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164:: "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same relationships are in some sense capable of exciting feelings and emotions in the listener" (Meyer 1956, p. 3). (The term
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The term has also been used to designate an approach to writing about music history, sometimes called the "Great Works" approach (in analogy to "Great Books") where the music history is conceived in terms of relationships between works of art, to the exclusion of considering cultural contexts. Joseph
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called for the re-contextualization of musical works and greater investigation into their cultural milieux rather than their subsequent status in the musical canon. This was parallel to the New
Historicism in other historical fields, wherein everyday life was deemed as worthy of investigation as
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has criticized the movement for reducing works of art to cultural artifacts and tending to denigrate both "meaning" in music and the "value" of exceptional works.
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was perceived, by at least one journalist if not by the composer himself, as "a Soviet artist's reply to just criticism". Another allegation came as part of the
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The proscription of formalism was not restricted to the Soviet Union. For instance, in Poland immediately after
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Shostakovich and Stalin: The
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198:'s music) that he found in Brahms's music as opposed to the attempts at emotional expression and
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Ob opere ”Velikaya družba” V. Muradely, postanovlaniem TsK VKP(b) ot 10 fevralya 1948 i. In:
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Music term; concept that a composition's meaning is entirely determined by its form
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Panufnik of similar problems facing composers in Hungary).
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437:(2008 ed.). Cambridge, Massachusetts: University Of Harvard Press.
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before its planned first performance, and his subsequent
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While not necessarily advocating a return to formalism,
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Two famous allegations of formalism were leveled at
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575:Music as Cultural Practice 1800–1900
251:Lady Macbeth of the Mtsensk District
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286:"and others", as being formalists.
605:Walker, Jonathan. "Formalism". In
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154:Emotion and Meaning in Music
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517:Panufnik, Andrzej (1987).
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323:great men and great wars.
318:Kerman's influential book
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402:Hanslick, Eduard (1854).
220:"The phenomenon of music"
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156:(1956), distinguished
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521:. London: Methuen.
320:Contemplating Music
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299:Witold Lutosławski
224:Harvard University
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218:) explores
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361:References
284:Myaskovsky
176:Schoenberg
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585:(cloth);
480:Izvestiya
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