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383:(also known as TNUA). So far, she won three awards with her individual and collaborative artworks which focus on tracing the past of Saisiyat and the reappearance of traditional cultures. She is good at creating art by different methods, including photographing, documenting and making good use of digital resources.
403:. She kept studying at the Graduate Institute of Trans-disciplinary Arts. However, it was this year that her father had a serious illness, she found out that she didn't know anything about her father’s tribe. Therefore, she decided to be the reconnect between her and her aborigine identity.
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She was born in 1993 in
Nanzhuang township, Miaoli county. Her father is a Saisiyat aborigine and her mother is from Hakka. Despite her family background, her parents seldom talked about their tribe. Therefore, when she was little, she had little connection with her family’s culture.
437:(Chinese: 越山; Saisayat: lohizaw). She traced back by foot to the old path that her ancestors had moved in to avoid oppression, hoping to know more about her tribe. In it, we can see the work of thirty creators and each of them with their interpretations of the same paths.
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is made by constantly overlapping and correcting the oral dictation of the elderly. With the experience of walking and visiting, the artists plotted a road to the memory of the past. This work won the first prize of 2020 Pulima Art Award Visual Arts.
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aims to piece together the historical story of the creator’s family and even her ethnic group by building traditional buildings and drawing migration maps. While looking back and sorting herself up, she also evokes the deep memories of the elderly.
544:(Chinese: 翻轉——賽夏青年的迴返; Saisayat: ’pa’inrowa’), the display she curated, was one of the most iconic. She gathered Saisiyat artists from different tribes, inviting them to share how they reconnected to their hometown after entering the workforce.
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She uses abundant media to express the concept, such as sketches, photos, and displays of historical objects. Besides, she often holds collaborative exhibitions with other artists, such as Yi-Ching Chien, Yi-Chun Chen, and Yun-Ting Hong.
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draws materials from communities facing demolition due to urban renewal. The collected, discarded materials are used to construct a space, leading viewers to recall and imagine the scene back then. Other artworks includes
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is presented in digital images and old documents from. It records the tribe's routine preparatory meeting before the Saiya tribe's biennial, sacred and solemn Basta Pass (dwarf festival) is held.
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tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the
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by spending nearly half a year climbing mountains to find the past of her tribe. Her action was commented on by Kao, Jun-Honn, the
Adjunct Assistant Professor at TNUA, as “heartfelt”.
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Till now, she is still actively holding and participating in either solo or group exhibitions. One of the latest ones she participated in is the display,
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Later, she engaged in more and more cultural, environmental and historical art exhibitions, with the themes she devoted herself to. For example, in 2016,
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422:(Chinese:離散．六〇: 馬祖新村主題展) in Taoyuan. In the year of 2018, she won the first prize in the Taoyuan Contemporary Art Award for her collaborative artwork
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371:(Chinese: 豆宜臻; Dòu yí zhēn; Saisiyat: hewen atain tawtawazay) was born in 1993 in Nanzhuang township, Miaoli county. Her father is a
445:
The main idea of her works focuses on tracing back the past and the reappearance of traditional cultures. She completed her artwork
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In 2014, she began historical review and field investigations, wanting to find her identity of aboriginal and the cultural values.
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Basically, the artworks of Dou Yi-Jen are mostly concrete and realistic, tending to make good use of space and digital resources.
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522:. In 2014, she participated in the exhibitions held by the Department of Fine Arts and won the high distinction award.
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After 2016, Dou Yi-Jen started to be the curator and person in charge of the exhibitions. In 2017, she curated
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426:(Chinese: 麥可盧因斯計畫 2017) with Yi-Ching Chien. Later, in 2019, she got the Next Art Tainan Award for her
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Between 2014 and 2015, most of the exhibitions she participated in were held by her alma maters,
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399:(also known as HSNU). In 2017, she graduated from the Department of Fine Arts,
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675:"臺南新藝獎 NEXT ART TAINAN | 歷屆新藝獎 | 藝術新星 | 豆宜臻 Yi-Jen Dou、簡翊晉 Yi-Ching Chien"
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