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454:"Diegetic", in the cinema, typically refers to the internal world created by the story that the characters themselves experience and encounter: the narrative "space" that includes all the parts of the story, both those that are and those that are not actually shown on the screen, such as events that have led up to the present action; people who are being talked about; or events that are presumed to have happened elsewhere or at a different time; such as the intro to "Star Wars", with its now classic "A long time ago, in a galaxy far, far away..."
593:, towards an imaginary "elsewhere" set in the past and which has to be evoked for the reader through predication and description. Dramatic worlds, on the other hand, are presented to the spectator as "hypothetically actual" constructs, since they are "seen" in progress "here and now" without narratorial mediation. This is not merely a technical distinction but constitutes, rather, one of the cardinal principles of a poetics of the drama as opposed to one of narrative fiction. The distinction is, indeed, implicit in
810:
38:
494:, the colored spine of the player's spacesuit is used to indicate the health points of their character. This is rendered within the environment of the game, as part of the player's character. Ammo, mission updates, and several key menus are also rendered in the game world, which are viewed by the player's character.
508:
series, in which the player-character is equipped with an advanced survival suit that projects holographic images to the character within the game's rendering engine that also serve as the game's user-interface to the player to show weapon selection, inventory management, and special actions that can
502:. Status icons, menu bars and other UI which are not part of the game world itself can be considered as "extra-diegetic"; a game character does not know about them even though for the player they may present crucial information. A noted example of a diegetic interface in video games is that of the
446:
for us where to look - and where not to look. In a similar way, editing causes us to jump from one place (and/or time) to another, whether it be elsewhere in the room, or across town. This jump is a form of narration; it is as if a narrator whispers to us: "meanwhile, on the other side of the
394:
narrative. However, the author may include elements that are not intended for the primary narrative, such as stories within stories. Characters and events may be referred to elsewhere or in historical contexts and are therefore outside the main story; thus, they are presented in an
457:
Thus, elements of a film can be "diegetic" or "non diegetic". These terms are most commonly used in reference to sound in a film. Most soundtrack music in films is non diegetic; heard by the audience, but not by the characters. Some films reverse this convention; for example,
354:(the level of the narrative's telling) is, according to Prince, "external to (not part of) any diegesis." One might think of this as what we commonly understand to be the narrator's level, the level at which exists a narrator who is not part of the story being told. The
389:
events which said story purports to tell. (It is the difference between seeing an intertitle reading "a week later," and simply waiting a week.) Diegesis may concern elements, such as characters, events, and things within the main or
447:
forest". It is for this reason that the "story-world" in cinema is referred to as "diegetic"; elements that belong to the film's narrative world are diegetic elements. This is why, in the cinema, we may refer to the film's
498:
In video games "diegesis" comprises the narrative game world, its characters, objects and actions which can be classified as "intra-diegetic", by both being part of the narration and not breaking the
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all parts of narratives—characters, narrators, existents, actors—are characterized in terms of diegesis. In literature, discussions of diegesis tend to concern discourse/sjužet (in
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employs diegetic music, played by the characters on music devices, to which many of the film's action scenes are set. These terms can also apply to other elements. For example, an
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that depicts something that is neither taking place in the world of the film, nor is seen, imagined, or thought by a character, is a
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In filmmaking the term is used to refer to the story as it is directly depicted onscreen, as opposed to the (typically much longer)
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Bunia, Remigius. 2010. "Diegesis and
Representation: Beyond the Fictional World, on the Margins of Story and Narrative,"
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442:. Even in a spatially and temporally continuous scene (mimicking the theatrical situation, as it were), the camera
761:. Trans. John Halliday. European Studies in English Literature Ser. Cambridige: Cambridge University Press, 1988.
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The classical distinction between the diegetic mode and the mimetic mode relates to the difference between the
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Details about the world itself and the experiences of its characters are revealed explicitly through narrative.
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In dramatic texts, the poet never speaks directly; in narrative texts, the poet speaks as herself or himself.
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See also
Pfister (1977, 2–3) and Elam: "classical narrative is always oriented towards an explicit
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682:"Deliberately diegetic: Dead Space's lead interface designer chronicles the UI's evolution at GDC"
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describes a character's ability to hear the music presented for the audience, in the context of
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events are those experienced by both the characters within a piece and the audience, while
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is that part of a diegesis that is embedded in another one and is often understood as a
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560:(Cornell University Press, 1980); or (for a readable introduction) H. Porter Abbott's
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who speaks from "outside" in the form of commenting on the action or the characters.
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There is a presumed detachment from the story of both the speaker and the audience.
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storytelling in which a participating narrator offers an on-site, often interior,
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Gerald Prince, A Dictionary of
Narratology, 2003, University of Nebraska Press,
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by a narrator. The narrator may speak as a particular character, or may be the
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them through narration, while drama enacts stories through direct embodiment (
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is understood as the level of the characters, their thoughts and actions. The
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An
Introduction to Film Analysis: Technique and Meaning in Narrative Film
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Coyle, R. (2004). Pop goes the music track. Metro
Magazine, 140, 94–95.
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describing the actions and, in some cases, thoughts, of one or more
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The story is told or recounted, as opposed to shown or enacted.
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713:. Ed. Bernard F. Dukore. Florence, KY: Heinle & Heinle.
630:"Inside the Oscar-nominated sound that steers 'Baby Driver'"
152:
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narration (with some exceptions) are also non-diegetic.
273:(Greek μίμησις "imitation") have been contrasted since
790:, The Continuum International Publishing Group, 2012.
374:, as when diegetic narrators themselves tell a story.
597:'s differentiation of representational modes, namely
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Aristotle. 1974. "Poetics". Trans. S.H. Butcher. In
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elements; this is determined by the technologies of
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656:"Video game user interface design: Diegesis theory"
350:distinguishes between three "diegetic levels". The
224:of the scene to the reader, viewer, or listener by
155:
62:. Unsourced material may be challenged and removed.
711:Dramatic Theory and Criticism: Greeks to Grotowski
746:. New Accents Ser. London and New York: Methuen.
346:Diegesis is multi-levelled in narrative fiction.
27:Style of fiction storytelling involving narration
244:" separating the characters from the audience.
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2138:
2130:
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122:Learn how and when to remove this message
562:The Cambridge Introduction to Narrative
558:Narrative Discourse: An Essay in Method
545:
199: 'narration, narrative', from
1516:Types of fiction with multiple endings
288:, by means of action that is enacted.
7:
609:(direct imitation)" (1980, 110–111).
60:adding citations to reliable sources
744:The Semiotics of Theatre and Drama
628:Trenholm, Richard (2 March 2018).
564:(Cambridge University Press 2002).
216: 'to narrate') is a style of
25:
1919:Third-person omniscient narrative
654:Russell, Dave (2 February 2011).
267:(Greek διήγησις "narration") and
240:elements of a story make up the "
808:
759:The Theory and Analysis of Drama
414:. The "epos" relates stories by
139:
36:
603:(narrative description) versus
47:needs additional citations for
1307:Conflict between good and evil
1:
813:The dictionary definition of
786:Michael Ryan, Melissa Lenos,
552:For definitions of diegesis,
328:). In diegesis, the narrator
680:Tach, Dave (13 March 2013).
2405:Articulation (sociological)
2467:
202:
185:
1946:Stream of unconsciousness
1477:Falling action/Catastasis
734:10.1215/03335372-2010-010
472:. Titles, subtitles, and
422:). In terms of classical
1314:Self-fulfilling prophecy
757:Pfister, Manfred. 1977.
1941:Stream of consciousness
1404:Suspension of disbelief
2441:Concepts in aesthetics
1482:Denouement/Catastrophe
1463:Rising action/Epitasis
495:
1828:Utopian and dystopian
618:Elam (1980, 110–111).
487:
2161:Literary composition
1382:Narrative techniques
1162:Story within a story
974:Supporting character
783:on 2 September 2007.
372:story within a story
306:all-knowing narrator
56:improve this article
2410:Composition studies
2359:Creative nonfiction
2224:Linguistic contrast
2217: / devices
2087:Political narrative
1929:Unreliable narrator
1786:Speculative fiction
1494:Nonlinear narrative
1442:Three-act structure
1302:Deal with the Devil
470:non-diegetic insert
430:form that utilizes
426:, the cinema is an
360:intradiegetic level
352:extradiegetic level
2065:Narrative paradigm
2060:Narrative identity
1990:Dominant narrative
1936:Multiple narrators
1220:Fictional location
1063:Dramatic structure
742:Elam, Keir. 1980.
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368:hypodiegetic level
364:metadiegetic level
302:invisible narrator
2423:
2422:
2415:Technical writing
2229:Literary contrast
2127:
2126:
2070:Narrative therapy
1504:television series
1449:Freytag's Pyramid
1292:Moral development
1195:Alternate history
905:False protagonist
781:Project Gutenberg
779:. Retrieved from
322:Russian Formalism
277:. For Aristotle,
246:Diegesis in music
132:
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16:(Redirected from
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2333:Rhetorical modes
2323:Grammatical mood
2277:Cut-up technique
2175:Characterization
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2147:
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2050:Literary science
1593:Narrative poetry
1489:Linear narrative
1399:Stylistic device
1394:Show, don't tell
1357:Figure of speech
1147:Shaggy dog story
890:Characterization
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721:. p. 31–55.
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1995:Fiction writing
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910:Focal character
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72:
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67:Find sources:
61:
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51:
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45:This article
43:
39:
34:
33:
30:
19:
2281:
2109:Storytelling
1924:Subjectivity
1914:Third-person
1904:First-person
1898:
1538:
1347:Comic relief
1099:
1092:
1083:Flashforward
1050:
1024:Origin story
1006:
969:Straight man
924:
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743:
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704:Bibliography
689:. Retrieved
675:
663:. Retrieved
659:
649:
637:. Retrieved
623:
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497:
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488:In the game
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332:the story.
329:
315:
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301:
293:
289:
285:
284:rather than
281:
278:
268:
264:
263:
254:film scoring
238:non-diegetic
237:
233:
226:subjectively
210:
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193:
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134:
133:
118:
109:
99:
92:
85:
78:
66:
54:Please help
49:verification
46:
29:
2451:Narratology
2446:Film theory
2389:Short story
2180:Description
2114:Tellability
2080:Metafiction
2075:Narratology
1847:Theological
1739:Pop culture
1620:Short story
1598:Epic poetry
1319:Time travel
1132:Red herring
1117:Plot device
1088:Frame story
1041:Cliffhanger
984:Tritagonist
959:Protagonist
500:fourth wall
466:insert shot
461:Baby Driver
408:epic poetry
399:situation.
242:fourth wall
211:diēgeîsthai
178:; from
2430:Categories
2384:Screenplay
2338:Stylistics
2297:Plagiarism
2272:Assemblage
2265:Prewriting
2215:Techniques
2195:Literature
2185:Exposition
2000:Continuity
1869:Nonfiction
1833:Underwater
1729:Picaresque
1704:Historical
1689:Epistolary
1561:Fairy tale
1472:Peripeteia
1454:Exposition
1210:Dreamworld
1152:Stereotype
1122:Plot twist
870:Antagonist
540:References
509:be taken.
505:Dead Space
491:Dead Space
474:voice-over
436:the camera
230:characters
204:διηγεῖσθαι
82:newspapers
71:"Diegesis"
1891:Narration
1840:Superhero
1764:Chivalric
1749:Religious
1734:Political
1669:Adventure
1654:Biography
1576:Tall tale
1424:Structure
1409:Symbolism
1377:Narration
1277:Leitmotif
1205:Crossover
1200:Backstory
1157:Story arc
1107:MacGuffin
1078:Flashback
1019:Backstory
895:Confidant
875:Archenemy
862:Character
854:Narrative
595:Aristotle
387:real time
275:Aristotle
2436:The arts
2328:Register
2306:Features
2292:Pastiche
2282:Diegesis
2097:Glossary
2092:Rhetoric
1899:Diegesis
1879:Creative
1852:Thriller
1801:Southern
1719:Paranoid
1714:Nautical
1625:Vignette
1583:Gamebook
1551:Folklore
1458:Protasis
1337:Allegory
1282:Metaphor
1240:parallel
1235:universe
1215:Dystopia
1172:Suspense
1058:Dialogue
1046:Conflict
954:Narrator
926:Hamartia
816:diegesis
777:Republic
691:15 April
600:diegesis
529:Paratext
513:See also
432:dramatic
290:Diegesis
265:Diegesis
234:Diegetic
194:diḗgēsis
187:διήγησις
135:Diegesis
18:Diegetic
2287:Mimesis
2253:Methods
2027:Prequel
1983:Related
1969:Present
1862:Western
1818:Science
1791:Fantasy
1759:Romance
1709:Mystery
1694:Ergodic
1659:Fiction
1615:Parable
1610:Novella
1540:Fabliau
1511:Premise
1362:Imagery
1352:Diction
1230:country
1187:Setting
1167:Subplot
989:Villain
942:Byronic
686:Polygon
660:Dev.Mag
639:22 July
606:mimesis
524:Mimesis
444:chooses
440:editing
424:poetics
420:showing
416:telling
392:primary
381:In film
294:telling
292:is the
279:mimesis
270:mimesis
218:fiction
96:scholar
2379:Poetry
2234:Cliché
2200:Writer
2031:Sequel
2015:Retcon
2010:Reboot
1974:Future
1808:Horror
1796:Gothic
1781:Satire
1699:Erotic
1566:Legend
1468:Climax
1342:Bathos
1249:Utopia
1137:Reveal
1036:Cliché
1014:Action
1008:Ab ovo
947:Tragic
794:
765:
750:
717:
577:
410:) and
326:fabula
260:Origin
98:
91:
84:
77:
69:
2374:Novel
2364:Essay
2352:Forms
2244:Trope
2239:Idiom
2038:Genre
2005:Canon
1956:Tense
1874:Novel
1857:Urban
1769:Prose
1754:Rogue
1679:Crime
1674:Comic
1635:Genre
1605:Novel
1556:Fable
1534:Drama
1499:films
1329:Style
1297:Motif
1287:Moral
1272:Irony
1264:Theme
1177:Trope
773:Plato
665:4 May
412:drama
330:tells
298:story
296:of a
286:tells
282:shows
182:
103:JSTOR
89:books
2369:Joke
2343:Tone
2043:List
1964:Past
1823:Hard
1776:Saga
1684:Docu
1640:List
1571:Myth
1526:Form
1414:Tone
1387:Hook
1372:Mood
1367:Mode
1225:city
1112:Pace
999:Plot
937:Anti
932:Hero
915:Foil
792:ISBN
763:ISBN
748:ISBN
715:ISBN
693:2015
667:2017
641:2021
634:CNET
575:ISBN
438:and
428:epic
406:(or
404:epos
316:For
222:view
75:news
1432:Act
730:doi
556:'s
366:or
358:or
252:or
58:by
2432::
2029:/
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162:iː
159:dʒ
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191:(
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171:s
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147:d
144:ˌ
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137:(
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119:(
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110:(
100:·
93:·
86:·
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20:)
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