41:. Like many members of her community, she worked as a scribe, copyist, and limner. According to historian Marilyn Dunn, "Her miniatures emphasize iconography over artistic aesthetics, presenting saintly models for the nuns."
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Roest, Bert (1 January 2013). "Forms of
Literary and Artistic Expression".
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The
Ashgate Research Companion to Women and Gender in Early Modern Europe
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289:"Mulheres pintoras através dos tempos: Pré-História até Idade Média"
52:, she copied his works, chose their titles, and illustrated them in
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Order and
Disorder: The Poor Clares between Foundation and Reform
56:. Works copied and illuminated by Broccardi, identifiable by her
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10.4324/9781315613765-5/convent-creativity-marilyn-dunn
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208:Dunn, Marilyn (2013). "Convent Creativity".
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44:She collaborated closely with
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267:"Marianus of Florence"
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273:Catholic Encyclopedia
83:Vita di San Francesco
62:signature, include:
46:Marianus of Florence
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39:San Lino, Volterra
25:nun, copyist, and
19:Dorothea Broccardi
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54:watercolor
50:amanuensis
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48:. As his
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