:List of art movements
417:Creativity techniques
374:Embossing on an 1886
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1262:Pressed flower craft
171:, published in 1877.
61:improve this article
32:Repoussé and chasing
679:Spinning (textiles)
597:Friendship bracelet
169:Light for the Blind
143:Embossed paper seal
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300:Combination emboss
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1185:Hardstone carving
1133:Balloon modelling
647:Ribbon embroidery
427:List of art media
378:of Great Britain.
352:birth certificate
292:Registered emboss
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76:"Paper embossing"
16:(Redirected from
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1267:Qing handicrafts
1072:Chemical milling
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78: –
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72:Find sources:
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50:This article
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44:
39:
38:
33:
19:
1225:Glass mosaic
1143:Bone carving
943:Wood carving
938:Wood burning
913:Chip carving
870:Scrapbooking
855:Papier-mâché
821:Papercutting
805:
774:Iris folding
762:Photomontage
757:Papier collé
722:Altered book
582:Cross-stitch
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412:Art movement
388:letter sheet
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275:Blind emboss
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256:tissue paper
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189:photographer
168:
165:William Moon
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59:Please help
54:verification
51:
1252:Pietra dura
1215:Micromosaic
1148:Doll making
1102:Silversmith
1019:Cameo glass
976:Earthenware
948:Woodturning
860:Pop-up book
845:Papermaking
732:Calligraphy
727:Bookbinding
657:Rug hooking
627:Needlepoint
607:Lace-making
572:Canvas work
356:court order
1302:Categories
1287:Wall decal
1210:Miniatures
1128:Assemblage
996:Terracotta
971:Bone china
850:Paper toys
816:Papercraft
742:Cast paper
737:Cardmaking
684:String art
674:Shoemaking
662:Rug making
632:Needlework
587:Embroidery
577:Crocheting
538:handicraft
483:0852596839
309:Pastelling
222:Techniques
117:April 2008
87:newspapers
1313:Paper art
1282:Taxidermy
1272:Scrimshaw
1247:Pargeting
1173:Grotesque
1153:Dollhouse
1097:Goldsmith
1092:Jewellery
1082:Engraving
1039:Glassware
1024:Chip work
991:Stoneware
981:Porcelain
933:Marquetry
908:Carpentry
903:Cabinetry
880:Wallpaper
806:Embossing
799:Moneygami
752:Decoupage
637:Patchwork
622:Millinery
366:On stamps
360:photocopy
327:Scorching
204:debossing
200:Embossing
1237:Ornament
1200:Lapidary
1195:Lath art
1178:Gargoyle
1138:Beadwork
1112:Ironwork
928:Intarsia
923:Fretwork
918:Ébéniste
898:Bentwood
875:Stamping
865:Quilling
811:Marbling
794:Kirigami
784:Kamikiri
689:Tapestry
642:Quilting
602:Knitting
406:See also
396:indicium
216:debossed
212:embossed
18:Debossed
1232:Netsuke
1087:Etching
1067:Andiron
986:Pottery
966:Azulejo
958:Ceramic
826:Chinese
789:Origami
779:Jianzhi
747:Collage
704:Weaving
699:Tie-dye
694:Tatting
617:Macrame
592:Felting
559:Textile
549:History
492:Sources
422:Gilding
384:postage
318:Glazing
163:, from
101:scholar
1220:Mosaic
1077:Enamel
1044:Mirror
836:Slavic
831:Jewish
669:Sewing
652:Carpet
481:
447:Relief
103:
96:
89:
82:
74:
1121:Other
1059:Metal
1011:Glass
769:Decal
714:Paper
612:Lucet
400:Natal
208:paper
108:JSTOR
94:books
1190:Inro
1001:Tile
890:Wood
536:and
479:ISBN
202:and
80:news
390:or
191:'s
167:'s
63:by
1304::
354:,
340:A
258:.
526:e
519:t
512:v
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124:(
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115:(
105:·
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57:.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
