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exists as a barrier for many artists to get their work heard and considered. After an eight-year hiatus, the site returned in
January 2021 to again champion artists working on the fringes of experimental music, continuing to embody the DIY ethos and asserting its place in the outsider art tradition.
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He created Foxy
Digitalis to give space to those working at the edges of experimental music, beginning as a print zine in 1996 and eventually evolving into an online platform in 2003. It became a vital alternative to other publications and media, eschewing much of the gatekeeping and elitism that
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in 1996. Rose launched the Foxy
Digitalis website with his wife, Eden Hemming, when the two relocated from Tulsa to Seattle in 2003. The site published reviews, interviews, and essays related to underground an experimental music, until ceasing publication in 2013.
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Initially a dead tree zine from the late 90s created by Brad Rose, he resurrected the zine with his newly-wedded wife Eden
Hemming after they moved to Seattle, this time using the web as the means of publication to maintain lower costs and keep things
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Both Rose's label
Digitalis and the online Foxy Digitalis turn ten this year, and with a baby on the way and other time pressures Rose has made the decision to let Foxy Digitalis and its writers be absorbed into Decoder, in order to focus on the
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wrote; "Since 2003, the webzine and its 40-plus writers have exposed a wide range of experimental music, and fostered a community of international artists and labels trading homemade cassettes and limited-run LPs." The site relaunched in 2021.
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Tulsa, OK native Brad Rose is king of all things foxy and/or digital, running two labels (Digitalis and
Foxglove) and a webzine (Foxy Digitalis), and whenever a slow warm night comes along, recording a foxy digital
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With the recent relaunch of Foxy
Digitalis, an online publication exploring the deepest corners of experimental music, they continue a project that has existed in various forms since the mid-1990s.
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In a 2007 interview that appeared on the Web site Foxy
Digitalis (digitalisindustries.com/foxyd), Mr. Rose said much of his inspiration came from music of the pre-World War II era
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have called it "an online publication exploring the deepest corners of experimental music, they continue a project that has existed in various forms since the mid-1990s."
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The
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302:"Foxy Digitalis ends publication, will merge with Decoder next month"
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344:"Jack Rose, Versatile Master of the Guitar, Is Dead at 38"
367:"Foxy Digitalis and The Stool Pigeon shutting up shop"
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418:Music magazines published in the United States
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190:(1 ed.). Routledge. p. 45.
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342:Keepnews, Peter (9 December 2009).
283:"The Tape Label Report, July 2022"
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260:Locke, Jesse (15 November 2021).
323:Burns, Tod (12 February 2012).
300:Pequeno, ZE (31 January 2013).
163:"The North Sea Exquisite Idols"
262:"Charlatan :: The Blades"
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114:is an online music magazine.
161:Hill, Eric (29 June 2007).
87:; 21 years ago
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389:"The End Is The Beginning"
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240:Tulsa Artists Fellowship
184:Flotsa, Brian (2016).
423:Music review websites
44:Online music magazine
16:Online music magazine
373:. 7 February 2013.
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100:Current status
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39:Type of site
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413:Music blogs
407:Categories
393:Condé Nast
203:29 January
148:References
140:Pitchfork
63:Brad Rose
371:The Wire
311:current.
287:Bandcamp
167:Exclaim!
82:Launched
219:"About"
124:History
90: (
54:English
376:label.
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103:Active
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75:.zone
205:2023
192:ISBN
130:zine
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68:URL
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
