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936:" Upon contacting their agent at William Morris, he discovered that the Beach Boys were available for booking at $ 750. Despite the band's limited travel radius due to member Carl Wilson's high school commitments, Vail coordinated the necessary arrangements, including plane tickets, to ensure their presence at the event.
924:’ had been the big music in ’60, ’61,” he says. “It was now ’63. Surf music was happening. Every label, independent or major, had a surf band. There were the Challengers, the Merced Blue Notes, the Astronauts, the Lively Ones, Dick Dale and the Del-tones. They were all guitar bands, basically. Very, very limited vocals.”
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said, ‘Hey, I’d love to take you for a cup of coffee and hear some stories.’ And from moment one that we sat down, something inside was like, ‘You have to hit record on your phone.’ And I’m thankful I did, because every story he told was just jaw-dropping. Fred was the fly in the room for everything.”
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Around a decade ago, well after Vail had parted ways with the Beach Boys, he received a call from their management team. They said, ‘Fred, we were going through the vault and we found these five two-inch rolls of tape with your name and Brian’s name on them,'” Vail said. “‘Do you know anything about
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as a promotion and marketing manager gave him the opportunity to move to
Nashville in 1974.In 1980, Vail founded Treasure Isle Recorders, Inc., the first Nashville studio to become all-digital, remaining busy over the years due to the spacious tracking rooms, which many engineers and musicians claim
1042:
In 2022, Sam Parker, a concert promoter and producer based in
Nashville, stumbled upon Fred Vail's profile on Facebook. Parker, a devoted lifelong fan of the Beach Boys, instantly recognized the name. “I reached out to Fred, not thinking he would actually respond,” Parker says. “But he did and I
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Reflecting on his interactions with the band, Vail shared, "A lot of times when I'd pick the Beach Boys up I'd have country stations on, and I'd sing along sometimes and they'd be teasing me. And then they'd put on the pop music stations and I'd put it back on the country stations. We were just
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They will be heading into the studio with a selection of guest vocalists whose identities they're not prepared to disclose at this time. “They’re country music legends,” Parker says. “They’re rock & roll legends, contemporary country, and pop stars too.” However, he can disclose that
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Brian Wilson began reminiscing about the band's early days, particularly the moments in the car when Vail would sing along to country tunes on the radio. Wilson expressed a desire to capture Vail's voice on record, and together they compiled a list of songs, including hits like
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A camera crew was present to film all of the studio work. “As of right now, we’re creating a four-part docuseries,” says Parker, who adds that Wilson will executive produce the series with him. “The first episode will tell Fred’s story. Episode two will be the story of
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them?’ And I said, ‘Yeah, that’s the country album that Brian and I started back in 1970.’ And they said, ‘Well, what should we do with them?’ And I said, ‘Well, don’t throw them out. If you’re trying to clean out the vault, just send it to me and I’ll keep them.'”
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Upon learning about the Cows in the
Pasture tapes stored in Vail's garage, Parker saw the opportunity to not only to complete the project Vail had initiated with Brian Wilson back in 1970 but also to share Vail's life story with the world.
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When tasked with organizing a fundraiser for El Camino High School at
Sacramento Memorial Auditorium, Vail's mind immediately went towards an up-and-coming surf band that was beginning to capture national attention with hits like
909:. Vail began his career in Sacramento, CA, working as a radio announcer and teenage news announcer at the age of 12, where he secured an interview with Ricky Nelson for the school newspaper by persuading his way onto the set of
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Over the past five decades, Vail's voice has undergone significant changes. However, Parker viewed this as an opportunity to experiment with a different approach to the vocals. The idea was to take this kind of
954:. In the same hotel room, while Vail counted concert proceeds with Murray Wilson on one bed, Brian and Mike harmonized on the other. He also lent his voice to the introduction of the Beach Boys' 1964 album "
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approach,” he says. “Late in his career, when he didn’t have the twang he used to have, they reinvented his voice with a sort of spoken-work approach. That’s sort of what Fred is doing in the studio.”
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Vail pursued the role of
Commissioner of Entertainment. He faced defeat initially but persisted, running again in his senior year andemerging victorious.
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1080:. Episode three takes place afterwards when Fred left California and came East. Episode four concludes the whole thing with the finishing of the album.”
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The show on May 23, 1963, marked the Beach Boys' inaugural headlining performance outside of Los
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album and arranged the group's 1983 White House concert. Vail's journey with the band also included moments like witnessing the mastering of
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Vail found himself present in pivotal career moments with the band such as when Brian Wilson and Mike Love writing "
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Frederick Vail (born March 24, 1944) has held many industry roles, including concert promoter and co-manager for
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