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This draft has a title that either has been disambiguated, or will need disambiguation to be accepted.If this draft is accepted, a disambiguation page will need to be created. (Review of the existing article or articles with the principal name indicates that a disambiguation page should be crated in
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Paul Buck’s textual work has spread onto canvas, glass, and other materials, and become part of documentation from performances over the years. It has also extended to exhibitions, as at the
Cabinet Gallery in 1992 in which texts were directly worked on the walls in printed and handwritten form. In
1043:(a Belgian art-music group) with Jean-Marie Mathoul, for which he wrote and performed texts for a number of albums until completing his involvement in 1994. His interest in ‘the internal rhythms’ within language is the reason he has given for this music research and involvement.
891:
His oral performance work also developed from research that owed to music sources (including Berio and Scelsi) as well as to ethnic and poetry traditions. His most notable performances were at The
Institution of Rot, The Museum of Modern Art (Oxford) and at the
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is one of those works that refuses to sit still for its portrait. Buck comes closer than anyone else to catching the film’s elusive quality – the sense that it is experience as much as text – by treating it as the centre of a web stretching out in numerous
252:
tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the
1386:
at the
Cabinet Gallery in London, accompanied by scores of pages translated by him and Catherine Petit from the Rodez and Ivry notebooks for folders displayed in the gallery to aid the audience.
2631:, noting ‘As the magazine evolves and develops, new ideas emerge; it starts to create its own afterlife,’ and emphasises Buck’s assertion of ‘the importance of editorial conviction and courage’.
792:. He has always acknowledged that one of the pleasures of editing and translating is not only to discover oneself, but to publish and promote others whom he thinks should be read more widely.
638:
and though he sought to find
English-language publishers for Manchette’s novels, the French author’s time was yet to come outside France. They started writing a novel together called
1408:
His other ongoing main focus is the series, Vauxhall&Company, that he edits with
Catherine Petit under the auspices of the Cabinet Gallery. To date they have published books by
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In the 1970s, Paul Buck lived with the writer Glenda George. They have one son, Daniel. Though Paul Buck moved away from Sidcup at the end of the 1960s to live variously in
1322:, that draws on his cultural scrapbooks, dating back to 1964, plotting his involvement in art and cultural activities, particularly in relation to French literature.
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1110:, comprised of his own textual work, but also included a gallery of other artists he invited into the space from Britain, France, the US and Germany, including
513:(born 10 August 1946) is a British poet, writer, translator and editor. He has been writing and publishing since the late Sixties with key titles that include
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in 1964 to study
Chemistry & Geology. He left before completion having been lured into the world of the Arts: the adjacent Chelsea Art School, the
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Giacometti/Lindberg, Giacometti/Flora, Giacometti/Histoire de Corps, Giacometti/Sade, Giacometti/In Search of Lost Works, and
Giacometti/Walking Man,
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3204:
2224:
2469:, 2020). Though the selected 12 letters from Manchette were written to Buck in English, they have been translated into French for this volume.
576:(with its underground theatre, film and poetry activities from the People Show, Filmmakers Coop, etc), working Friday nights at the legendary
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and Geoff Warren. He has taught and lectured at various institutions in the Art school system, including as a visiting tutor in Fine Art at
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as a way to summarize the show and capture his years of French participation by including other writers never included in his original
2627:, (Tenement Press & Prototype, 2023, p.27). Jess Chandler writes about the importance of the editing approach adopted by Buck in
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2615:’s work, leading to how ‘the writer discovers how he/she is accepted or censored by surrounding literary and cultural institutions’.
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Since 1994, with his wife, Catherine Petit, they have also translated regularly for Dis Voir in Paris, including books of essays on
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Paul Buck has written around 70 books, including poetry, prose, fiction, performance books and non-fiction works. Titles include:
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Since 2000, Buck has produced a labyrinth of works that interlink subjects, whether a book on the literary and cultural world of
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Matières d’Angleterre: Anthologie bilingue de la
Nouvelle Poésie Anglaise. Amiens, France: Les Trois Cailloux, 1984 – with
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1444: for over thirty years with his wife Catherine Petit and, for their growing years, their daughters Elise and Perle.
537:. ‘His work is characterized by its sabotaging of the various forms in order to explore their overlaps and differences.’
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In 2018/2019, he helped Martin McGeown at the
Cabinet Gallery to select over sixty Cahiers and other documents from the
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1070:, Neil Cunningham, Michele Wade, Judith Sharp, Frances Low and Phillip Dupuy, followed by a variety of performances by
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In the 1970s, he edited (with the help and involvement of Glenda George) what became a seminal literary/arts magazine,
231:
908:, where he performed a collage of Artaud's texts, vocalizing in a manner derived from Artaud’s ideas as expressed in
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from experienced editors. These venues are only for help with editing and the submission process, not to get reviews.
1331:(Cammell/Roeg, 1970), a work that had been in progress for four decades; two collections of long essays, the first,
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910:
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71:
580:, then Middle Earth, as well as writing occasionally for International Times and working for the poetry publisher
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1039:); Melinda Miel (writing two albums of torch songs), and initially, starting in the late 1970s, as co-founder of
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If you have not resolved the issues listed above, your draft will be declined again and potentially deleted.
44:
2603:(X Marks the Bokship, 2013, pp.20-22, 44-46, 51-52), in which Berridge discusses eroticism in Buck’s books
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when addressing this issue). If no additional references exist, the subject is not suitable for
Knowledge.
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If you would like to continue working on the submission, click on the "Edit" tab at the top of the window.
100:
when addressing this issue). If no additional references exist, the subject is not suitable for Knowledge.
29:
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and the use of scrapbooks ‘the effect is intimate but also estranging and historical in an original way’.
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Lois Wilson reviewed under the heading ‘Exceptionally detailed examination of the 1970 gangster film’,
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2522:(Seagull Books, 2013). Extensive referencing throughout, but to note p.65 with discussions on Buck’s
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Through the years, he has translated various books and texts from French, initially for his magazine
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Lust, Ulli's Room, Naming Names, The Halter of Passion, Violations, No Title, Damage, Where We Touch,
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600:
He also worked on a collaboration with the artist David Barton, that resulted in a series of books:
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2012:
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Through and since the 1970s, he has worked with various forms of performance, initially as part of
857:. In Numéro 2, 2019, he contributed a long conversation between himself and Bernard Noël on Laure (
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writes about Buck whose ‘poetry occurs at the point where subject and form conflict dangerously,’
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Working with film and video from time to time, including a two-hour feature on super 8 entitled
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and guest-edited various magazines and anthologies of English writings for various publishers.
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92:). Before any resubmission, additional references meeting these criteria should be added (see
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Better Books/Better Bookz, Art, Anarchy, Apostasy, Counter-culture & the New Avant-garde
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to find examples of Knowledge's best writing on topics similar to your proposed article.
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earlier released as a boxset (Test Centre/Blank editions 2015) and now archived by the
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Please do not remove reviewer comments or this notice until the submission is accepted.
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Buck immersed himself in the late Sixties counter-culture, working as a bookseller at
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2008:
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in Existential Territories Series at Book Works; and editing/curating the exhibition
884:, Carlyle Reedy, and Amikan Toren, in various venues like Acme Gallery, Air Gallery,
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as well as for other publications, including other writers (than listed above) like
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as part of the Artaud/Genet weekend along with a mix of artists like Peter Sellars,
173:. Some WikiProjects are more active than others so a speedy reply is not guaranteed.
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Buck contributed to and was involved with French and Belgian magazines including
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Narrativity: How Visual Arts, Cinema and Literature are telling the world today,
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557:: St Joseph’s Convent, then St Mary’s R.C. Grammar School, before proceeding to
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1920:
Narrativity: How Visual Arts, Cinema and Literature are telling the world today
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Please note that if the issues are not fixed, the draft will be declined again.
165:, or if the review is taking a lot of time, you can try asking for help on the
2967:
2661:
2211:
1292:
1237:
1040:
918:
text that Colette Thomas had presented at the June 1946 Artaud benefit in the
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https://www.fpg.org.uk/exhibition/in-the-disappearing-mist-the-gift-whispers/
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https://www.fpg.org.uk/exhibition/in-the-disappearing-mist-the-gift-whispers/
3066:
https://www.youtube.com/watch?v=HmDCRtAFx4s&feature=youtube_gdata_player
2921:, October 2012, p.111. Equally strong reviews are found by Ali Catterall in
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1433:
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on the Eiffel Tower and River Seine as seen in cinema, along with essays on
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1256:
series of Coupland/Huyghe; Kac/Ronell; Briand/Foucard; and Senges/de Crécy.
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373:
1275:, as well as the catalogues for the Foundation’s own in-house exhibitions:
2678:, December 9, 1989, p.33, and Don Watson feature (‘Torch Song Eulogy’) in
2230:
48 Cameras – Me, my Youth & a Bass Drum (Besides/Big Bang Music, 1996)
1384:
Antonin Artaud, Cahiers de Rodez et d’Ivry, drawings and writing 1945-1948
3076:
Long audio conversation with Paul Buck by Tyszko on Isotopica, 2015. See
2220:
48 Cameras – Third & Last Imitation of Christ (Besides Records, 1992)
831:
826:. This was during a period that enabled him to explore vocalizations via
577:
546:
2555:
1279:
as well as for other large Giacometti museum exhibitions staged outside
626:, where he has been translated a number of times and has a crime novel,
461:
place of the use of hatnotes alone.) The disambiguation page should be
3023:
http://www.3ammagazine.com/3am/exit-theory-an-interview-with-paul-buck/
1325:
Since autumn 2012, he has published: a detailed biography of the film
248:
To improve your odds of a faster review, tag your draft with relevant
3161:
https://writing.upenn.edu/pennsound/linking-page/Pressed-Curtains.php
1441:
1429:
1368:
1284:
984:) and taught there through the 80s and early 90s alongside musicians
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and Rivages/Noir. As a result of this novel, he became friends with
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24:
2887:
https://archive.ica.art/whats-on/chris-kraus-kathy-acker/index.html
1046:
In September 1984, with Roger Ely, he staged a week-long Festival,
3141:
https://archivesearch.lib.cam.ac.uk/repositories/2/resources/13578
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819:
3060:
Video interview with Paul Buck at book launch & screening of
2804:
https://thequietus.com/articles/13445-cosey-fanni-tutti-interview
752:, Ulli Freer, and Eric Mottram, and Americans like Robert Kelly,
2301:
Spectacular Diseases 8, 1985 – Sexuality and the argument of art
1360:
1146:
series. Thus, additional writings appeared from Colette Thomas,
602:
Spoil, Hitch, Stills, Shifts, Shreds, Pull, Wrench, Slam, Stark,
2463:
Manchette, Lettres du Mauvaius Temps, Correspondance 1977-1995
2217:
48 Cameras – Third Imitation of Christ (139 K’s Records, 1987)
364:
15:
3105:
https://library.buffalo.edu/pl/pdf/16-among-the-neighbors.pdf
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with contributions from the Festival participants and others.
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generated from a correspondence between them in 1979/81, or
1058:
in London. Each night began with a full stage production of
439:
353:
2953:
https://www.cabinet.uk.com/artaud-cahiers-de-rodez-et-divry
2869:
and feeding the chapters to Buck to read as she wrote them.
2825:, as well as p.206 with Buck’s involvement at the infamous
1267:
In recent years, they have been working on the writings of
953:
Conference of Centre for Freudian Analysis & Research;
744:, and interwove the translations with British writers like
1405:
and the accompanying title song, released in autumn 2019.
795:
In the process, he spent time in France, formed the group
392:
coverage (not just passing mentions) about the subject in
384:
This submission's references do not show that the subject
66:
coverage (not just passing mentions) about the subject in
58:
This submission's references do not show that the subject
2176:
Alberto Giacometti / André Breton (Giacometti/Fage, 2021)
1367:
a novel, a psychological wrench set on the waterfront at
929:
In recent years, he has also been reading/performing for
664:
that presented contemporary French writing, particularly
565:
and as music writer for the College newspaper, attending
2758:(The George Bataille Event, 1984) – volume dedicated to
2505:(Shearsman Books, 2012, pp.10, 12) and Glenda George in
2643:: Set International (Seghers/Laffont, 1978), edited by
647:
Change, Obliques, Exit, In'hui, Odradek, Donner à Voir,
494:) 2. Blogs, such as blogger, are not reliable sources.
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146:
113:
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magazine, and pp.337-8 about Buck’s relationship with
922:
in Paris for a special Cabinet Gallery evening at the
610:
He has contributed writings to magazines and books in
3088:
Richard Marshall interview with Paul Buck, 2013. See
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Information with Focal Point Gallery exhibition. See
657:, Jean Paris, Jacques Darras, and Christian Tarting.
3121:
http://www.3ammagazine.com/3am/sticky-tunnel-vision/
2995:
http://www.visionsofthecity.com/streetofdreams01.htm
2429:
http://www.visionsofthecity.com/streetofdreams01.htm
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Since the 1980s, he has made 10 albums with others:
3050:
http://www.3ammagazine.com/3am/artist-as-archivist/
2821:, 2017, pp.303-305) regarding her participation in
2304:
Spectacular Diseases 7, 1984 – Latin American issue
1834:
Celebration of an Improbable and Limitless Marriage
1191:
Celebration of an improbable and unlimited marriage
740:, Pierre Dhainaut, Philippe Boyer, Jean Paris, and
2254:Melinda Miel – The Law of the Dream (Normal, 1992)
834:, attracting the welcome attention and support of
3090:http://www.3ammagazine.com/3am/performance-redux/
3021:Steve Finbow interview with Paul Buck, 2008. See
2728:An extensive article (in French) on 48Cameras in
2427:. Discusses working in Better Books and UFO. See
1761:, adapted as a play, performed in London 1983 at
22:Submission declined on 29 August 2024 by
2214:– B-Sides Are For Lovers (139 K’s Records, 1985)
1259:They have translated two plays by Sophie Jabès,
47:. If you need help with referencing, please see
43:sources are required so that information can be
2586:‘Notes in & out of the disappearing mist’,
2329:Paul Buck’s Pressed Curtains Tape Project, 2015
888:and other galleries around Britain and Europe.
371:Submission declined on 18 June 2024 by
35:This submission is not adequately supported by
2842:Description and photos of the exhibition. See
2684:, December 21, 1989-January 4, 1990, pp.26-27.
2257:Melinda Miel – A Kiss on a Tear (Normal, 1994)
469:should be converted to a disambiguation page.
3078:https://www.theculture.net/radio/performance/
2713:Fay Wolftree feature (‘A Taste of Honey’) in
2323:Temblor: Contemporary Poets 1, 1985 – section
1675:A Public Intimacy (a life through scrapbooks)
1104:‘in the disappearing mist, the gift whispers’
951:Writing in Literature & in Psychoanalysis
841:Today he is on the ‘Comité de parrainage’ of
814:, Museum of Modern Art (including as part of
8:
3151:Worldwide access to audio tapes relating to
2979:https://www.cabinet.uk.com/table-of-contents
2223:48 Cameras – Easter, November & a Year (
465:.If this draft is accepted, the redirect at
189:– a basic overview on how to edit Knowledge.
2968:https://www.youtube.com/watch?v=oSID1E-BAL4
2662:http://editionslescahiers.fr/cahiers-laure/
1359:(Street of Dreams), Lisbon during WW2, and
1189:by Bernard Noël; Eugène Savitzkaya's play,
2149:The Dream, the Sphinx, and the Death of T.
1138:. Following the exhibition, he published
914:. In 2015, he vocalized part of Artaud’s
788:, Jean-Luc Parant, Henri Maccheroni, and
2771:John Gill feature (‘The Hard Stuff’) on
2291:New Directions 41, 1980 – French section
2095:Cruel objects of desire: Giacometti/Sade
1823:The Landscape Approach of Bernard Lassus
1815:Alain Carrazé & Jean-Luc Putheaud –
810:Buck performed regularly in places like
2341:
1984:Matthieu Briand & Daniel Foucard –
1477:lust/lust to write/to write out of lust
2649:Commencement d’une figure en Mouvement
1693:Library: a suitable case for treatment
1333:Library: a suitable case for treatment
955:Library: A Suitable Case for Treatment
700:, Mitsou Ronat, Laure, Agnès Rouzier,
416:guidelines on the notability of people
244:Improving your odds of a speedy review
90:guidelines on the notability of people
2556:https://ubu.com/ubu/noel_outrage.html
2550:(Ubu Edition, 2007), reproduced from
2401:(John Libbey Publishing, 2020, p.31).
2105:Van Gogh, the man suicided by society
1382:’s archives for a unique exhibition,
7:
3200:AfC submissions by date/18 June 2024
3195:AfC submissions by date/21 June 2024
2181:A tree as a woman, a stone as a head
2161:Alberto Giacometti / André Breton –
1173:, Sylvie Nève, Eduardo de Gregorio,
1098:, as well as his own contributions.
967:An Act of Editing: The Art of Escape
490:1. Do not self-reference Knowledge (
2901:(Book Works, 2012, p.36) discusses
2794:interview about her involvement in
2651:(Stock, 1980, pp.139-141, 256-262).
2225:Les Disques du Soleil et de L’Acier
1724:Sentence. And would be superfluous.
1616:Recollection & Misunderstanding
1580:the muddy edge of what is necessary
1244:, essays on the female sex in art;
971:Absence Makes the Heart Grow Fonder
553:, and spent his formative years in
187:Knowledge:Contributing to Knowledge
2951:Details and extensive photos. See
2881:in conversation with Paul Buck at
2065:The Testament of the dead Daughter
1787:Spectacular Diseases: Bernard Noël
1783:(1993 – trans. with Glenda George)
1440:, he has been living once more in
219:– make sure your article includes
14:
3215:AfC submissions on living persons
2530:and subsequent publications like
2117:(Fondation Giacometti/Fage, 2020)
1789:issue (trans. with Glenda George)
1769:, a week-long Bataille Festival,
1687:Disappearing Curtains (a journal)
1375:a set of three prose narratives.
1351:and Clunie Reid, and the second,
1140:Disappearing Curtains (a journal)
1066:& Michele Frankel, featuring
386:qualifies for a Knowledge article
211:Knowledge:Writing better articles
60:qualifies for a Knowledge article
1827:University of Pennsylvania Press
1373:Indiscretions (& Nakedness),
1363:, his mother’s place of origin;
982:University for the Creative Arts
482:
452:
142:editing or submitting your draft
2414:(Koenig Books, 2018, pp.64-66).
2294:Spectacular Diseases 5, 1980 –
1749:Translations (Further selected)
1519:Indiscretions (& Nakedness)
1389:In 2018/2019, he also co-wrote
933:launches; presenting papers at
569:weekly to interview musicians.
111:If you need extra help, please
2569:(Moving Letters Press, 1987).
2378:London: City of Disappearances
2326:Frozen Tears 2, 2004 – section
2135:I certainly practise painting…
1862:(Black Dog Publications, 2003)
1403:Deep Sea Blue Surrounding You,
642:, but it was never completed.
199:Help:Referencing for beginners
1:
3205:Draft articles on biographies
2719:, 2 December, 1992, pp.42-44.
2273:Twisted Wrist 1-10, 1977-1983
1965:In Pursuit of Treasure Island
1866:Keep This Sex Out of My Sight
1242:Keep This Sex Out of My Sight
1219:In Pursuit of Treasure Island
213:– how to improve your article
207:– how to develop your article
205:Knowledge:Article development
3178:Category:British translators
3137:Cambridge University Library
2590:(Slimvolume, 2016, pp.2-10).
2310:Violent Silence celebrating
2158:(Grimaldi Forum/Skira, 2021)
2097:(Institute Giacometti, 2019)
1713:(Bricks from the Kiln, 2023)
1106:at the Focal Point Gallery,
152:at the AfC Help Desk or get
119:at the AfC Help Desk or get
2704:, 1999, pp.245-6, 331-336).
2332:Disappearing Curtains, 2016
2288:Voix-Off / Angleterre, 1980
1910:Contemporary French Erotica
1546:(with Ulli McCarthy) (1977)
630:, in two versions with the
502:) 20:29, 18 June 2024 (UTC)
477:) 20:52, 22 June 2024 (UTC)
388:—that is, they do not show
232:Knowledge:Featured articles
201:– how to include references
62:—that is, they do not show
3231:
3157:University of Pennsylvania
2548:The Outrage against Words’
2151:(Giacometti/Hermann, 2021)
2144:(Giacometti/Hermann, 2021)
2137:(Giacometti/Hermann, 2021)
2038:The Man Who Refused to Die
2017:The Adventures of Percival
1730:tide of availability (feed
1641:Studies towards a portrait
1600:(with David Barton) (1989)
1594:(with David Barton) (1988)
1582:(with David Barton) (1986)
1576:(with David Barton) (1985)
1503:(with David Barton) (2000)
1497:(with David Barton) (1998)
1491:(with David Barton) (1995)
1015:(with his translations of
911:The Theatre and its Double
463:Paul Buck (disambiguation)
2745:(Book Works, 2011, p.88).
2647:. Also Jean Pierre Faye,
2285:Change 36, 1978 – section
1873:In Praise of Masturbation
1765:, and in 1984 as part of
1661:(with Kathy Acker) (2004)
1628:The Pleasures of the City
1568:No lettuces for Miss Lush
1304:Cities of the Imagination
1261:Camille, Camille, Camille
1223:The Wit of the Staircase,
125:from experienced editors.
49:Referencing for beginners
3210:Draft articles on Europe
3181:Category:British editors
3172:Category:British writers
3039:, 28 August, 2008, p.19.
2435:(Ma Bibliothèque, 2020).
2270:Curtains 1-21, 1971-1978
2048:The Wit of the Staircase
1624:(with Ulli Freer) (2019)
414:of the subject (see the
88:of the subject (see the
3135:papers are archived at
3008:, ‘Book of the Month’,
2352:(Prototype, 2020, p.2).
2183:(Giacometti/Fage, 2022)
2165:(Giacometti/Fage, 2022)
2125:A Nine-Year Old Aviator
2107:(Vauxhall&Co, 2019)
2089:Cabinets of Curiosities
2067:(Vauxhall&Co, 2015)
2060:(Vauxhall&Co, 2014)
2058:The Immortal Adolescent
2005:(Sternberg Press, 2010)
1943:(Cabinet Gallery, 2008)
1781:The Castle of Communion
1718:Plays & performance
1667:(2008), republished as
1647:rites but for affection
1187:The Castle of Communion
1118:, Margarita Gluzsberg,
943:Writing as Art Practice
920:Théâtre Sarah Bernhardt
325:14 days ago. Reviewer:
236:Knowledge:Good articles
217:Knowledge:Verifiability
195:– how to use the markup
3175:Category:British poets
3033:Bel Jacobs ‘focus’ in
2989:‘Street of Dreams’ in
2782:20-26 September, 1984.
2702:Sidgwick & Jackson
2479:Jean-Patrick Manchette
2423:‘Street of Dreams’ in
2024:From Him to Us: Sarkis
1986:Ubïq: A Mental Odyssey
1817:The Avengers Companion
1795:(With Catherine Petit)
1380:Bibliothèque Nationale
849:, Jean-Luc Froissart,
816:Un Certain Art Anglais
636:Jean-Patrick Manchette
545:Paul Buck was born in
444:
358:
271:Add tags to your draft
180:How to improve a draft
163:feedback on your draft
2899:Again, A Time Machine
2588:Disappearing Curtains
2282:Words Worth 1:2, 1978
2201:(Fonds Leclerc, 2024)
2198:Henri Cartier-Bresson
2179:Alberto Giacometti –
2173:(Fonds Leclerc, 2022)
2154:Alberto Giacometti –
2147:Alberto Giacometti –
2140:Alberto Giacometti –
2091:(Fonds Leclerc, 2019)
2085:(Fonds Leclerc, 2018)
1953:(Jovian Books, 2006;
1914:Thunder’s Mouth Press
1887:Rendez-vous in Venice
1860:Decadence of the Nude
1598:the halter of passion
1471:not fit for the queen
1465:The Honeymoon Killers
1273:Giacometti Foundation
1195:Decadence of the Nude
1136:Claude Royet-Journoud
1094:, Steve Dwoskin, and
730:Claude Royet-Journoud
724:, Eugène Savitzkaya,
649:with translations by
628:The Honeymoon Killers
443:
357:
3133:Spectacular Diseases
3048:Bridget Penney. See
2577:on pp.5-6, 8, 10-13.
2567:Larry Eigner Letters
2520:Silent Conversations
2251:(Some Bizzare, 1993)
2170:Ernest Pignon-Ernest
2163:Amitiés Surréalistes
1832:Eugène Savitzkaya –
1365:Along the River Run,
1314:, an encounter with
1193:(for a production);
1120:Sophie von Hellerman
898:Alejandro Jodorowski
598:Walking into Myself.
230:You can also browse
171:relevant WikiProject
3103:#16. Available at:
3101:Among the Neighbors
2991:Visions of the City
2927:, January 2013 and
2732:Spring/Summer 1994.
2425:Visions of the City
2350:Along the River Run
2279:Odradek 23-24, 1977
2276:Fête 1-7, 1979-1981
2142:Notes on the copies
2075:Why I am a sculptor
1705:Talking of Curtains
1635:Essays and variants
1513:Along the River Run
1483:Walking into Myself
1448:Select bibliography
1248:by Elvan Zabunyan;
1169:, Jacques Sojcher,
1102:2012 an exhibition
945:Conference at ICA;
774:Vladimir Velickovic
768:, and artists like
563:Royal Court Theatre
523:Walking into Myself
224:third-party sources
3115:Steve Finbow’s on
2965:Deep See Blue Song
2867:Great Expectations
2410:Rozemin Keshvani,
2399:London’s Arts Labs
2388:, 2007, pp.35-39).
2156:Marvellous Reality
2131:Alberto Giacometti
2115:Giacometti/Beckett
2111:Alberto Giacometti
1947:Catherine Breillat
1883:Philippe Beaussant
1871:Philippe Brenot –
1806:The Tie that Binds
1771:Bloomsbury Theatre
1526:Poetry and textual
1412:, Colette Thomas,
1357:Charing Cross Road
1269:Alberto Giacometti
1211:Catherine Breillat
1150:, Diane Bataille,
1134:, Clunie Reid and
1056:Bloomsbury Theatre
1050:in celebration of
994:Goldsmiths College
973:in The Apartment.
963:Serpentine Gallery
726:Anne-Marie Albiach
702:Danielle Collobert
496:Flemmish Nietzsche
445:
435: 3 months ago.
432:Flemmish Nietzsche
374:Flemmish Nietzsche
359:
2885:on 26 Sept 2017.
2859:After Kathy Acker
2817:. Art Sex Music (
2815:Cosey Fanni Tutti
2743:A Public Intimacy
2071:Albert Giacometti
2063:Colette Thomas –
2054:Pierre Klossowski
2034:Patrice Killoffer
2022:Elvan Zabunyan –
1937:Pierre Klossowski
1927:Alice the sausage
1896:Elvan Zabunyan –
1852:Pierre Klossowski
1763:Riverside Studios
1453:Fiction and prose
1436:and just outside
1410:Pierre Klossowski
1320:A Public Intimacy
1217:by Sophie Jabès;
1215:Alice the sausage
1199:Pierre Klossowski
1185:. Books include:
1183:Emmanuel Hocquard
1177:, Jacques Henri,
1072:Cosey Fanni Tutti
947:Courting Disaster
830:, as well as the
805:Change Collectif,
797:SET International
706:Jacqueline Risset
535:A Public Intimacy
511:Paul Francis Buck
449:
448:
436:
429: Declined by
424:mistakes to avoid
408:sources that are
363:
362:
349:
348:
330:
319:
318: 27 days ago.
312: Declined by
148:ask us a question
140:If you need help
135:Where to get help
115:ask us a question
98:mistakes to avoid
82:sources that are
3222:
3169:Category:Writers
3163:
3149:
3143:
3129:
3123:
3113:
3107:
3098:
3092:
3086:
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3058:
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3025:
3019:
3013:
3012:, December 2020.
3006:Maxim Jakubowski
3003:
2997:
2987:
2981:
2976:
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2963:Flavien Berger,
2961:
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2691:
2685:
2670:
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2652:
2645:Jean-Pierre Faye
2638:
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2622:
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2599:David Berridge,
2597:
2591:
2584:
2578:
2564:
2558:
2541:
2535:
2518:Anthony Rudolf,
2516:
2510:
2496:
2490:
2489:, 2005, p.1312).
2476:
2470:
2460:
2454:
2453:, 26 April 1980.
2442:
2436:
2433:Street of Dreams
2431:and included in
2421:
2415:
2408:
2402:
2395:
2389:
2371:
2365:
2359:
2353:
2346:
2312:Georges Bataille
2307:Shoestring, 1983
2127:(Dis Voir, 2020)
2050:(Dis Voir, 2012)
2040:(Dis Voir, 2010)
2019:(Dis Voir, 2009)
2013:Nicolas de Crécy
1999:Jean-Yves Leloup
1995:(Dis Voir, 2009)
1993:The Mutant Flesh
1988:(Dis Voir, 2008)
1981:(Dis Voir, 2007)
1967:(Dis Voir, 2008)
1922:(Dis Voir, 2007)
1906:(Dis Voir, 2006)
1900:(Dis Voir, 2005)
1898:Black is a Color
1868:(Dis Voir, 2003)
1856:Maurice Blanchot
1848:(Dis Voir, 2001)
1755:Georges Bataille
1699:Street of Dreams
1622:Towards infinity
1538:re/qui/re(qui)re
1393:’s film for the
1353:Street of Dreams
1308:Jean-Pierre Faye
1252:essays; and the
1246:Black is a Color
1203:Maurice Blanchot
1171:Pierre Bourgeade
1114:, John Cussans,
1096:Cerith Wyn Evans
1052:Georges Bataille
1048:Violent Silence,
1025:Jean-Paul Sartre
874:Rose Finn-Kelcey
847:Jean-Pierre Faye
812:Centre Beaubourg
801:Jean Pierre Faye
766:Clayton Eshleman
732:, Michel Camus,
686:Marcelin Pleynet
678:Jean-Pierre Faye
670:Maurice Blanchot
666:Georges Bataille
655:Jean-Pierre Faye
489:
486:
485:
459:
456:
455:
434:
428:
422:and learn about
382:
376:
365:
342:
340:
333:
332:
320:
317:
311:
281:Editor resources
275:
273:
262:Women scientists
151:
118:
96:and learn about
37:reliable sources
33:
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2934:Sight and Sound
2913:
2909:
2903:Public Intimacy
2896:
2892:
2877:
2873:
2853:
2849:
2841:
2837:
2823:Violent Silence
2813:
2809:
2796:Violent Silence
2790:
2786:
2773:Violent Silence
2770:
2766:
2756:Violent Silence
2753:
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2692:
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2613:George Bataille
2611:in relation to
2598:
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2339:
2264:
2208:
2191:Centre Pompidou
2077:(Hermann, 2017)
1925:Sophie Jabès –
1836:– theatre piece
1798:
1767:Violent Silence
1751:
1742:Turkish Delight
1720:
1637:
1528:
1455:
1450:
1426:
1399:Venice Biennale
1395:French Pavilion
1349:Paul Mayersberg
1337:Jacques Rivette
1167:Pascal Quignard
1148:Mathieu Bénézet
1130:, Perle Petit,
1108:Southend-on-Sea
1086:, and films by
1084:Terence Sellers
859:Colette Peignot
722:Alain Veinstein
694:Jacques Roubaud
682:Jacques Derrida
622:, particularly
590:
567:Ready Steady Go
559:Chelsea College
543:
508:
505:
487:
483:
471:Robert McClenon
457:
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321:Last edited by
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1414:Pierre Guyotat
1391:Laure Prouvost
1345:Richard Prince
1179:Pierre Guyotat
1175:Antonin Artaud
1156:Pierre Guyotat
1132:Richard Prince
1126:, Liane Lang,
1068:Ann Pennington
1021:Juliette Gréco
959:Richard Prince
937:Conference at
916:Fragmentations
906:Pierre Guyotat
866:London Calling
855:Jérôme Peignot
843:Cahiers Laure,
828:Antonin Artaud
790:Alison Wilding
734:Jacques Prevel
698:Charles Juliet
589:
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2554:, 1978. See
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2544:Bernard Noël
2539:
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2514:
2509:pp.169-171).
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2296:Bernard Noël
2242:Some Bizzare
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1979:Life Extreme
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1955:Semiotext(e)
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1846:Bruno Dumont
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1306:(preface by
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1234:Bruno Dumont
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1197:, essays by
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1160:
1152:Joë Bousquet
1143:
1139:
1124:Susan Hiller
1116:Tatjana Doll
1103:
1100:
1092:Derek Jarman
1088:John Maybury
1080:Bernard Noël
1062:directed by
1059:
1047:
1045:
1017:Jacques Brel
1006:
1000:
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986:Andrew Poppy
978:Crowd Scenes
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942:
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931:Frozen Tears
930:
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882:Paul Burwell
865:
863:
851:Bernard Noël
842:
840:
815:
809:
804:
796:
794:
770:Susan Hiller
762:Larry Eigner
750:Allen Fisher
742:Roger Munier
738:Roger Giroux
690:Edmond Jabès
674:Bernard Noël
661:
659:
651:Bernard Noël
646:
644:
639:
627:
609:
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601:
597:
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574:Better Books
571:
544:
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510:
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389:
315:SafariScribe
301:
298:
291:Citation bot
286:
270:
261:
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162:
161:If you need
153:
147:
141:
120:
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83:
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72:
67:
63:
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25:SafariScribe
3062:Performance
2939:Performance
2879:Chris Kraus
2855:Chris Kraus
2694:Marc Almond
2681:City Limits
2625:Seven Rooms
2532:Spread Wide
2528:Kathy Acker
2348:Paul Buck,
2234:Marc Almond
2082:Henry Moore
2026:(YKY, 2010)
1971:Eduardo Kac
1736:Ulli’s Room
1681:Performance
1659:Spread Wide
1328:Performance
1316:Kathy Acker
1312:Spread Wide
1112:Kathy Acker
1076:Marc Almond
1027:, Barbara,
1013:Marc Almond
924:Conway Hall
902:Patti Smith
758:Lydia Davis
754:Paul Auster
710:Jean Frémon
632:Série Noire
531:Performance
527:Spread Wide
411:independent
390:significant
250:WikiProject
85:independent
64:significant
3189:Categories
3117:Pornocracy
3010:Crime Time
2924:Q Magazine
2897:Ian Hunt,
2863:Allen Lane
2641:Change #36
2609:Violations
2573:writes on
2337:References
2267:Snow, 1968
2212:48 Cameras
1951:Pornocracy
1904:Kim Ki-duk
1711:In the bag
1665:The E-List
1550:Violations
1544::The Table
1293:Copenhagen
1265:Asmahan 2.
1254:Encounters
1238:Kim Ki-duk
1207:Pornocracy
1060:My Mother,
1041:48 Cameras
1037:Baudelaire
926:, London.
870:Tina Keane
845:alongside
778:Paul Neagu
718:Jean Daive
541:Early life
515:Violations
287:Easy tools
2716:Hot Press
2601:Man Aarg!
2487:Gallimard
2485:(Quarto,
2121:Raul Ruiz
2044:Raul Ruiz
1961:Raul Ruiz
1773:, London.
1759:My Mother
1434:Maidstone
1289:Stockholm
1227:Raul Ruiz
1163:Curtains,
1029:Leo Ferré
990:Jack Hues
935:Art &
832:Lettrists
803:from the
782:Gina Pane
662:Curtains,
467:Paul Buck
405:secondary
394:published
302:Advanced:
258:Astronomy
254:Biography
167:talk page
155:live help
144:, please
122:live help
79:secondary
68:published
3153:Curtains
2833:in 1976.
2800:Curtains
2778:Time Out
2760:Bataille
2629:Curtains
2575:Curtains
2552:Curtains
2524:Curtains
2262:Editings
2249:Absinthe
1941:Gulliver
1604:no title
1271:for the
1225:both by
1144:Curtains
1008:Absinthe
640:Tribunal
578:UFO club
547:Woolwich
492:WP:RSPWP
488:Comment:
458:Comment:
399:reliable
339:Resubmit
221:reliable
73:reliable
45:verified
41:Reliable
2386:Penguin
2244:, 1989)
2238:Jacques
2227:, 1993)
2193:, 2023)
1957:, 2008)
1933:, 2007)
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1397:at the
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1002:Jacques
616:America
612:Britain
323:PetitP1
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1738:(1981)
1732:(1978)
1726:(1976)
1707:(2021)
1701:(2020)
1695:(2018)
1689:(2016)
1683:(2012)
1677:(2011)
1671:(2012)
1655:(2002)
1653:Lisbon
1649:(1987)
1643:(1978)
1630:(2020)
1618:(2018)
1612:(1992)
1610:xxxx 7
1606:(1991)
1588:(1988)
1570:(1981)
1564:(1980)
1558:(1980)
1556:xxxx 5
1552:(1979)
1540:(1975)
1534:(1975)
1521:(2020)
1515:(2020)
1509:(2015)
1495:Wrench
1485:(1995)
1479:(1976)
1473:(1972)
1467:(1970)
1461:(1968)
1442:Sidcup
1430:London
1416:, and
1371:; and
1369:Lisbon
1310:), or
1300:Lisbon
1291:, and
1285:Prague
1240:, and
1181:, and
1154:, and
1082:, and
1035:, and
904:, and
853:, and
824:London
764:, and
624:France
620:Europe
606:Close.
555:Sidcup
551:London
533:, and
264:tags.
260:, and
3036:Metro
2919:, 227
2819:Faber
2792:Cosey
2730:Omega
2298:issue
2206:Music
1810:Titan
1501:Close
1489:Spoil
1459:Pimot
1335:, on
1281:Paris
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799:with
169:of a
3131:The
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