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hacktivism and guides students at individual and final projects. In
Bezalel she is a member of ‘Sustainable Action group’ in the Jewelry & Fashion Dept., the Jewelry & Fashion representative at the Center for Career Development, and the Jewelry & Fashion representative at the Sustainable Development Hub.
467:
I.I.T. (B.Sc., M.Sc., PhD) and of
Bezalel, Academy of Art and Design (B. Des. in Industrial Design Dept.). In her PhD research she coined the theoretical concept of ‘The Signature of Appearance’ combining political philosophy, hacktivism and fashion theory. Kay is the head of Strategies of Cultural
482:
Kay is a senior lecturer at the
Bezalel Academy of Art and Design and a visiting adjunct professor at the Faculty of Architecture and Urban Planning at the Technion IIT. Her expertise focuses on the connection between conceptual design, ethics and activism; she leads conceptual workshops, urban
813:
Kay Zivia, 2006, “The
Furniture Conspiracy or The Sitting Man is smoothing Wrinkles”, The Beauty Shock conference, Proceedings of History & Theory, Bezalel, Jerusalem, 233-239 (Hebrew) (published in professional journal #7 and chapter in book
806:
Kay Zivia, Iris Aravot, “From
Appearance Space to Action Space”, TRIPOD – Material-Text-Image, 3/2018, No.1, Online Bilingual Academic Journal of the Department of Ceramics and Glass Design, Bezalel Academy of Arts and Design: Jerusalem
472:. Kay is the owner of kUAH studio, specializing in visual activism, civic strategies and clothing conceptsand; currently she is the Chair of Fashion Expertise steering committee at the Israeli Ministry of Education, Culture, and Sport.
802:
Kay Zivia, “Conceptual workshop”, TRIPOD – Material-Text-Image, 12/2019, No.2, Online
Bilingual Academic Journal of the Department of Ceramics and Glass Design, Bezalel Academy of Arts and Design: Jerusalem, under review (Hebrew +
468:
Action at Israel100 initiative and the initiator of the international conferences Urban-Action as Open-Source . She is a member of ‘IMAGIN, INSTITUTION’, multidisciplinary research group, and a library associate at the
858:
Kay Zivia, 4/2016, “Arction and
Fashitecture toward Minoritarian appearance in Public Space”, Ar(t)chitecure Conference, The Technion IIT, Faculty of Architecture and Town Planning, Haifa, Israel, proceedings
486:
Kay was the head of the ‘Ethical
Clothing’ Track at the Jewelry & Fashion, 2007-09 and the Head of Urban Action research center, the Hadarion urban lab of the Faculty of Architecture and Town Planning,
1682:
229:
tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the
616:
74:
1744:
924:(2019); Berkovich, Israel, ‘Rotonda’ Shelfs (2005), ‘Rotonda’ Stool (2005); Tel Aviv Art Museum, Tel Aviv, Zitup, Zitdown, Luna Fund, ‘Shual’ (2005); Miller, NY
488:
464:
761:, Urban and Regional Studies Publication, The Philip & Ethel Klutznick Center of Urban and Regional Studies, Technion IIT, Haifa will be published 2021
834:
Kay Zivia, 2010, “Black
Mistresses to White Glances, Muscovite Nights in Political Moral View”, Ms.Use sex and text, Eco-Sex, Vol. # 2, P.73-77 (Hebrew)
810:
Kay Zivia, 2015, “The progressive shifting of the self, dressed in
Intelligent Textiles", Visual Culture Reader, Tel Aviv, Bar Ilan University (Hebrew)
1759:
667:
1541:"Vanni Pasca and Israeli design, or how the first 'Israeli Design' exhibition outside Israel (and 18 other successful events in Europe) came about"
653:, Canada’s Premier Design center, Toronto, Canada, curator: Alon Razgur Cataloge; Espace Villeneuve-Bargemon, Marseille, France, Catalogue
706:
2002 Israeli Design in Abitare Il Tempo, Furniture and lighting exhibition, Verona, Italy, curator: Vanni Pasca & Eli Rosenberg, Catalogue
1564:
1227:
882:
785:, eds. Ben-Blich, B., Horovitz Arieli, D., Ventura, G., Meiri-Dan, N., Bezalel Academy of Art and Design, Jerusalem (Hebrew) ISSN: 2707-3610
427:
1754:
163:
1540:
553:
546:
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446:
821:”, Bezalel- Proceedings of History & Theory E-Journal, Modes of Creation Jewelry & Fashion, Issue no. 16, Jerusalem (Hebrew)
596:
2001 Good Morning Israel, Zivia Kay and Shai Barkan, Urian Gallery of Israeli Art & Design, Ramat Hasharon, curator: Giora Urian
384:). You seem to have a connection with her as you claim the image of her as your own personal work, please see your user talk page.
187:
245:
1749:
715:
2001 Industrious Designers: Israeli design ,Abitare IL. Tempo, Milan, Italy, curator: Vanni Pasca & Eli Rosenberd, Catalogue
1663:
991:
977:
747:
PhD thesis under the supervision of Prof. Iris Aravot, the Faculty of architecture and Town Planning, Technion, Haifa, Israel
622:
2010 Sequences & Identities, Israeli Jewelry Biennale 5, Eretz Israel Museum, Tel Aviv, curator; Sigal Barkai, Catalogue
267:
175:
70:
54:
1369:
681:
181:
131:
98:
66:
61:
1276:
752:, Development and Design of Occupational Therapy Model for the Improvement of Social Skills with Special Needs Population
639:
2010 From Mediteranean Traditional to Israeli Contemporary Design, Canada's DX in Toronto, curator; Mel Bayers, catalogue
660:
469:
571:
208:
135:
from experienced editors. These venues are only for help with editing and the submission process, not to get reviews.
633:
599:
2000 Mediterranean’s Restaurant Zivia Kay & Dov Ganchrow, Ami Steinitz gallery, Tel Aviv, curator: Ami Steinitz
48:
754:, M.Sc. Thesis, 107 p., Industrial design Dpt. Faculty of architecture and Town Planning, Technion, Haifa, Israel
643:
536:
2000 Furniture Industries Association, 1 prize- innovative and exceptional furniture design, 'RIHUTIM 2000', TLV
1724:
1730:
1638:
848:- Journal for Ceramics and materialized Culture, The ceramic artists association, Tel Aviv, Vol. 15 (Hebrew)
841:- Journal for Ceramics and materialized Culture, The ceramic artists association, Tel Aviv, Vol. 21 (Hebrew)
414:
212:
193:
85:
If you have not resolved the issues listed above, your draft will be declined again and potentially deleted.
1321:
855:- Journal for Ceramics and materialized Culture, The ceramic artists association, Tel Aviv, Vol. 8 (Hebrew)
831:
Journal for Ceramics and materialized Culture, The ceramic artists association, Tel Aviv, Vol. 23 (Hebrew)
453:
work is developed as cultural strategy of varied thread techniques, designed to be 'One of a kind' items.
449:. Her works span from Biographical Textiles to abstract works and (con)temporary forever collections. Her
82:
If you would like to continue working on the submission, click on the "Edit" tab at the top of the window.
77:
when addressing this issue). If no additional references exist, the subject is not suitable for Knowledge.
1252:
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147:
687:
2006 Re-Orient, Biennale of international Design, St. Etienne, France curator: Eli Rosenberg, Catalogue
862:
Kay Zivia, 10/2001, “Design to cognition”, Exploring Emerging Design Paradigm, ICSID, 10/2001, 190-197
1727:
36:
674:
281:
1670:(2) – via TRIPOD material * text * image, peer-reviewed, Bezalel Academy of Art and Design.
891:, Vol. #3, Bezalel Academy of art and Design Publications, Jerusalem, Israel , ISBN 9789655553635
581:
2018 Text | Tekes | Textile, Loushy Art & Projects, Tel Aviv, curator: Meir Loushy, catalogue
410:
409:
please note that Facebook, Instagram and www.linkedin.com are not reliable independent sources.
769:
502:
2019 Nicole & Raanan Agus, Best 2019 Innovative contemporary Judaica Research in Bezalel -
879:
406:
352:
69:). Before any resubmission, additional references meeting these criteria should be added (see
1614:"פיתוח ועיצוב מודל תעסוקה טיפולית לשיפור מיומנויות חברתיות, עבור אוכלוסיה בעלת צרכים מיוחדים"
1005:
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792:, ICSID-contemporary design, Seoul, Koera (published in refereed conference proceedings #3)
650:
626:
523:
2006 Rishon le Zion Municipality, 1 prize – Library design, Kotar-Alon
143:
1705:
1394:
1135:
818:
215:
to find examples of Knowledge's best writing on topics similar to your proposed article.
105:
Please do not remove reviewer comments or this notice until the submission is accepted.
508:
2016 Erasmus+, Visiting Professor Scholarship, National Academy of Art, Sofia, Bulgari
1738:
1492:
781:
Kay Zivia, 2010, “The Furniture Conspiracy or the Seated Man Smoothing Wrinkles”, in
587:
2003 Mandala, Satellite, Exhibition Gardens, Tel Aviv, curator: Maya Dvash, catalogue
575:
381:
169:
1565:"איון, עיצוב, עבודה של זיויה עם ורד זיקובסקי , אוקטובר 1997 | מקום תצוגה שבזי 96-97"
593:
2002 Upside down, ASCOLA Gallery, Tel Aviv, Conference, curator: Iris Paz, catalogue
351:
I agree that she may be notable, but you haven't shown that here- you actually have
150:. Some WikiProjects are more active than others so a speedy reply is not guaranteed.
1228:"ת'ארוחה, עיצוב, אוצרות שטח, מסעדה מזרחית, נצרת, ינואר 2000 | מקום תצוגה שבזי 2000"
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You've described her accomplishments and work, but not summarized what independent
200:
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1516:
666:
2006 Solos: New Design from Israel, Artis - Israeli Contemporary Art In New York,
656:
2008 Amnesia, Zochrot gallery, Tel Aviv, curator: Shlomit Bauman, cat.: Sedek N. 3
1203:
997:
983:
824:
Kay Zivia, 2015,” Action”, Transformations, Ceramic and Glass Department, Bezalel
1159:
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331:
322:
Please note that if the issues are not fixed, the draft will be declined again.
142:, or if the review is taking a lot of time, you can try asking for help on the
299:
1418:
691:
629:,Toronto International Design Centre, Canada, curator: Mel Bayers, Catalogue
1590:"The 'signature of appearance' in the contemporary urban space / Zivia Kay"
1346:"The CJM | Reinventing Ritual: Contemporary Art and Design for Jewish Life"
1301:
905:, Urian publishing, Ramat Hasharon, Israel, ISBN 9659013493, 9789659013494
852:
845:
838:
828:
1039:
590:
2002 Rotunda, PERISCOPE Gallery, Tel Aviv, curator: Sari Paran, catalogue
442:
1345:
709:
2002 Domestic stuff Exhibition, Frankfurt, Germany, curator: Alon Razgur
584:
2007 Green Green Olive, Artists House Tel Aviv, curator: Arie Berkowitz
619:, TLV Univ., TLV, Curators: Dr. Shirat-Miriam Shamir & Dr. Ido Noi
225:
To improve your odds of a faster review, tag your draft with relevant
1063:
526:
2001-2002 HESCHEL Center, Fellowship – Sustainable Design development
1693:(1) – via peer-reviewed, Bezalel Academy of Art & Design.
690:
2004 Cienporcientodise, International Design Center, Buenos Aires,
1183:
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764:
Zivia Kay, 2018, "Textile Intelligence, A Social Row Material" in
450:
425:
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405:
possibly notable dependent on the collections being sourced per
1639:"Periscope - Contemporary Israeli Design • Design Museum Holon"
712:
2002 Stander, Rihutom exhibition, Tel Aviv, curator Ezri Terezi
511:
2016 FallingWalls Israel, Short list for innovative research -
15:
1467:
766:
Current Trends in Fashion Technology and Textile Engineering,
539:
1997 Glass Award, Excellency Design, Industrial Design Dpt.,
1706:"The Furniture Conspiracy: the sitting man Soothes Wrinkles"
680:
2006 From Ceramic Design to Product Design, Design Gallery,
330:
291:
24:
742:
The Signature of Appearance in the Contemporary Urban Space
697:
2004 Felissimo Design House, Design 21, New York, Catalogue
703:
2003 Combina Complete, PERISCOPE Gallery,Tel Aviv, curator
574:
in Dressed for Eternity: Jewish Shrouds through the Ages,
43:
coverage (not just passing mentions) about the subject in
35:
This submission's references do not show that the subject
724:
2001 Rihutim, Divider YCATGTM escritoire B-613, Tel Aviv
721:
2001 Drishat Shalom, wondering exhibition, Giv'at Haviva
1664:"So That "the Golem Does Not Rise Against Its Creator""
727:
1997 Iyun - 7 designers, Ami Steinetz gallery, Tel Aviv
314:
303:
123:
90:
517:
2012-2015 ‘PAIS’, Excellent Visual Culture Research –
1277:"Rash Rash Rash – Contemporary Rattles – Design-Tech"
1136:"Dressed for Eternity | The Israel Museum, Jerusalem"
578:, Jerusalem, curator: Efrat Asaf-Shapira, catalogue.
778:, ed. Avi Lubin, Hazug Han0zez publication (Hebrew)
636:, San Francisco, curator: Daniel Balesco, Catalogue
612:
2022 Small and Wild, Loushy Art & projects, TLV
567:
2024 Das & Shuf, Loushy Art & Projects, TLV
380:
choose to say about her and what makes her notable(
955:(1:6) (Zivia Kay and Dov Ganchrow); Leung, London
896:Forbidden Memories towards Multi Cultural Thinking
552:1996 Miesler Prize, Award for Excellent Design in
718:2001 Sofa, Rihutom exhibition, Tel Aviv Catalogue
774:Kay Zivia, 2011, “Design Engine”, in Periscope
617:Cymbalista Synagogue and Jewish Heritage Center
1716:– via Bezalel Academy of Art and Design.
998:https://www.periscopedesigngallery.com/rotonda
984:https://www.periscopedesigngallery.com/rotonda
673:2006 Beaten Gold, Israeli Jewelry Biennale 4,
22:Submission declined on 18 May 2024 by
1683:"From Space of Appearance to Space of Action"
1044:Bezalel Academy of Arts and Design, Jerusalem
8:
878:, Tel Aviv University Publishers, Tel Aviv,
788:Kay Zivia, 2001, “Consciousness Design”, in
677:, Tel Aviv, curator: Dganit Stern, Catalogue
670:, New York, curator: Ellen Lupton, catalogue
166:– a basic overview on how to edit Knowledge.
684:, Holon, curator: Shlomit Bauman, Catalogue
615:2020 Rash,Rash,Rash, Contemporary Gragers,
903:From the Israel Museum to Hacarmel market
898:, Kedem Publishing, Israel, 9900220281202
531:Mediterranean’s Restaurants Exhibition at
646:, NY, curator: Daniel Balesco, Catalogue
1322:"Israeli ID exhibit going up in Canada"
1031:
973:
759:StreetWise, urban action as open source
663:, Korin Maman Museum, Ashdod, Catalogue
1419:"HIT - Faculty of Design - Exhibition"
932:(3:6) (2005); Paz, TLV & London, ‘
757:Zivia Kay and Shamay Assif eds, 2021,
700:2004 Rihutim, Swinging Chair, Tel Aviv
221:Improving your odds of a speedy review
67:guidelines on the notability of people
1745:AfC submissions by date/31 March 2024
1681:zivia Kay, Iris Aravot (March 2018).
7:
876:Improvisation – New Design in Israel
844:Kay Zivia, 2007, “Simple Language”,
164:Knowledge:Contributing to Knowledge
1302:"Israeli Jewelry 5 | MidnightEast"
944:(2002); Horvitz, Los Angeles, CA,
851:Kay Zivia, 2004, “Golem / Gelem”,
827:Kay Zivia, 2011, “On the Border”,
547:America Israel Cultural Foundation
529:2000 Arthur Goldreich Foundation,
513:Breaking the Wall of Participation
196:– make sure your article includes
14:
188:Knowledge:Writing better articles
37:qualifies for a Knowledge article
1618:technion.primo.exlibrisgroup.com
1594:technion.primo.exlibrisgroup.com
1016:
1004:
990:
976:
447:Bezlel Academy of Art and Design
397:
368:
343:
119:editing or submitting your draft
1760:AfC submissions on other topics
887:Tartakover D., Ofrat G., 2006,
496:Scholarships, Awards and Prizes
88:If you need extra help, please
1687:TRIPOD Material * Text * Image
1668:TRIPOD Material * Text * Image
176:Help:Referencing for beginners
1:
1281:designtech.net.technion.ac.il
819:Design, The direct revolution
682:Holon Institute of Technology
470:Van Leer Jerusalem Institute
190:– how to improve your article
184:– how to develop your article
182:Knowledge:Article development
1662:kay, zivia (December 2019).
1300:Dekel, Ayelet (2010-05-10).
661:Museum of Philistine Culture
417:) 10:04, 31 March 2024 (UTC)
129:at the AfC Help Desk or get
96:at the AfC Help Desk or get
1755:Draft articles on West Asia
790:Experience Design Paradigms
776:Contemporary Israeli Design
209:Knowledge:Featured articles
178:– how to include references
39:—that is, they do not show
1776:
1704:Kay, Zivia (Winter 2006).
634:Contemporary Jewish Museum
605:Selected Group exhibitions
392:) 09:04, 18 May 2024 (UTC)
363:) 09:06, 18 May 2024 (UTC)
951:; The Jewish Museum, NY,
837:Kay Zivia, 2010, “Vase”,
797:Amnesia, Zochrot gallery,
642:2009 Reinventing Ritual,
632:2010 Reinventing Ritual,
533:Ami Steinitz Gallery, TLV
463:Kay is a graduate of the
445:, and senior lecturer at
102:from experienced editors.
1725:Category:Textile artists
868:Published Works in Books
549:, Excellency Scholarship
65:of the subject (see the
1750:Draft articles on women
1731:Category:Fashion design
302:46 days ago. Reviewer:
213:Knowledge:Good articles
194:Knowledge:Verifiability
172:– how to use the markup
1253:"Loushy | Exhibitions"
1160:"Loushy | Exhibitions"
1112:"Loushy | Exhibitions"
936:light objects (2003),
795:Shlomit Bauman, 2008,
694:, curator: Alon Razgur
504:Tekes | Text | Textile
458:Professional Biography
431:
335:
248:Add tags to your draft
157:How to improve a draft
140:feedback on your draft
1184:"Current Exhibitions"
429:
334:
1728:Category:Researchers
1447:www.citedudesign.com
1011:ZitUp-ZitDown series
768:Juniper Publishers,
668:Cooper Hewitt Museum
207:You can also browse
148:relevant WikiProject
1643:Design Museum Holon
1468:"felissimo Library"
1395:"Zochrot - Amnezia"
1370:"The Jewish Museum"
675:Eretz Israel Museum
201:third-party sources
1497:www.archijob.co.il
916:Samoilov, Israel,
817:Kay Zivia, 2010, “
799:Sedek Journal N. 3
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295: 4 months ago.
1710:Bezalel Protocols
1472:felissimo Library
1399:Zochrot - Amnezia
1374:The Jewish Museum
894:Shohat E., 2001,
883:978-965-7241-28-8
740:Kay Zivia, 2017,
644:The Jewish Museum
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125:ask us a question
117:If you need help
112:Where to get help
92:ask us a question
75:mistakes to avoid
59:sources that are
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