Knowledge (XXG)

Fortuneteller Svetlana

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The painting evoked a lively response in Moscow, where the artist lived. Ivan Dmitriev hurried to write about this to P. Svinin: "He wrote here ... for Perovsky a small picture representing a handsome girl in common Russian clothes." Shalikov published verses about this in Moskovskiye
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sits with her back to the viewer. In front of her, on the table, there is a burning candle in a high candlestick and a figured mirror, into which the heroine looks fearfully and tensely, hoping to see her betrothed in the reflection. The plot was inspired by the ballad 'Svetlana'.
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Bryullov managed to convey romantic mysticism, in the spirit of which the original ballad was written. In the subtext of the picture, the mirror is guessed as a symbol of connection with the other world; reflection in the mirror - as the duality of interpretation inherent in
132:, for whom he made "Guessing Svetlana" during his stay in the city. The artist's arrival coincided with the eve of Christmas, and Bryullov was able to observe the rite of fortune-telling in Perovsky's house, which helped to give the painting "life". 91:"Svetlana". This is the only painting by the artist created on the theme of Russian national life. The painting was painted in oil on canvas measuring 94 × 81 cm. It is stored in the Nizhny Novgorod State Art Museum. 139:, the painting was in the collection of Vladimir Orlov-Davydov. Afterwards, it was transferred to the Nizhny Novgorod State Art Museum, where it remains to this day. The current conservation status is satisfactory. 119:
and immediately summoned him to the capital. The artist at that time was in Constantinopolis, and having received the order of the sovereign, immediately went to St. Petersburg. His trip passed through
272: 28: 367: 362:. T. M. Nikolaeva, Т. М. Николаева, Institut slavi︠a︡novedenii︠a︡, Институт славяноведения. Moskva: I︠A︡zyki slavi︠a︡nskikh kulʹtur. 2007. 446: 280: 248: 407:
Karl Bryullov and Nestor Kukolnik: a story of two illustrations (Russian) // Tretyakov Gallery: magazine. - 2008. - No. 4
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The painting depicts a scene of Christmas divination. A girl with a fair-haired braid in a
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Bryullov, who painted a young girl in a Russian dress in front of a mirror,
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Bryullov, Karl Pavlovich // Russian Biographical Dictionary
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At the end of the summer of 1835, Bryullov 's painting
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Bow down your brow, friend of genius, before the one
61: 53: 45: 35: 21: 243:. Karl Pavlovich Bri︠u︡llov. Moskva: Olma-Press. 8: 87:, painted in 1836, based on the ballad of 27: 18: 214: 103:, which brought him fame, arrived from 383: 293: 198:Soulless suddenly endows everything - 7: 359:Imi︠a︡ : semanticheskai︠a︡ aura 83:is a painting by the Russian artist 111:. The canvas made an impression on 237:Pikuleva, Galina Ivanovna (2004). 203:And life, and beauty, and feeling. 65:Nizhny Novgorod State Art Museum, 14: 193:who dominates creative art, the 16:1836 painting by Karl Bryullov 1: 405:Kazakova, Svetlana (2008). 107:, where it was painted, to 463: 447:Paintings by Karl Bryullov 303:Cite uses generic title ( 26: 117:Imperial Academy of Arts 101:The Last Day of Pompeii 420:Atsarkina, E. (1963). 390:: CS1 maint: others ( 273:"WebCite query result" 206: 344:, Great artists. - M 342:Gordeeva, M. (2010). 180: 126:on December 25, 1835 113:Nicholas I of Russia 319:"Гадающая Светлана" 277:www.webcitation.org 124:, where he arrived 137:October Revolution 369:978-5-9551-0163-7 173:Public perception 160:Artistic features 130:Antony Pogorelsky 80:Guessing Svetlana 76: 75: 22:Guessing Svetlana 454: 426: 425: 417: 411: 410: 402: 396: 395: 389: 381: 354: 348: 347: 339: 333: 332: 330: 329: 315: 309: 308: 301: 299: 291: 289: 288: 279:. Archived from 269: 263: 262: 234: 228: 227: 219: 127: 109:Saint Petersburg 89:Vasily Zhukovsky 31: 19: 462: 461: 457: 456: 455: 453: 452: 451: 432: 431: 430: 429: 419: 418: 414: 404: 403: 399: 382: 370: 356: 355: 351: 346:. Direct-Media. 341: 340: 336: 327: 325: 317: 316: 312: 302: 292: 286: 284: 271: 270: 266: 251: 236: 235: 231: 222:Grekov (1908). 221: 220: 216: 211: 175: 162: 145: 125: 97: 67:Nizhny Novgorod 17: 12: 11: 5: 460: 458: 450: 449: 444: 442:1836 paintings 434: 433: 428: 427: 412: 397: 368: 349: 334: 310: 264: 249: 229: 226:. p. 699. 213: 212: 210: 207: 174: 171: 161: 158: 151:and a Russian 144: 141: 96: 93: 74: 73: 63: 59: 58: 55: 51: 50: 47: 43: 42: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 459: 448: 445: 443: 440: 439: 437: 423: 416: 413: 408: 401: 398: 393: 387: 379: 375: 371: 365: 361: 360: 353: 350: 345: 338: 335: 324: 323:www.museum.ru 320: 314: 311: 306: 297: 283:on 2016-11-02 282: 278: 274: 268: 265: 260: 256: 252: 250:5-94849-594-9 246: 242: 241: 233: 230: 225: 218: 215: 208: 205: 204: 200: 199: 195: 194: 190: 189: 185: 184: 179: 172: 170: 168: 159: 157: 154: 150: 142: 140: 138: 133: 131: 123: 118: 114: 110: 106: 102: 94: 92: 90: 86: 85:Karl Bryullov 82: 81: 72: 68: 64: 60: 57:oil on canvas 56: 52: 48: 44: 41: 40:Karl Bryullov 38: 34: 30: 25: 20: 421: 415: 406: 400: 358: 352: 343: 337: 326:. Retrieved 322: 313: 285:. Retrieved 281:the original 276: 267: 239: 232: 223: 217: 202: 201: 197: 196: 192: 191: 187: 186: 182: 181: 176: 163: 146: 134: 98: 79: 78: 77: 422:Bryullov. M 167:romanticism 135:Before the 436:Categories 328:2021-07-12 287:2021-07-12 240:Bri︠u︡llov 209:References 178:Vedomosti: 386:cite book 149:kokoshnik 378:85889958 296:cite web 259:57069407 62:Location 153:sarafan 95:History 376:  366:  257:  247:  122:Moscow 71:Russia 54:Medium 36:Artist 105:Italy 392:link 374:OCLC 364:ISBN 305:help 255:OCLC 245:ISBN 143:Plot 49:1836 46:Year 438:: 388:}} 384:{{ 372:. 321:. 300:: 298:}} 294:{{ 275:. 253:. 69:, 424:. 409:. 394:) 380:. 331:. 307:) 290:. 261:.

Index


Karl Bryullov
Nizhny Novgorod
Russia
Karl Bryullov
Vasily Zhukovsky
The Last Day of Pompeii
Italy
Saint Petersburg
Nicholas I of Russia
Imperial Academy of Arts
Moscow
Antony Pogorelsky
October Revolution
kokoshnik
sarafan
romanticism
Bri︠u︡llov
ISBN
5-94849-594-9
OCLC
57069407
"WebCite query result"
the original
cite web
help
"Гадающая Светлана"
Imi︠a︡ : semanticheskai︠a︡ aura
ISBN
978-5-9551-0163-7

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