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DeeDee Halleck

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work ultimately lead to the creation of ITVS, the Independent Television Service. Halleck’s work in media reform includes working with a coalition of national organizations to insure public interest set-asides for Direct Broadcast Satellite (DBS). That successful campaign created the provisions which have allowed Free Speech TV, Link TV and a number of universities to have 24-hour television networks via satellite. Halleck has been involved in media policy reform on the international level as a member of the MacBride Roundtable on Communication, Communication Rights in the Information Society (CRIS) and as an official delegate to the World Summit on the Information Society in Geneva 2003 and in Tunis in 2005.
66: 558:, the Pacifica Network daily radio news series. After retiring from the University of California in 2001, Halleck worked full-time for a year (on a volunteer basis) to create the infrastructure and resources for Democracy Now! television, building on the contacts already established by Deep Dish. This daily news program is now on over 650 community television and radio stations and on the Dish Network of 15 million subscribers via Freespeech TV. 248: 128: 25: 561:
As President of the Association of Independent Video and Film Makers (AIVF) in the nineteen seventies, Halleck led a media reform campaign in Washington, testifying twice before the House Sub-Committee on Telecommunication for increased support and channel space for independent video and film. This
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stations, film festivals, the Whitney Museum, Channel Four in the UK and NHK in Japan. Her work with Deep Dish TV includes a twelve part series on the prison industrial complex in the United States entitled, Bars and Stripes (1996) and Shocking and Awful, (2004-2005) a thirteen part series on the
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in 1965. She has led media workshops with elementary school children, reform school youth, senior citizens and migrant farmers. In 1976 she was co-director of the Child-Made Film Symposium, which was a fifteen-year assessment of media by youth throughout the world.
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She has co-coordinated Paper Tiger installations at the Whitney Museum of American Art, the Austrian Triennial of Photography in Graz, the Wexner Center in Columbus Ohio, the Gallery at the San Francisco Art Institute and the Berkeley Art Museum.
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started, she worked with a team of Paper Tiger and Deep Dish producers to create a series on the impending war, called The Gulf Crisis TV Project which ultimately produced ten half-hour programs which were widely shown on
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2003 invasion and occupation of Iraq. She is currently finishing a four-hour compilation of speeches and interviews from the World Tribunal on Iraq, which Deep Dish filmed in Istanbul in June 2005.
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The producers, DeeDee Halleck and Jesus Melendez, claim that they were unlawfully suspended from airing programs on the channels after they published a video that was critical of the network.
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Halleck, DeeDee: Making Movies With Kids On The Lower East Side in Captured: A Film/Video History of the Lower East Side. (2005). Seven Stories Press. 9781583226742
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movement, which now totals over 180 centers in sixty countries. She was one of the initial group of media activists that developed the first center in
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Halleck worked with Victoria Maldonado on a series entitled "Waves of Change", which looks at community media around the world.
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She has received five awards for lifetime achievement: an Indy from the Association of Independent Video and Filmmakers, The
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Hand Held Visions, Fordham University Press, 2002. Roar, Paper Tiger Catalog, Wexner Center, Ohio State University, 1996.
384:, the first grass roots community television network. She is a Professor Emerita in the Department of Communication at the 295: 182: 519: 302: 189: 500: 160: 152: 309: 196: 543: 535: 428:, Women Make Movies and the Instructional Telecommunications Foundation. She has authored numerous articles in 141: 80: 74: 496: 425: 405: 261: 145: 604: 508: 504: 291: 178: 775: 377: 91: 475:(1995), a compilation film about stereotypes of Latin Americans in U.S. films, which was featured at the 468: 471:
for an ecological series for the Deep Dish Network. She received two Rockefeller Media Fellowships for
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with M.E. Sharpe, and has written essays for a number of collections on independent media.
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Hand Held Visions: The Impossible Possibilities of Community Media,
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Halleck was the lead respondent in the 2019 Supreme Court case
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from the article and its talk page, especially if potentially
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was published by Fordham University Press. She co-edited
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Halleck 542:Halleck has been closely involved with the 462:Public Broadcasting and the Public Interest 400:(1961), was about a film-making project at 53:Learn how and when to remove these messages 159:about living persons that is unsourced or 491:'s Visual Anthropology Division in 1998. 361:Learn how and when to remove this message 343:Learn how and when to remove this message 230:Learn how and when to remove this message 110:Learn how and when to remove this message 73:This article includes a list of general 596: 581:'s experimental short documentary film 724:http://www.deedeehalleck.blogspot.com 662:Higgins, Tucker (February 25, 2019). 7: 489:American Anthropological Association 483:and won a special jury prize at the 456:and other media journals. Her book, 424:She has served as a trustee of the 386:University of California, San Diego 734:The Paper Tiger Television Archive 79:it lacks sufficient corresponding 14: 552:World Trade Organization protests 34:This article has multiple issues. 246: 126: 64: 23: 766:American documentary filmmakers 42:or discuss these issues on the 501:PDX Experimental Film Festival 1: 643:www.deepdishwavesofchange.org 584:International Dawn Chorus Day 273:secondary or tertiary sources 520:Alliance for Community Media 279:, especially if potentially 257:biography of a living person 137:biography of a living person 761:American anti-war activists 277:must be removed immediately 164:must be removed immediately 792: 529:In 1990, before the first 503:in Portland, Oregon, the 740:The Deep Dish TV Records 544:Independent Media Center 536:Public-access television 473:The Gringo in Mañanaland 497:Woodstock Film Festival 467:In 1989 she received a 426:American Film Institute 406:Henry Street Settlement 94:more precise citations. 430:Film Library Quarterly 378:Paper Tiger Television 271:Please help by adding 151:Please help by adding 509:Dallas Video Festival 505:Vermont Film Festival 469:Guggenheim Fellowship 416:was nominated for an 481:London Film Festival 477:Venice Film Festival 398:Children Make Movies 382:Deep Dish Television 157:Contentious material 609:film-makerscoop.com 414:Mural on Our Street 260:relies too much on 692:Sarah Jae Leiber, 380:and co-founder of 702:, March 29, 2021. 371: 370: 363: 353: 352: 345: 327: 240: 239: 232: 214: 140:needs additional 120: 119: 112: 57: 16:American activist 783: 703: 690: 684: 683: 678: 676: 659: 653: 652: 650: 649: 635: 629: 626: 620: 619: 617: 616: 601: 516:George C. Stoney 485:Trieste Festival 440:High Performance 396:Her first film, 366: 359: 348: 341: 337: 334: 328: 326: 292:"DeeDee Halleck" 285: 250: 242: 235: 228: 224: 221: 215: 213: 179:"DeeDee Halleck" 172: 153:reliable sources 130: 129: 122: 115: 108: 104: 101: 95: 90:this article by 81:inline citations 68: 67: 60: 49: 27: 26: 19: 791: 790: 786: 785: 784: 782: 781: 780: 746: 745: 720: 712: 707: 706: 691: 687: 674: 672: 661: 660: 656: 647: 645: 637: 636: 632: 627: 623: 614: 612: 603: 602: 598: 593: 518:Award from the 445:The Independent 410:Lower Manhattan 394: 367: 356: 355: 354: 349: 338: 332: 329: 286: 284: 270: 266:primary sources 251: 236: 225: 219: 216: 173: 171: 150: 131: 127: 116: 105: 99: 96: 86:Please help to 85: 69: 65: 28: 24: 17: 12: 11: 5: 789: 787: 779: 778: 773: 768: 763: 758: 748: 747: 744: 743: 737: 731: 726: 719: 718:External links 716: 711: 708: 705: 704: 699:Broadway World 685: 654: 630: 621: 595: 594: 592: 589: 556:Democracy Now! 393: 390: 374:DeeDee Halleck 369: 368: 351: 350: 254: 252: 245: 238: 237: 161:poorly sourced 134: 132: 125: 118: 117: 72: 70: 63: 58: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 788: 777: 776:Living people 774: 772: 769: 767: 764: 762: 759: 757: 754: 753: 751: 741: 738: 735: 732: 730: 727: 725: 722: 721: 717: 715: 709: 701: 700: 695: 689: 686: 682: 671: 670: 665: 658: 655: 644: 640: 634: 631: 625: 622: 610: 606: 600: 597: 590: 588: 586: 585: 580: 575: 573: 572: 566: 563: 559: 557: 553: 549: 545: 540: 537: 532: 527: 523: 521: 517: 512: 510: 506: 502: 498: 494: 490: 486: 482: 478: 474: 470: 465: 463: 459: 455: 451: 447: 446: 441: 437: 436: 431: 427: 422: 419: 418:Academy Award 415: 411: 407: 403: 399: 391: 389: 387: 383: 379: 375: 365: 362: 347: 344: 336: 325: 322: 318: 315: 311: 308: 304: 301: 297: 294: –  293: 289: 288:Find sources: 282: 278: 274: 268: 267: 263: 258: 253: 249: 244: 243: 234: 231: 223: 212: 209: 205: 202: 198: 195: 191: 188: 184: 181: –  180: 176: 175:Find sources: 169: 165: 162: 158: 154: 148: 147: 143: 138: 133: 124: 123: 114: 111: 103: 93: 89: 83: 82: 76: 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 713: 697: 688: 680: 673:. 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Her film, 402:Lillian Wald 397: 395: 373: 372: 357: 339: 330: 320: 313: 306: 299: 287: 276: 259: 226: 220:January 2021 217: 207: 200: 193: 186: 174: 163: 146:verification 139: 106: 100:January 2021 97: 78: 50: 43: 37: 36:Please help 33: 771:1940 births 550:during the 333:August 2007 283:or harmful. 92:introducing 750:Categories 648:2023-09-06 615:2023-05-12 591:References 454:Afterimage 303:newspapers 262:references 190:newspapers 75:references 39:improve it 675:March 21, 142:citations 45:talk page 531:Gulf War 507:and the 450:Leonardo 281:libelous 168:libelous 710:Sources 548:Seattle 317:scholar 204:scholar 88:improve 611:. 1961 499:, The 479:, the 392:Career 319:  312:  305:  298:  290:  206:  199:  192:  185:  177:  77:, but 324:JSTOR 310:books 255:This 211:JSTOR 197:books 135:This 677:2021 669:CNBC 296:news 183:news 144:for 408:in 404:'s 264:to 752:: 696:. 679:. 666:. 641:. 607:. 587:. 574:. 511:. 452:, 448:, 442:, 438:, 432:, 388:. 155:. 48:. 651:. 618:. 364:) 358:( 346:) 340:( 335:) 331:( 321:· 314:· 307:· 300:· 269:. 233:) 227:( 222:) 218:( 208:· 201:· 194:· 187:· 170:. 149:. 113:) 107:( 102:) 98:( 84:. 55:) 51:(

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