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The music packaging was the responsibility of designer
Friederike Paetzold, whose works often entirely forgo details like artist's names, instrumentation and album titles. Album covers tend to be characterized by stark, minimalist artwork, often painted by guitarist Keith Rowe, or Paetzold's own
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at various points in the past, Erstwhile is now doing so. Like them, it has its own distinctive roster of players, its own sound and a distinctive visual style ... No need to see the label to know it’s on
Erstwhile." Currently, most of the label's designs are done by producer Yuko Zama.
544:, or "EAI." Some critics argue that Erstwhile and the term EAI have become almost synonymous, with NYC musician Jeremiah Cymerman regarding them as "The Blue Note of lowercase music." "Laminal music," "granular music," "reductionism," "the new London silence," "
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by
Sachiko M, Toshimaru Nakamura, and Otomo Yoshihide, for example, is 100 minutes of "vertical music" marked by piercing sine waves, bursts of static, feedback loops, and quiet vinyl crackle, demanding even for veteran listeners to avant-garde music.
450:― the label's focus notably shifted. It was the first album containing electroacoustic improvisation techniques which Erstwhile has become known for, as well as the first to feature meticulous post-production. The fifth Erstwhile release,
594:, and featured some of the label's flagship artists. The results of the 2004 event have been emerging as separate releases under the subsidiary label name ErstLive. In September 2005, Abbey put together a separate music festival in
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and percussionist Günter Müller. Rowe and Müller would both become fixtures of the label, and are a generation older than many of their younger collaborators. The album's abstract, sparse sound resembles live releases by
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tabletop guitar, which he uses to create textured soundscapes by incorporating household objects and sampled radio transmissions through the instrument's pickups. Another instance includes trumpeters Matt Davis and
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variety, contemporary, experimental composed music, and combinations of both. Erstwhile was founded by Jon Abbey in 1999, whose personality and tastes are closely identified with the label.
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Abbey has also organized the
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Subsequent
Erstwhile releases have largely focused on slow-moving, often quiet compositions played using non-standard computers and electronics (such as
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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The first few
Erstwhile releases were something of a mixed set in terms of the music, ranging from the melancholy avant-blues of
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The Artist
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maintain some elements of melody and accessibility, resembling other alternative genres such as
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The label's aesthetic has yet to find an agreed-upon name, though many categorize the music as
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group started releasing albums on the label, such as
American composer
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Please help to demonstrate the notability of the topic by citing
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to the rather traditional free jazz of VHF. With the release of
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photography. Critic John Eyles writes, "Just as such labels as
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Unusually, Erstwhile's releases have been issued without
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artist Jason
Lescalleet, guitarist / laptop composer
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notability guidelines for companies and organizations
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672:"Thomas Lehn / Gerry Hemingway - Tom and Gerry"
382:Characteristic label artists include guitarist
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316:reliable, independent, third-party sources
791:"Four Gentlemen Of The Guitar: 4g: Cloud"
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893:1999 establishments in the United States
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308:improve it
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