204:, a solution may be considered elegant if it uses a non-obvious method to produce a solution which is highly effective and simple. An elegant solution may solve multiple problems at once, especially problems that are not thought to be inter-related. Elegance can arguably be measured for engineering problems as the ratio of problem complexity to that of solution complexity. Thus a simple (low complexity) solution to a problem of high complexity is seen as elegant. This measure does not advise of process to produce elegant solutions, and is merely a way of comparing between multiple solutions for elegance assessment.
31:
254:, elegance is a unisex practice, and it was initially developed amongst the male ruling classes after the French Revolution. Elegance was later adopted by ladieswear, from the 20th century onwards. This approach to clothes based on subtraction and understatement is pursued by the upper classes to avoid vulgarity, hence belonging to a lower social status. Several elements that determine the adoption of elegance and its rule have been recognized: a key role is played by class, gender, morality and taste.
45:
1421:
1220:
220:
in theory, method, technique and procedure. For example, elegance might comprise creative parsimony and versatility in the utilization of resources, in the manipulation of materials, and in the effectiveness in syntheses and analysis.
249:
The concept of elegance in fashion is often associated with the modern taste for subtraction and understatement that capitalistic societies have developed to convey a sense of status. Unlike similar concepts such as
183:
simple and insightful yet effective and constructive. Such solutions might involve a minimal amount of assumptions and computations, while outlining an approach that is highly generalizable. Similarly, a
1270:
1200:
148:, there are two concepts referring to two aspects of simplicity: elegance (syntactic simplicity), which means the number and complexity of hypotheses, and
482:
429:
d'Aura, G., 2021. The
Silence of Garments: Modernity and the conquest of elegance. Aisthema, International Journal, 8(1), pp.77-99.
30:
1446:
1101:
794:
779:
704:
1403:
1330:
447:
929:
759:
636:
129:
features of an object. In art of any kind one might also require dignified grace, or restrained beauty of style.
24:
914:
38:
1290:
1074:
475:
396:
Efatmaneshnik, Mahmoud; Ryan, Mike (2019), "On the
Definitions of Sufficiency and Elegance in Systems Design",
829:
1350:
1300:
854:
724:
332:
1280:
1230:
987:
689:
555:
251:
153:
1408:
982:
935:
844:
669:
642:
616:
550:
176:
145:
957:
1370:
1250:
1240:
1148:
1121:
1024:
804:
545:
1413:
1380:
1355:
1190:
1143:
1138:
952:
909:
899:
869:
849:
734:
586:
540:
535:
530:
525:
468:
430:
95:
49:
824:
1375:
1365:
1335:
1310:
1096:
1034:
894:
694:
601:
520:
505:
452:
413:
238:
189:
180:
165:
1425:
1385:
1260:
1153:
1127:
769:
729:
684:
664:
621:
596:
515:
510:
75:
889:
839:
784:
699:
631:
405:
185:
149:
105:
and suggest maturity, and in the case of mathematics, a deep mastery of the subject matter.
774:
714:
591:
83:
296:
1360:
1340:
1210:
967:
919:
879:
814:
764:
744:
679:
20:
359:
271:
44:
1440:
1390:
1180:
1039:
962:
904:
819:
799:
659:
611:
79:
64:
417:
994:
859:
739:
719:
571:
1221:
A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
374:
1163:
1116:
972:
924:
884:
834:
626:
319:
234:
201:
169:
118:
409:
1133:
1111:
1004:
789:
749:
709:
576:
491:
114:
87:
68:
1044:
1014:
809:
754:
674:
606:
213:
102:
1345:
1079:
1009:
874:
230:
1158:
1106:
1064:
1049:
1019:
581:
172:
132:
Visual stimuli are frequently considered elegant, if a small number of
126:
91:
164:
In mathematical problem solving, the solution to a problem (such as a
1091:
1069:
999:
977:
122:
60:
48:
An example of "beauty in method"—a simple and elegant proof of the
864:
133:
43:
29:
336:
16:
Conceptual beauty that shows unusual effectiveness and simplicity
1085:
1059:
431:
http://www.aisthema.eu/ojs/index.php/aisthema/article/view/80/86
464:
1054:
297:"The Elements of Elegance: What Makes Design 'Sophisticated'?"
192:
is elegant if it uses a small amount of code to great effect.
460:
156:), which is the number and complexity of things postulated.
237:
is important for quality as well as for effectiveness in
19:"Elegant" redirects here. For the American novelist, see
1271:
The Work of Art in the Age of
Mechanical Reproduction
1323:
1172:
945:
652:
564:
498:
136:and stimuli are used, emphasizing the remainder.
476:
74:Elegance is frequently used as a standard of
8:
1201:The Literary Mind and the Carving of Dragons
113:Essential components of the concept include
483:
469:
461:
320:Stanford Encyclopedia of Philosophy entry
377:. Nathan's Possibly Interesting Web Site
241:, a major component of pharmaceuticals.
263:
446:Schiro, Anne-Marie (30 August 1988).
101:Elegant things often exhibit refined
7:
448:"For Galanos, Elegance Is Eternal"
358:Spolsky, Joel (15 December 2006).
335:. Chad Perrin: SOB. Archived from
14:
1419:
331:Perrin, Chad (16 August 2006).
1:
96:the aesthetics of mathematics
1331:Aestheticization of politics
1465:
410:10.1109/JSYST.2018.2875152
216:, chemists might look for
18:
1399:
25:Elegance (disambiguation)
333:"ITLOG Import: Elegance"
272:"Definition of ELEGANCE"
140:In philosophy of science
1351:Evolutionary aesthetics
1301:The Aesthetic Dimension
373:Zeldes, Nathan (2007).
276:www.merriam-webster.com
1447:Concepts in aesthetics
1281:Avant-Garde and Kitsch
1231:Lectures on Aesthetics
375:"Ingenious simplicity"
154:ontological simplicity
53:
41:
35:Elegance of the Epoque
23:. For other uses, see
1426:Philosophy portal
177:mathematical elegance
146:philosophy of science
47:
33:
1371:Philosophy of design
1251:In Praise of Shadows
1241:The Critic as Artist
398:IEEE Systems Journal
1381:Philosophy of music
1356:Mathematical beauty
362:. Joel on Software.
295:Walden, Stephanie.
63:that shows unusual
50:Pythagorean theorem
39:Frédéric Soulacroix
1376:Philosophy of film
1366:Patterns in nature
1336:Applied aesthetics
1311:Why Beauty Matters
1097:Life imitating art
958:Art for art's sake
453:The New York Times
239:dosage form design
125:, focusing on the
78:, particularly in
54:
42:
1434:
1433:
1386:Psychology of art
1261:Art as Experience
1454:
1424:
1423:
1422:
1316:
1306:
1296:
1286:
1276:
1266:
1256:
1246:
1236:
1226:
1216:
1206:
1196:
1186:
485:
478:
471:
462:
457:
433:
427:
421:
420:
404:(3): 2077–2088,
393:
387:
386:
384:
382:
370:
364:
363:
355:
349:
348:
346:
344:
328:
322:
317:
311:
310:
308:
307:
292:
286:
285:
283:
282:
268:
186:computer program
1464:
1463:
1457:
1456:
1455:
1453:
1452:
1451:
1437:
1436:
1435:
1430:
1420:
1418:
1395:
1319:
1314:
1304:
1294:
1291:Critical Essays
1284:
1274:
1264:
1254:
1244:
1234:
1224:
1214:
1204:
1194:
1184:
1168:
941:
855:Ortega y Gasset
648:
560:
494:
489:
445:
442:
440:Further reading
437:
436:
428:
424:
395:
394:
390:
380:
378:
372:
371:
367:
357:
356:
352:
342:
340:
339:on 30 July 2020
330:
329:
325:
318:
314:
305:
303:
294:
293:
289:
280:
278:
270:
269:
265:
260:
247:
227:
210:
198:
162:
142:
111:
109:General concept
84:decorative arts
28:
17:
12:
11:
5:
1462:
1461:
1458:
1450:
1449:
1439:
1438:
1432:
1431:
1429:
1428:
1416:
1411:
1406:
1400:
1397:
1396:
1394:
1393:
1388:
1383:
1378:
1373:
1368:
1363:
1361:Neuroesthetics
1358:
1353:
1348:
1343:
1341:Arts criticism
1338:
1333:
1327:
1325:
1321:
1320:
1318:
1317:
1307:
1297:
1287:
1277:
1267:
1257:
1247:
1237:
1227:
1217:
1211:On the Sublime
1207:
1197:
1187:
1176:
1174:
1170:
1169:
1167:
1166:
1161:
1156:
1151:
1146:
1141:
1136:
1131:
1124:
1119:
1114:
1109:
1104:
1099:
1094:
1089:
1082:
1077:
1075:Interpretation
1072:
1067:
1062:
1057:
1052:
1047:
1042:
1037:
1032:
1027:
1022:
1017:
1012:
1007:
1002:
997:
992:
991:
990:
985:
975:
970:
968:Artistic merit
965:
960:
955:
949:
947:
943:
942:
940:
939:
932:
927:
922:
917:
912:
907:
902:
897:
892:
887:
882:
877:
872:
867:
862:
857:
852:
847:
842:
837:
832:
827:
822:
817:
812:
807:
802:
797:
792:
787:
782:
777:
772:
767:
762:
757:
752:
747:
742:
737:
732:
727:
722:
717:
712:
707:
702:
697:
692:
687:
682:
677:
672:
667:
662:
656:
654:
650:
649:
647:
646:
639:
634:
629:
624:
619:
617:Psychoanalysis
614:
609:
604:
599:
594:
589:
584:
579:
574:
568:
566:
562:
561:
559:
558:
553:
548:
543:
538:
533:
528:
523:
518:
513:
508:
502:
500:
496:
495:
490:
488:
487:
480:
473:
465:
459:
458:
441:
438:
435:
434:
422:
388:
365:
350:
323:
312:
287:
262:
261:
259:
256:
246:
243:
233:, elegance in
226:
223:
209:
206:
197:
196:In engineering
194:
161:
160:In mathematics
158:
141:
138:
110:
107:
21:Robert Elegant
15:
13:
10:
9:
6:
4:
3:
2:
1460:
1459:
1448:
1445:
1444:
1442:
1427:
1417:
1415:
1412:
1410:
1407:
1405:
1402:
1401:
1398:
1392:
1391:Theory of art
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1372:
1369:
1367:
1364:
1362:
1359:
1357:
1354:
1352:
1349:
1347:
1344:
1342:
1339:
1337:
1334:
1332:
1329:
1328:
1326:
1322:
1313:
1312:
1308:
1303:
1302:
1298:
1293:
1292:
1288:
1282:
1278:
1272:
1268:
1263:
1262:
1258:
1253:
1252:
1248:
1242:
1238:
1233:
1232:
1228:
1223:
1222:
1218:
1213:
1212:
1208:
1203:
1202:
1198:
1193:
1192:
1188:
1183:
1182:
1181:Hippias Major
1178:
1177:
1175:
1171:
1165:
1162:
1160:
1157:
1155:
1152:
1150:
1147:
1145:
1142:
1140:
1137:
1135:
1132:
1130:
1129:
1125:
1123:
1120:
1118:
1115:
1113:
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1088:
1087:
1083:
1081:
1078:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1051:
1048:
1046:
1043:
1041:
1040:Entertainment
1038:
1036:
1033:
1031:
1028:
1026:
1023:
1021:
1018:
1016:
1013:
1011:
1008:
1006:
1003:
1001:
998:
996:
993:
989:
986:
984:
981:
980:
979:
976:
974:
971:
969:
966:
964:
963:Art manifesto
961:
959:
956:
954:
953:Appropriation
951:
950:
948:
944:
938:
937:
933:
931:
928:
926:
923:
921:
918:
916:
913:
911:
908:
906:
903:
901:
898:
896:
893:
891:
888:
886:
883:
881:
878:
876:
873:
871:
868:
866:
863:
861:
858:
856:
853:
851:
848:
846:
845:Merleau-Ponty
843:
841:
838:
836:
833:
831:
828:
826:
823:
821:
818:
816:
813:
811:
808:
806:
803:
801:
798:
796:
793:
791:
788:
786:
783:
781:
778:
776:
773:
771:
768:
766:
763:
761:
758:
756:
753:
751:
748:
746:
743:
741:
738:
736:
733:
731:
728:
726:
723:
721:
718:
716:
713:
711:
708:
706:
703:
701:
698:
696:
693:
691:
688:
686:
683:
681:
678:
676:
673:
671:
668:
666:
663:
661:
660:Abhinavagupta
658:
657:
655:
651:
645:
644:
640:
638:
635:
633:
630:
628:
625:
623:
620:
618:
615:
613:
612:Postmodernism
610:
608:
605:
603:
600:
598:
595:
593:
590:
588:
585:
583:
580:
578:
575:
573:
570:
569:
567:
563:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
517:
514:
512:
509:
507:
504:
503:
501:
497:
493:
486:
481:
479:
474:
472:
467:
466:
463:
455:
454:
449:
444:
443:
439:
432:
426:
423:
419:
415:
411:
407:
403:
399:
392:
389:
376:
369:
366:
361:
354:
351:
338:
334:
327:
324:
321:
316:
313:
302:
298:
291:
288:
277:
273:
267:
264:
257:
255:
253:
244:
242:
240:
236:
232:
224:
222:
219:
215:
207:
205:
203:
195:
193:
191:
187:
182:
178:
174:
171:
167:
159:
157:
155:
151:
147:
139:
137:
135:
130:
128:
124:
120:
116:
108:
106:
104:
99:
97:
93:
89:
85:
81:
80:visual design
77:
72:
70:
66:
65:effectiveness
62:
58:
51:
46:
40:
36:
32:
26:
22:
1309:
1299:
1289:
1259:
1249:
1229:
1219:
1209:
1199:
1189:
1179:
1126:
1102:Magnificence
1084:
1029:
934:
900:Schopenhauer
735:Coomaraswamy
653:Philosophers
641:
572:Aestheticism
451:
425:
401:
397:
391:
379:. Retrieved
368:
353:
341:. Retrieved
337:the original
326:
315:
304:. Retrieved
300:
290:
279:. Retrieved
275:
266:
248:
228:
217:
211:
208:In chemistry
199:
181:surprisingly
170:mathematical
163:
143:
131:
112:
100:
76:tastefulness
73:
56:
55:
34:
1195:(c. 335 BC)
1185:(c. 390 BC)
1164:Work of art
1117:Picturesque
973:Avant-garde
930:Winckelmann
805:Kierkegaard
730:Collingwood
700:Baudrillard
627:Romanticism
597:Historicism
531:Mathematics
235:formulation
225:In pharmacy
202:engineering
175:) exhibits
119:consistency
1134:Recreation
1112:Perception
1005:Creativity
705:Baumgarten
695:Baudelaire
577:Classicism
492:Aesthetics
381:11 October
360:"Elegance"
306:2019-11-20
281:2019-11-20
258:References
245:In fashion
115:simplicity
88:literature
69:simplicity
1139:Reverence
1045:Eroticism
1015:Depiction
988:Masculine
890:Santayana
850:Nietzsche
795:Hutcheson
785:Heidegger
770:Greenberg
725:Coleridge
690:Balthasar
675:Aristotle
637:Theosophy
632:Symbolism
607:Modernism
592:Formalism
214:chemistry
190:algorithm
179:if it is
150:parsimony
127:essential
1441:Category
1414:Category
1346:Axiology
1215:(c. 500)
1205:(c. 100)
1080:Judgment
1035:Emotions
1030:Elegance
1010:Cuteness
983:Feminine
946:Concepts
915:Tanizaki
895:Schiller
880:Richards
870:Rancière
840:Maritain
775:Hanslick
715:Benjamin
587:Feminism
556:Theology
536:Medieval
526:Japanese
521:Internet
418:69432051
301:Mashable
231:pharmacy
218:elegance
57:Elegance
1409:Outline
1324:Related
1191:Poetics
1159:Tragedy
1149:Sublime
1122:Quality
1107:Mimesis
1065:Harmony
1050:Fashion
1025:Ecstasy
1020:Disgust
936:more...
905:Scruton
830:Lyotard
765:Goodman
745:Deleuze
680:Aquinas
670:Alberti
643:more...
622:Realism
602:Marxism
582:Fascism
565:Schools
551:Science
506:Ancient
252:glamour
173:theorem
144:In the
92:science
1315:(2009)
1305:(1977)
1295:(1946)
1285:(1939)
1275:(1935)
1265:(1934)
1255:(1933)
1245:(1891)
1235:(1835)
1225:(1757)
1092:Kitsch
1070:Humour
1000:Comedy
978:Beauty
920:Vasari
910:Tagore
885:Ruskin
825:Lukács
815:Langer
760:Goethe
685:Balázs
665:Adorno
546:Nature
511:Africa
416:
343:9 June
134:colors
123:design
94:, and
61:beauty
1404:Index
1173:Works
1154:Taste
1144:Style
925:Wilde
865:Plato
860:Pater
820:Lipps
780:Hegel
750:Dewey
740:Danto
720:Burke
541:Music
516:India
499:Areas
414:S2CID
168:of a
166:proof
103:grace
1128:Rasa
1086:Kama
1060:Gaze
995:Camp
875:Rand
810:Klee
800:Kant
790:Hume
710:Bell
383:2011
345:2008
117:and
67:and
1055:Fun
835:Man
755:Fry
406:doi
229:In
212:In
200:In
188:or
121:of
59:is
37:by
1443::
1283:"
1273:"
1243:"
450:.
412:,
402:13
400:,
299:.
274:.
98:.
90:,
86:,
82:,
71:.
1279:"
1269:"
1239:"
484:e
477:t
470:v
456:.
408::
385:.
347:.
309:.
284:.
152:(
52:.
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
