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314:, again accounts for the past through the eyes of an artist, the artist is no longer a demonic tin-drummer in the guise of a child but the ingenious maker of a world of objects reflecting the break between the creations of nature and those of men. The narrator refers to Amsel's "keen sense of reality in all its innumerable forms."
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uniforms, and dresses his scarecrows in them. He also persuades his childhood friend Walter to become a member of the S.A., in order to help him obtain the uniforms. But since the confusion in this country has reached its maximum at this point in time, it is inevitable that the two friends end up on
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through the perspective of three different narrators, a team directed by Amsel — alias
Brauxel — who makes scarecrows in man's image. The seemingly solid childhood friendship of Amsel and Matern evolves into the love-hate relationship between Jew and non-Jew under the impact of Nazi ideology. When
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259:. Eduard keeps a diary which he fills with drawings of ideas for scarecrows. The history of this country is told with cruel images of horror and violence from that past that echoes into the present, which becomes Hitler's Germany.
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The story in the second part of the book is narrated by Harry
Liebenau, and consists of letters from him addressed to his cousin Tulla. This part of the story occurs during the war period, when Amsel collects vast numbers of
205:. It was first published in Germany in 1963. Its English translation, by Ralph Manheim, was first published in 1965. It is the third and last volume of his
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223:. The novel consists of three different chronological parts, from the 1920s to the 1950s. The main characters are Walter Matern and Eduard Amsel.
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The last part of the novel is narrated by Walter and takes place after he has found his new friend Prinz. They leave on a journey in the postwar
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a collision course. At one point Walter denounces Amsel as a Jew, hits him in the face and knocks out all of his teeth.
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the former friends from the region of the
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estuary, which is a German-Polish borderland (the interwar
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Walter Matern and Eduard Amsel are friends. Eduard is half
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335:"Dog Years (The Danzig Trilogy #3)"
287:'s arcane philosophical syntax in
283:Grass's style frequently parodies
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374:Spender, Stephen (23 May 1965).
407:Enright, D. J. (3 June 1965).
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413:The New York Review of Books
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376:"Scarecrows and Swastikas"
16:1965 novel by Günter Grass
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543:From the Diary of a Snail
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111:Harcourt, Brace and World
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738:German historical novels
733:Novels by Günter Grass
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559:The Meeting at Telgte
700:The Call of the Toad
583:The Call of the Toad
409:"Casting Out Demons"
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723:1965 German novels
380:The New York Times
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416:. Retrieved
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383:. Retrieved
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342:. Retrieved
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312:The Tin Drum
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300:Alsatian dog
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71:Günter Grass
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41:Günter Grass
684:Adaptations
257:Protestants
717:Categories
599:My Century
318:References
279:Discussion
249:Mennonites
237:scarecrows
199:Hundejahre
57:Translator
51:Hundejahre
20:Dog Years
516:Dog Years
308:Dog Years
295:Dog Years
253:Catholics
190:Dog Years
146:Paperback
107:Publisher
657:" (2012)
607:Crabwalk
418:20 April
385:20 April
344:20 April
179:Crabwalk
142:Hardback
77:Language
623:The Box
575:The Rat
310:, like
241:Vistula
140:Print (
131:Germany
703:(2005)
695:(1979)
676:(1966)
647:Poetry
626:(2008)
618:(2006)
610:(2002)
602:(1999)
594:(1995)
586:(1992)
578:(1986)
570:(1980)
562:(1979)
554:(1977)
546:(1973)
538:(1969)
527:Others
519:(1963)
511:(1961)
503:(1959)
233:Jewish
195:German
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156:570 pp
144:&
87:Series
81:German
37:Author
665:Plays
481:Prose
153:Pages
101:Novel
97:Genre
420:2015
387:2015
346:2015
265:S.A.
255:and
227:Plot
217:and
122:1965
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