324:, pp. 12–13). In addition, in the general context of the article, it also shows the substantial transformation of the band's image from only three years earlier; the cultural impact of their visual style and its transformations throughout their career is an important element of the band's significance (Source: Gould, ibid, p. 345). As described in the accompanying text, the album is itself of exceptional significance (Source: Gould, ibid, p. 418;
504:
169:
infobox at the top of the article discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for. Use for this purpose does not compete with the purposes of the original artwork, namely the artist's providing graphic design services to music concerns and in turn marketing music to the public.
411:
276:". The image is used for explication of critical commentary on the cover image and its significance, as well as for identification in the context of critical commentary of the work for which it serves as cover art. The image is iconic, one of the best known in international popular culture (see, e.g, Ashplant, T.G., and Gerry Smyth ,
168:
Main infobox. The image is used for identification in the context of critical commentary of the work for which it serves as cover art. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone. The image is placed in the
582:
155:
The copy is of sufficient resolution for commentary and identification but lower resolution than the original cover. Copies made from it will be of inferior quality, unsuitable as artwork on pirate versions or other uses that would compete with the commercial purpose of the original artwork.
288:: "arguably the most famous music album cover in history" ). In the immediate context, the ability to view the image specifically explicates elements of the article, including how the cover's elaborate nature prompted great interest and deep study (Source: Gould, Jonathan ,
312:, p. 236); and the anti-establishment symbolism of the unusual outfits they are wearing (Source: Harris, Jonathan , "Introduction: Abstraction and Empathy—Psychedelic Distortion and the Meaning of the 1960s", in Grunenberg, Christoph, and Jonathan Harris, eds.
782:
Sourced from super high resolution the mono vinyl section of the
Beatles' official website. The colors are more faithful to the vinyl LP than the saturated colors currently available online. The image is low-resolution and complies with fair use. The
181:
As musical cover art, the image is not replaceable by free content; any other image that shows the packaging of the music would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary.
142:
The entire cover: because the image is cover art, a form of product packaging, the entire image is needed to identify the product, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image.
33:
843:
518:
368:
356:
330:—ranked greatest album of all time). The use of the image in this location and context makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone
300:, p. 520); the cultural impact of The Beatles' particular new style of facial hair, visible for the first time on an album cover, on counterculture style (Source: The Beatles ,
325:
878:
421:, and the copyright for it is most likely owned by either the publisher of the work or the artist(s) which produced the recording or cover artwork in question.
352:
238:
216:
68:
41:
848:
514:
220:
128:
76:
774:
530:
526:
195:
604:
694:
658:
734:
455:
321:
309:
297:
285:
203:
873:
534:
388:
376:
336:
262:
188:
175:
162:
149:
136:
122:
110:
816:
467:
64:
645:
770:
600:
690:
839:
The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
762:
730:
461:
868:
682:
581:
576:
32:
612:
complete reversion of unnecessary enlarging of image that went completely against fair use guidelines
592:
812:
722:
410:
317:
305:
293:
281:
641:
522:
654:
533:. This file's use on other pages or in different contexts may require additional review at
503:
862:
804:
853:
633:
510:
254:
242:
93:
314:
Summer of Love: Psychedelic Art, Social Crisis and
Counterculture in the 1960s
97:
437:
441:
844:
List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band
450:
199:
104:, or the graphic artist(s), Robert Fraser/Jann Haworth/Michael Cooper.
460:
Any other uses of this image, on
Knowledge (XXG) or elsewhere, may be
519:
List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band
394:
Removal of this image is detrimental to the purpose of the article.
369:
List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band
357:
List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band
549:
Click on a date/time to view the file as it appeared at that time.
476://en.wikipedia.org/File:Sgt._Pepper%27s_Lonely_Hearts_Club_Band.jpg
225://en.wikipedia.org/File:Sgt._Pepper%27s_Lonely_Hearts_Club_Band.jpg
194:
Use of the cover art in the article complies with
Knowledge (XXG)
116:
Resampled from digital copy included on The
Beatles USB Box Set
824:
Resampled from digital copy included on The
Beatles USB Box Set
498:
405:
101:
96:. The cover art copyright is believed to belong to the label,
529:, because it is thought to meet all criteria as described in
440:, hosted on servers in the United States by the non-profit
527:
Knowledge (XXG)'s policy on non-freely licensed content
525:
on 04:12, 11 May 2011 (UTC) and deemed likely to meet
431:
solely to illustrate the audio recording in question
290:
Can't Buy Me Love: The
Beatles, Britain and America
382:The image itself is the subject of the article.
46:(300 × 300 pixels, file size: 53 KB, MIME type:
387:
375:
335:
261:
187:
161:
148:
135:
42:Sgt._Pepper's_Lonely_Hearts_Club_Band.jpg
8:
849:Sgt. Pepper's Lonely Hearts Club Band
551:
219:of copyrighted material in the context of
61:
531:Knowledge (XXG):Non-free content criteria
348:
234:
841:
509:The use of this file in the article(s)
210:
515:Sgt. Pepper's Lonely Hearts Club Band
221:Sgt. Pepper's Lonely Hearts Club Band
129:Sgt. Pepper's Lonely Hearts Club Band
90:Sgt. Pepper's Lonely Hearts Club Band
77:Sgt. Pepper's Lonely Hearts Club Band
7:
879:Album covers by Peter Blake (artist)
535:Knowledge (XXG):Files for discussion
88:This is the cover art for the album
456:copyright law of the United States
204:copyright law of the United States
55:
39:
502:
468:Knowledge (XXG):Non-free content
438:English-language Knowledge (XXG)
409:
278:Explorations in Cultural History
21:
831:You cannot overwrite this file.
653:Reduce size of non-free image (
423:It is believed that the use of
36:No higher resolution available.
14:
342:Irreplaceable by text itself.
26:
1:
268:For use in article section "
419:cover of an audio recording
895:
485:
363:
249:
211:
174:
121:
109:
83:
16:
874:The Beatles album covers
823:
781:
741:
701:
669:16:12, 25 December 2020
652:
620:17:31, 29 December 2020
611:
196:non-free content policy
71:– non-free album cover
791:03:56, 9 December 2009
462:copyright infringement
427:images of such covers
67:media information and
470:for more information.
302:The Beatles Anthology
749:09:06, 13 March 2015
442:Wikimedia Foundation
206:as described above.
577:22:58, 5 April 2021
417:This image is of a
360:
246:
92: by the artist
80:
709:23:02, 12 May 2015
349:
235:
62:
58:Fair use rationale
827:
764:The Obento Musubi
541:
540:
489:
488:
399:
398:
347:
346:
233:
232:
189:Other information
886:
821:
820:
801:
792:
779:
778:
759:
750:
739:
738:
719:
710:
699:
698:
679:
670:
650:
649:
630:
621:
609:
608:
589:
521:was reviewed by
506:
499:
481:
477:
474:
422:
413:
406:
361:
247:
229:
226:
223:
214:
81:
74:
51:
49:
894:
893:
889:
888:
887:
885:
884:
883:
859:
858:
840:
833:
828:
810:
809:
807:
799:
790:
768:
767:
765:
757:
748:
728:
727:
725:
717:
708:
688:
687:
685:
677:
668:
639:
638:
636:
628:
619:
598:
597:
595:
587:
543:
542:
497:
496:
493:
479:
475:
472:
471:
416:
404:
359:
351:Non-free media
245:
237:Non-free media
227:
224:
215:
212:
150:Low resolution?
79:
72:
60:
53:
47:
45:
38:
37:
12:
11:
5:
892:
890:
882:
881:
876:
871:
861:
860:
857:
856:
851:
846:
838:
837:
836:
829:
826:
825:
822:
805:
802:
796:
793:
788:
785:
784:
780:
763:
760:
754:
751:
746:
743:
742:
740:
723:
720:
714:
711:
706:
703:
702:
700:
683:
680:
676:1,000 × 1,000
674:
671:
666:
663:
662:
651:
634:
631:
625:
622:
617:
614:
613:
610:
594:Mediafanatic17
593:
590:
584:
579:
574:
570:
569:
566:
563:
560:
557:
554:
547:
546:
539:
538:
507:
494:
491:
490:
487:
486:
483:
482:
446:
445:
434:
425:low-resolution
414:
403:
400:
397:
396:
391:
385:
384:
379:
377:Purpose of use
373:
372:
365:
350:
345:
344:
339:
333:
332:
322:978-0853239192
310:978-0811826846
298:978-0749929886
286:978-0745315126
265:
263:Purpose of use
259:
258:
251:
236:
231:
230:
209:
208:
191:
185:
184:
178:
172:
171:
165:
163:Purpose of use
159:
158:
152:
146:
145:
139:
133:
132:
125:
119:
118:
113:
107:
106:
85:
63:
59:
56:
54:
35:
31:
30:
29:
24:
19:
13:
10:
9:
6:
4:
3:
2:
891:
880:
877:
875:
872:
870:
867:
866:
864:
855:
852:
850:
847:
845:
842:
834:
832:
818:
814:
808:
803:
797:
794:
789:
787:
786:
776:
772:
766:
761:
755:
752:
747:
745:
744:
736:
732:
726:
721:
715:
712:
707:
705:
704:
696:
692:
686:
684:ColorfulSmoke
681:
675:
672:
667:
665:
664:
660:
656:
647:
643:
637:
632:
626:
623:
618:
616:
615:
606:
602:
596:
591:
585:
583:
580:
578:
575:
572:
571:
567:
564:
561:
558:
555:
553:
552:
550:
544:
536:
532:
528:
524:
520:
516:
512:
508:
505:
501:
500:
484:
478:
469:
465:
463:
457:
453:
452:
448:qualifies as
443:
439:
435:
432:
429:
428:
426:
420:
415:
412:
408:
407:
401:
395:
392:
390:
386:
383:
380:
378:
374:
371:
370:
366:
362:
358:
354:
343:
340:
338:
334:
331:
329:
328:
327:Rolling Stone
323:
319:
315:
311:
307:
303:
299:
295:
291:
287:
283:
279:
275:
271:
266:
264:
260:
257:
256:
252:
248:
244:
240:
222:
218:
207:
205:
201:
197:
192:
190:
186:
183:
179:
177:
173:
170:
166:
164:
160:
157:
153:
151:
147:
144:
140:
138:
134:
131:
130:
126:
124:
120:
117:
114:
112:
108:
105:
103:
99:
95:
91:
86:
82:
78:
70:
69:use rationale
66:
57:
52:
43:
34:
28:
25:
23:
20:
18:
15:
869:Album covers
830:
795:No thumbnail
753:No thumbnail
724:CyberFatal01
713:No thumbnail
673:No thumbnail
624:No thumbnail
548:
545:File history
459:
449:
447:
430:
424:
418:
393:
389:Replaceable?
381:
367:
341:
337:Replaceable?
326:
313:
301:
289:
277:
273:
269:
267:
253:
193:
180:
176:Replaceable?
167:
154:
141:
137:Portion used
127:
115:
89:
87:
84:Description
40:
22:File history
854:The Beatles
523:Moe Epsilon
511:The Beatles
274:Sgt. Pepper
255:The Beatles
243:The Beatles
94:the Beatles
863:Categories
835:File usage
798:300 × 300
756:300 × 300
716:300 × 300
627:316 × 316
586:300 × 300
562:Dimensions
454:under the
202:under the
98:Parlophone
48:image/jpeg
27:File usage
678:(1.49 MB)
559:Thumbnail
556:Date/Time
402:Licensing
353:rationale
239:rationale
817:contribs
800:(119 KB)
775:contribs
758:(178 KB)
735:contribs
718:(126 KB)
695:contribs
646:contribs
629:(157 KB)
605:contribs
492:Fair use
473:Fair use
451:fair use
270:Revolver
217:Fair use
213:Fair use
200:fair use
65:Non-free
806:Anetode
659:disable
588:(53 KB)
573:current
568:Comment
436:on the
364:Article
250:Article
123:Article
44:
635:DatBot
320:
308:
296:
284:
111:Source
813:talk
783:J...
771:talk
731:talk
691:talk
642:talk
601:talk
565:User
517:and
495:true
480:true
466:See
355:for
318:ISBN
306:ISBN
294:ISBN
282:ISBN
272:and
241:for
228:true
198:and
75:for
73:true
17:File
655:BOT
102:EMI
865::
815:|
773:|
733:|
693:|
657:-
644:|
603:|
513:,
458:.
316:,
304:,
292:,
280:,
819:)
811:(
777:)
769:(
737:)
729:(
697:)
689:(
661:)
648:)
640:(
607:)
599:(
537:.
464:.
444:,
433:,
100:/
50:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
