699:-fuelled rave scene, jungle also inherited associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.
1331:. Sometimes, the drop is used to switch between tracks, layering components of different tracks, as the two records may be simply ambient breakdowns at this point. Some DJs prefer to combine breakbeats, a more difficult exercise. Some drops are so popular that the DJ will "rewind" or "reload" or "lift up" the record by spinning it back and restarting it at the build. The drop is often a key point from the point of view of the dance floor, since the drum breaks often fade out to leave an ambient intro playing. When the beats re-commence they are often more complex and accompanied by a heavier bassline, encouraging the crowd to begin dancing.
1311:, which maintain a slower pace at around 130–140 BPM. A general upward trend in tempo has been observed during the evolution of drum and bass. The earliest forms of drum and bass clocked in at around 130 bpm in 1990/1991, speeding up to around 155–165 BPM by 1993. Since around 1996, drum and bass tempos have predominantly stayed in the 170–180 range. Recently, some producers have started to once again produce tracks with slower tempos (that is, in the 150-170 bpm range), but the mid-170s tempo is still a hallmark of the drum and bass sound.
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2417:) before it went completely online in August 2009. Although it is still live, after 20 years Kmag ceased updating their site at the end of 2014. Kmag has announced a book to celebrate their 25th anniversary to be published in December 2019. Kmag's publishing arm, Vision, published Brian Belle-Fortune's
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As of
November 2014, six drum & bass songs had reached the no.1 spot on the UK's top 40 chart, since the genre was first being played on the radio, around 1993. The first of these was in 2012. The fact that all six of these songs reached number 1 in only two years shows the increase in popularity
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sounds of techstep to the use of conventional, acoustic instrumentation that characterise the more jazz-influenced end of the spectrum. The sounds of drum and bass are extremely varied due to the range of influences behind the music. Drum and bass could at one time be defined as a strictly electronic
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frequencies that are often felt more than heard. As befits its name, the bass element of the music is particularly pronounced, with the comparatively sparse arrangements of drum and bass tracks allowing room for basslines that are deeper than most other forms of dance music. Drum and bass tracks are
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As of 2014, despite higher profile stations such as 1Xtra scaling back their drum and bass specialist coverage, the genre has made its way into UK top 10 charts with drum and bass inspired tracks from artists such as
Rudimental and Sigma. Earlier in August 2014, before Crissy Criss' show was axed,
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There are however many albums specifically designed for personal listening. The DJ mix is a particularly popular form of release, with a popular DJ or producer mixing live, or on a computer, a variety of tracks for personal listening. Additionally, there are many albums containing unmixed tracks,
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As of 11 September 2012, Nu Urban ceased trading and RSM Tenon were instructed to assist in convening statutory meetings of members and creditors to appoint a liquidator. This left many labels short on sales, as Nu Urban were one of the main distributors for the vinyl market in the drum and bass
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beats, or breakbeats, and other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. From as early as 1991, tracks were beginning to strip away some of the heavier sampling and "hardcore noises" and
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magazine has also been running a widely respected drum and bass reviews page since 1994, written by Alex
Constantinides, which many followers refer to when seeking out new releases to investigate. In 2012 he stopped writing the reviews, and they are now contributed by Whisky Kicks.
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Despite its roots in the UK, which is still treated as the "home" of drum and bass, the style has firmly established itself around the world. There are strong scenes in other
English-speaking countries including Australia, Canada, New Zealand, South Africa, and the United States.
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So when I talk about the vibe disappearing from drum and bass, I'm talking about the blackness going as the ragga samples get phased out, the bass loses its reggae feels and becomes more linear and propulsive rather than moving around the beat with a syncopated relation with the
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released a series of bass-heavy, minimal techno cuts as Reese/The Reese
Project in the late '80s, which were hugely influential in drum and bass. One of his more famous basslines (Reese – "Just Want Another Chance", Incognito Records, 1988) was indeed sampled on Renegade's
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share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German drum and bass DJ
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musical genre, with the only "live" element being the DJ's selection and mixing of records during a set. "Live" drum and bass using electric, electronic and acoustic instruments played by musicians on stage emerged over the ensuing years of the genre's development.
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meticulously designed to create a hard-hitting emotional impact, with the drums complementing the bass to deliver a pulsating, powerful experience. Consequently, drum and bass parties are often advertised as featuring uncommonly loud and bass-heavy sound systems.
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Atmospheric pads and samples may be added over the fundamental drum and bass to provide different feels. These have included "light" elements such as ambient pads as found in ambient electronica and samples of jazz and world musics, or "dark" elements such as
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and countless others since, being known simply as the 'Reese' bassline. He followed these up with equally influential (and bassline-heavy) tracks in the UK hardcore style as Tronik House in 1991–1992. Another
Detroit artist who was important to the scene was
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Whether they were black or white, or skinny lads from brum called combatant these artists reaffirmed drum and bass's place in an
African continuum (dub, hip hop James Brown, etc...) whose premise constitute a radical break with Western music, classical and
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As the genre became generally more polished and sophisticated technically, it began to expand its reach from pirate radio to commercial stations and gain widespread acceptance (circa 1995–1997). It also began to split into recognisable subgenres such as
1869:. It emerged in the mid-2000s, pioneered by record labels such as Prspct Recordings, Yellow Stripe and Future Sickness Records. Notable artists include Switch Technique, Gancher & Ruin, Cooh, Counterstrike, Katharsys, Sinister Souls and Lucy Furr.
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A track combining the same elements (broken beat, bass, production techniques) as a drum and bass track, but with a slower tempo (say 140 BPM), might not be drum and bass, but instead may qualify as a drum and bass-influenced breakbeat track.
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MCs do not generally receive the same level of recognition as producer/DJs, and some events are specifically marketed as being MC-free. There are relatively few well-known drum and bass MCs, mainly based in London and
Bristol, including
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in
February 2016. Since then, the genre has seen a significant growth in exposure. Whilst the origin of drum and bass music is in the UK, the genre has evolved considerably with many other prominent fanbases located all over the world.
1013:, which in turn led to the emergence of jungle, drum and bass, and other genres that shared the same use of broken beats. Drum and bass shares many musical characteristics with hip-hop, though it is nowadays mostly stripped of lyrics.
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the popularity of the sambass subgenre, exported to the dance clubs and pop charts of the UK by Brazil's DJ Marky in the mid-2000s, or the Asian drum 'n' breaks scene, which draws on classical Indian music, bhangra and
Bollywood film
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Many drum and bass tracks have featured more than one sampled breakbeat in them and a technique of switching between two breaks after each bar developed. A more recent commonly used break is the "Tramen", which combines the
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used to feature the genre heavily, with DJ Bailey (show axed as of 29 August 2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called
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based on DnB and other electronic dance musics, exploring their boundaries using ideas from science, technology, contemporary classical music and progressive rock, often creating un-danceable, art gallery style music.
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The bulk of drum and bass vinyl records and CDs are distributed globally and regionally by a relatively small number of companies such as SRD (Southern Record Distributors), ST Holdings, & Nu Urban Music Limited.
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LP to Warner. Roni Size's label played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.
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When the drum and bass gradually fell into the orbit of techno, the MC – both as a samplesource taken from dancehall and rap records and as a live partner of the DJ in the club – began to disappear from the
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Internet radio stations, acting in the same light as pirate stations, have also been an instrumental part in promoting drum and bass music; the majority of them funded by listener and artist donations.
1524:, appearing in the mid-1990s, employs heavy and energetic drum and bass, characterised by robotic and heavy bass sounds. It also is generally less serious and contains more humour than other subgenres.
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Smaller scenes within the drum and bass community have developed and the scene as a whole has become much more fractured into specific subgenres, which have been grouped into "light" (influenced by
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The relatively fast drum beat forms a canvas on which a producer can create tracks to appeal to almost any taste and often will form only a background to the other elements of the music.
4283:""Popular Musicology on Line Article "Big Tings Ah Gwan": Junglist Music Takes Centre Stage, An Introduction to Jungle Music and an Enquiry into Its Impact on the London Jazz Scene""
2359:, mixed by DJ Demko, showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass, the latter plays the genre with some frequency.
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scene perhaps lessened following the shifts from jungle to drum and bass, and through to so-called "intelligent drum and bass" and techstep. It still remains a fusion music style.
707:, jump up, ragga, techstep, and what was known at the time as intelligent. As more melodic and often jazz-influenced subgenres of drum and bass called atmospheric or intelligent (
683:) became a more recognisable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the
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is characterised by large, ambient pads and synths, and hard hitting drum breaks. It hit a peak in the early 2020's following the emergence of popular artist within the genre,
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musical pattern which can be felt physically through powerful sound systems due to the low-range frequencies favoured. There has been considerable exploration of different
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on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase,
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Drum and bass is dominated by a relatively small group of record labels. Major international music labels had shown very little interest in the drum and bass scene until
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2307:. From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community.
747:, Subject 13 and Fellowship being amongst the early pioneers to champion the sound) incorporating new ideas and techniques, supporting continual evolution of the genre.
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1095:", also known as "Fugee Or Not", was eventually released with the Fugees' permission after talk of legal action, though ironically, the Fugees' version infringed
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Drum and bass exhibits a full frequency response which can sometimes only be fully appreciated on sound systems which can handle very low frequencies, including
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Where intelligent drum and bass suffers from an obsessive-compulsive cleanliness, techstep production is deliberately dirty, all dense murk and noxious drones.
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have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of
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2251:(the only drum and bass pirate to have gained a temporary legal licence), Renegade Radio 107.2FM, Rude FM, Wax FM and Eruption among the most influential.
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Old-school DnB usually included an MC providing vocals. Some styles (such as jazz-influenced DnB) also include melodic instruments soloing over the music.
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and his business partner Scott Bourne). RAM Records has been pushing the boundaries of drum and bass further into the mainstream with artists such as
1924:. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.
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2374:, Friday nights at 10 pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle and
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The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican
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Ferrigno, Emily D. "The Dark Side: representing science fiction in drum 'n'bass." New Review of Film and Television Studies 9.01 (2011): 95–104
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create more bassline and breakbeat led tracks. Some tracks increasingly took their influence from reggae and this style would become known as
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4510:"Liquid Drum and Bass is back! North America's thriving scene of young producers is conquering the world with a fresh sound | B Music"
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heavily influencing the music. This influence has lessened with time, but is still evident, with many tracks containing ragga vocals.
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1327:". The drop is the point in a track where a switch of rhythm or bassline occurs and usually follows a recognisable build section and
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the BBC held a whole prime time evening event dedicated to showcasing drum and bass by allowing four major labels to participate.
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in February 2016, making a strategic investment to help RAM Records (a London-based drum and bass record company co-owned by
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4420:"V Recordings' Bryan Gee Discusses History and Future of Drum & Bass + Premieres Intelligent Manners' "How Sweet It Is""
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resembles a faster version of the ragga-influenced jungle music of the 1990s, similar to breakcore but with more friendly
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Techstep is a subgenre of drum 'n' bass characterised by harsh noise, tonal dissonance and a discourse of sonic violence.
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1920:, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of
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chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the
4614:"Super Sunday Kool FM 94.5 | Nicky Blackmarket, Funky Flirt, Shabba D & Riddla D | Drum & Bass 1999"
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is generally acknowledged to have been the most-used (and often considered the most powerful) break in drum and bass.
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By the late 1980s and early 1990s, the tradition of breakbeat use in hip hop production had influenced the sound of
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was synonymous with early drum and bass productions but other samples have had a significant impact, including the
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had shown very little interest in the drum and bass scene, with the exception of some notable signings, including
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2243:. London pirate radio stations have been instrumental in the development of drum and bass, with stations such as
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Clearly, drum and bass has been influenced by other music genres, though influences from sources external to the
672:) were experimenting with sounds and creating a blueprint for drum and bass, especially noticeable by late 1993.
4150:"Rumble in the Jungle: The Invisible History of Drum and Bass by Steven Quinn, in: Transformations, No 3 (2002)"
4093:"Rumble in the Jungle: The Invisible History of Drum and Bass by Steven Quinn, in: Transformations, No 3 (2002)"
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single format. With the emergence of drum and bass into mainstream music markets, more albums, compilations and
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started to be sold on CDs. As digital music became more popular, websites focused on electronic music, such as
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4875:"Various Artists: Johnny Was Motion Picture Soundtrack, Vol. 2. (Reggae from the Film) – Music on Google Play"
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Drum and bass is dominated by a small group of record labels. These are mainly run by DJ-producers, such as
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described a "drum n' bass Renaissance" occurring at the time of the publication of their articles in 2023.
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drum machine, and a sound which has been subject to an enormous amount of experimentation over the years.
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As of 2014, drum and bass makes frequent appearances in mainstream media and popular culture including in
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have received mention. One of the most influential tracks in drum and bass history was "Amen Brother" by
459:, a trailblazer in the early days of Jungle music, seen here during a performance in Switzerland in 2015.
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on Friday nights from 11 pm until 1 am, showcasing drum and bass during the second hour of the show.
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with Marcus Visionary, DJ Prime and Mr. Brown, is North America's longest running jungle radio show.
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Many musicians have adapted drum and bass to live performances, which feature instruments such as
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is the amalgamation of industrial hardcore and drum and bass often combined with influences of
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4566:"Friction announces departure from Radio 1 & 1Xtra, Rene LaVice to takeover from November"
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3099:"A Guy Called Gerald's Silent Drum & Bass Protest by Benedetta Skrufff at tranzfusion.net"
2558:
2355:'s rock station, 104.5 The Edge, has a two-hour show starting at 10 pm Saturday nights called
2284:
2175:, the latter being the most uncommon method. More recently, music networking websites such as
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1988:'s King of the Jungle Records, Subversive Recordings and State of the Art Recordings, Kasra's
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and commercialisation of the genre in recent years. The artists who produced these songs are
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is another facet of production on which producers can spend a very large amount of time. The
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have also been cited by producers as inspirations. Even modern avant-garde composers such as
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radio from the early 2000s until 2014 and later featuring Tuesday shows from labels such as
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Although this practice has declined in popularity, DJs are often accompanied by one or more
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1941:, a club music genre from Detroit, contains synth and basslines similar to drum and bass.
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The genre has some popularity in film soundtracks. Hive's "Ultrasonic Sound" appeared on
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is a harder style which uses gritty basslines and heavy yet simple electronic melodies.
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Of equal importance is the TR-808 kick drum, an artificially down-pitched or elongated
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Drum and bass incorporates a number of scenes and styles, from the highly electronic,
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3676:"Life in The Fast Lane: An Overview of Drum and Bass by George Broyer at drumbum.com"
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had begun to gain mainstream popularity, and fans of the music (often referred to as
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previously held a long-standing drum and bass show on Radio 1. Radio 1 also had the
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4752:"Hot right now | full Official Chart History | Official Charts Company"
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Other publications include the longest-running drum and bass magazine worldwide,
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in the 2000s brought a wave of new artists (Carlito & Addiction, Solid State/
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Flemyng, Jason; Fletcher, Dexter; Moran, Nick; Statham, Jason (28 August 1998),
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2580:
2506:
2296:
2224:
2200:
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2013:
1985:
1905:
1886:(now known as Cynthoni). It often utilizes pop culture art elements and samples.
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is characterised by fast drums and a general dark mood, drawing influences from
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2187:. Prior to the rise of the internet, drum and bass was commonly broadcast over
1681:, and was also utilized in DJ sets by early trip hop producers and DJs such as
1462:
have also been used live by assigning samples to a specific drum pad or key on
818:
A very obvious and strong influence on jungle and drum and bass, thanks to the
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5793:
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5434:
4257:"Remix Mag Interview with Rob Playford, drum and bass pioneer at remixmag.com"
3788:
3731:"Remix Mag Interview with Rob Playford, drum and bass pioneer at remixmag.com"
3228:
2824:
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breakbeats remain the most distinctive element as without these a high-tempo
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beats (dancehall itself being a very important influence on drum and bass).
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2247:(which continues to broadcast today having done so since 1991), Origin FM,
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is a combination of drum and bass and dubstep, where the beat structure is
1478:
17:
3021:"Knowledge Magazine Article mentioning rise of live drum and bass in 2004"
7444:
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2199:
The three highest-profile radio stations playing drum and bass shows are
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1997:
1921:
1917:
1844:
1817:
1762:
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1554:) consists of very complex and chopped up rhythms, rapid and irregularly
1431:
1351:
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1100:
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891:
754:, as well as being a major reference point for subsequent genres such as
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287:
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257:
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165:
2151:
Today, drum and bass is widely promoted using different methods such as
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are very often directly sampled, regardless of their general influence.
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7015:
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2025:
2017:
2005:
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and samples from science fiction culture. Pioneered by artists such as
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1404:
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Drum and bass is usually between 160 and 180 BPM, in contrast to other
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759:
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528:
512:
335:
219:
31:
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1977:
1969:
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basslines and often ambient elements similar to earlier subgenres of
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1255:
1220:
1216:
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830:
771:
728:
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468:
170:
1426:, the world's largest drum and bass festival at that time, in Moscow
623:
and overnight outdoor event culture gave birth to new genres in the
3861:
All music guide to electronica: the definitive guide to electronica
723:) gained mainstream appeal, additional subgenres emerged including
7312:
7235:
6742:
6612:
5976:
5752:
4799:"Megadrive to Mega Hit: Why Video Games Are So Tied to Club Music"
3650:"Dom & Roland interview by Ben Willmott at knowledgemag.co.uk"
2589:. Ganja Kru's "Super Sharp Shooter" can be heard in the 2006 film
2468:
2345:, Saturday nights at 10 pm. At the same time, WUFM 88.7 plays its
2168:
1805:
is the progression from techstep incorporating more elements from
1718:
1709:(or simply "liquid") draws heavily on harmonic and melodic grooves
1380:
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1042:
943:
716:
665:
573:
451:
426:
390:
4471:
3073:"NJC–Sativa Records interview by Dhanu Le Noury at planetdnb.com"
2818:
2816:
2814:
2567:
feature a Hospital Records radio channel dedicated to the genre.
974:, which contains a drum solo that has since become known as the "
475:'s bass-heavy sound. Another feature of the style is the complex
7429:
7211:
7196:
6953:
5205:
2640:
2398:
2367:
2331:
2164:
1810:
1806:
1666:
1600:
1562:(like ambient techno). The subgenre was developed by names like
1491:
1133:
1096:
935:
873:
696:
624:
548:
5341:
5209:
5084:
5074:
4827:"How D&B label Hospital Records became a 'Forza' mainstay"
4713:
2962:"Are We Currently Experiencing The Drum 'N' Bass Renaissance?"
2783:"These are the drum 'n' bass sub-genres that you need to know"
1717:, a Brazilian drum and bass style, incorporates elements from
519:. Drum and bass has been influenced by many other genres like
398:
An example of a D&B song in the subgenre of liquid D&B
36:
4959:
Generation Ecstasy: Into the World of Techno and Rave Culture
1103:, played an important part in drum and bass musical culture.
998:
was also influential on the newly emerging sound. DJs at the
5080:
4973:
Rumble in the Jungle: The Invisible History of Drum and Bass
3924:
Energy Flash: A Journey Through Rave Music and Dance Culture
3895:
3771:
Energy Flash: A Journey Through Rave Music and Dance Culture
2991:
Energy Flash: A Journey Through Rave Music and Dance Culture
2885:
Energy Flash: A Journey Through Rave Music and Dance Culture
2662:
Energy Flash: A Journey Through Rave Music and Dance Culture
2490:
In 2012, drum and bass achieved its first UK No. 1 single, "
2035:
Prior to 2016, the major international music labels such as
1002:
nightclub on "Rage" nights used to play it as fast as their
5058:
5052:
2825:"Video explains the world's most important 6-sec drum loop"
2337:
Seattle also has a long-standing electronica show known as
1467:
4929:
All Crews: Journeys Through Jungle / Drum and Bass Culture
4536:"Pirate Radio Stations – A Brief Timeline of the UK scene"
3705:"Red Bull Academy Interview Fabio – The Root to the Shoot"
3125:"Red Bull Academy Interview Fabio – The Root to the Shoot"
2984:
2982:
2211:
in 2017, simulcast in the US and Canada on Sirius XM, and
1099:'s copyright to an earlier song. White labels, along with
4773:"An Ethnography of Jungle and DnB in 90s/00s Video Games"
4592:"27/08/2014, D&B with Crissy Criss – BBC Radio 1Xtra"
2419:
All Crews Journeys Through Jungle Drum & Bass Culture
1287:
pads and sci-fi samples to induce anxiety in the dancer.
511:(also known as liquid drum and bass), jump up, drumfunk,
4927:
4644:"D&B Soundclash Special, MistaJam – BBC Radio 1Xtra"
3047:"Knowledge Magazine Article on live drum and bass bands"
5064:
2447:
The earliest mainstream drum and bass releases include
1083:(technically bootleg), often to acclaim. For example,
1006:
record decks would go, pitching it up in the process.
3603:"Forever And Ever Amen article on knowledgemag.co.uk"
3547:"Forever And Ever Amen article on knowledgemag.co.uk"
1908:
is also one of the leading digital hardcore artists.
2104:
Originally drum and bass was mostly sold in 12-inch
7368:
7283:
7142:
7135:
7095:
6864:
6575:
6022:
5735:
5599:
5514:
5407:
5393:
4472:"Announcement of bankruptcy on nu-urbanmusic.co.uk"
4380:"Eternal evolution: why drum'n'bass refuses to die"
4231:"A Guy Called Gerald feature at knowledgemag.co.uk"
3006:New Dawn – City Clubs Take Back The Night article,
1984:, Fabio and Sarah Sandy's Creative Source Records,
341:
329:
301:
243:
212:
204:
148:
143:
67:. Unsourced material may be challenged and removed.
1079:Some tracks are illegally remixed and released on
30:"DnB" redirects here. For the Norwegian bank, see
4059:
4057:
2116:, began to sell drum and bass in digital format.
5077:timeline with track listings, quotes and samples
5067:– the biggest collection of drum and bass lyrics
2604:uses the genre in some episodes, notably in the
2487:in 2005 (the best-selling drum and bass album).
4667:"Ministry of Sound Radio Drops Drum & Bass"
2858:"BMG Invests in Drum & Bass Powerhouse RAM"
2681:"A 10-step guide on how to remix drum 'n' bass"
2334:(Seattle) have shows showcasing drum and bass.
1470:are frequently featured in live performances.
5353:
5221:
5096:
2583:' song "Walk This Land" appeared in the film
2557:onward) have contained drum and bass tracks.
2409:The best-known drum and bass publication was
1262:. The bass lines most notably originate from
1258:in the bass line region, particularly within
762:, and producing successful artists including
619:In the late 1980s and early 1990s, a growing
8:
4446:"Distribution feature at knowledgemag.co.uk"
3815:"MC Evolution feature on knowledgemag.co.uk"
2457:from 1995. Other early examples include the
2203:with The Drum and Bass Show – formerly with
3853:
3851:
3755:"The Good Life, No Such Thing As Society",
3495:"History of drum & bass on London News"
1835:guitar riffs. Pioneered by artists such as
7139:
5404:
5360:
5346:
5338:
5228:
5214:
5206:
5103:
5089:
5081:
2746:
2744:
140:
7435:Music technology (electronic and digital)
3889:
3887:
3885:
3699:
3697:
2852:
2850:
1246:The genre places great importance on the
127:Learn how and when to remove this message
4994:State of Bass: Jungle – The Story So Far
3357:. native-instruments.com. Archived from
2631:List of jungle and drum and bass artists
2370:has a two-hour electronic show known as
1477:
1414:
1323:Many mixing points begin or end with a "
942:has been named as a possible influence.
739:The emergence of related styles such as
351:List of jungle and drum and bass artists
3406:
3404:
3402:
2652:
2636:List of jungle and drum and bass emcees
994:. The sampled-up jazz break on Craig's
934:acted as funk influences on the music.
4961:(1998) by Simon Reynolds, Routledge. (
1607:. It was pioneered by such artists as
791:affinity" for the genre in the 2020s.
581:performs at Listen at Club Alchemy in
4620:from the original on 11 December 2021
4327:
4325:
3173:"Mike Bolton interview on rwdmag.com"
3151:"Liquid V Show Us The Bigger Picture"
2934:"The Zoomer Embrace of Drum 'n' Bass"
2831:from the original on 11 December 2021
1895:Born around the same time as jungle,
1729:styles. Pioneered by artists such as
7:
3896:"Ishkur's Guide to Electronic Music"
3523:. knowledgemag.co.uk. Archived from
3471:. knowledgemag.co.uk. Archived from
2903:"Global Bass on the music landscape"
2823:Proctor, Landon (21 February 2006).
2697:from the original on 28 January 2021
1956:Category:Drum and bass record labels
1132:" breaks. Early pioneers often used
65:adding citations to reliable sources
4947:(1998) by Simon Reynolds, Picador (
4854:Lock, Stock and Two Smoking Barrels
4771:Martinez, Jonas (30 January 2023).
4665:Steven, Colin (26 September 2014).
4205:"Raggacore article on lfodemon.com"
3789:"Goldie in Shanghai on youtube.com"
3381:"MC XYZ interview at planetdnb.com"
3205:. 28 September 1998. Archived from
2586:Lock, Stock and Two Smoking Barrels
2477:from 1998; and then, in the 2000s,
2032:(known as Real Playaz as of 2006).
1831:is a style which specifically uses
1591:is a smoother style, influenced by
1215:dance track could be classified as
4495:"Drum & Bass Keeps The Beat",
4066:"A short history of Drum and Bass"
3901:Ishkur's Guide to Electronic Music
3414:. Red Bull Academy. Archived from
2909:. 17 November 2014. Archived from
1891:Genres influenced by drum and bass
1482:Congo Natty, a ragga jungle artist
1371:, drawing on the genre's roots in
1359:suited for home or car listening.
483:. Drum and bass subgenres include
208:Early-to-mid 1990s, United Kingdom
25:
7440:Recording studio as an instrument
5061:– drum and bass mixes on Telegram
5055:– drum and bass mixes, since 2009
4996:(1997) by Martin James, Boxtree (
3974:. 4 February 2011. Archived from
3412:"Zinc interview – Hardware Bingo"
3279:. breakbeat.co.uk. Archived from
2799:from the original on 21 June 2023
2762:from the original on 21 June 2023
2729:from the original on 22 June 2023
2679:Bateman, Graeme (18 March 2019).
2612:", where Shy FX and UK Apache's "
445:. The genre grew out of the UK's
6598:Christian electronic dance music
5008:The Rough Guide to Drum 'n' Bass
4969:), nonfiction (American edition)
3844:. Vol. 01. pp. 95–104.
1880:Modern atmospheric drum and bass
1665:demonstrates heavy influence by
872:As a musical style built around
825:scene, is the original Jamaican
727:in 1996, drawing influence from
41:
4955:), nonfiction (British edition)
4932:(2005) by Brian Belle-Fortune (
4797:Ombler, Mat (29 October 2018).
4418:Beer, Nathan (12 August 2016).
4004:. 2 August 2016. Archived from
3944:. 31 March 2011. Archived from
3277:"Ill Logic & Raf interview"
3199:"Being Everything But The Girl"
2626:List of electronic music genres
2283:Drum and bass was supported by
1128:, "Soul Pride", "Scorpio" and "
52:needs additional citations for
4685:"The Prophecy on CIUT 89.5 FM"
4033:Drum 'n' Bass: The Rough Guide
3445:. Nigel Berman. Archived from
3253:. 404audio.com. Archived from
2932:Zhang, Cat (29 October 2021).
2781:Murphy, Ben (4 January 2018).
2616:" was played in Fazer's club.
2505:Numerous video games (such as
2299:, DJ Marky, Viper Recordings,
2234:The BBC's Black music station
1:
7510:Electronic dance music genres
7403:Electronic musical instrument
4900:"Music from Skins (UK) S1E03"
4825:Regan, Tom (7 January 2022).
1498:) and "heavy" (influenced by
1200:" or "Samurai" break) and an
1161:Roland TR-808 Rhythm Composer
4975:(2002) by Steven Quinn, in:
4148:Chris Christodoulou (2002).
4091:Chris Christodoulou (2002).
3938:"Dubstep, Drumstep, and DNB"
1307:-based dance styles such as
904:Gladys Knight & the Pips
4979:, No 3 (2002), nonfiction (
4405:"Playaz Recordings – About"
3858:Bogdanov, Vladimir (2001).
3306:. techno.de. Archived from
2564:Forza Horizon 2, 3, 4 and 5
2079:Now defunct labels include
1585:Intelligent drum & bass
1411:Live instrument performance
356:drum and bass record labels
7536:
5071:History of drum & bass
4706:"FreQuency on HD – HD98.3"
3868:. pp. 225, 638, 140.
2532:Need for Speed: Undercover
2413:magazine (formerly called
1953:
1434:(acoustic or electronic),
1291:Vocal and melodic elements
833:sound, with pioneers like
603:
597:
29:
7425:Electronics in rock music
7386:Digital audio workstation
5376:
5243:
5118:
4422:. NEST HQ. Archived from
2330:Album 88.5 (Atlanta) and
2271:(all had two No.1 hits).
1874:Atmospheric drum and bass
1204:drum and bass breakbeat.
820:British African-Caribbean
639:, which combined sampled
507:, ambient drum and bass,
405:(commonly abbreviated as
346:
334:
306:
248:
4309:"Pitchshifter biography"
4123:"Slipping into Darkness"
3922:Reynolds, Simon (2013).
3769:Reynolds, Simon (2013).
2989:Reynolds, Simon (2013).
2883:Reynolds, Simon (2013).
2660:Reynolds, Simon (2013).
2207:, who was replaced with
2120:Distributors (wholesale)
2095:Formats and distribution
2016:'s Viper Recordings and
1683:Kruder & Dorfmeister
1514:Mainstream drum and bass
1458:(acoustic or electric).
1147:to create their tracks.
656:(with producers such as
648:(later to become simply
600:History of drum and bass
361:history of drum and bass
27:Type of electronic music
7515:English styles of music
7333:Progressive electronica
6373:Intelligent dance music
5501:Sound system (Jamaican)
3334:redbullmusicacademy.com
2467:(1997) from Reprazent;
1928:Intelligent dance music
1346:performing live in 2010
7495:2010s in British music
7485:2000s in British music
7475:1990s in British music
5654:List of hip hop genres
5380:Electronic dance music
3437:Berman, Nigel (2002).
2788:Red Bull Music Academy
2686:Red Bull Music Academy
2579:s soundtrack, and the
2153:video sharing services
1483:
1427:
1347:
1250:, in this case a deep
1164:
1074:electronic dance music
590:
589:, on 3 September 2006.
471:sound that influenced
460:
421:characterised by fast
419:electronic dance music
399:
5816:Electronic body music
5464:Electroacoustic music
4943:"Roots 'n Future" in
4694:– via Facebook.
4407:– via Facebook.
2471:'s Mercury-nominated
2443:Mainstream acceptance
2428:, and Austrian-based
2347:Electronic Playground
2058:BMG Rights Management
2012:'s Virus Recordings,
1510:) styles, including:
1481:
1418:
1342:
1158:
577:
564:BMG Rights Management
455:
397:
7113:Hyperpop microgenres
5777:Contemporary R&B
4741:, 17 September 1997.
4616:. 14 December 2019.
4002:Most Addictive Music
3773:. Soft Skull Press.
3475:on 27 September 2007
3105:on 17 September 2006
2993:. Soft Skull Press.
2887:. Soft Skull Press.
2752:"Jungle/Drum'n'Bass"
2664:. Soft Skull Press.
2393:hosts a show called
2311:North American radio
1766:is characterised by
1706:Liquid drum and bass
1695:Thievery Corporation
1641:Good Looking Records
1570:(known as Plug) and
1278:Atmospheric elements
1230:of the drum tracks'
479:of the drum tracks'
449:scene in the 1990s.
61:improve this article
6723:Mainstream hardcore
6097:Chopped and screwed
5486:Elektronische Musik
5440:List of rock genres
5371:-based music styles
5014:and Alexix Maryon (
4716:on 16 February 2017
4476:nu-urbanmusic.co.uk
4426:on 23 November 2016
4289:on 16 February 2012
4211:on 17 February 2007
4156:on 10 November 2014
4099:on 10 November 2014
3978:on 3 September 2015
3926:. Soft Skull Press.
3209:on 11 November 2007
2913:on 23 December 2019
2598:The Channel 4 show
2545:series, and Sony's
2459:Mercury Music Prize
1972:and Scott Bourne's
1930:(IDM) is a form of
1738:Heavy drum and bass
1579:Light drum and bass
1274:, are less common.
1171:sound sampled from
425:(typically 165–185
6932:Kawaii future bass
6912:Deconstructed club
6065:Breakbeat hardcore
5957:Martial industrial
5947:Industrial hip hop
5828:Ethnic electronica
5811:Electro-industrial
5195:Progressive breaks
5143:Breakbeat hardcore
4739:The New York Times
4516:on 29 January 2021
4499:, 6 February 2003.
4263:on 7 February 2007
3998:"What is Drumstep"
3968:"WTF is Drumstep?"
3737:on 7 February 2007
3501:on 6 February 2007
3449:on 23 January 2013
3355:"Photek interview"
3283:on 11 October 2006
3257:on 2 November 2006
3251:"Makoto interview"
3179:on 25 October 2006
3053:on 19 October 2006
3010:, 27 February 2001
2608:' third episode, "
2415:Knowledge Magazine
2357:Edge Essential Mix
1962:London Elektricity
1589:intelligent jungle
1484:
1428:
1348:
1183:Rhythm composition
1165:
1011:breakbeat hardcore
996:Bug in the Bassbin
764:Chase & Status
629:breakbeat hardcore
606:Breakbeat hardcore
591:
461:
400:
381:experimental music
161:breakbeat hardcore
7457:
7456:
7453:
7452:
7381:Data sonification
7131:
7130:
7118:Plugg microgenres
7103:Breakcore revival
7068:Slowed and reverb
6748:Post-punk revival
6449:Progressive house
6368:Industrial techno
6040:Asian underground
5972:Power electronics
5748:Alternative dance
5607:Afro/cosmic music
5562:Psychedelic music
5335:
5334:
5203:
5202:
4572:. 11 October 2017
4546:on 6 October 2016
4030:(1 August 1999).
3972:The Beatport Team
3302:Collin, Matthew.
3153:. breakbeat.co.uk
2960:Wehner, Cyclone.
2907:Rhythmtravels.com
2864:. 3 February 2016
2717:"Tempo and genre"
2559:Microsoft Studios
2285:Ministry of Sound
2229:One in the Jungle
2022:NoCopyrightSounds
1996:'s Shogun Audio,
1687:Nightmares on Wax
1466:or synthesizers.
1454:or electric) and
1196:funk breakbeat ("
1015:Grandmaster Flash
395:
389:
388:
149:Stylistic origins
137:
136:
129:
111:
16:(Redirected from
7527:
7353:Video game music
7202:Acid house party
7140:
7087:Weird SoundCloud
6974:Melbourne bounce
6792:Shangaan electro
6353:Harsh noise wall
6112:Digital hardcore
5952:Industrial metal
5572:Psychedelic rock
5567:Psychedelic funk
5557:Progressive rock
5491:Live electronics
5474:Musique concrète
5469:Acousmatic music
5415:Amplified guitar
5405:
5400:decade of origin
5362:
5355:
5348:
5339:
5230:
5223:
5216:
5207:
5105:
5098:
5091:
5082:
5059:t.me/bassblogpro
4915:
4914:
4912:
4910:
4896:
4890:
4889:
4887:
4885:
4871:
4865:
4864:
4863:
4861:
4848:
4842:
4841:
4839:
4837:
4822:
4816:
4815:
4813:
4811:
4794:
4788:
4787:
4785:
4783:
4768:
4762:
4761:
4748:
4742:
4732:
4726:
4725:
4723:
4721:
4712:. Archived from
4702:
4696:
4695:
4693:
4691:
4681:
4675:
4674:
4662:
4656:
4655:
4653:
4651:
4640:
4634:
4633:
4627:
4625:
4610:
4604:
4603:
4601:
4599:
4588:
4582:
4581:
4579:
4577:
4562:
4556:
4555:
4553:
4551:
4542:. Archived from
4532:
4526:
4525:
4523:
4521:
4512:. Archived from
4506:
4500:
4493:
4487:
4486:
4484:
4482:
4468:
4462:
4461:
4459:
4457:
4448:. Archived from
4442:
4436:
4435:
4433:
4431:
4415:
4409:
4408:
4401:
4395:
4394:
4392:
4390:
4376:
4370:
4369:
4368:on 16 July 2012.
4364:. Archived from
4354:
4348:
4347:
4345:
4343:
4329:
4320:
4319:
4317:
4315:
4305:
4299:
4298:
4296:
4294:
4285:. Archived from
4279:
4273:
4272:
4270:
4268:
4259:. Archived from
4253:
4247:
4246:
4244:
4242:
4237:on 9 August 2011
4233:. Archived from
4227:
4221:
4220:
4218:
4216:
4207:. Archived from
4201:
4195:
4194:
4192:
4190:
4175:
4169:
4168:
4163:
4161:
4152:. Archived from
4145:
4139:
4138:
4136:
4134:
4119:
4113:
4112:
4106:
4104:
4095:. Archived from
4088:
4082:
4081:
4079:
4077:
4068:. Archived from
4061:
4052:
4051:
4024:
4018:
4017:
4015:
4013:
4008:on 1 August 2019
3994:
3988:
3987:
3985:
3983:
3964:
3958:
3957:
3955:
3953:
3934:
3928:
3927:
3919:
3913:
3912:
3910:
3908:
3891:
3880:
3879:
3855:
3846:
3845:
3837:
3831:
3830:
3828:
3826:
3817:. Archived from
3811:
3805:
3804:
3798:
3796:
3791:. 27 August 2006
3785:
3779:
3778:
3766:
3760:
3753:
3747:
3746:
3744:
3742:
3733:. Archived from
3727:
3721:
3720:
3718:
3716:
3711:on 20 April 2008
3707:. Archived from
3701:
3692:
3691:
3689:
3687:
3682:on 7 August 2011
3678:. Archived from
3672:
3666:
3665:
3663:
3661:
3652:. Archived from
3646:
3640:
3639:
3637:
3635:
3625:
3619:
3618:
3616:
3614:
3605:. Archived from
3599:
3593:
3592:
3590:
3588:
3583:on 4 August 2010
3579:. Archived from
3569:
3563:
3562:
3560:
3558:
3549:. Archived from
3543:
3537:
3536:
3534:
3532:
3527:on 13 March 2007
3517:
3511:
3510:
3508:
3506:
3497:. Archived from
3491:
3485:
3484:
3482:
3480:
3465:
3459:
3458:
3456:
3454:
3439:"Goldie article"
3434:
3428:
3427:
3425:
3423:
3408:
3397:
3396:
3394:
3392:
3383:. Archived from
3377:
3371:
3370:
3368:
3366:
3361:on 20 March 2006
3351:
3345:
3344:
3342:
3340:
3326:
3320:
3319:
3317:
3315:
3310:on 15 March 2012
3299:
3293:
3292:
3290:
3288:
3273:
3267:
3266:
3264:
3262:
3247:
3241:
3240:
3238:
3236:
3229:"Bailey profile"
3225:
3219:
3218:
3216:
3214:
3195:
3189:
3188:
3186:
3184:
3175:. Archived from
3169:
3163:
3162:
3160:
3158:
3147:
3141:
3140:
3138:
3136:
3131:on 20 April 2008
3127:. Archived from
3121:
3115:
3114:
3112:
3110:
3101:. Archived from
3095:
3089:
3088:
3086:
3084:
3075:. Archived from
3069:
3063:
3062:
3060:
3058:
3049:. Archived from
3043:
3037:
3036:
3034:
3032:
3027:on 12 March 2007
3023:. Archived from
3017:
3011:
3004:
2998:
2997:
2986:
2977:
2976:
2974:
2972:
2957:
2951:
2950:
2948:
2946:
2929:
2923:
2922:
2920:
2918:
2899:
2893:
2892:
2880:
2874:
2873:
2871:
2869:
2854:
2845:
2844:
2838:
2836:
2820:
2809:
2808:
2806:
2804:
2778:
2772:
2771:
2769:
2767:
2748:
2739:
2738:
2736:
2734:
2713:
2707:
2706:
2704:
2702:
2676:
2670:
2669:
2657:
2578:
2542:Grand Theft Auto
2502:in the process.
2484:Hold Your Colour
2383:Augusta, Georgia
2305:Hospital Records
2070:Chase and Status
1966:Hospital Records
1901:digital hardcore
1825:Metal & bass
1789:, and the label
1787:Dom & Roland
1643:, and the label
1500:industrial music
1391:(deceased), the
1335:Live performance
1130:Think (About It)
982:Kevin Saunderson
946:artists such as
843:Sly & Robbie
801:Musical features
787:noted a "rising
715:) and jazzstep (
627:scene including
427:beats per minute
417:) is a genre of
396:
316:digital hardcore
213:Derivative forms
205:Cultural origins
141:
132:
125:
121:
118:
112:
110:
69:
45:
37:
21:
7535:
7534:
7530:
7529:
7528:
7526:
7525:
7524:
7520:Music in London
7460:
7459:
7458:
7449:
7364:
7301:Chill-out music
7279:
7127:
7091:
6860:
6571:
6434:Nu skool breaks
6018:
5731:
5666:Industrial rock
5595:
5537:Electronic rock
5510:
5425:Hawaiian guitar
5398:
5389:
5372:
5366:
5336:
5331:
5239:
5234:
5204:
5199:
5190:Nu skool breaks
5114:
5109:
5049:
4977:Transformations
4924:
4922:Further reading
4919:
4918:
4908:
4906:
4898:
4897:
4893:
4883:
4881:
4879:play.google.com
4873:
4872:
4868:
4859:
4857:
4850:
4849:
4845:
4835:
4833:
4824:
4823:
4819:
4809:
4807:
4796:
4795:
4791:
4781:
4779:
4770:
4769:
4765:
4757:Official Charts
4750:
4749:
4745:
4733:
4729:
4719:
4717:
4704:
4703:
4699:
4689:
4687:
4683:
4682:
4678:
4664:
4663:
4659:
4649:
4647:
4642:
4641:
4637:
4623:
4621:
4612:
4611:
4607:
4597:
4595:
4590:
4589:
4585:
4575:
4573:
4564:
4563:
4559:
4549:
4547:
4540:fantazia.org.uk
4534:
4533:
4529:
4519:
4517:
4508:
4507:
4503:
4494:
4490:
4480:
4478:
4470:
4469:
4465:
4455:
4453:
4452:on 9 March 2007
4444:
4443:
4439:
4429:
4427:
4417:
4416:
4412:
4403:
4402:
4398:
4388:
4386:
4378:
4377:
4373:
4356:
4355:
4351:
4341:
4339:
4331:
4330:
4323:
4313:
4311:
4307:
4306:
4302:
4292:
4290:
4281:
4280:
4276:
4266:
4264:
4255:
4254:
4250:
4240:
4238:
4229:
4228:
4224:
4214:
4212:
4203:
4202:
4198:
4188:
4186:
4185:. December 1997
4177:
4176:
4172:
4159:
4157:
4147:
4146:
4142:
4132:
4130:
4121:
4120:
4116:
4102:
4100:
4090:
4089:
4085:
4075:
4073:
4063:
4062:
4055:
4048:
4040:. p. 207.
4026:
4025:
4021:
4011:
4009:
3996:
3995:
3991:
3981:
3979:
3966:
3965:
3961:
3951:
3949:
3948:on 9 March 2014
3936:
3935:
3931:
3921:
3920:
3916:
3906:
3904:
3894:Ishkur (2019).
3893:
3892:
3883:
3876:
3857:
3856:
3849:
3839:
3838:
3834:
3824:
3822:
3821:on 9 March 2007
3813:
3812:
3808:
3794:
3792:
3787:
3786:
3782:
3768:
3767:
3763:
3757:The Independent
3754:
3750:
3740:
3738:
3729:
3728:
3724:
3714:
3712:
3703:
3702:
3695:
3685:
3683:
3674:
3673:
3669:
3659:
3657:
3656:on 24 July 2011
3648:
3647:
3643:
3633:
3631:
3627:
3626:
3622:
3612:
3610:
3609:on 9 March 2007
3601:
3600:
3596:
3586:
3584:
3571:
3570:
3566:
3556:
3554:
3553:on 9 March 2007
3545:
3544:
3540:
3530:
3528:
3519:
3518:
3514:
3504:
3502:
3493:
3492:
3488:
3478:
3476:
3467:
3466:
3462:
3452:
3450:
3436:
3435:
3431:
3421:
3419:
3410:
3409:
3400:
3390:
3388:
3379:
3378:
3374:
3364:
3362:
3353:
3352:
3348:
3338:
3336:
3328:
3327:
3323:
3313:
3311:
3301:
3300:
3296:
3286:
3284:
3275:
3274:
3270:
3260:
3258:
3249:
3248:
3244:
3234:
3232:
3227:
3226:
3222:
3212:
3210:
3197:
3196:
3192:
3182:
3180:
3171:
3170:
3166:
3156:
3154:
3149:
3148:
3144:
3134:
3132:
3123:
3122:
3118:
3108:
3106:
3097:
3096:
3092:
3082:
3080:
3071:
3070:
3066:
3056:
3054:
3045:
3044:
3040:
3030:
3028:
3019:
3018:
3014:
3005:
3001:
2988:
2987:
2980:
2970:
2968:
2966:Purple Sneakers
2959:
2958:
2954:
2944:
2942:
2931:
2930:
2926:
2916:
2914:
2901:
2900:
2896:
2882:
2881:
2877:
2867:
2865:
2856:
2855:
2848:
2834:
2832:
2822:
2821:
2812:
2802:
2800:
2780:
2779:
2775:
2765:
2763:
2750:
2749:
2742:
2732:
2730:
2715:
2714:
2710:
2700:
2698:
2678:
2677:
2673:
2659:
2658:
2654:
2649:
2622:
2614:Original Nuttah
2576:
2527:Electronic Arts
2461:-winning album
2445:
2434:. London-based
2407:
2364:Tucson, Arizona
2353:Tulsa, Oklahoma
2313:
2277:
2236:BBC Radio 1Xtra
2197:
2149:
2140:
2135:
2133:Regional scenes
2122:
2102:
2097:
1958:
1952:
1947:
1893:
1876:
1740:
1663:drum & jazz
1659:jazz & bass
1581:
1546:(also known as
1516:
1476:
1413:
1403:(deceased) and
1365:
1337:
1321:
1309:nu skool breaks
1301:
1293:
1280:
1244:
1185:
1153:
1114:
1109:
1023:Afrika Bambaata
932:Michael Jackson
928:Jerry Lee Lewis
912:Aretha Franklin
900:Ella Fitzgerald
816:
803:
795:Purple Sneakers
737:
646:hardcore jungle
637:hardcore jungle
617:
612:
610:hardcore jungle
602:
596:
391:
385:
330:Regional scenes
325:
297:
239:
200:
133:
122:
116:
113:
76:"Drum and bass"
70:
68:
58:
46:
35:
28:
23:
22:
15:
12:
11:
5:
7533:
7531:
7523:
7522:
7517:
7512:
7507:
7502:
7500:2010s in music
7497:
7492:
7490:2000s in music
7487:
7482:
7480:1990s in music
7477:
7472:
7462:
7461:
7455:
7454:
7451:
7450:
7448:
7447:
7442:
7437:
7432:
7427:
7422:
7421:
7420:
7415:
7410:
7400:
7399:
7398:
7388:
7383:
7378:
7372:
7370:
7366:
7365:
7363:
7362:
7361:
7360:
7358:Adaptive music
7350:
7345:
7340:
7335:
7330:
7325:
7320:
7315:
7310:
7309:
7308:
7298:
7293:
7287:
7285:
7281:
7280:
7278:
7277:
7276:
7275:
7270:
7260:
7259:
7258:
7253:
7248:
7246:Plunderphonics
7238:
7233:
7232:
7231:
7230:
7229:
7219:
7214:
7209:
7204:
7194:
7189:
7184:
7179:
7178:
7177:
7172:
7167:
7157:
7152:
7146:
7144:
7137:
7133:
7132:
7129:
7128:
7126:
7125:
7120:
7115:
7110:
7105:
7099:
7097:
7093:
7092:
7090:
7089:
7084:
7083:
7082:
7072:
7071:
7070:
7065:
7060:
7050:
7048:Tropical house
7045:
7040:
7035:
7030:
7025:
7024:
7023:
7021:Riddim (genre)
7018:
7008:
7003:
7001:Outsider house
6998:
6993:
6992:
6991:
6986:
6976:
6971:
6966:
6961:
6956:
6951:
6946:
6941:
6936:
6935:
6934:
6924:
6919:
6914:
6909:
6904:
6902:Brazilian bass
6899:
6894:
6892:Big room house
6889:
6884:
6879:
6874:
6868:
6866:
6862:
6861:
6859:
6858:
6853:
6848:
6843:
6841:Vocaloid music
6838:
6837:
6836:
6826:
6821:
6816:
6811:
6810:
6809:
6799:
6794:
6789:
6784:
6779:
6778:
6777:
6772:
6762:
6757:
6756:
6755:
6745:
6740:
6735:
6730:
6725:
6720:
6715:
6710:
6705:
6704:
6703:
6698:
6691:Hypnagogic pop
6688:
6683:
6682:
6681:
6671:
6666:
6661:
6660:
6659:
6654:
6649:
6639:
6638:
6637:
6627:
6622:
6621:
6620:
6610:
6605:
6600:
6595:
6590:
6585:
6579:
6577:
6573:
6572:
6570:
6569:
6568:
6567:
6562:
6552:
6551:
6550:
6545:
6540:
6530:
6529:
6528:
6523:
6518:
6513:
6508:
6503:
6498:
6493:
6488:
6483:
6478:
6468:
6467:
6466:
6456:
6451:
6446:
6441:
6436:
6431:
6426:
6425:
6424:
6414:
6413:
6412:
6405:Minimal techno
6402:
6397:
6392:
6387:
6382:
6381:
6380:
6378:Drill 'n' bass
6370:
6365:
6360:
6355:
6350:
6349:
6348:
6343:
6338:
6333:
6332:
6331:
6329:Lento violento
6321:
6316:
6311:
6306:
6301:
6296:
6294:Belgian techno
6286:
6281:
6280:
6279:
6274:
6264:
6259:
6254:
6253:
6252:
6242:
6237:
6232:
6227:
6222:
6221:
6220:
6219:
6218:
6213:
6208:
6203:
6195:
6194:
6193:
6183:
6182:
6181:
6176:
6171:
6166:
6153:
6152:
6151:
6146:
6141:
6131:
6130:
6129:
6119:
6114:
6109:
6104:
6099:
6094:
6089:
6084:
6083:
6082:
6080:Toytown techno
6077:
6075:Happy hardcore
6072:
6062:
6057:
6052:
6047:
6045:Baltimore club
6042:
6037:
6035:Ambient techno
6032:
6026:
6024:
6020:
6019:
6017:
6016:
6011:
6010:
6009:
6007:Detroit techno
6004:
5999:
5989:
5984:
5979:
5974:
5969:
5964:
5959:
5954:
5949:
5944:
5943:
5942:
5937:
5932:
5927:
5922:
5917:
5912:
5907:
5902:
5897:
5892:
5887:
5882:
5872:
5867:
5862:
5857:
5856:
5855:
5850:
5845:
5840:
5835:
5825:
5820:
5819:
5818:
5808:
5807:
5806:
5796:
5791:
5786:
5785:
5784:
5782:New jack swing
5774:
5773:
5772:
5770:Florida breaks
5762:
5757:
5756:
5755:
5745:
5739:
5737:
5733:
5732:
5730:
5729:
5724:
5719:
5718:
5717:
5712:
5707:
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5509:
5508:
5503:
5498:
5493:
5488:
5483:
5482:
5481:
5476:
5471:
5461:
5459:Computer music
5456:
5451:
5450:
5449:
5444:
5443:
5442:
5432:
5427:
5422:
5420:Electric blues
5411:
5409:
5402:
5391:
5390:
5377:
5374:
5373:
5367:
5365:
5364:
5357:
5350:
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5319:
5314:
5309:
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5307:
5302:
5292:
5287:
5282:
5281:
5280:
5270:
5265:
5260:
5255:
5253:Drill 'n' bass
5250:
5244:
5241:
5240:
5235:
5233:
5232:
5225:
5218:
5210:
5201:
5200:
5198:
5197:
5192:
5187:
5182:
5180:Florida breaks
5177:
5172:
5167:
5162:
5161:
5160:
5158:Happy hardcore
5155:
5150:
5140:
5135:
5128:Baltimore club
5125:
5119:
5116:
5115:
5110:
5108:
5107:
5100:
5093:
5085:
5079:
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5068:
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5056:
5048:
5047:External links
5045:
5044:
5043:
5032:China Miéville
5023:
5005:
4991:
4970:
4956:
4941:
4923:
4920:
4917:
4916:
4891:
4866:
4843:
4817:
4789:
4777:Klang Magazine
4763:
4743:
4735:"The Pop Life"
4727:
4697:
4676:
4657:
4635:
4605:
4583:
4557:
4527:
4501:
4488:
4463:
4437:
4410:
4396:
4371:
4349:
4321:
4300:
4274:
4248:
4222:
4196:
4179:"2 Steps Back"
4170:
4140:
4114:
4083:
4072:on 29 May 2014
4053:
4046:
4028:Shapiro, Peter
4019:
3989:
3959:
3929:
3914:
3881:
3874:
3847:
3832:
3806:
3780:
3761:
3759:, 23 July 2003
3748:
3722:
3693:
3667:
3641:
3620:
3594:
3564:
3538:
3512:
3486:
3460:
3429:
3418:on 10 May 2010
3398:
3387:on 10 May 2006
3372:
3346:
3321:
3294:
3268:
3242:
3220:
3190:
3164:
3142:
3116:
3090:
3079:on 10 May 2006
3064:
3038:
3012:
2999:
2978:
2952:
2924:
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2875:
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2651:
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2648:
2645:
2644:
2643:
2638:
2633:
2628:
2621:
2618:
2537:Rockstar Games
2522:Tribes: Ascend
2517:Hi-Rez Studios
2512:Bomberman Hero
2444:
2441:
2406:
2403:
2372:Digital Empire
2312:
2309:
2276:
2275:Internet radio
2273:
2196:
2193:
2148:
2147:Media presence
2145:
2139:
2136:
2134:
2131:
2121:
2118:
2101:
2098:
2096:
2093:
2002:Breakbeat Kaos
1990:Critical Music
1951:
1948:
1946:
1943:
1892:
1889:
1888:
1887:
1875:
1872:
1871:
1870:
1856:
1822:
1814:
1794:
1775:Bad Company UK
1759:
1739:
1736:
1735:
1734:
1710:
1702:
1648:
1639:and his label
1580:
1577:
1576:
1575:
1543:Drill 'n' bass
1539:
1525:
1515:
1512:
1475:
1472:
1424:Pirate Station
1412:
1409:
1389:Stevie Hyper D
1364:
1363:DJ performance
1361:
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1320:
1317:
1300:
1297:
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1289:
1279:
1276:
1243:
1240:
1184:
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1152:
1149:
1113:
1110:
1108:
1105:
1019:Roger Troutman
968:Henryk Gorecki
956:Charlie Patton
952:Robert Johnson
908:Billie Holiday
815:
812:
802:
799:
736:
733:
616:
613:
598:Main article:
595:
592:
517:drill 'n' bass
387:
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7470:Drum and bass
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7359:
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7349:
7348:Sound collage
7346:
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7324:
7321:
7319:
7316:
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7311:
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7299:
7297:
7296:Celtic fusion
7294:
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7208:
7207:Circuit party
7205:
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6985:
6982:
6981:
6980:
6977:
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6962:
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6959:Jungle terror
6957:
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6692:
6689:
6687:
6684:
6680:
6677:
6676:
6675:
6672:
6670:
6669:Future garage
6667:
6665:
6664:Electronicore
6662:
6658:
6655:
6653:
6650:
6648:
6645:
6644:
6643:
6642:Electro house
6640:
6636:
6633:
6632:
6631:
6628:
6626:
6625:Dancehall pop
6623:
6619:
6616:
6615:
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6611:
6609:
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6604:
6601:
6599:
6596:
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6584:
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6556:
6555:UK hard house
6553:
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6423:
6422:Electro swing
6420:
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6408:
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6325:
6322:
6320:
6317:
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6307:
6305:
6302:
6300:
6299:Bouncy techno
6297:
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6290:
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6285:
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6278:
6275:
6273:
6270:
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6255:
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6241:
6238:
6236:
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6231:
6230:Dungeon synth
6228:
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6217:
6214:
6212:
6209:
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6204:
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6199:
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6180:
6177:
6175:
6172:
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6159:
6158:
6157:
6156:Drum and bass
6154:
6150:
6147:
6145:
6142:
6140:
6139:Bristol sound
6137:
6136:
6135:
6132:
6128:
6125:
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6120:
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6110:
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6043:
6041:
6038:
6036:
6033:
6031:
6028:
6027:
6025:
6021:
6015:
6014:Tracker music
6012:
6008:
6005:
6003:
6000:
5998:
5995:
5994:
5993:
5990:
5988:
5985:
5983:
5980:
5978:
5975:
5973:
5970:
5968:
5965:
5963:
5960:
5958:
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5953:
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5948:
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5941:
5938:
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5933:
5931:
5928:
5926:
5923:
5921:
5918:
5916:
5913:
5911:
5908:
5906:
5903:
5901:
5898:
5896:
5893:
5891:
5890:Balearic beat
5888:
5886:
5883:
5881:
5878:
5877:
5876:
5873:
5871:
5868:
5866:
5863:
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5841:
5839:
5836:
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5826:
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5821:
5817:
5814:
5813:
5812:
5809:
5805:
5802:
5801:
5800:
5797:
5795:
5792:
5790:
5787:
5783:
5780:
5779:
5778:
5775:
5771:
5768:
5767:
5766:
5763:
5761:
5758:
5754:
5751:
5750:
5749:
5746:
5744:
5741:
5740:
5738:
5734:
5728:
5725:
5723:
5722:Reggae fusion
5720:
5716:
5713:
5711:
5708:
5706:
5703:
5702:
5701:
5698:
5694:
5691:
5689:
5686:
5684:
5681:
5680:
5679:
5676:
5674:
5671:
5667:
5664:
5663:
5662:
5659:
5655:
5652:
5651:
5650:
5647:
5645:
5642:
5640:
5637:
5635:
5632:
5630:
5627:
5625:
5622:
5620:
5617:
5613:
5610:
5609:
5608:
5605:
5604:
5602:
5598:
5590:
5587:
5586:
5585:
5582:
5578:
5575:
5573:
5570:
5568:
5565:
5564:
5563:
5560:
5558:
5555:
5553:
5552:New-age music
5550:
5548:
5545:
5543:
5540:
5538:
5535:
5533:
5530:
5528:
5525:
5523:
5520:
5519:
5517:
5513:
5507:
5506:Space age pop
5504:
5502:
5499:
5497:
5494:
5492:
5489:
5487:
5484:
5480:
5477:
5475:
5472:
5470:
5467:
5466:
5465:
5462:
5460:
5457:
5455:
5452:
5448:
5447:Western swing
5445:
5441:
5438:
5437:
5436:
5433:
5431:
5428:
5426:
5423:
5421:
5418:
5417:
5416:
5413:
5412:
5410:
5406:
5403:
5401:
5396:
5392:
5388:
5387:
5382:
5381:
5375:
5370:
5363:
5358:
5356:
5351:
5349:
5344:
5343:
5340:
5328:
5325:
5323:
5320:
5318:
5315:
5313:
5310:
5306:
5303:
5301:
5298:
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5296:
5293:
5291:
5288:
5286:
5283:
5279:
5276:
5275:
5274:
5271:
5269:
5266:
5264:
5261:
5259:
5256:
5254:
5251:
5249:
5246:
5245:
5242:
5238:
5237:Drum and bass
5231:
5226:
5224:
5219:
5217:
5212:
5211:
5208:
5196:
5193:
5191:
5188:
5186:
5183:
5181:
5178:
5176:
5175:Drum and bass
5173:
5171:
5168:
5166:
5163:
5159:
5156:
5154:
5151:
5149:
5146:
5145:
5144:
5141:
5139:
5136:
5133:
5129:
5126:
5124:
5121:
5120:
5117:
5113:
5106:
5101:
5099:
5094:
5092:
5087:
5086:
5083:
5076:
5072:
5069:
5066:
5065:DnbLyrics.com
5063:
5060:
5057:
5054:
5051:
5050:
5046:
5041:
5040:0-330-37098-7
5037:
5033:
5029:
5028:
5024:
5022:), nonfiction
5021:
5020:1-85828-433-3
5017:
5013:
5012:Peter Shapiro
5009:
5006:
5004:), nonfiction
5003:
5002:0-7522-2323-2
4999:
4995:
4992:
4990:
4986:
4982:
4978:
4974:
4971:
4968:
4964:
4960:
4957:
4954:
4953:0-330-35056-0
4950:
4946:
4942:
4940:), nonfiction
4939:
4938:0-9548897-0-3
4935:
4931:
4930:
4926:
4925:
4921:
4905:
4901:
4895:
4892:
4880:
4876:
4870:
4867:
4856:
4855:
4847:
4844:
4832:
4828:
4821:
4818:
4806:
4805:
4804:Vice Magazine
4800:
4793:
4790:
4778:
4774:
4767:
4764:
4759:
4758:
4753:
4747:
4744:
4740:
4736:
4731:
4728:
4715:
4711:
4707:
4701:
4698:
4686:
4680:
4677:
4672:
4668:
4661:
4658:
4645:
4639:
4636:
4631:
4619:
4615:
4609:
4606:
4593:
4587:
4584:
4571:
4567:
4561:
4558:
4545:
4541:
4537:
4531:
4528:
4515:
4511:
4505:
4502:
4498:
4492:
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4451:
4447:
4441:
4438:
4425:
4421:
4414:
4411:
4406:
4400:
4397:
4385:
4381:
4375:
4372:
4367:
4363:
4359:
4353:
4350:
4338:
4334:
4333:"RAM Records"
4328:
4326:
4322:
4310:
4304:
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4087:
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4071:
4067:
4064:Gilman, Ben.
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3577:Jungle Breaks
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3008:Village Voice
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2528:
2524:
2523:
2518:
2514:
2513:
2508:
2503:
2501:
2497:
2493:
2492:Hot Right Now
2488:
2486:
2485:
2480:
2476:
2475:
2470:
2466:
2465:
2460:
2456:
2455:
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2391:Cereal Killaz
2388:
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2085:Moving Shadow
2082:
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2067:
2063:
2059:
2055:
2052:
2051:
2046:
2042:
2038:
2033:
2031:
2027:
2024:and formerly
2023:
2019:
2015:
2011:
2007:
2003:
1999:
1995:
1991:
1987:
1983:
1979:
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1971:
1967:
1963:
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1950:Record labels
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1842:
1841:Counterstrike
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1791:Moving Shadow
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1646:
1645:Moving Shadow
1642:
1638:
1634:
1630:
1626:
1622:
1618:
1617:William Orbit
1614:
1610:
1606:
1602:
1598:
1594:
1593:ambient music
1590:
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1288:
1286:
1277:
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1269:
1265:
1261:
1257:
1253:
1249:
1242:Bass elements
1241:
1239:
1237:
1233:
1229:
1224:
1222:
1218:
1214:
1210:
1205:
1203:
1199:
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1170:
1162:
1157:
1150:
1148:
1146:
1142:
1138:
1135:
1131:
1127:
1126:Funky Drummer
1123:
1119:
1111:
1107:Drum elements
1106:
1104:
1102:
1098:
1094:
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1086:
1082:
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949:
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917:
913:
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905:
901:
897:
893:
889:
885:
882:
881:rock and roll
879:
875:
870:
868:
864:
860:
856:
855:Mad Professor
852:
848:
844:
840:
836:
832:
828:
824:
821:
813:
811:
808:
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588:
584:
580:
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569:
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560:
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546:
542:
541:ambient music
538:
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494:
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482:
478:
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458:
454:
450:
448:
444:
440:
436:
432:
429:) with heavy
428:
424:
420:
416:
412:
408:
404:
403:Drum and bass
382:
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319:
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309:
308:
305:
302:Fusion genres
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182:
181:reggae fusion
179:
177:
174:
172:
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167:
164:
162:
159:
157:
154:
153:
151:
147:
144:Drum and bass
142:
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131:
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120:
117:February 2024
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
62:
56:
55:
50:This article
48:
44:
39:
38:
33:
19:
7408:Drum machine
7318:Doujin music
7306:Lounge music
7263:Street dance
7217:EDM festival
7170:Sound system
7136:Other topics
7011:Post-dubstep
6964:Lofi hip hop
6939:Future house
6765:Reductionism
6733:Nintendocore
6657:Fidget house
6608:Coupé-décalé
6548:Speed garage
6363:Indietronica
6267:Ghetto house
6245:French house
6235:Electroclash
6191:Ragga jungle
6155:
6102:Dark electro
6002:Bleep techno
5982:Sophisti-pop
5920:Jersey sound
5833:Funk carioca
5789:Dark ambient
5693:Minimal wave
5384:
5378:
5305:Ragga jungle
5236:
5174:
5053:bassblog.pro
5025:
5007:
4993:
4976:
4972:
4958:
4945:Energy Flash
4944:
4928:
4907:. Retrieved
4903:
4894:
4882:. Retrieved
4878:
4869:
4858:, retrieved
4853:
4846:
4834:. Retrieved
4830:
4820:
4808:. Retrieved
4802:
4792:
4780:. Retrieved
4776:
4766:
4755:
4746:
4738:
4730:
4718:. Retrieved
4714:the original
4709:
4700:
4688:. Retrieved
4679:
4670:
4660:
4648:. Retrieved
4638:
4628:– via
4622:. Retrieved
4608:
4596:. Retrieved
4586:
4574:. Retrieved
4569:
4560:
4548:. Retrieved
4544:the original
4539:
4530:
4518:. Retrieved
4514:the original
4504:
4497:Boston Globe
4496:
4491:
4481:21 September
4479:. Retrieved
4475:
4466:
4454:. Retrieved
4450:the original
4440:
4428:. Retrieved
4424:the original
4413:
4399:
4387:. Retrieved
4383:
4374:
4366:the original
4362:Shogun Audio
4361:
4352:
4340:. Retrieved
4336:
4312:. Retrieved
4303:
4291:. Retrieved
4287:the original
4277:
4265:. Retrieved
4261:the original
4251:
4239:. Retrieved
4235:the original
4225:
4213:. Retrieved
4209:the original
4199:
4187:. Retrieved
4182:
4173:
4165:
4158:. Retrieved
4154:the original
4143:
4131:. Retrieved
4126:
4117:
4110:soundtracks.
4108:
4101:. Retrieved
4097:the original
4086:
4074:. Retrieved
4070:the original
4038:Rough Guides
4032:
4022:
4010:. Retrieved
4006:the original
4001:
3992:
3980:. Retrieved
3976:the original
3971:
3962:
3950:. Retrieved
3946:the original
3941:
3932:
3923:
3917:
3905:. Retrieved
3899:
3866:Rough Guides
3860:
3841:
3835:
3823:. Retrieved
3819:the original
3809:
3799:– via
3793:. Retrieved
3783:
3774:
3770:
3764:
3756:
3751:
3739:. Retrieved
3735:the original
3725:
3713:. Retrieved
3709:the original
3684:. Retrieved
3680:the original
3670:
3658:. Retrieved
3654:the original
3644:
3632:. Retrieved
3623:
3611:. Retrieved
3607:the original
3597:
3585:. Retrieved
3581:the original
3576:
3573:"The Breaks"
3567:
3555:. Retrieved
3551:the original
3541:
3529:. Retrieved
3525:the original
3515:
3503:. Retrieved
3499:the original
3489:
3477:. Retrieved
3473:the original
3463:
3451:. Retrieved
3447:the original
3442:
3432:
3420:. Retrieved
3416:the original
3389:. Retrieved
3385:the original
3375:
3363:. Retrieved
3359:the original
3349:
3337:. Retrieved
3333:
3324:
3312:. Retrieved
3308:the original
3297:
3285:. Retrieved
3281:the original
3271:
3259:. Retrieved
3255:the original
3245:
3233:. Retrieved
3223:
3211:. Retrieved
3207:the original
3202:
3193:
3181:. Retrieved
3177:the original
3167:
3155:. Retrieved
3145:
3133:. Retrieved
3129:the original
3119:
3107:. Retrieved
3103:the original
3093:
3081:. Retrieved
3077:the original
3067:
3055:. Retrieved
3051:the original
3041:
3029:. Retrieved
3025:the original
3015:
3007:
3002:
2994:
2990:
2969:. Retrieved
2965:
2955:
2943:. Retrieved
2937:
2927:
2915:. Retrieved
2911:the original
2906:
2897:
2888:
2884:
2878:
2866:. Retrieved
2861:
2839:– via
2833:. Retrieved
2801:. Retrieved
2786:
2776:
2764:. Retrieved
2731:. Retrieved
2720:
2711:
2699:. Retrieved
2684:
2674:
2665:
2661:
2655:
2606:first series
2599:
2597:
2590:
2584:
2571:
2569:
2562:
2552:
2551:series from
2546:
2540:
2530:
2520:
2510:
2504:
2489:
2482:
2472:
2462:
2452:
2446:
2435:
2429:
2426:ATM Magazine
2425:
2423:
2418:
2414:
2410:
2408:
2394:
2380:
2371:
2361:
2356:
2351:
2346:
2343:All Mixed Up
2342:
2338:
2336:
2329:
2321:The Prophecy
2320:
2319:since 1994,
2314:
2301:Shogun Audio
2282:
2278:
2257:
2253:
2233:
2228:
2198:
2189:pirate radio
2150:
2141:
2127:
2123:
2103:
2081:Rob Playford
2078:
2056:
2048:
2034:
1959:
1937:
1926:
1894:
1879:
1858:
1849:Dirtyphonics
1837:Concord Dawn
1828:
1824:
1816:
1802:
1796:
1761:
1748:dark ambient
1743:
1712:
1704:
1662:
1658:
1655:jazzy jungle
1654:
1650:
1588:
1584:
1564:Squarepusher
1551:
1547:
1541:
1531:
1527:
1519:
1485:
1440:synthesizers
1429:
1385:
1366:
1357:
1349:
1322:
1313:
1302:
1294:
1281:
1268:synthesizers
1245:
1226:The complex
1225:
1206:
1186:
1166:
1115:
1093:Ready or Not
1087:'s remix of
1078:
1071:
1063:Beastie Boys
1051:Wu-Tang Clan
1035:Public Enemy
1008:
995:
986:
980:
972:The Winstons
960:Muddy Waters
920:the Supremes
916:Otis Redding
871:
859:Roots Radics
847:Bill Laswell
823:sound system
817:
804:
794:
793:
782:
780:
749:
738:
735:21st century
701:
674:
618:
615:20th century
561:
489:ragga jungle
462:
443:synthesizers
414:
410:
406:
402:
401:
342:Other topics
138:
123:
114:
104:
97:
90:
83:
71:
59:Please help
54:verification
51:
7418:Synthesizer
7323:Lo-fi music
7268:House dance
7251:Rare groove
7175:Turntablism
7160:Disc jockey
7108:Drift phonk
6989:Moombahsoul
6984:Moombahcore
6944:Future soul
6927:Future bass
6922:Funktronica
6907:Bro-country
6846:Witch house
6814:Tecno brega
6708:Jersey club
6652:Dutch house
6506:Progressive
6444:Power noise
6390:Livetronica
6240:Folktronica
6216:Liquid funk
6206:Intelligent
6201:Atmospheric
6092:Changa tuki
6087:Broken beat
6030:Ambient dub
5997:Acid techno
5987:Synth-metal
5848:Tecnocumbia
5760:Ambient pop
5715:Italo disco
5634:Electropunk
5612:Space disco
5584:Space music
5577:Sampledelia
5386:Electronica
5312:Liquid funk
5278:Atmospheric
5273:Intelligent
5170:Broken beat
5132:Jersey club
5123:Acid breaks
4909:15 February
4860:15 February
4720:15 February
4650:15 February
4598:15 February
4550:15 February
4456:6 September
4430:23 November
4384:redbull.com
4342:15 February
4337:RAM Records
4293:4 September
4241:6 September
4215:6 September
4129:. June 1996
3825:6 September
3795:6 September
3715:4 September
3686:6 September
3660:6 September
3634:24 December
3613:6 September
3557:6 September
3531:6 September
3479:6 September
3469:"LTJ Bukem"
3453:6 September
3422:4 September
3391:6 September
3365:6 September
3314:6 September
3287:6 September
3261:6 September
3235:6 September
3183:6 September
3157:6 September
3135:4 September
3109:6 September
3083:6 September
2835:15 February
2581:E-Z Rollers
2507:Hudson Soft
2297:Grooverider
2225:Grooverider
2219:in London.
2209:René LaVice
2201:BBC Radio 1
2161:Dailymotion
2138:Anglosphere
2062:Ram Records
2030:True Playaz
2014:Futurebound
1994:DJ Friction
1986:DJ Dextrous
1906:The Panacea
1855:and others.
1833:heavy metal
1771:soundscapes
1727:Latin music
1625:Blu Mar Ten
1568:Luke Vibert
1496:world music
1422:in 2009 at
1401:MC Skibadee
1397:Dynamite MC
1393:Ragga Twins
1272:double bass
1266:sources or
1228:syncopation
1194:James Brown
1175:'s classic
1081:white label
940:Miles Davis
930:, and even
896:Marvin Gaye
888:James Brown
867:Buju Banton
745:DJ Dextrous
741:liquid funk
713:Blu Mar Ten
685:raggamuffin
587:Connecticut
509:liquid funk
477:syncopation
457:DJ Dextrous
268:liquid funk
186:electronica
18:Drum n bass
7464:Categories
7391:Drum break
7338:Rave music
7328:Madchester
7291:Bass music
7273:Rave dance
7222:Free party
7187:Microgenre
7058:Hardvapour
6996:Mumble rap
6979:Moombahton
6969:Mahraganat
6897:Black MIDI
6807:Sovietwave
6782:Russ music
6713:Juke house
6686:Hauntology
6647:Complextro
6635:Reggaestep
6400:Microhouse
6395:Merenhouse
6314:Frenchcore
6309:Free tekno
6277:Ghettotech
6225:Dub techno
6122:Diva house
6117:Disco polo
6107:Denpa song
6050:Bhangragga
5962:Miami bass
5853:Turbo-folk
5823:Electropop
5794:Dubtronica
5710:Dance-rock
5705:Dance-punk
5700:Post-disco
5661:Industrial
5639:Euro disco
5589:Space rock
5479:Tape music
5369:Electronic
5042:), fiction
5030:(1998) by
5010:(1999) by
4967:0415923735
4884:16 January
4810:10 January
4782:10 January
4690:22 October
4624:22 October
4520:25 January
4358:"About Us"
4189:31 January
4133:31 January
4047:1858284333
3942:Brad Bator
3907:28 October
3875:0879306289
3840:Ferrigno.
3505:18 January
3213:26 January
3057:18 October
3031:18 October
2917:22 October
2647:References
2592:Johnny Was
2573:The Matrix
2387:Zarbizarre
2366:, 91.3 FM
2339:Expansions
2289:Metalheadz
2265:Rudimental
2177:SoundCloud
2173:television
2100:Purchasing
2037:Sony Music
2020:, Pascal,
1982:Metalheadz
1954:See also:
1939:Ghettotech
1859:Crossbreed
1829:bass metal
1752:industrial
1725:and other
1723:bossa nova
1699:Mr. Scruff
1675:Alex Reece
1605:soul music
1572:Aphex Twin
1556:syncopated
1552:spunk jazz
1444:turntables
1236:Amen break
1209:Syncopated
1202:Alex Reece
1198:Tighten Up
1190:Amen break
1141:sequencers
1118:Amen break
992:Carl Craig
976:Amen break
964:B. B. King
948:Lead Belly
924:Commodores
878:syncopated
863:Bob Marley
839:Peter Tosh
835:King Tubby
814:Influences
807:industrial
752:television
670:2 Bad Mice
652:), whilst
641:syncopated
604:See also:
423:breakbeats
196:industrial
87:newspapers
7505:Breakbeat
7192:Nightclub
7155:Club drug
7150:Beat drop
7053:Vaporwave
7028:Rara tech
6917:Dreampunk
6872:Afroswing
6856:Wonky pop
6802:Synthwave
6770:Lowercase
6728:Nightcore
6718:Jumpstyle
6696:Chillwave
6618:Crunkcore
6603:Cloud rap
6583:Afrobeats
6543:Breakstep
6533:UK garage
6521:Uplifting
6459:Reggaeton
6439:Post-rock
6385:Kidandali
6346:Speedcore
6324:Hardstyle
6304:Breakcore
6262:Futurepop
6174:Neurofunk
6134:Downtempo
5925:Hip house
5865:Eurodance
5804:Freestyle
5765:Breakbeat
5743:Acid jazz
5727:Synth-pop
5688:Dark wave
5683:Cold wave
5673:Japanoise
5629:Dancehall
5547:Krautrock
5542:Jazz-funk
5317:Neurofunk
5165:Breakcore
5112:Breakbeat
4985:1444-3775
4836:9 January
4710:hd983.com
4576:8 January
4389:5 October
4267:5 October
4012:12 August
3741:5 October
3587:15 August
2939:Pitchfork
2868:18 August
2474:Two Pages
2464:New Forms
2451:'s album
2421:in 2004.
2405:Magazines
2395:FreQuency
2241:Xtra Bass
2089:Omni Trio
2074:Sub Focus
2060:acquired
2050:In Silico
2041:Universal
1932:art music
1914:dancehall
1910:Raggacore
1897:breakcore
1884:Sewerslvt
1867:breakcore
1798:Neurofunk
1679:LTJ Bukem
1637:LTJ Bukem
1629:Deep Blue
1609:Omni Trio
1536:half time
1474:Subgenres
1464:drum pads
1420:Aphrodite
1329:breakdown
1305:breakbeat
1285:dissonant
1232:breakbeat
1169:bass drum
1151:Synthesis
1101:dubplates
1047:Kid Frost
1039:Schooly D
987:Terrorist
851:Lee Perry
784:Pitchfork
781:In 2021,
721:Roni Size
689:dancehall
681:junglists
675:By 1994,
662:Doc Scott
621:nightclub
583:New Haven
566:acquired
505:neurofunk
485:breakcore
481:breakbeat
371:breakcore
321:raggacore
311:breakcore
273:neurofunk
244:Subgenres
225:UK garage
191:breakbeat
7445:Waveform
7241:Sampling
7227:Teknival
7080:Hardwave
7063:Mallsoft
7043:EDM trap
7038:Shamstep
6949:Hyperpop
6882:Amapiano
6877:Algorave
6834:Funkstep
6829:UK funky
6775:Onkyokei
6753:New rave
6588:Bassline
6565:Hard NRG
6560:Hardbass
6496:Hands Up
6481:Balearic
6429:Nu metal
6410:Schaffel
6358:Illbient
6289:Hardcore
6272:Footwork
6250:Nu disco
6211:Jazzstep
6179:Techstep
6169:Hardstep
6164:Darkstep
6149:Trip hop
6144:Psybient
6070:Darkcore
6055:Big beat
5967:New beat
5860:Eurobeat
5678:New wave
5624:Chiptune
5454:Biomusic
5327:Techstep
5300:Darkcore
5285:Jazzstep
5268:Hardstep
5263:Drumstep
5258:Drumfunk
5248:Darkstep
5153:Darkcore
5138:Big beat
5027:King Rat
4989:PDF file
4904:TuneFind
4618:Archived
4183:The Wire
4127:The Wire
3629:"TR-808"
3304:"Goldie"
2829:Archived
2797:Archived
2793:Red Bull
2760:Archived
2756:AllMusic
2727:Archived
2695:Archived
2691:Red Bull
2620:See also
2500:Rita Ora
2496:DJ Fresh
2479:Pendulum
2454:Timeless
2431:Resident
2323:on 89.5
2269:DJ Fresh
2217:Kiss 100
2205:Friction
2185:podcasts
2181:Mixcloud
2114:Beatport
2110:DJ mixes
2045:Pendulum
1998:DJ Fresh
1945:Industry
1922:darkstep
1918:Darkcore
1853:Pendulum
1845:Zardonic
1818:Hardstep
1763:Techstep
1756:hardcore
1744:Darkstep
1731:DJ Marky
1691:Kid Loco
1671:trip hop
1651:Jazzstep
1597:chillout
1532:halftime
1528:Drumstep
1460:Samplers
1450:(either
1436:samplers
1352:sub-bass
1344:Pendulum
1260:techstep
1252:sub-bass
1248:bassline
1145:Atari ST
1137:samplers
1112:Sampling
1067:Pharcyde
1065:and the
1004:Technics
938:pioneer
892:Al Green
776:Pendulum
725:techstep
705:hardstep
654:darkcore
633:darkcore
537:trip hop
525:big beat
501:techstep
497:darkstep
493:hardstep
435:sub-bass
366:junglist
288:technoid
283:drumfunk
278:techstep
258:hardstep
253:Darkstep
235:footwork
166:darkcore
7413:Sampler
7143:Culture
7033:Seapunk
7016:Brostep
6824:UK bass
6787:Sambass
6760:Rabòday
6679:Grindie
6630:Dubstep
6417:Nu jazz
6127:Hardbag
5895:Chicago
5885:Ambient
5799:Electro
5649:Hip hop
5522:Ambient
5322:Sambass
5290:Jump-up
4630:YouTube
4570:ukf.com
4160:6 April
3982:31 July
3952:31 July
3801:YouTube
3521:"Klute"
3443:Insight
3339:23 July
3330:"Fabio"
2841:YouTube
2803:14 July
2766:14 July
2733:14 July
2722:Ableton
2701:14 July
2548:Wipeout
2389:of the
2376:dubstep
2332:C89.5fm
2325:CIUT-FM
2317:Toronto
2245:Kool FM
2213:DJ Hype
2157:YouTube
2129:scene.
2026:DJ Zinc
2018:DJ Hype
2010:Optical
2006:Ed Rush
1783:Optical
1779:Ed Rush
1714:Sambass
1521:Jump-up
1508:anxiety
1488:ambient
1456:guitars
1452:upright
1405:MC Tali
1373:hip hop
1264:sampled
1256:timbres
1143:on the
1085:DJ Zinc
1059:Mos Def
1055:Dr. Dre
1031:Mac Dre
1027:Run DMC
760:dubstep
697:ecstasy
687:sound,
594:History
529:dubstep
521:hip hop
513:sambass
439:samples
437:lines,
411:D&B
336:Sambass
263:jump up
220:Dubstep
101:scholar
32:DNB ASA
7343:Reggae
7284:Genres
7256:Riddim
7182:Mashup
7165:DJ mix
6887:Azonto
6819:Trival
6797:Skweee
6738:Nortec
6701:Glo-fi
6593:Budots
6538:2-step
6471:Trance
6464:Dembow
6454:Psydub
6341:Mákina
6336:J-core
6319:Gabber
6284:Glitch
6257:Funkot
6197:Light
6186:Jungle
6160:Heavy
6060:Bitpop
5992:Techno
5940:Tribal
5905:Garage
5843:Kwaito
5838:Kuduro
5644:Hi-NRG
5619:Boogie
5395:Genres
5295:Jungle
5185:Jungle
5148:4-beat
5038:
5018:
5000:
4983:
4965:
4951:
4936:
4314:16 May
4103:1 June
4076:1 June
4044:
3872:
3776:music.
2971:18 May
2945:15 May
2494:", by
2449:Goldie
2295:&
2249:Don FM
2231:show.
2171:, and
2066:Andy C
2008:&
1978:Goldie
1970:Andy C
1768:sci-fi
1758:music.
1697:, and
1633:Photek
1613:Peshay
1548:fungle
1506:, and
1504:sci-fi
1494:, and
1377:reggae
1221:gabber
1217:techno
1177:TR-808
1173:Roland
1122:Apache
1089:Fugees
1000:Heaven
922:, the
884:breaks
831:reggae
789:zoomer
774:, and
772:Metrik
768:Netsky
729:techno
677:jungle
668:, and
658:Goldie
650:jungle
635:, and
579:Adam F
545:techno
515:, and
473:jungle
469:reggae
447:jungle
441:, and
376:glitch
171:techno
156:Jungle
103:
96:
89:
82:
74:
7369:Tools
7313:Disco
7236:Remix
7096:2020s
7006:Plugg
6865:2010s
6851:Wonky
6743:Phonk
6674:Grime
6613:Crunk
6576:2000s
6526:Vocal
6486:Dream
6023:1990s
5977:Ragga
5930:Latin
5915:Italo
5910:Funky
5875:House
5870:Grebo
5753:Baggy
5736:1980s
5600:1970s
5527:Drone
5515:1960s
5496:Noise
5408:Early
4671:K Mag
4646:. BBC
4594:. BBC
3231:. BBC
3203:Salon
2890:drum.
2601:Skins
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2469:4hero
2293:Fabio
2261:Sigma
2221:Fabio
2195:Radio
2169:radio
2165:blogs
2155:like
2106:vinyl
1863:metal
1803:neuro
1719:samba
1432:drums
1381:ragga
1299:Tempo
1043:N.W.A
944:Blues
756:grime
717:4Hero
709:Blame
666:4hero
533:house
415:D'n'B
413:, or
230:grime
108:JSTOR
94:books
7430:MIDI
7396:List
7376:Bass
7212:Doof
7197:Rave
7123:Rage
7075:Wave
6954:Gqom
6516:Tech
6501:Hard
6476:Acid
5935:Tech
5900:Deep
5880:Acid
5435:Rock
5430:Jùjú
5073:– a
5036:ISBN
5016:ISBN
4998:ISBN
4981:ISSN
4963:ISBN
4949:ISBN
4934:ISBN
4911:2017
4886:2017
4862:2017
4838:2024
4812:2024
4784:2024
4722:2017
4692:2021
4652:2017
4626:2021
4600:2017
4578:2018
4552:2017
4522:2021
4483:2012
4458:2006
4432:2016
4391:2017
4344:2017
4316:2009
4295:2007
4269:2006
4243:2006
4217:2006
4191:2013
4162:2014
4135:2013
4105:2014
4078:2014
4042:ISBN
4014:2019
3984:2015
3954:2015
3909:2023
3870:ISBN
3827:2006
3797:2006
3743:2006
3717:2007
3688:2006
3662:2006
3636:2006
3615:2006
3589:2010
3559:2006
3533:2006
3507:2007
3481:2006
3455:2006
3424:2007
3393:2006
3367:2006
3341:2021
3316:2006
3289:2006
3263:2006
3237:2006
3215:2007
3185:2006
3159:2006
3137:2007
3111:2006
3085:2006
3059:2006
3033:2006
2973:2024
2947:2023
2919:2021
2870:2017
2837:2017
2805:2023
2768:2023
2735:2023
2703:2023
2667:pop.
2641:Gqom
2554:Pure
2411:Kmag
2399:WHHD
2368:KXCI
2303:and
2267:and
2223:and
2179:and
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2072:and
2039:and
1899:and
1865:and
1811:funk
1809:and
1807:jazz
1754:and
1677:and
1669:and
1667:jazz
1621:Seba
1603:and
1601:jazz
1550:and
1492:jazz
1448:bass
1375:and
1325:drop
1319:Drop
1192:, a
1159:The
1139:and
1134:Akai
1116:The
1097:Enya
962:and
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874:funk
865:and
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758:and
711:and
625:rave
608:and
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6491:Goa
5532:Dub
5075:BBC
4831:NME
2862:BMG
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2509:'s
2481:'s
2397:on
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1369:MCs
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