40:
387:; not for films but for everyday life.", it received less pośitive reviews by other critics. Despite this productivity on record, during this period the duo would also perform numerous songs in live concerts which were never released on records. In 1982, Bates would release his first full-release solo album on 10 inch vinyl,
678:
and another critic, reviewing both releases, wrote: "It takes some time to truly ‘hear’ the layers and complexities of this album, in the same way it takes time to grasp the width, breath and achievement of
Eyeless In Gaza's musical history. But time spent will be rewarded: Eyeless In Gaza remain one
469:
and no longer needed to continue. "Recording that song was one of my proudest moments with Gaza. The track was just so wonderful it seemed to epitomize everything that Peter and I thought was wonderful about music. It was almost, "well, we’ve done it now, we can finish the group." It wasn't intended
536:
During the early 1990s, Becker had begun work on a solo album, working with
Elizabeth S. as a vocalist on what the latter described as "stuff with a country feel" and to which Bates contributed some vocal melodies. Gradually Bates was drawn deeper into the project, which eventually resulted in the
344:
arrangements and instrumentation (which sometimes included toy instruments for reasons of cheapness and sonic effectiveness) and for Bates' passionate vocals, which at times were howled, whispered, or stammered. Bates would later reflect that the early music and his singing style was a way of
544:
With the reunion now firmly established, Eyeless in Gaza returned to their original duo setup for studio recordings (although
Elizabeth S. would continue with the band as an occasional associate member) and revived their Ambivalent Scale label for new releases. The next album, 1994's
265:
when the two met, having simultaneously been turned down for membership in the
Nuneaton band Bron Area. They began making music together as Eyeless in Gaza in February 1980. and with both contributing vocals and multiple instruments. The band name is a reference to the novel
307:
EP. Bates later acknowledged their origin as a band from the "independent scene". Within a year
Eyeless in Gaza had recorded two albums and set up their own record label, Ambivalent Scale, in order to release limited edition cassettes of assorted solo works, other local
557:(described by the band as ""imaginary soundtracks, soundscapes for the reminding pictures in us") featured a more acoustic and experimental instrumentation including toy piano, pixiephone, pump organ and banjo. A companion EP,
254:-based band Reluctant Stereotypes, and also released a cassette of experimental electronic music in 1979 under the name of Migraine Inducers. Peter Becker had played in a covers band before buying and experimenting with a
345:
liberating the rage and hostility he had within him. Becker would later recall that "the music was always constantly changing in style: punk, thrashy, atmospheric, ambient, dense, sparse, folky, poppy and even a tinge of
400:(released, like the first two albums, on Cherry Red) saw Eyeless in Gaza refining their sound and attracting broader coverage. In a mixed critical response, one critic compared the band to "a more harrowing version of
607:
From this point onwards, Eyeless in Gaza would spend lengthy periods in the studio incubating new recording, although they would occasionally surface for concerts (accompanied by
Elizabeth S.) In 2006, they released
430:
direction. Bates would begin to adopt a gentler singing style as part of this, and physical aspects of his earlier singing style was another reason for this. More of this new approach was evident on the 1984 EP
337:(was) not for Eyeless in Gaza." For the next two years, they would pursue a resolutely independent path of their own as regards both recording and playing live, and deliberately retaining their day jobs.
221:. They have described their music as "veer crazily from filmic ambiance to rock and pop, industrial funk to avant-folk styles." Formed in 1980, the group went into hiatus in 1987, re-emerging in 1993.
651:
featured Bates and Becker alone and was considered another look-back to their post-punk roots. In 2012, Martyn Bates and Peter Becker appeared on "Right North" (2CD), of the international collective
470:
that way, but it was a good, full stop." Four years later, Becker would recall things differently, stating that the band had broken up due to frustration with their failure to advance their career.
458:
drummer Joby Palmer was recruited, as was Bates' longtime girlfriend
Elizabeth S. (who served as backing singer). In the same year, the band acquired a manager for the first time and toured with
697:, curated by Bates and Becker and thematically divided over five discs of "Rock and Rhythmic", "Pop Tunes etc", "Approximate Ballads and Similar", "Atmos-songs" and "Experiments and Improv".
940:
493:. Bates and Elizabeth S. were also married by this point, and Bates had begun concentrating on solo work. Between 1987 and 1990, he would release three folk-based solo albums,
426:(July 1983), Eyeless in Gaza had become concerned that their initial uncompromising stance had "alienated a lot of people" and had begun to make concessions towards a more
1087:(2005), Cherry Red - DVD reissue of above video plus original promo videos for "Veil Like Calm" and "New Risen" and six tracks recorded live on the Isle of Wight, 2004
473:
Eyeless in Gaza played their final gig in Reus, Spain in 1987, with the concert being filmed for
Spanish TV. Cherry Red released the retrospective collection
1767:
565:, which blended Eyeless in Gaza's current working methods with elements of their original post-punk recordings. In 1996, the band released a further album,
1625:
312:
groups and each member's separate collaborations with other musicians. (Both Becker and Bates released solo albums on cassettes between 1979 and 1981.)
616:
sessions, part of a "mammoth set of recordings" dealing with the concept of "The City (as) resolutely an outward manifestation of the human psyche".
1772:
1762:
1777:
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In 1990, Bates and Becker reunited to collaborate on what was in effect a new
Eyeless In Gaza epic, "Glow of Sight", for inclusion at the end of
358:
was released in
September 1981 to some highly positive reviews in the British music press. The original pressing included a bonus five track EP (
404:". A single from the album - the electro-soul influenced "Veil Like Calm" was issued in October 1982. In the same year the band recorded
296:, which they pressed, packaged and marketed entirely by themselves, inspired by the manufacturing and promotion instructions provided on
246:
family with "undercurrents of magic", and had listened to folk music from an early age, subsequently being inspired by the first wave of
1797:
604:(released on Soleilmoon, and described as "folk forms, sonic attacks, broken glass... a tapestry of barbed wire & blood flowers.").
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resurrection of Eyeless in Gaza, this time as a trio. Recording with producer Paul Samson, the band produced their 1993 comeback album
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1711:
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401:
379:, which was released by the Norwegian label Uniton in 1982: in contrast to previous works it was (as described by Dave Henderson in
572:
Meanwhile, Martyn Bates would continue to release solo albums alongside the regular Eyeless albums, also recording three albums of
1757:
682:
Having opted to withdraw from their already sparse live appearances, Eyeless in Gaza concentrated on "twilight music" for 2018's
22:
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followed in 2012: as with its predecessor, it featured contributions from Elizabeth S. on voice and banjo. In contrast, 2014's
436:
549:
consisted of predominantly improvised pieces, most of them instrumental. In comparison to the heavily synthesized art pop of
1782:
462:., but in spite of this opportunity and the band's embracing of the option of a pop career, no major label deal emerged.
465:
In 1989, Bates would recall that both he and Becker had seemed to feel that the band had peaked with the title track of
512:, Bates’ last solo album on the Belgian Integrity label. Bates and Becker went directly from this to collaborate with
1792:
333:, Shock, and Naked Lunch in the 2002 Review package tour of that year, they decided to pull out, having decided that "
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compilation summarised the past fifteen years of development alongside a number of previously unreleased tracks.
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450:'s drummer Dave Ruffy: this song would in turn appear on the final album of the band's early years, 1986's
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of the most accomplished and interesting bands to have emerged from the music-making underground."
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1035:(1982) – Various artists, including ″Dusky Ruth″ and ″Through Eastfields″ by Eyeless In Gaza
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followed in 2011, further exploring the band's psychedelic folk tendencies. A sister album,
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91:
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924:(2012), cat|sun MonotypeRec - previously unreleased material (different from 2002 release)
672:
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would follow for a box-set issue, and consisted of a single eighteen-minute track. 2010's
330:
297:
936:(2015), A-Scale – 3-CD boxset with bonus download album, rarities and unreleased material
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were released to positive reviews. The latter album was given four stars out of five in
1247:
987:(1995), Ambivalent Scale - 5 track companion release to "Saw You In Reminding Pictures"
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930:(2014), Cherry Red – 4-CD boxset, first four albums and one disc of 1980–1983 rarities
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686:. Forty years after their formation, Eyeless in Gaza released their twentieth album
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By the time of the "New Risen" single (released in May 1983) and its parent album
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732:(1981), Cherry Red - UK Indie no. 27, original LP included bonus 5 track 12",
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767:(1983), Cherry Red - UK Indie no. 5, CD issue (1994) includes 6 bonus tracks
427:
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Following the release of "Kodak Ghosts Run Amok", Eyeless in Gaza signed to
258:(he released a solo cassette-album in June 1980 and a second a year later).
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561:, appeared in 1995. The same year saw the release of another full album,
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628:, being more pieces from the sessions. A third album from the sessions
439:(as well as an unlikely Single of the Week accolade from Joe Leeway of
303:
239:
1113:"Eyeless In Gaza | Biography, Albums and Streaming Radio | AllMusic"
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Early sessions resulted in the tracks included on their first EP,
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Following the split, Becker married and temporarily relocated to
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373:. By the end of the year, they had completed their third album,
189:
1206:"Blind Ambition: the Eyeless In Gaza guide to avoiding entropy"
412:
released on limited edition cassette via the Tago Mago label.
1480:, 16–29 September 1982 - archived on Eyeless in Gaza homepage
724:
no. 19, CD reissue includes 7 bonus tracks from early singles
1059:
Kodak Ghosts Run Amok (Chronological Singles etc. 1980-1986)
775:(1986), Cherry Red - CD issue (1989) includes 4 bonus tracks
870:
Kodak Ghosts Run Amok-–Chronological Singles, etc., 1980-86
1408:, 19 September 1981 - archived on Eyeless in Gaza homepage
1626:"Skeletal Framework - The Cherry Red Recordings1981-1986"
435:, which brought comparisons to contemporary pop optimist
948:
Skeletal Framework - The Cherry Red Recordings 1981-1986
695:
Skeletal Framework - The Cherry Red Recordings 1981-1986
659:
2016-present: retrospective releases and further albums
365:
Eyeless in Gaza would release two further EPs in 1981,
261:
Bates was working as a hospital porter and Becker as a
1427:, 16 April 1983 - archived on Eyeless in Gaza homepage
446:
For their 1985 single "Welcome Now" the band employed
1499:, 31 July 1982 - archived on Eyeless in Gaza homepage
997:"Veil Like Calm" (1982), Cherry Red - UK Indie no. 42
1003:"Sun Bursts In" (1984), Cherry Red - UK Indie no. 13
1286:"Eyeless In Gaza Letter from Peter Becker to MFTEQ"
1140:"Eyeless In Gaza boxset released through Cherryred"
941:
Picture the Day: A Career Retrospective (1981–2016)
325:in February 1981. Briefly intended to feature with
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693:In 2022 Cherry Red released the 5 cd box set
884:(1992), Document - previously unreleased material
756:- UK Indie no. 26, CD issue (1996) also includes
665:Picture the Day: A Career Retrospective 1981–2016
1248:"Eyeless In Gaza" – letter from Peter Becker in
1000:"New Risen" (1983), Cherry Red - UK Indie no. 15
1690:The Virgin Encyclopedia of Indie & New Wave
1201:
1199:
1333:, 19 September 1981 (archived on EIG homepage)
532:1993-2014: full reformation and continued work
1446:, 1983 - archived on Eyeless in Gaza homepage
1156:", eyelessingaza.com. Retrieved 25 March 2013
588:), and contributing vocals to Derek Jarman's
8:
1352:magazine, 1981-82 (archived on EIG homepage)
1212:, 11 October 1980 (archived on EIG homepage)
1045:(1983) Cherry Red – Contains 15 bonus tracks
600:and the next Eyeless in Gaza record, 2000's
524:. In 1991 Bates formed Hungry I with former
1272:, mid-1980, reproduced at eyelessingaza.com
1252:issue ‘0’ 1991/2 (archived on EIG homepage)
1220:
1218:
910:No Noise - The Very Best of Eyeless In Gaza
27:
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1544:magazine, 1989 (archived on EIG homepage)
1526:, January 1993 (archived on EIG homepage)
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620:would be reissued in 2008 as half of the
596:. There would be a four-year gap between
1389:, autumn 1986 (archived on EIG homepage)
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1065:(1987) Cherry Red – Double Play cassette
1055:(1986) Cherry Red – Double Play cassette
1026:(1982), Tago Mago - split cassette with
797:All Under the Leaves, the Leaves of Life
598:All Under the Leaves, the Leaves of Life
567:All Under the Leaves, the Leaves of Life
1308:, early 1981 (archived on EIG homepage)
1106:
1104:
1102:
1100:
1096:
667:and Eyeless In Gaza's eighteenth album
250:. He was in a very early lineup of the
906:, expanded version of the 1982 release
817:(2008), Beta-lactam Ring (both albums)
811:(2006), Ambivalent Scale (first album)
612:the first and eponymous volume of the
44:Peter Becker of Eyeless In Gaza, 2010
7:
1454:
1452:
1768:English experimental musical groups
894:Sixth Sense-–The Singles Collection
383:) an album of "short but effective
888:Voice; The Best of Eyeless In Gaza
663:In 2016, both the 2CD compilation
528:bassist/guitarist Steve Dullahan.
352:The second Eyeless in Gaza album,
14:
1562:Walker, John & Robbins, Ira "
276:(which in turn was influenced by
230:1979-1982: avant-garde beginnings
1006:"Welcome Now" (1985), Cherry Red
639:The "inward looking/reflective"
624:double album: the second album,
406:The Home Produce/Country Bizarre
162:Elizabeth S. (occasional member)
38:
1773:English new wave musical groups
1763:English alternative rock groups
1043:Singles, Rarities and Deletions
950:(2022) 5-CD box set, Cherry Red
518:The Law Is an Anagram of Wealth
340:The duo became known for their
1778:English post-punk music groups
827:Everyone Feels Like a Stranger
641:Everyone Feels Like a Stranger
319:, releasing their debut album
1:
1085:Saw You in Reminding Pictures
785:Saw You in Reminding Pictures
736:, also included on CD reissue
555:Saw You in Reminding Pictures
547:Saw You in Reminding Pictures
503:Letters to a Scattered Family
234:Martyn Bates had grown up in
205:is an English musical duo of
922:Orange Ice & Wax Crayons
900:Home Produce—Country Bizarre
882:Orange Ice & Wax Crayons
815:Summer Salt & Subway Sun
809:Summer Salt & Subway Sun
803:Song of the Beautiful Wanton
734:The Eyes of Beautiful Losers
614:Summer Salt & Subway Sun
602:Song of the Beautiful Wanton
454:, for which former Sinatras/
416:1983-1987: shift towards pop
360:The Eyes Of Beautiful Losers
1719:The Great Indie Discography
1302:"Bop eye interview" by T.G.
1166:"Patterns under the plough"
1009:"Shorepoem" (2009), Monopol
576:between 1994 and 1998 with
1814:
1798:Cherry Red Records artists
1492:Drumming the Beating Heart
1473:Drumming the Beating Heart
1439:Pale Hands I Loved So Well
1420:Pale Hands I Loved So Well
1383:"Omega Magazine Interview"
1168:, article by Rob Young in
1053:Drumming the Beating Heart
758:Pale Hands I Loved So Well
749:Drumming the Beating Heart
741:Pale Hands I Loved So Well
622:Summer Salt and Subway Sun
397:Drumming the Beating Heart
376:Pale Hands I Loved So Well
20:
1717:Strong, Martin C. (2003)
1685:. Retrieved 25 March 2013
1679:Eyeless In Gaza Biography
1615:Ambivalent Scale Bandcamp
1572:. Retrieved 25 March 2013
1078:(1994) - 1982 concert in
37:
1193:Gimarc, p. 331, 344, 479
963:(1980), Ambivalent Scale
859:(2019), Ambivalent Scale
853:(2018), Ambivalent Scale
847:(2016), Ambivalent Scale
841:(2014), Ambivalent Scale
829:(2011), Ambivalent Scale
799:(1996), Ambivalent Scale
793:(1995), Ambivalent Scale
1758:English art rock groups
1327:"Guileless in Nuneaton"
821:Answer Song & Dance
713:Photographs as Memories
634:Answer Song & Dance
495:The Return of the Quiet
475:Kodak Ghosts Run Amok-–
322:Photographs as Memories
1663:Gimarc, George (2005)
979:Kiss the Rains Goodbye
961:Kodak Ghosts Run Amok
928:Original Albums Boxset
522:To Love & Be Loved
499:Love Smashed on a Rock
479:Singles, etc., 1980-86
50:Background information
1702:Lazell, Barry (1998)
1688:Larkin, Colin (1998)
1603:, Eyeless In Gaza.com
1423:by Dave Henderson in
1367:www.eyelessingaza.com
408:, a split album with
263:laboratory technician
1783:English musical duos
1706:, Cherry Red Books,
1704:Indie Hits 1980-1989
1288:. eyelessingaza.com.
1076:Street Lamps n' Snow
510:Stars Come Trembling
21:For other uses, see
1497:New Musical Express
1461:Eyeless In Gaza.com
1442:by Mark Brennan in
1406:New Musical Express
1331:New Musical Express
1184:Gimarc, p. 278, 515
1049:Back from the Rains
902:(2003), NDN - with
772:Back from the Rains
752:(1982), Cherry Red/
590:The Last of England
452:Back from the Rains
16:English musical duo
1793:Soleilmoon artists
1667:, Backbeat Books,
1476:by Jim Shelley in
1348:by Stephen Emmer,
1039:Rust Red September
981:(1986), Cherry Red
975:(1981), Cherry Red
969:(1981), Cherry Red
944:(2016), Cherry Red
912:(2005), Cherry Red
896:(2002), Cherry Red
890:(1993), Cherry Red
872:(1987), Cherry Red
833:Butterfly Attitude
805:(2000), Soleilmoon
764:Rust Red September
645:Butterfly Attitude
520:and later also on
423:Rust Red September
317:Cherry Red Records
146:, Ambivalent Scale
1677:Henderson, Alex "
1613:Ink Horn/One Star
1590:Larkin, pp. 155-6
1540:by Andrew Jones,
1404:by Mick Duffy in
1385:by Amadeo Spahi,
1142:. 26 August 2014.
1111:Henderson, Alex.
878:(1990), Integrity
857:Ink Horn/One Star
835:(2012), Downwards
690:in January 2020.
688:Ink Horn/One Star
485:1987-1992: hiatus
242:, in a staunchly
200:
199:
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1744:
1743:
1741:Official website
1692:, Virgin Books,
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1599:Eyeless In Gaza
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1553:Strong, p. 322-4
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918:(2010), Sub Rosa
876:Transience Blues
787:(1994), Hive-Arc
779:Fabulous Library
551:Fabulous Library
539:Fabulous Library
467:Back to the Rain
327:Classix Nouveaux
283:Samson Agonistes
256:Wasp synthesizer
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823:(2010), Monopol
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389:Letters Written
331:Theatre of Hate
298:Scritti Politti
294:Ghosts Run Amok
269:Eyeless In Gaza
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192:.eyelessingaza
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563:Bitter Apples
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559:Streets I Ran
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516:on her album
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477:Chronological
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433:Sun Bursts In
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1363:"MOOD MUSIC"
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1134:
1122:. Retrieved
1116:
1084:
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1052:
1048:
1042:
1038:
1032:
1024:Home Produce
1023:
1019:
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978:
972:
967:Invisibility
966:
960:
947:
939:
933:
927:
921:
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869:
864:Compilations
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582:Napalm Death
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472:
466:
464:
460:Depeche Mode
451:
448:Aztec Camera
445:
437:Howard Jones
432:
428:pop-oriented
421:
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388:
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367:Invisibility
366:
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314:
301:
290:
288:
281:
267:
260:
233:
219:Warwickshire
211:Peter Becker
207:Martyn Bates
202:
201:
172:Past members
160:Peter Becker
158:Martyn Bates
107:Years active
82:experimental
63:Warwickshire
18:
1028:Lol Coxhill
904:Lol Coxhill
851:Winter Sang
701:Discography
684:Winter Sang
630:Wildcat Sun
618:Summer Salt
610:Summer Salt
578:M.J. Harris
410:Lol Coxhill
385:soundtracks
347:avant-garde
302:Skank Bloc
278:John Milton
213:, based in
176:Joby Palmer
1752:Categories
1665:Punk Diary
1658:References
1537:Mood Music
1490:Review of
1478:Smash Hits
1471:Review of
1437:Review of
1418:Review of
1399:Review of
1269:Stabmental
1033:Flowmotion
839:Mania Sour
718:Cherry Red
653:48 Cameras
649:Mania Sour
626:Subway Sun
594:The Garden
526:Primitives
514:Anne Clark
456:In Embrace
144:Cherry Red
1601:Sun Blues
1346:interview
1224:Henderson
1154:Biography
1014:Cassettes
845:Sun Blues
669:Sun Blues
481:in 1987.
248:post-punk
244:Methodist
77:Post-punk
65:, England
1683:Allmusic
1170:The Wire
1118:AllMusic
1080:Le Havre
1020:Untitled
722:UK Indie
716:(1981),
676:magazine
335:futurism
310:Nuneaton
252:Coventry
236:Bedworth
215:Nuneaton
135:–present
97:new wave
87:art rock
59:Nuneaton
1306:Bop eye
1124:27 June
992:Singles
394:1982's
304:Bologna
240:England
225:History
185:Website
155:Members
129: (
121: (
113: (
1725:
1710:
1696:
1671:
1651:Lazell
1542:Option
1444:Sounds
1425:Sounds
1210:Sounds
1070:Videos
973:Others
754:Virgin
706:Albums
381:Sounds
371:Others
140:Labels
127:, 1992
70:Genres
55:Origin
1524:MFTEQ
1350:Vinyl
1250:MFTEQ
1092:Notes
586:Scorn
491:Spain
292:Kodak
119:–1987
1723:ISBN
1708:ISBN
1694:ISBN
1669:ISBN
1126:2016
674:Mojo
592:and
501:and
369:and
209:and
194:.com
131:1992
123:1987
115:1980
111:1980
1681:",
1566:",
1266:",
955:EPs
443:).
402:OMD
362:).
349:."
300:'s
286:).
280:'s
272:by
190:www
1754::
1634:^
1513:^
1451:^
1375:^
1365:.
1304:,
1294:^
1277:^
1238:^
1217:^
1198:^
1177:^
1115:.
1099:^
1061:/
1051:/
1041:/
720:-
655:.
569:.
553:,
505:.
497:,
391:.
329:,
238:,
217:,
61:,
1369:.
1262:"
1152:"
1128:.
1022:/
584:/
580:(
133:)
125:)
117:)
25:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
