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Her interest in a forest environment is not scientific or botanic. There are many ways to approach the forest, Helen studies nature from a visual point of view. She use in her artistic practice different mediums and techniques, sketches, analogue photography and fallen branches. She's collectiong
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published in a Slovak Gender oriented
Magazine Glosolália she reflects on how does the forest transmit awareness about itself to us, how is the forest revealing itself in the darkness and how can we archive the perception of an utroubled mind of an infant to connect with the entirety of a nature.
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She mainly depicts coniferous trees, with no crowns or leaves, sick or even broken ones for their dramatic and theatrical aspect. Portreiyng them the way the old masters did people, involving an imbalance of hues and biological instability, absurdity. Her ambition is to create something visually
444:
This submission has now been cleaned of the above-noted copyright violation and its history redacted by an administrator to remove the infringement. If re-submitted (and subsequent additions do not reintroduce copyright problems), the content may be assessed on other
616:. She is a three time finalist of the VÚB Painting Prize, also in 2022 was selected for the longlist of the STRABAG Artaward International award. In 2022 was nominated for the Piero D'Amore E Colore Prize at The Others art fair in
667:. Her main focus lies on captivating the forest's otherness and to explore the limits of our existence in relation to the desire to become a forest and the meaning of a collective idea about the forest. In her
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soil from the Slovak forest's and bringing them back to the gallery space as an installation. The viewers can read the differencies about regions also the current state of the forests.
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distinctive about branches and natural materials and shift attention that "dead" wood has got all the rights to remain part of the ecosystem.
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Mačaj, P.: Looking throught the forest's eyes (essay about Helen Tóth's work), Glosolália, Gender oriented magazine 4/2019, ISSN 1338-7146
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Mayhew-Smith, A.: Tree Time, feature article in The
British Czech and Slovak Review / Oct.-nov.2021, Issue 180, ISSN 1471-9525
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Geržová, J.: From voiceless nature to a subject with its own voice, Profil contemporary art magazine 1´20, ISSN 1335-9770
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Helen belongs to the young generation of Slovak contemporary artists working in a field of painting, drawing,
612:(born 17 July 1992) is a Slovak visual artist. She studied painting at the Academy of Fine Arts and Design in
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2011 Transart
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2024, Eva Kapsová: Does it make sense to go to the gallery when I can go to the forest
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Cover and illustrations: Glosolália, Gender oriented magazine 4/2019, ISSN 1338-7146
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Slavia Modern Art
Gallery, Slovakia, (When will it be my turn?, oil on canvas, 2022)
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2015 Mediawave, International Film, Music and Art festival, Durvacrew art house,
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Catalogue: Línia lesa, 2023, Nitrianska galéria, ISBN 978-80-85746-93-8
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2024, Davide
Silvioli: Helen Tóth’s natural universe on view in Rome
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2017 The speaking fingers of trees, DOT. Contemporary Art
Gallery,
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1565:. © GALÉRIA 19 n. o.; ; www.galeria19.sk. 2019. p. 61.
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2018 Art Market Budapest, represented by DOT. Gallery, Hungary
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2021 End of the season, OPENING!!!, Hájovňa-červená studňa,
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2017 Failings before final, DOT. Contemporary Art Gallery,
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2016 Meet God by the River, DOT. Contemporary Art Gallery,
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2019 Buy now or cry later, DOT. Contemporary Art Gallery,
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1602:"Among These Trees Is My Hiding Spot - Kontur Magazin"
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2022 Printing, still, Station Contemporary Art Gallery
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2019, Peter Mačaj: Looking through the forest's eyes
777:2023 I carry ferns on my shoulders, Gallery Sumec,
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1587:"Profil 1/2024 | Časopis Profil súčasného umenia"
1393:"Helen Tóth. Among These Trees Is My Hiding Spot"
1379:"Helen Tóth. Among These Trees Is My Hiding Spot"
881:2022 Printing Still, Galerij Epreuve d 'Artiste,
672:"When the forest breathes it does through colors"
22:Submission declined on 23 August 2024 by
348:Submission declined on 17 April 2024 by
812:2016 DOT. 2016, DOT. Contemporary Art Gallery,
805:2016 Until Now, DOT. Contemporary Art Gallery,
763:2022 Light like a broken tree, Gallery Výklad,
992:Slovakia, (Vrbické pleso, oil on canvas, 2017)
770:2023 Ode to the conifers, Blu : gallery,
408:suitably free and compatible copyright license
749:2022 Levitating uncertainty, Gallery Slávia,
572:Academy of fine arts and design in Bratislava
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756:2022 One of those nicer nights, A7 Gallery,
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1516:"CURVA PURA – Helen Toth | Open House Roma"
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905:2022 Christmas Party, Blu : gallery
627:, which is co-organized by the Austrian
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819:2017 Winter Selection 6´, Flatgallery,
742:2021 The endless tree, Turiec Gallery,
1258:"Glosolália 4/2019 :: GLOSOLÁLIA"
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922:2023 Forest Line, Nitrianska galéria,
735:2021 The forest's breath, Gallery 19,
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888:2022 VÚB Painting Award, Nedbalka,
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699:Bratislava
692:Solo shows
614:Bratislava
610:Helen Tóth
545:1992-07-17
521:Helen Tóth
480:WP:NARTIST
264:Easy tools
1286:Helentoth
885:, Belgium
883:Antwerpen
788:, Belgium
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231:Biography
144:talk page
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121:, please
99:live help
56:secondary
45:published
1238:ArtFacts
1213:cite web
988:Nedbalka
786:Brussels
665:land art
645:Liza Lou
499:Comment:
476:Comment:
445:grounds.
316:Resubmit
198:reliable
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978:, Italy
795:, Italy
594:Website
363:context
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765:Trnava
751:Košice
744:Martin
618:Torino
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429:, but
300:Kahtar
241:tags.
237:, and
1563:(PDF)
1351:(PDF)
955:Paris
924:Nitra
910:Modra
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669:essay
655:Works
146:of a
1567:ISBN
1219:link
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