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Religious art

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in Islamic art, often serving as a form of religious expression. The term "arabesque" is a French term derived from the Italian word arabesco, meaning "in the Arabic style" Arabesque patterns can be found in various media, including ceramics, architecture, calligraphy, and textiles. Since the 19th century, Arabesque art has been highly influential in Western art and design, with many designers and artists incorporating patterns into their work.
782: 819:, it makes up about 15% of the world's population and as such the culture that ensues it is full of different aspects of life that are effected by art. There are 64 traditional arts that are followed that start with the classics of music and range all the way to the application and adornment of jewellery. Since religion and culture are inseparable with Hinduism recurring symbols such as the gods and their reincarnations, the 110: 905: 1236:, Punjabi artists at the time became trained in the Mughal style of painting, resulting in their work being highly influenced by the Mughal style of art. The early portraits of the Sikh Gurus and the elements in them, like their outfits, turbans, and poses, looked similar to Mughal nobles and princes. The Gurus are identified in 420: 1065:
The decorative features used use a variety of symmetries that are now recognized as belonging to separate mathematical groups, yet the patterns’ delicacy and elegance are unmatched in contemporary mathematical thought. Although it was once customary in Islam to use geometric shapes, these designs are
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component. While most works of art had legible inscriptions, not all Muslims would have been able to read them. One should always keep in mind, however, that calligraphy is principally a means to transmit a text, albeit in a decorative form. From its simple and primitive early examples of the 5th and
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by monks; before and after the construction prayers are recited, and the form of the mandala represents the pure surroundings (palace) of a Buddha on which is meditated to train the mind. The work is rarely, if ever, signed by the artist. Other Tibetan Buddhist art includes metal ritual objects, such
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of the Guru). There are many paintings and depictions of Guru Nanak's life, specifically in the B-40 Janamsakhi. He is shown growing up from a little boy to a teenager to a youth, and then into a middle-aged man and eventually an old, wise man. The images also depict many core Sikh values along with
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Arabesque is a decorative art style characterized by repetitive, intricate patterns of intertwined plants and abstract curvilinear motifs. It is believed to have originated in the Islamic world, and its use spread throughout the Middle East, Europe, and North Africa. It has played an important role
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and calligraphy are expertly combined in the Alhambra in Spain from the 14th century. Islamic art is made up of these three separate but complementary fields. They are arranged in a three-tiered hierarchy, with geometry at the button. This is frequently indicated by its use on the lower portions of
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as art forms and craft practiced by the lower class. Nevertheless, poetry was also popular during Confucius's time, and poetry was both praised and ranked high in status with music. According to Confucius and his disciples, music strives to create and reflect harmony in the world; hence, education
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Two places suggest more vividly than any others the vitality of Buddhist cave painting from about the 5th century AD. One is Ajanta, a site in India long forgotten until discovered in 1817. The other is Dunhuang, one of the great oasis staging posts on the Silk Road...The paintings range from calm
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depicts him as a pious, religious man with simple clothes and a rosary held in his hand, portraying his contemplative nature. The earlier of the ten Gurus have their images modeled on Guru Nanak's piety and simplicity. A transformation can be noticed with the sixth Guru when elements of political
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decoration. Circles and interlaced circles, squares or four-sided polygons are the typical star pattern resulting from squares and triangles inscribed in a circle. Multi-sided polygons are the four fundamental shapes or “repeat units” from which the more complex patterns are built. It is evident,
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The last part of the 20th and the first part of the 21st century have seen a focused effort by artists who claim faith in Christ to re-establish art with themes that revolve around faith, Christ, God, the Church, the Bible and other classic Christian themes as worthy of respect by the secular art
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in churches in Rome are the most prominent surviving examples. Christian art would soon become the foundation of churches across Europe. Stained glass windows often depict biblical scenes to be reflected across the inner workings of the building. Murals and altarpiece art also fill churches with
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Across many religions, symbols or icons are used to represent specific beliefs. These small pieces of art are summaries of religion which can and have been used by many to imply what their beliefs are. For example, Christianity being symbolized by the cross icon and Islam being symbolized by the
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Geometric patterns make up one of the three non-figural types of decoration in Islamic art. Whether isolated or used in combination with non-figural ornamentation or figural representation, geometric patterns are popularly associated with Islamic art, largely due to their aniconic quality. These
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The Qur'an is less specific but condemns idolatry and uses the Arabic term musawwir ("maker of forms", or artist) as an epithet for God. Partially as a result of this religious sentiment, figures in painting were often stylized and, in some cases, the destruction of figurative artworks occurred.
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was previously known in the Byzantine period and aniconicism was a feature of the Judaic world, thus placing the Islamic objection to figurative representations within a larger context. As ornament, however, figures were largely devoid of any larger significance and perhaps therefore posed less
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The geometric shape of the circle is used in Islamic art to signify the fundamental symbol of oneness and the ultimate course of all diversity in creation. As the illustration below shows, many classic Islamic patterns have ritual beginnings in the circle's raw partition into regular sections.
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are used as the primary ornamental feature on various items of all kinds, in addition to adorning the surfaces of massive Islamic buildings. Although geometric ornamentation may have peaked in the Islamic world, the Greeks, Romans and Sasanians in Iran were the sources for geometric shapes and
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art. This new style was hieratic, meaning its primary purpose was to convey religious meaning rather than accurately render objects and people. Realistic perspective, proportions, light and colour were ignored in favour of geometric simplification of forms, reverse perspective and standardized
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images), and "devotional image" usually meaning a smaller image for private prayer or worship. Images can often be divided into "iconic images", just showing one or more figures, and "narrative images" showing moments from an episode or story involving sacred figures.
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incorporated significant components of the classical past to invent a new form of decoration that highlighted the vitality of order and unity. Islamic astronomers, mathematicians and scientists contributed these forms, which were crucial for their type of art style.
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A prohibition against depicting representational images in religious art, as well as the naturally decorative nature of Arabic script, led to the use of calligraphic decorations, which usually involved repeating geometrical patterns and vegetal forms
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The Islamic resistance to the representation of living beings ultimately stems from the belief that the creation of living forms is unique to God. It is for this reason that the role of images and image makers has been controversial.
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was transmitted in Arabic, and inherent within the Arabic script is the potential for ornamental forms. The employment of calligraphy as ornament had a definite aesthetic appeal but often also included an underlying
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6th century AD, the Arabic alphabet developed rapidly after the rise of Islam in the 7th century into a beautiful form of art. The main two families of calligraphic styles were the dry styles, called generally the
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Taoist art (also spelled as Daoist art) relates to the Taoist philosophy and narratives of Lao-tzu (also spelled as Laozi) that promote "living simply and honestly and in harmony with nature."
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in Granada pictured above. The Alhambra palace in Spain and the Samarkand mosque in Uzbekistan are just two examples of the art of repeated geometric designs that can be seen worldwide.
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devotional images of the Buddha to lively and crowded scenes, often featuring the seductively full-breasted and narrow-waisted women more familiar in Indian sculpture than in painting.
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Since the advent of printing, the sale of reproductions of pious works has been a major element of popular Christian culture. In the 19th century, this included genre painters such as
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promoted the growth of calligraphy and visual arts in terms of social status. Confucian aesthetics and values further contributed to the development of these visual art forms, with
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reign (1801-1839) holds prime importance in Sikh history. He was a great patron of art and architecture and sponsored the construction of many magnificent forts, palaces, temples,
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are frequently associated with Islamic art, partly because of their iconic appeal, whether used alone or in conjunction with figural depiction or non-configurable adornment. These
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challenge. As with other forms of Islamic ornamentation, artists freely adapted and stylized basic human and animal forms, giving rise to a great variety of figural-based designs.
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Geometric shapes resemble the arabesque design found in many vegetal designs in terms of its abstraction, repeated motifs and symmetry. Geometric designs frequently coexist with
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Painting of Indic deities (Krishna, Vishnu, Lakshmi, Shesha, Shiva, Parvati, Nandi, Lakshmi, Garuda, Hanuman, Rama, Sita) and a devotee (possibly Diwan Dina Nath), Mandi, ca.1830
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and geometric pattern designers have decorated mosques, castles and manuscripts. Most often, Islamic geometric designs are employed in places of worship as a way to exalt
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abstract designs not only adorn the surfaces of monumental Islamic architecture but also function as the major decorative element on a vast array of objects of all types.
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is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for
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There are observable patterns spanning a thousand years of Islamic history and throughout the entire Islamic world since these geometric patterns are also connected to
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however, that the intricate designs found on several things come in various sizes and configurations, making them suitable for inclusion more than category.
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As a secular, non-sectarian, universal notion of art arose in 19th-century Western Europe, secular artists occasionally treated Christian themes (
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Buddhist art followed believers as the dharma spread, adapted, and evolved in each new host country. It developed to the north through
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designs. The interior is lined with mirrors and colorful glass and its upper part is covered with gilded copper plates. Besides the
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Christian art continued to be produced in great quantities, both for churches and clergy and for the laity. During this time,
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flower, extra limbs, and even the traditional arts make their appearances in many sculptures, paintings, music, and dance.
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should begin with the foundations of poetry and moral behavior, and conclude with music. Over time, the development of the
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Muslims are much less averse to the depiction of figures, including the Prophet's as long as the depiction is respectful.
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only appeared in the first half of the 18th century. One of the first set of paintings of the Gurus were commissioned by
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Christian sacred art is produced in an attempt to illustrate, supplement and portray in tangible form the principles of
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Sauchelli, Andrea (2016). The Will to Make‐Believe: Religious Fictionalism, Religious Beliefs, and the Value of Art.
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survives from dates near the origins of Christianity. The oldest surviving Christian paintings are from the site at
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world. Art could then be used to cultivate the church to participate in Christianity once again. Artists such as
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While there has been an aversion to potential idol worship through Islamic history, this is a distinctly modern
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have produced well-known works of art for churches. Through a social interpretation of Christianity,
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also revived the interest in sacred art, through the depiction of Jesus in ordinary places in life.
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has been merged with different locality and ethnicity of different Sikhs into categories such as '
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Most of the early portraits of the Sikh Gurus were painted in courtly Mughal style. Under the
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have had significant influence both in sacred and secular arts. Other notable artists include
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with a shamrock. Each saint holds or is associated with attributes and symbols in sacred art.
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resistance and power are added, showing Sikh political struggles at the time. Further, with
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as well as creating an object as aid to meditation. An example of this is the creation of a
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The use of images has been controversial in many religions. The term for such opposition is
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Kaur Singh, Nikky-Guninder (2013). "Corporeal Metaphysics: Guru Nanak in Early Sikh Art".
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The Spiritual Dynamic in Modern Art : Art History Reconsidered, 1800 to the Present
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and calligraphy works centralizing on the written works and teachings of Confucianism.
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The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843–1261
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for the renovation. He also hired a technical expert for the gold plating of the
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Grand structures made by divine geometry include buildings, gardens and floors.
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conventions to portray individuals and events. The controversy over the use of
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The strongest statements on the subject of figural depiction are made in the
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In India, the Buddhist art flourished and even influenced the development of
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mosaics. It is set against the original golden background of the 6th century
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The Renaissance saw an increase in monumental secular works, but until the
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being the deliberate destruction of images by people of the same religion.
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the Political and Cultural forces that influenced his life and religion.
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play a part in the art of most Christian denominations. Images of the
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remain under the umbrella term of religious art, but not sacred art.
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such as Amarjeet Kaur Nandhra, and Amrit and Rabindra Kaur Singh (
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The Mandaean gnostic religion: worship practice and deep thought
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Four circle divisions resulted in the above pattern, created in
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Visual Piety: A History and Theory of Popular Religious Images.
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system developed to conclusively identify scenes. For example,
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Sikh Art and Architecture during Maharaja Ranjit Singh's Reign
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Most Tibetan Buddhist artforms are related to the practice of
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and religious practices. According to one set of definitions,
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Calligraphy is a highly regarded element of Islamic art. The
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showing the image of the Virgin and Child, one of the first
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most remarkable contribution was the refurbishment of the
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art can be found in illustrated manuscript scrolls called
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Jain art refers to religious works of art associated with
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led to a standardization of religious imagery within the
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Other terms often used for art of various religions are
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are the most common subjects, especially the images of
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An example of Tibetan Buddhist art: Thangka Depicting
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During the development of early Christian art in the
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The Gift of Art: the Place of the Arts in Scripture
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Wall painting from the early 2417:Berkeley, CA: University of California Press. 2389:The Vatican: spirit and art of Christian Rome 2269: 2267: 2265: 2263: 2261: 2259: 1515:But Is It Art?: An Introduction to Art Theory 973:, and the soft cursive styles, which include 353:familiar to the intended observer. Images of 202:to form the Southern branch of Buddhist art. 195:to form the Northern branch of Buddhist art. 80:in its more general sense (not restricted to 8: 2363:. New York: The Metropolitan Museum of Art. 1990: 1988: 1986: 1984: 1782: 1780: 1558:. Lanham, MD: Lexington Books. p. 127. 1329:walls on the exterior. The walls also boast 198:Buddhist art followed to the east as far as 2353:Evans, Helen C.; Wixom, William D. (1997). 2183: 2181: 2179: 1707:"Arabesque | decorative style | Britannica" 1623:"Musical Art in Early Confucian Philosophy" 1353:. Under Maharaja Ranjit Singh, cities like 1225:, the eldest son of the seventh Sikh guru, 1213:Sikhism was founded in the 16th century by 459:intricate and expressive Christian images. 2377:Hein, David. “Christianity and the Arts.” 2055:www.metmuseum.org/toah/hd/geom/hd_geom.htm 1400:image of the star and crescent. Also see: 1062:walls or floors, as in the example above. 1517:, Oxford University Press (2001), page 95 841:A specimen of Islamic sacred art: in the 734:as the highest form of art and dismissed 514:(Boston, Isabella Stewart Gardner Museum) 150:Learn how and when to remove this message 2423:Philosophy and Phenomenological Research 2188:Kaur Singh, Nikky-Guninder. "Sikh Art". 1498:Christian Art: A Very Short Introduction 662:Odes of the State of Bin is a poem from 2147:Singh Twins Art Launches Liverpool Fest 1429: 730:, the Chinese art hierarchy considered 577:). However many modern artists such as 444:adoption of Christianity by Constantine 1057:Geometric patterns, biomorphic design 1963:"Language of Symmetry in Islamic Art" 1844:www.forbes.com/sites/geoffreymorrison 1789:"Language of Symmetry in Islamic Art" 61:but are not considered traditionally 7: 2136:Textile artist Amarjeet Kaur Nandhra 1577: 1575: 132:adding citations to reliable sources 34:9th century Byzantine mosaic of the 2309:The Oxford Handbook of Sikh Studies 2307:Kaur Singh, Nikky-Guninder (2014). 2277:The Oxford Handbook of Sikh Studies 2274:Kaur Singh, Nikky-Guninder (2014). 2207:. New York: Routledge. p. 24. 2190:The Oxford Handbook of Sikh Studies 2082:. Abhinav Publications. p. 1. 2051:"Geometric Patterns in Islamic Art" 1929:"Geometric Patterns in Islamic Art" 1870:"Geometric Patterns in Islamic Art" 1395:Religious Symbolism and Iconography 322:Religious image § Christianity 1727:. 22 November 2019. Archived from 1527:Buenconsejo, Clara (21 May 2015). 1291:and the bejewelled canopy for the 72:, usually for the main image in a 25: 2333:Heilbrunn Timeline of Art History 1345:, the lives of the Gurus and the 180:following the historical life of 1439:"Sacred, Holy or Religious Art?" 1377:thrived as centres of the arts. 780: 253:, often including depictions of 108: 686:, then spread westwards on the 540:created the massive columns in 502:(1470) and commissioned by the 297:Water and Land Ritual paintings 176:Buddhist art originated on the 119:needs additional citations for 2103:Nasoraia, Brikha H.S. (2021). 1582:Andrijauskas, Antanas (2016). 682:. Confucian art originated in 357:and narrative scenes from the 1: 1900:Dewji, Nimira (8 July 2016). 670:Confucian art is inspired by 628:, have been very successful. 1995:Aba, Ali (3 November 2022). 1745:. Metropolitan Museum of Art 1688:. Metropolitan Museum of Art 1529:"Contemporary Religious Art" 556:huge effect on Christian art 2311:. Oxford University Press. 2280:. Oxford University Press. 1764:"Art of Arabic Calligraphy" 1554:Karetzky, Patricia (2014). 1251:One of the first images of 1124:List of Mandaean scriptures 172:Buddha statue in Sri Lanka. 27:Art with religious subjects 2498: 1967:The Art of Islamic Pattern 1384: 1174: 1121: 1099: 999:Islamic geometric patterns 996: 952: 937: 830: 762: 651: 498:with an Angel, painted by 319: 305: 294: 161: 2079:Jain Temples of Rajasthan 1531:. Mozaico. Archived from 1135:manuscript art featuring 1008:Types Of Geometric Styles 2049:Aba, Ali (8 July 2016). 1627:Philosophy East and West 1209:Images of the Sikh Gurus 1159:that are reminiscent of 1139:at the scales, from the 1076:The Blue Mosque Geometry 1053:Alhambra Palace Geometry 849:, the upper part of the 843:Great Mosque of Kairouan 698:, and eastwards through 554:. The Reformation had a 2205:Sikh Art and Literature 2162:. New York: Routledge. 2160:Sikh Art and Literature 2107:. New Delhi: Sterling. 1793:artofislamicpattern.com 1621:Huang, Siu-Chi (1963). 1502:Oxford University Press 1437:Chute, Desmond (1955). 1281:Maharaja Ranjit Singh's 524:Michelangelo Buonarroti 2076:Kumar, Sehdev (2001). 1289:Hafez Muhammad Multani 1145: 921: 875:depictions of Muhammad 873:, along with medieval 854: 774: 749:Chinese writing system 667: 530:and carved the famous 520:Protestant Reformation 515: 428: 403:depicted with a lamb, 214: 173: 43: 2203:Brown, Kerry (1999). 2158:Brown, Kerry (1999). 1556:Chinese Religious Art 1513:Cynthia A. Freeland, 1477:"History Of Buddhism" 1275: 1131: 907: 889:Figure representation 840: 772: 661: 493: 422: 346:within Christianity. 208: 171: 57:that are inspired by 33: 2442:Veith, Gene Edward, 2381:, May 4, 2014, 8–11. 2230:History of Religions 1838:Morrison, Geoffrey. 1535:on 29 September 2015 1165:prehistoric rock art 1068:Muslim calligraphers 1020:elaborate patterns. 690:, southward down to 542:St. Peter's Basilica 481:Byzantine Iconoclasm 427:, Rome, 4th century. 291:Chinese Buddhist art 241:or Buddhist tantra. 233:Tibetan Buddhist art 128:improve this article 1846:. Jonathon Goldmann 955:Islamic calligraphy 817:1 billion followers 753:landscape paintings 676:Chinese philosopher 674:, coined after the 642:John August Swanson 538:Gianlorenzo Bernini 432:Early Christian art 282:Indian Buddhist art 178:Indian subcontinent 2482:Visual arts genres 2192:. Oxford Academic. 1868:Corbin, Margaret. 1711:www.britannica.com 1649:– via JSTOR. 1479:. Historyworld.net 1146: 1114:and architecture. 1029:History And Design 1013:Geometric patterns 922: 871:Persian miniatures 855: 792:. You can help by 775: 668: 638:Larry D. Alexander 516: 429: 215: 182:Siddhartha Gautama 174: 44: 18:Ecclesiastical art 2457:978-0-87784-813-4 2430:Charlene Spretnak 2401:978-0-87099-348-0 2379:The Living Church 2370:978-0-8109-6507-2 2114:978-81-950824-1-4 2089:978-81-7017-348-9 1874:www.metmuseum.org 1504:(2004), page 110. 1496:Beth Williamson, 1402:Religious symbols 1343:Guru Granth Sahib 1293:Guru Granth Sahib 1258:Guru Gobind Singh 1017:abstract patterns 810: 809: 618:Thomas Blackshear 599:Graham Sutherland 546:Leonardo da Vinci 500:Sandro Botticelli 485:Eastern Orthodoxy 390:Eastern Orthodoxy 386:Roman Catholicism 160: 159: 152: 40:post-iconoclastic 16:(Redirected from 2489: 2405: 2393: 2374: 2362: 2340: 2329: 2323: 2322: 2304: 2298: 2297: 2295: 2294: 2271: 2254: 2253: 2225: 2219: 2218: 2200: 2194: 2193: 2185: 2174: 2173: 2155: 2149: 2144: 2138: 2133: 2127: 2126: 2100: 2094: 2093: 2073: 2067: 2066: 2064: 2062: 2046: 2040: 2039: 2037: 2035: 2019: 2013: 2012: 2010: 2008: 1992: 1979: 1978: 1976: 1974: 1961:Henry, Richard. 1958: 1945: 1944: 1942: 1940: 1924: 1918: 1917: 1915: 1913: 1897: 1886: 1885: 1883: 1881: 1865: 1856: 1855: 1853: 1851: 1835: 1826: 1825: 1823: 1822: 1811: 1805: 1804: 1802: 1800: 1787:Henry, Richard. 1784: 1775: 1774: 1772: 1771: 1760: 1754: 1753: 1751: 1750: 1739: 1733: 1732: 1721: 1715: 1714: 1703: 1697: 1696: 1694: 1693: 1682: 1676: 1675: 1673: 1672: 1663:. Archived from 1657: 1651: 1650: 1618: 1612: 1611: 1594:(1–2): 165–187. 1579: 1570: 1569: 1551: 1545: 1544: 1542: 1540: 1524: 1518: 1511: 1505: 1494: 1488: 1487: 1485: 1484: 1473: 1467: 1466: 1449:(418): 570–579. 1434: 1418:Spiritualist art 1311:Harmandir Sahib. 1142:Scroll of Abatur 805: 802: 784: 777: 664:The Book of Odes 494:An example of a 464:Byzantine empire 372:Scenes from the 155: 148: 144: 141: 135: 112: 104: 82:Eastern Orthodox 74:place of worship 21: 2497: 2496: 2492: 2491: 2490: 2488: 2487: 2486: 2467: 2466: 2465: 2402: 2384: 2371: 2352: 2349: 2347:Further reading 2344: 2343: 2339:(December 2011) 2330: 2326: 2319: 2306: 2305: 2301: 2292: 2290: 2288: 2273: 2272: 2257: 2227: 2226: 2222: 2215: 2202: 2201: 2197: 2187: 2186: 2177: 2170: 2157: 2156: 2152: 2145: 2141: 2134: 2130: 2115: 2102: 2101: 2097: 2090: 2075: 2074: 2070: 2060: 2058: 2048: 2047: 2043: 2033: 2031: 2021: 2020: 2016: 2006: 2004: 1994: 1993: 1982: 1972: 1970: 1960: 1959: 1948: 1938: 1936: 1927:Dewji, Nimira. 1926: 1925: 1921: 1911: 1909: 1899: 1898: 1889: 1879: 1877: 1867: 1866: 1859: 1849: 1847: 1837: 1836: 1829: 1820: 1818: 1817:. 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Nimira Dewji 1887: 1857: 1827: 1806: 1776: 1755: 1734: 1731:on 2019-11-22. 1716: 1698: 1677: 1652: 1613: 1571: 1564: 1546: 1519: 1506: 1489: 1468: 1428: 1427: 1425: 1422: 1421: 1420: 1415: 1408: 1405: 1396: 1393: 1385:Main article: 1382: 1379: 1299:Ranjit Singh's 1277: 1274: 1219:ten Sikh gurus 1210: 1207: 1199:diaspora Sikhs 1195:Assamese Sikhs 1187:Agrahari Sikhs 1175:Main article: 1172: 1169: 1119: 1116: 1100:Main article: 1097: 1094: 997:Main article: 994: 991: 953:Main article: 950: 947: 938:Main article: 935: 932: 914:Persian carpet 910:Ardabil Carpet 890: 887: 831:Main article: 828: 825: 808: 807: 787: 785: 763:Main article: 760: 757: 723: 720: 700:northern China 696:Southeast Asia 694:and then onto 692:southern China 652:Main article: 649: 646: 622:Thomas Kinkade 603:Fritz von Uhde 528:Sistine Chapel 416: 413: 380:, holding the 359:Life of Christ 303: 300: 292: 289: 283: 280: 234: 231: 200:Southeast Asia 162:Main article: 158: 157: 116: 114: 107: 101: 98: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2494: 2483: 2480: 2478: 2477:Religious art 2475: 2474: 2472: 2462: 2458: 2454: 2450: 2446: 2445: 2440: 2437: 2436: 2431: 2428: 2426: 2424: 2419: 2416: 2415: 2410: 2409:Morgan, David 2407: 2403: 2397: 2392: 2391: 2388: 2383: 2380: 2376: 2372: 2366: 2361: 2360: 2357: 2351: 2350: 2346: 2338: 2334: 2328: 2325: 2320: 2318:9780191004117 2314: 2310: 2303: 2300: 2289: 2287:9780191004117 2283: 2279: 2278: 2270: 2268: 2266: 2264: 2262: 2260: 2256: 2251: 2247: 2243: 2239: 2235: 2231: 2224: 2221: 2216: 2214:0-415-20288-4 2210: 2206: 2199: 2196: 2191: 2184: 2182: 2180: 2176: 2171: 2169:0-415-20288-4 2165: 2161: 2154: 2151: 2148: 2143: 2140: 2137: 2132: 2129: 2124: 2120: 2116: 2110: 2106: 2099: 2096: 2091: 2085: 2081: 2080: 2072: 2069: 2056: 2052: 2045: 2042: 2029: 2025: 2018: 2015: 2002: 1998: 1991: 1989: 1987: 1985: 1981: 1968: 1964: 1957: 1955: 1953: 1951: 1947: 1934: 1930: 1923: 1920: 1907: 1903: 1896: 1894: 1892: 1888: 1875: 1871: 1864: 1862: 1858: 1845: 1841: 1834: 1832: 1828: 1816: 1810: 1807: 1794: 1790: 1783: 1781: 1777: 1765: 1759: 1756: 1744: 1738: 1735: 1730: 1726: 1720: 1717: 1712: 1708: 1702: 1699: 1687: 1681: 1678: 1667:on 2004-02-18 1666: 1662: 1656: 1653: 1648: 1644: 1640: 1636: 1632: 1628: 1624: 1617: 1614: 1609: 1605: 1601: 1597: 1593: 1589: 1585: 1578: 1576: 1572: 1567: 1565:9780739180587 1561: 1557: 1550: 1547: 1534: 1530: 1523: 1520: 1516: 1510: 1507: 1503: 1499: 1493: 1490: 1478: 1472: 1469: 1464: 1460: 1456: 1452: 1448: 1444: 1440: 1433: 1430: 1423: 1419: 1416: 1414: 1411: 1410: 1406: 1404: 1403: 1394: 1392: 1388: 1380: 1378: 1376: 1372: 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1336: 1335:kaleidoscopic 1332: 1328: 1324: 1320: 1319:lapis lazulli 1316: 1312: 1308: 1304: 1300: 1296: 1294: 1290: 1286: 1282: 1273: 1270: 1269:hagiographies 1266: 1261: 1259: 1254: 1249: 1247: 1243: 1239: 1235: 1234:Mughal empire 1230: 1228: 1224: 1220: 1216: 1208: 1206: 1204: 1200: 1196: 1192: 1188: 1184: 1178: 1170: 1168: 1166: 1162: 1158: 1154: 1150: 1144: 1143: 1138: 1134: 1130: 1125: 1117: 1115: 1113: 1109: 1103: 1095: 1093: 1091: 1087: 1083: 1078: 1077: 1073: 1069: 1063: 1060: 1055: 1054: 1050: 1048: 1043: 1039: 1036: 1031: 1030: 1026: 1023: 1018: 1014: 1010: 1009: 1005: 1000: 992: 990: 988: 984: 980: 976: 972: 967: 962: 956: 948: 946: 941: 933: 931: 928: 919: 915: 911: 906: 902: 900: 895: 888: 886: 884: 880: 876: 872: 868: 863: 861: 852: 848: 844: 839: 834: 826: 824: 822: 818: 814: 804: 801:December 2023 795: 791: 788:This section 786: 783: 779: 778: 771: 766: 758: 756: 754: 750: 745: 741: 737: 733: 729: 726:Prior to the 721: 719: 717: 713: 709: 705: 701: 697: 693: 689: 685: 681: 677: 673: 665: 660: 655: 654:Confucian art 648:Confucian art 647: 645: 643: 639: 635: 629: 627: 623: 619: 615: 611: 606: 604: 600: 596: 592: 591:Jacob Epstein 588: 587:Henri Matisse 584: 580: 576: 572: 568: 564: 559: 557: 553: 552: 547: 543: 539: 535: 534: 529: 525: 521: 513: 509: 505: 501: 497: 492: 488: 486: 482: 478: 477:graven images 473: 469: 468:Byzantine art 465: 460: 457: 453: 450:from popular 449: 445: 441: 437: 433: 426: 421: 414: 412: 410: 409:Saint Patrick 406: 402: 398: 393: 391: 387: 383: 379: 375: 374:Old Testament 370: 368: 364: 360: 356: 352: 347: 345: 341: 335: 331: 327: 326:Madonna (art) 323: 317: 316:Byzantine art 313: 309: 308:Christian art 302:Christian art 301: 298: 290: 288: 281: 279: 277: 273: 268: 264: 260: 256: 252: 248: 244: 240: 232: 230: 228: 224: 220: 212: 211:Vajrabhairava 207: 203: 201: 196: 194: 190: 185: 183: 179: 170: 165: 154: 151: 143: 133: 129: 123: 122: 117:This section 115: 111: 106: 105: 99: 97: 95: 91: 86: 83: 79: 75: 71: 66: 64: 60: 56: 52: 48: 47:Religious art 41: 37: 32: 19: 2448: 2443: 2433: 2422: 2412: 2390: 2387: 2378: 2359: 2356: 2332: 2327: 2308: 2302: 2291:. 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Sam Amara 1443:Blackfriars 1347:Janamsakhis 1265:Janamsakhis 1086:Blue Mosque 1059:(arabesque) 987:many others 949:Calligraphy 833:Islamic art 815:, with its 736:calligraphy 728:Han dynasty 551:Last Supper 508:Renaissance 506:during the 472:Hellenistic 448:iconography 407:with keys, 405:Saint Peter 401:Saint Agnes 378:Virgin Mary 243:Tibetan art 2471:Categories 2293:2023-03-20 2123:1272858968 2022:Aba, Ali. 1821:2013-09-06 1770:2013-09-06 1749:2013-09-06 1692:2013-09-06 1671:2014-02-11 1483:2013-09-06 1424:References 1387:Taoist art 1381:Taoist art 1253:Guru Nanak 1238:Devanagari 1215:Guru Nanak 1122:See also: 1112:Indian art 1047:Yazd, Iran 966:talismanic 927:Iconoclasm 860:arabesques 614:holy cards 563:Bouguereau 440:sarcophagi 344:iconoclasm 320:See also: 295:See also: 263:meditation 225:alongside 94:iconoclasm 70:cult image 2250:162323904 2061:March 20, 2034:March 20, 2007:March 20, 1973:March 20, 1939:March 20, 1912:March 20, 1880:March 20, 1850:March 20, 1799:March 20, 1600:1522-7464 1455:1754-2014 1331:Arabesque 1285:gurdwaras 940:Arabesque 934:Arabesque 765:Hindu art 759:Hindu art 688:Silk Road 680:Confucius 579:Eric Gill 452:Roman art 425:catacombs 245:includes 239:Vajrayana 219:Hindu art 213:, c. 1740 191:and into 140:June 2015 90:aniconism 2425:, 93, 3. 2411:(1998). 1766:. Sakkal 1608:90012994 1463:43813855 1407:See also 1371:Srinagar 1359:Amritsar 1307:Amritsar 1242:Gurmukhi 1177:Sikh art 1171:Sikh art 1149:Mandaean 1133:Mandaean 1102:Jain art 1096:Jain art 1090:Alhambra 1088:and the 993:Geometry 983:Nastaliq 813:Hinduism 744:painting 716:Buddhism 512:Florence 274:and the 251:mandalas 247:thangkas 227:Hinduism 59:religion 55:artworks 1647:1396785 1375:Patiala 1367:Sialkot 1193:' and ' 1108:Jainism 979:Thuluth 847:Tunisia 722:History 571:Rouault 496:Madonna 456:mosaics 436:Megiddo 415:History 365:on the 270:as the 255:Buddhas 92:, with 51:worship 2455:  2444:junior 2398:  2367:  2315:  2284:  2248:  2236:: 35. 2211:  2166:  2121:  2111:  2086:  2028:Medium 2001:Medium 1645:  1606:  1598:  1562:  1539:2 June 1461:  1453:  1363:Multan 1355:Lahore 1327:marble 1244:, and 1161:cubism 1157:uthras 1137:Abatur 975:Naskhi 961:Qur'an 918:Tabriz 899:Hadith 869:view. 851:mihrab 742:, and 740:poetry 712:Daoism 702:on to 626:kitsch 544:, and 363:Christ 351:themes 332:, and 314:, and 276:phurba 63:sacred 2246:S2CID 1643:JSTOR 1604:JSTOR 1459:JSTOR 1183:Sikhs 1153:diwan 971:Kufic 883:Shi'a 867:Sunni 821:lotus 732:music 708:Korea 704:Japan 684:China 567:Manet 533:PietĂ  466:(see 367:Cross 355:Jesus 272:vajra 223:Islam 2453:ISBN 2396:ISBN 2365:ISBN 2313:ISBN 2282:ISBN 2209:ISBN 2164:ISBN 2119:OCLC 2109:ISBN 2084:ISBN 2063:2023 2036:2023 2009:2023 1975:2023 1941:2023 1914:2023 1882:2023 1852:2023 1801:2023 1596:ISSN 1560:ISBN 1541:2015 1451:ISSN 1373:and 1333:and 1323:onyx 1321:and 1313:The 1189:', ' 1072:God. 985:and 912:, a 908:The 877:and 714:and 706:and 620:and 597:and 388:and 330:Icon 257:and 249:and 78:icon 2238:doi 1635:doi 1163:or 845:in 796:. 573:or 510:in 130:by 2473:: 2447:. 2432:, 2258:^ 2244:. 2234:53 2232:. 2178:^ 2117:. 2053:. 2026:. 1999:. 1983:^ 1965:. 1949:^ 1931:. 1904:. 1890:^ 1872:. 1860:^ 1842:. 1830:^ 1791:. 1779:^ 1709:. 1641:. 1631:13 1629:. 1625:. 1602:. 1592:41 1590:. 1586:. 1574:^ 1500:, 1457:. 1447:36 1445:. 1441:. 1369:, 1365:, 1361:, 1357:, 1295:. 1240:, 1229:. 1167:. 989:. 981:, 977:, 916:, 738:, 718:. 644:. 593:, 589:, 585:, 581:, 565:, 536:, 487:. 392:. 369:. 328:, 324:, 310:, 278:. 229:. 76:, 2438:. 2404:. 2373:. 2321:. 2296:. 2252:. 2240:: 2217:. 2172:. 2125:. 2092:. 2065:. 2038:. 2011:. 1977:. 1943:. 1916:. 1884:. 1854:. 1824:. 1803:. 1773:. 1752:. 1713:. 1695:. 1674:. 1637:: 1610:. 1568:. 1543:. 1486:. 1465:. 1267:( 858:( 803:) 799:( 153:) 147:( 142:) 138:( 124:. 20:)

Index

Ecclesiastical art

Hagia Sophia
post-iconoclastic
worship
artworks
religion
sacred
cult image
place of worship
icon
Eastern Orthodox
aniconism
iconoclasm

verification
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Buddhist art

Indian subcontinent
Siddhartha Gautama
Central Asia
Eastern Asia
Southeast Asia

Vajrabhairava
Hindu art
Islam

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