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222:. Each of the thirty little houses was inhabited by two men; to be eligible to living there they had to be at least 60 years old, honest Haarlem residents, and single. They were required to bring their own household goods listed as a bed, a chair with a cushion, a tin chamberpot, three blankets, six good shirts and six nightcaps. They were locked in each night at eight o'clock in the summer and at seven in the winter. The residents had to make a weekly collection with a poor-box, and a statue of a man holding this can be seen in the entrance hall of the museum. The old men's home was governed by five regents, whose portraits, painted by Frans Hals in 1664, are on display.
467:
199:
248:
693:
190:, to whom the museum owes its name. The Frans Hals Museum has two historic locations in Haarlem city centre: the main location on Groot Heiligland and Location Hal on Grote Markt, composed of the adjacent 17th-century Vleeshal and 19th-century Verweyhal. On Groot Heiligland is the 17th-century Oudemannenhuis with regent's rooms. It houses the famous paintings by Frans Hals and other ancient, modern and contemporary art, as well as the museum café. Location Hal regularly hosts exhibitions of modern and contemporary art.
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38:
709:
760:
886:
234:, when the art collections of the two institutions were merged. The art of both locations, as well as the art of several other former Haarlem institutions, is now in the Frans Hals museum collection. The most notable artworks from the Oude Mannenhuis are the two group portraits of regents and regentesses by Frans Hals. The inventory of the Proveniershuis was drawn up by
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441:
conditions were so bad that in 2005 the museum considered selling two paintings to finance an external depot. This led to dismissive reactions from the State
Secretary for Culture, among others, and the heirs also appeared to be unaware. After an asbestos clean-up in 2011, the condition improved somewhat, but the structural lack of money remained.
258:, when all Roman Catholic art was formally seized by the city council in 1648. Frans Hals himself worked as the first official city-paid restorer for some of these pieces. The city council then proceeded in the 17th century to rewrite Haarlem history, and purchased various large pieces to decorate the city hall, telling stories such as the
475:
decorated with art by anonymous
Haarlem glass artists, most of which has been acquired through municipal demolitions work. Spread along the corridors are beautiful Dutch tiles from local salvage operations that have been installed along the walls, accompanied by 17th century furniture including clocks, chairs, and chests.
388:
Tadema", and though works by these painters were already on view at
Teylers at the time, the Frans Hals museum collection only has a few paintings by the first two in their collection today. Stuers also felt it was a scandal that the city fathers in charge of the municipal museum made no effort to stop the sale of a
449:
Frans Hals ranks with
Rembrandt and Vermeer among the most famous and innovative painters of the Dutch 17th century. His smoothly painted, lively portraits of real people have inspired visitors and other artists for centuries. Famous modern artists such as Manet and Van Gogh even travelled to Haarlem
440:
The museum's collection has a size of 17,000 objects, about half of which are modern art. The museum holds about 800 paintings from the Dutch 17th century. The collection also includes silver and glassware and furniture. The depot, as well as the restoration studio, is located in the attics. Climatic
478:
The museum as an institution is only responsible for its collection, which is mostly oil paintings. Other applied art that has been installed is the responsibility of the municipal culture department, and the museum rents the premises from them. This is the reason that visitors are offered much more
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In the mid-19th century the back cloisters were given an extra floor for additional showing space, and it was at this time that the museum opened its doors to the public via a separate entrance than the main city hall entrance. This was also the first time that all the group portraits could be shown
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disbanded the guilds in the
Netherlands in 1794. The guilds' property reverted to the state. This is how the larger pieces that Hals painted for the guilds came into the collection. Without an official curator, the painting collection was only available to be seen by appointment with the city clerk,
332:
no one was interested in the garden (which was set up as a living version of that book), and still fewer people were interested in the religious art. The city hall was seen as a depot of large pieces of historical importance, and the next large group of paintings to join the collection occurred when
225:
Though the men's home dates from 1609, only the main hall is still mostly intact. During the intervening centuries the complex was renovated beyond recognition, most notably by the previous inhabitants, the
Haarlem municipal orphanage which made use of the complex from 1810 until 1908, when it moved
482:
Between 1605 and 1635 over 100,000 paintings were produced in
Haarlem. Not all of these have survived, and most have left town, but this does say something about the artistic climate in the city. At that time art ownership in the city was 25%, a record high. More art has survived up to today from
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was very angry about
Haarlem being the location of such museums, as there was no artistic climate there to speak of. He criticized the collection at the Paviljoen for lacking works by contemporary painters such as "Israëls, Bosboom, Bles, Bisschop, van de Sande Bakhuijzen, Bakker Korff, and Alma
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The spacious room soon proved too small for the number of donated artifacts it received from its members, thanks to the increase in shipping and associated travel. In the late 18th century and early 19th century, Haarlem became a bedroom community of
Amsterdam, with many wealthy bankers becoming
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were cleaned in the early 20th century, it is these which most visitors come to see today. Most of the objects and paintings can not be displayed for lack of space, and the museum rotates its collection through exhibitions at various locations in
Haarlem, though works by some prominent painters
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In the late 19th century the museum became something of a pilgrimage site for young impressionists, who were fascinated by the loose brushwork visible in the two group portraits of regents by Hals that he painted when he was in his eighties. This is the reason that after the move to the present
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Several stately rooms saved from torn-down Haarlem houses have been partially reconstructed and a collection of Haarlem silver saved from various local churches can be seen in the former regent rooms of the almshouse, which now seem much grander than they were originally. The windows have been
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His loose touch caught the eye and earned him numerous commissions for portraits. In 1616, Hals completed his first large group portrait: the militia piece of the St George's militia. He received four more commissions for militia pieces. They are now world-famous and all hang in the Frans Hals
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and though some of the paintings have since been reattributed, his list is largely intact. The impressive regents' rooms have been rebuilt from other Haarlem locations. A room on the street side has a curious keystone above the door with masonic symbols denoting a mason's society and the text
407:. In 1962 when the museum celebrated its 100th anniversary as a municipal collection, the collection had already been split again into a modern and a classical one, with the modern art housed in a new wing on the north side of the complex. Today the modern art is displayed in the
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members of the young Society. The old paintings became just a colorful backdrop for chests filled with stuffed animals and prepared specimens. In 1777 the Society moved its overflowing collection to a renovated house on the Grote Houtstraat, where the new young curator
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Frans Hals was born around 1582 in Antwerp, but grew up in Haarlem. His parents moved north soon after his birth to escape Spanish rule. Frans Hals probably trained as an artist with Karel van Mander. In 1610, Hals became a member of the Sint-Lucas guild of artists.
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186:, founded in 1862, known as the Art Museum of Haarlem. Its collection is based on the city's own rich collection, built up from the 16th century onwards. The museum owns hundreds of paintings, including more than a dozen by
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hanging near each other. No works of modern art were bought at that time, and the decision to form the museum was to cater to the visitors of other Haarlem museums. At the time, modern art could be seen at the nearby
262:, or the legend of the Haarlem Shield. During this time the city hall functioned as a semi-public museum, though the term didn't even exist yet. The first signs of an official museum with a curator occurred when the
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location in 1913, the museum took on the name of Frans Hals as these were considered the most prominent paintings of the collection at the time. The museum is still famous for group portraits by Hals, but since the
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Church, that used it once every six years for its meetings. They hired a woman for the dusting and serving tea, and in 1768 they hired a man as curator, who was responsible for the entire collection and the medical
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849:, De geschiedenis van een verdwenen Haarlemsch museum van natuurlijke historie. Het Kabinet van Naturalien van de Hollandsche Maatschappij der Wetenschappen 1759-1866. Haarlem, F. Bohn, 1941.
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411:. The museum celebrated its 100th anniversary on the Groot Heiligland in 2013 with a Frans Hals exhibition that included reproductions being placed around the city in original locations.
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Thus this antiquated collection is the one that was transferred to the Groot Heiligland in 1913, and large pieces that were not in the cloisters at that time, such as the painting by
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270:. From an inventory list in the city archives it can be seen that they used as a model for their system of naming and presentation, the book
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has created inventories of Haarlem art and worked on several catalogues for the museum, mostly based on the works created before 1800.
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307:, who was not a member of the Society, but who created his own arts society and whose later testament would be the basis for the
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a situation that has remained up to the present day for the large pieces still located there, such as the whalebone from
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installed in the mayor's room, remained at city hall. A few of these were formally given to the museum in 1962, such as
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information about the paintings than about other aspects of the building, including the objects in the courtyard.
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The older pieces of the museum collection, consisting of primarily religious themes, are Haarlem relics from the
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founded in 1609. The residential rooms were situated around a courtyard in the style of contemporary
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What follows is a list of the prominent painters through the centuries on display in the museum.
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Christi Klinkert (old art), Maaike Rikhof (modern art), Manique Hendricks (contemporary art)
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Entrance gate former Oudemannenhuis which has housed the Frans Hals Museum since 1913.
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322:. Though the paintings and the garden remained back at city hall, 40 years after
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The Grote Markt in Haarlem with the Grote or St Bavokerk, seen from the West
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that period in Haarlem than from any other Dutch city, thanks mostly to the
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would live the rest of his life. This building, situated next to the
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The Banquet of the Officers of the St George Militia Company in 1627
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The Banquet of the Officers of the St Adrian Militia Company in 1627
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The Banquet of the Officers of the St George Militia Company in 1616
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The Banquet of the Officers of the St Adrian Militia Company in 1627
375:, a museum that was open from 1838 until 1885 in the former home of
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Museum exhibition in 2008 "Haarlem, The Cradle of the Golden Age"
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Pride and Joy: Children's Portraits in The Netherlands 1500-1700
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Portrait of Stephan Geraedts, Husband of Isabella Coymans
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Marriage Portrait of Isaac Massa and Beatrix van der Laen
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to admire his group portraits of bailiffs and regents.
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The Officers of the St George Militia Company in 1639
1319:
The Officers of the St Adrian Militia Company in 1633
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Banquet of the Officers of the Calivermen Civic Guard
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The Officers of the St Adrian Militia Company in 1630
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This move essentially split the collection, and the
1913:
Renaissance Revival architecture in the Netherlands
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993:
806:"A marriage made in art heaven - Frans Hals Museum"
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54:
470:A window overlooking the courtyard in the museum
303:church, was mortgaged with the Mennonite banker
783:art exhibition by the Frans Hals Museum in 2000
829:Collections of Paintings in Haarlem, 1572-1745
1883:Art museums and galleries established in 1862
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1135:Two Singing Boys with a Lute and a Music Book
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732:Portrait of Mankunegara VII, a Javanese Ruler
311:, where van Marum would also become curator.
8:
1908:19th-century architecture in the Netherlands
1878:Art museums and galleries in the Netherlands
1327:Portrait of a Man in a Yellowish-Gray Jacket
30:
178:) is a museum in the North Holland city of
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462:Installed art from other Haarlem locations
437:cannot be lent out and remain in storage.
369:Museum voor Levende Nederlandsche Meesters
36:
29:
1279:Willem van Heythuysen Posing with a Sword
1650:Marriage pendant portraits by Frans Hals
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855:
434:group portraits from the military guilds
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1359:Portrait of a Man in a Wide-Brimmed Hat
797:
718:, ca. 1641, Frans Hals Museum, Haarlem.
686:, ca. 1664, Frans Hals Museum, Haarlem.
684:Regentesses of the Old Men’s Alms House
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1873:1862 establishments in the Netherlands
1529:Regentesses of the Old Men's Almshouse
1335:Portrait of Sara Wolphaerts van Diemen
318:is currently in the collection of the
239:'Metsselaars Proef-Kamer 1648 12/29'.
7:
1191:Two Laughing Boys with a Mug of Beer
769:, 1631, Frans Hals Museum, Haarlem.
753:, 1590, Frans Hals Museum, Haarlem.
734:, 1922, Frans Hals Museum, Haarlem.
702:, 1696, Frans Hals Museum, Haarlem.
568:Hendrik Cornelisz. Vroom, 1566-1640
427:, 1627, Frans Hals Museum, Haarlem.
1521:Regents of the Old Men's Almshouse
1183:Portrait of Isaak Abrahamsz. Massa
716:Regents of St Elisabeth’s Hospital
493:there in 1604. The former curator
390:portrait of Willem van Heythuijzen
204:Regents of the Old Men's Almshouse
25:
865:Commentary in "De Gids" number 37
767:Portrait of Nicolaes van der Meer
367:, and also in the gallery of the
1439:Portrait of a Woman (Marie Larp)
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884:
847:Johannes Abraham Bierens de Haan
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392:to the Brussels museum in 1872.
278:. They shared the room with the
210:The Haarlem Old Men's Almhouse (
787:List of paintings by Frans Hals
747:Cornelis Cornelisz. van Haarlem
361:Teylers Eerste Schilderijenzaal
1463:Portrait of a Man with a Glove
1383:Portrait of Feyntje Steenkiste
1343:Portrait of Catharina Brugmans
1215:Portrait of a Woman in a Chair
1063:Yonker Ramp and His Sweetheart
1:
1822:Hofje Codde en Van Beresteijn
698:Gerrit Adriaensz Berckheyde,
521:Cornelis Claesz van Wieringen
348:Kenau Simonsdochter Hasselaer
194:History of the Oudemannenhuis
68:
27:Art museum in the Netherlands
1837:Hofje van Willem Heythuijsen
1175:Portrait of Anna van der Aar
1031:Portrait of a Woman Standing
1007:Portrait of a Woman Standing
176:Stedelijk Museum van Haarlem
1767:Vrouwe- en Antonie Gasthuys
1487:Family Group in a Landscape
1151:Boy with a Glass and a Lute
867:, by Victor de Stuers, 1873
635:Nicolaes Berchem, 1622-1683
305:Pieter Teyler van der Hulst
1929:
1479:Portrait of Dorothea Berck
1399:Portrait of a Dutch Family
1047:Catharina Both-van der Eem
515:Bartholomeus van der Helst
49:Interactive fullscreen map
1898:Rijksmonuments in Haarlem
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1757:Hofje van Guurtje de Waal
1752:Hofje In den Groenen Tuin
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1471:Portrait of Mrs. Bodolphe
1159:Laughing Boy with a Flute
939:Google Arts & Culture
371:, otherwise known as the
243:History of the collection
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35:
1415:Claes Duyst van Voorhout
272:Amboinsche Rariteitkamer
264:Dutch Society of Science
1391:Portrait of Hylck Boner
1143:Laughing Boy with Flute
730:Isaac Lazarus Israels,
276:Georg Eberhard Rumphius
1624:Théophile Thoré-Bürger
1588:Frans Hals the Younger
1447:Maritge Claesdr. Voogt
1423:Maria Pietersdr Olycan
1311:Cornelia Claesdr Voogt
1255:Fisher Boy with Basket
1239:Young Man with a Skull
626:Maarten van Heemskerck
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268:Cabinet of curiosities
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202:Group portrait of the
1654:Catalogues raisonnés
663:Willem Claeszoon Heda
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373:Haarlemsche Paviljoen
354:Collection as of 1862
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206:, by Frans Hals, 1664
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1540:Possible attribution
1087:Cunera van Baersdorp
1039:The Rommelpot Player
1023:Shrovetide Revellers
952:at Wikimedia Commons
657:Salomon van Ruysdael
527:Cornelis van Haarlem
316:natural history half
291:garden in the yard.
109:52.37667°N 4.63333°E
1548:The Fingernail Test
1263:Man with a Beer Jug
608:Johannes Verspronck
584:Jan Miense Molenaer
346:or the portrait of
138:Lidewij de Koekkoek
105: /
73:Groot Heiligland 62
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1893:Museums in Haarlem
1832:Johan Enschedé Hof
1802:Hofje van Oorschot
1777:Remonstrants Hofje
1271:Smiling Fishergirl
1223:Laughing Fisherboy
928:2018-02-08 at the
572:Jacob van Ruisdael
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326:had published his
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1868:Frans Hals Museum
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1807:Frans Loenenhofje
1762:Frans Hals Museum
1742:Hofje van Bakenes
1713:Hofjes in Haarlem
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1566:Frans Hals Museum
1514:(Jacquemart-André
1512:Portrait of a Man
1503:Portrait of a Man
1351:Portrait of a Man
1303:The Merry Drinker
1079:Laughing Cavalier
1001:List of paintings
950:Frans Hals Museum
948:Media related to
935:Frans Hals Museum
923:De Hallen Haarlem
810:Frans Hals Museum
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563:Hendrick Goltzius
557:Gerrit Berckheyde
383:. The art critic
260:legend of Damiate
236:Pieter Langendijk
172:Frans Hals Museum
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167:
114:52.37667; 4.63333
31:Frans Hals Museum
18:Frans Hals museum
16:(Redirected from
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1732:Hofje van Noblet
1727:Hofje van Staats
1715:* click for map
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620:Karel van Mander
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340:Willem Barentsz
329:Systema Naturae
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1817:Zuiderhofje
1634:Claus Grimm
1582:Harmen Hals
1410:(1633–1637)
1367:Malle Babbe
1298:(1628–1630)
1290:(1628–1630)
1282:(1625–1630)
1242:(1626–1628)
1103:St. Matthew
1074:(1623–1624)
1034:(1618–1620)
653:, 1597-1664
647:, 1597-1665
641:, 1597-1660
628:, 1498-1574
622:, 1548-1606
616:, 1609-1660
610:, 1597-1662
604:, 1495–1562
598:, 1625-1679
586:, 1610-1668
580:, 1627-1697
578:Jan de Bray
574:, 1628-1682
565:, 1558-1617
559:, 1638-1698
547:, 1582-1666
541:, 1575-1651
535:, 1591-1656
529:, 1562-1638
523:, 1580-1633
517:, 1613-1670
511:, 1605-1638
344:Nova Zembla
256:Reformation
112: /
87:Coordinates
80:Netherlands
55:Established
1903:Frans Hals
1862:Categories
1847:See also:
1747:Coomanshof
1670:Frans Hals
1612:Dirck Hals
1167:The Smoker
987:Frans Hals
862:(in Dutch)
844:(in Dutch)
815:2018-03-30
793:References
665:, 1594-168
659:,1600-1670
545:Frans Hals
533:Dirck Hals
445:Frans Hals
415:Collection
379:he called
377:Henry Hope
188:Frans Hals
174:(formerly
129:Art museum
97:52°22′36″N
1620:(teacher)
1614:(brother)
1551:(c. 1626)
1532:(c. 1664)
1516:(c. 1660)
1507:(c. 1660)
1402:(c. 1635)
1274:(c. 1630)
1266:(c. 1630)
1258:(c. 1630)
1250:(c. 1630)
1234:(c. 1628)
1194:(c. 1626)
1146:(c. 1625)
1138:(c. 1625)
1130:(c. 1625)
1058:(c. 1622)
994:Paintings
596:Jan Steen
409:Verweyhal
301:Mennonite
1594:Jan Hals
1119:St. Mark
1111:St. Luke
1095:St. John
926:Archived
775:See also
458:Museum.
342:trip to
335:Napoleon
135:Director
100:4°38′0″E
70:Location
1643:Related
1559:Museums
1505:(Frick)
937:within
282:of the
226:to the
180:Haarlem
151:Website
143:Curator
76:Haarlem
60: (
1888:Hofjes
1672:(song)
1575:People
1524:(1664)
1482:(1644)
1474:(1643)
1466:(1640)
1458:(1639)
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1018:(1616)
891:Dutch
289:Hortus
214:was a
1849:Hofje
1608:(son)
1602:(son)
1596:(son)
1590:(son)
1584:(son)
896:19195
280:Synod
216:hofje
1663:1989
1658:1974
403:and
170:The
125:Type
62:1862
58:1862
831:by
363:in
274:by
160:/en
158:.nl
1864::
854:^
808:.
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182:,
78:,
1705:e
1698:t
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818:.
162:/
64:)
20:)
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