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516:"Speaking of Listening, Speaking of Seeing: Group Variations II by Benjamin A. Boretz and Russell Craig Richardson; Or, Dialogue Between Ibn Sina and Ibn Rushd on ‘Time and What We Make of It" The Open Space Magazine, Issue 19 / 20. 2016.
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Forshee’s compositions are for acoustic instruments (solo, chamber, and orchestral), voice, computer and electronic sound, as well as audio-visual media, a chamber opera, and a semi-improvised outdoor site-specific work.
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is an
American composer, teacher, writer, editor, curator, and performer.
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570:"An environment for physical modeling of articulated brass instruments"
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Forshee’s publications have focused on music, ideas, and technology of
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Sextet (2013) – bassoon, percussion, harp, harpsichord, ‘cello, bass
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Apokatastis (2021) – chamber ensemble with computer-generated sounds
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First: Listen (The
Journal of Critical Listening through Music)
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Transfigured Verse (2020) – harp and computer-generated sounds
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Harrisona, RL; Beilbaoa, S; Perry, J; Wishart, T (2015).
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