1380:
460:
448:" as a trademark. The reviewer wrote, "While McLeod's arguments aren't original, his entertaining examples and punchy writing nicely amplify the concerns voiced by an increasing number of intellectual property scholars, such as Lawrence Lessig." The reviewer said of the author's tone, "Although he evokes dark, almost Orwellian images throughout, McLeod manages an upbeat spin, citing the 'egalitarian' nature of the new technologies and a growing awareness of the need to return to a place where 'freedom of expression' is once again 'a meaningful concept that guides our political, social and creative lives.'"
40:
428:
these interviews, demonstrating as they do specific examples of creativity obstructed in specific ways, is this book's most important contribution." Anderson said the book is "an informative, thought-provoking, and occasionally laugh-out-loud funny examination of specific ways the privatization of ideas suppresses creativity in contemporary culture." Anderson mentions McLeod's and the book's publisher's uncommon tactic of making the book freely available via a
1404:
1440:
1368:
1392:
1428:
307:
1416:
244:
321:, Kembrew McLeod discusses the concept of freedom of expression regarding cultural norms and the manner in which society allows corporations to influence discourse. McLeod discusses his own pranks, such as his 1998 registration of the phrase "freedom of expression" as a trademark. In 1998, he registered the phrase "Freedom of Expression" as a
391:
wrote that MacLeod " ... delivers a lively, personal account of the ways intellectual property messes with people—and how he messes with intellectual property", and that, "McLeod is ironic and witty, writing with a hip-hop-influenced youth-savvy diction that demonstrates his confidence and
373:
Memorial Award, which recognizes the "best published work in the area of intellectual freedom." In a press release statement upon presenting McLeod with the award, Committee Chair Fred
Stielow commented, "McLeod captures the growing switch from a balanced compromise between the creator's rights and
427:
praised the author's use of interviews throughout the book, writing that it " ... shines with McLeod's broad use of interviews ... records and reports the voices of creative people who have been encumbered by the contemporary intellectual property regime. The incorporation of
357:", information about the music industry's use of sampling, and discusses illegal art. McLeod said that the threat of a lawsuit from a company is not necessarily an indication of actual criminal activity, and these threats against artistry and creativity can be overcome through determination.
200:. The author recounts a history of the use of counter-cultural artistry, illegal art, and the use of copyrighted works in art as a form of fair use and creative expression. The book encourages the reader to continue such uses in art and other forms of creative expression.
338:, McLeod said that his intention with the registration of "Freedom of Expression" was to initiate social commentary in the media, saying, "I would let the news story itself be the social commentary." The trademarked phrase subsequently fell back into the public domain.
374:
public access. In its place, the author wittily exposes a stifling shift of copyright law into an instrument of commercial interests." McLeod was the only recipient of the Eli M. Oboler
Memorial Award in 2006.
325:
in the United States, and said he would initiate a lawsuit against individuals who subsequently used this phrase without his permission. McLeod said, "If the ACLU wanted to put out a magazine with title
229:
called it "an informative, thought-provoking, and occasionally laugh-out-loud funny examination of specific ways the privatization of ideas suppresses creativity in contemporary culture."
1187:
1215:
217:
said that McLeod " ... delivers a lively, personal account of the ways intellectual property messes with people—and how he messes with intellectual property."
334:
used the phrase during a marketing campaign, McLeod's attorney sent a cease and desist letter to request that AT&T stop using his trademarked phrase. In his book
1480:
1495:
999:
1326:
248:
1475:
488:
1277:
1092:
917:
862:
1490:
1267:
1485:
790:
1465:
1298:
1253:
1225:
1201:
560:
149:
991:
1470:
1460:
823:
478:
1014:
418:
1044:
189:
1358:
353:
and encourages the reader to use copyrighted works in alternative forms of artwork. He also gives a history of the song "
1088:
995:
483:
366:
204:
1080:
274:
The Media
Education Foundation released a DVD documentary film ytyhrtyreyeyeyn 2007 featuring McLeod, Jeremy Smith,
39:
1288:
719:
423:
225:
1384:
465:
441:
440:
reviewed the book and compared McLeod's tactic of following his trademarked phrase with "®" as a satire of
1054:
679:
613:
287:
1333:
1193:
1049:
354:
235:
said that McLeod's views echo prior comments about intellectual property by academics—including Lessig.
211:
Memorial Award, which honors the "best published work in the area of intellectual freedom". A review in
181:
103:
1189:
Free Speech, "The People's
Darling Privilege": Struggles for Freedom of Expression in American History
1444:
944:
493:
398:
379:
219:
213:
349:
initiated a lawsuit against a robot likeness for copyright infringement. He explores the concept of
667:
601:
498:
388:
291:
223:
said the work is "a clever compendium of examples" for those familiar with its subject matter. The
969:
393:
384:
283:
909:
1408:
1294:
1273:
1249:
1235:
1221:
1197:
1167:
1130:
1121:
961:
913:
858:
832:
761:
736:
683:
649:
617:
583:
556:
524:
445:
436:
231:
156:
144:
81:
1350:
953:
728:
429:
341:
McLeod also discusses the history of counter-cultural artistry, recounting episodes such as
268:
1432:
782:
552:
546:
197:
17:
902:
310:
203:
The book received a positive reception and the
Intellectual Freedom Round Table of the
177:
53:
1427:
1022:
1454:
1263:
973:
732:
407:
370:
265:
Freedom of
Expression®: Resistance and Repression in the Age of Intellectual Property
208:
194:
Freedom of
Expression®: Resistance and Repression in the Age of Intellectual Property
1367:
1420:
1372:
261:
Freedom of
Expression®: Overzealous Copyright Bozos and Other Enemies of Creativity
186:
Freedom of
Expression®: Overzealous Copyright Bozos and Other Enemies of Creativity
85:
255:
McLeod first published the book as a compilation of writings in magazine format.
1391:
1211:
346:
306:
295:
279:
1058:
1396:
473:
455:
411:
275:
1171:
1134:
965:
836:
765:
740:
528:
330:, they would have to pay me royalties." After the telecommunications company
1245:
653:
587:
322:
957:
1239:
1158:
756:
644:
578:
519:
392:
engagement with the material and the culture that means so much to him."
350:
290:
academic in media studies; Inga
Chernyak—a co-founder of Free Culture at
163:
1415:
365:
In 2006, the Intellectual Freedom Round Table (IFRT)—a committee of the
243:
342:
331:
1290:
Beyond the First Amendment: The Politics of Free Speech and Pluralism
336:
Owning Culture: Authorship, Ownership, and Intellectual Property Law
886:. John F. Kennedy School of Government. Institute of Politics: 39.
687:
621:
305:
242:
1320:
671:
605:
402:, comparing it to similar works on the subject matter, including
247:
Certificate of registration for "Freedom of Expression" from the
754:
Online Computer Library Center (2014). "Freedom of Expression".
642:
Online Computer Library Center (2014). "Freedom of Expression".
576:
Online Computer Library Center (2014). "Freedom of Expression".
517:
Online Computer Library Center (2014). "Freedom of Expression".
267:. The 2005 edition of the book was made freely available via a
157:
1314:
942:
Schneiderman, Davis (March 2006). "A Sample of Fair Use".
717:
Anderson, Eric (February 2006). "Freedom of Expression®".
259:
was first published in book form in 2005 by Doubleday as
821:
Vaidhyanathan, Siva (Spring 2005). "Celestial Jukebox".
184:. The book was first published in 2005 by Doubleday as
1217:
Cyber Rights: Defending Free Speech in the Digital Age
992:"Kembrew McLeod receives Eli M. Oboler Memorial Award"
1356:
180:
about freedom of speech issues involving concepts of
904:
OurSpace: Resisting the Corporate Control of Culture
278:, and Jeremy Earp. The documentary was narrated by
155:
143:
135:
127:
119:
109:
99:
91:
77:
69:
59:
49:
901:
263:, and in 2007 by University of Minnesota Press as
789:. Monthly Review foundation. January 22, 2008.
777:
775:
196:. The paperback edition includes a foreword by
1114:
1112:
1110:
396:wrote positively of the work in a review for
8:
499:International Freedom of Expression Exchange
32:
985:
983:
895:
893:
1321:Freedom of Expression® Security Consortium
848:
846:
38:
31:
908:. University of Minnesota Press. p.
712:
710:
708:
706:
704:
540:
538:
249:United States Patent and Trademark Office
1349: — book available as download with
1021:. www.valleyadvocate.com. Archived from
937:
935:
933:
931:
929:
404:No Logo: Taking Aim at the Brand Bullies
1363:
816:
814:
812:
810:
808:
509:
406:(2000) by Naomi Klein, and writings of
1293:. The Johns Hopkins University Press.
1081:"Eli M. Oboler Memorial Award Winners"
1015:"Behind the Beat: Copyright Criminals"
1002:from the original on October 24, 2012.
793:from the original on September 1, 2012
489:Freedom of speech in the United States
1481:Works about intellectual property law
1119:"Children's starred reviews annual".
1095:from the original on October 15, 2012
282:and included interviews with Lessig,
7:
1269:Freedom for the Thought That We Hate
345:art styles and an incident in which
1496:University of Minnesota Press books
1045:"The Eli M. Oboler Memorial Award"
1013:Dube, Matthew (November 5, 2009).
676:Library of Congress Catalog Record
610:Library of Congress Catalog Record
25:
1057:. August 10, 2009. Archived from
1438:
1426:
1414:
1402:
1390:
1378:
1366:
857:. Wiley-Blackwell. p. 167.
733:10.1111/j.1540-5931.2006.00209.x
458:
1327:"McLe_0385513259_7p_all_r1.qxd"
990:Perez, Nanette (May 16, 2006).
479:Censorship in the United States
444:'s registration of the phrase "
548:The Perfect Store: Inside EBay
419:Bowling Green State University
1:
1476:Books about freedom of speech
1186:Curtis, Michael Kent (2000).
1166:(8): 694. December 15, 2004.
417:A review by Eric Anderson of
190:University of Minnesota Press
1089:American Library Association
996:American Library Association
484:Freedom of speech by country
377:In a review of the book for
367:American Library Association
205:American Library Association
1491:Doubleday (publisher) books
27:2005 book by Kembrew McLeod
1512:
1287:Nelson, Samuel P. (2005).
900:Harold, Christine (2009).
720:Journal of Popular Culture
551:. Back Bay Books. p.
424:Journal of Popular Culture
226:Journal of Popular Culture
44:2005 edition of book cover
1486:Works about trademark law
1156:"Freedom of Expression".
1129:(51). December 20, 2004.
878:"Freedom of Expression".
369:(ALA)—awarded McLeod the
37:
1466:American political books
880:Harvard Political Review
853:Packard, Ashley (2010).
783:"Freedom of Expression®"
466:Freedom of speech portal
207:awarded McLeod with the
18:Freedom of Expression(R)
672:"Freedom of Expression"
606:"Freedom of Expression"
33:Freedom of Expression®
1471:Books about creativity
1461:2005 non-fiction books
1055:Idaho State University
680:United States Congress
614:United States Congress
319:Freedom of Expression®
314:
288:University of Virginia
252:
173:Freedom of Expression®
64:Freedom of Expression®
1194:Duke University Press
1050:Eli M. Oboler Library
958:10.1353/abr.2006.0084
355:Happy Birthday to You
328:Freedom of Expression
309:
294:, and Mark Hosler of
257:Freedom of Expression
246:
182:intellectual property
176:is a book written by
1061:on September 6, 2006
945:American Book Review
824:The American Scholar
545:Cohen, Adam (2003).
494:Freedom of the press
399:American Book Review
380:The American Scholar
220:American Book Review
214:The American Scholar
1317:, Author's homepage
1019:The Valley Advocate
668:Library of Congress
602:Library of Congress
389:New York University
292:New York University
60:Original title
34:
1236:Grossman, Wendy M.
1025:on January 8, 2010
394:Davis Schneiderman
385:Siva Vaidhyanathan
315:
284:Siva Vaidhyanathan
253:
1385:Freedom of speech
1339:on March 31, 2010
1279:978-0-465-03917-3
1122:Publishers Weekly
919:978-0-8166-4955-6
864:978-1-4051-8168-6
855:Digital Media Law
446:fair and balanced
437:Publishers Weekly
232:Publishers Weekly
188:, and in 2007 by
169:
168:
120:Publication place
82:Freedom of speech
16:(Redirected from
1503:
1443:
1442:
1441:
1431:
1430:
1419:
1418:
1407:
1406:
1405:
1395:
1394:
1383:
1382:
1381:
1371:
1370:
1362:
1351:Creative Commons
1348:
1346:
1344:
1338:
1332:. Archived from
1331:
1304:
1283:
1259:
1231:
1207:
1175:
1139:
1138:
1116:
1105:
1104:
1102:
1100:
1077:
1071:
1070:
1068:
1066:
1041:
1035:
1034:
1032:
1030:
1010:
1004:
1003:
987:
978:
977:
939:
924:
923:
907:
897:
888:
887:
875:
869:
868:
850:
841:
840:
818:
803:
802:
800:
798:
779:
770:
769:
751:
745:
744:
714:
699:
698:
696:
694:
664:
658:
657:
639:
633:
632:
630:
628:
598:
592:
591:
573:
567:
566:
542:
533:
532:
514:
468:
463:
462:
461:
430:Creative Commons
269:Creative Commons
159:
111:Publication date
42:
35:
21:
1511:
1510:
1506:
1505:
1504:
1502:
1501:
1500:
1451:
1450:
1449:
1439:
1437:
1425:
1413:
1403:
1401:
1389:
1379:
1377:
1365:
1357:
1342:
1340:
1336:
1329:
1325:
1311:
1301:
1286:
1280:
1272:. Basic Books.
1262:
1256:
1234:
1228:
1210:
1204:
1185:
1155:
1147:
1145:Further reading
1142:
1118:
1117:
1108:
1098:
1096:
1079:
1078:
1074:
1064:
1062:
1043:
1042:
1038:
1028:
1026:
1012:
1011:
1007:
989:
988:
981:
941:
940:
927:
920:
899:
898:
891:
877:
876:
872:
865:
852:
851:
844:
820:
819:
806:
796:
794:
781:
780:
773:
753:
752:
748:
716:
715:
702:
692:
690:
666:
665:
661:
641:
640:
636:
626:
624:
600:
599:
595:
575:
574:
570:
563:
544:
543:
536:
516:
515:
511:
507:
464:
459:
457:
454:
363:
304:
241:
198:Lawrence Lessig
128:Media type
112:
45:
28:
23:
22:
15:
12:
11:
5:
1509:
1507:
1499:
1498:
1493:
1488:
1483:
1478:
1473:
1468:
1463:
1453:
1452:
1448:
1447:
1435:
1423:
1411:
1399:
1387:
1375:
1355:
1354:
1323:
1318:
1310:
1309:External links
1307:
1306:
1305:
1299:
1284:
1278:
1264:Lewis, Anthony
1260:
1254:
1232:
1226:
1208:
1202:
1182:
1181:
1177:
1176:
1152:
1151:
1146:
1143:
1141:
1140:
1106:
1072:
1036:
1005:
979:
925:
918:
889:
870:
863:
842:
831:(2): 131–135.
804:
787:Monthly Review
771:
746:
727:(1): 152–153.
700:
659:
634:
593:
568:
561:
534:
508:
506:
503:
502:
501:
496:
491:
486:
481:
476:
470:
469:
453:
450:
362:
359:
311:Kembrew McLeod
303:
300:
240:
237:
178:Kembrew McLeod
167:
166:
161:
153:
152:
147:
141:
140:
137:
133:
132:
129:
125:
124:
121:
117:
116:
113:
110:
107:
106:
101:
97:
96:
93:
89:
88:
79:
75:
74:
71:
67:
66:
61:
57:
56:
54:Kembrew McLeod
51:
47:
46:
43:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1508:
1497:
1494:
1492:
1489:
1487:
1484:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1458:
1456:
1446:
1445:United States
1436:
1434:
1429:
1424:
1422:
1417:
1412:
1410:
1400:
1398:
1393:
1388:
1386:
1376:
1374:
1369:
1364:
1360:
1352:
1335:
1328:
1324:
1322:
1319:
1316:
1313:
1312:
1308:
1302:
1300:0-8018-8173-0
1296:
1292:
1291:
1285:
1281:
1275:
1271:
1270:
1265:
1261:
1257:
1255:0-8147-3103-1
1251:
1247:
1243:
1242:
1237:
1233:
1229:
1227:0-262-57168-4
1223:
1220:. MIT Press.
1219:
1218:
1213:
1209:
1205:
1203:0-8223-2529-2
1199:
1195:
1191:
1190:
1184:
1183:
1179:
1178:
1173:
1169:
1165:
1161:
1160:
1154:
1153:
1149:
1148:
1144:
1136:
1132:
1128:
1124:
1123:
1115:
1113:
1111:
1107:
1094:
1090:
1086:
1082:
1076:
1073:
1060:
1056:
1052:
1051:
1046:
1040:
1037:
1024:
1020:
1016:
1009:
1006:
1001:
997:
993:
986:
984:
980:
975:
971:
967:
963:
959:
955:
951:
947:
946:
938:
936:
934:
932:
930:
926:
921:
915:
911:
906:
905:
896:
894:
890:
885:
881:
874:
871:
866:
860:
856:
849:
847:
843:
838:
834:
830:
826:
825:
817:
815:
813:
811:
809:
805:
792:
788:
784:
778:
776:
772:
767:
763:
759:
758:
750:
747:
742:
738:
734:
730:
726:
722:
721:
713:
711:
709:
707:
705:
701:
689:
685:
681:
677:
673:
669:
663:
660:
655:
651:
647:
646:
638:
635:
623:
619:
615:
611:
607:
603:
597:
594:
589:
585:
581:
580:
572:
569:
564:
562:0-316-16493-3
558:
554:
550:
549:
541:
539:
535:
530:
526:
522:
521:
513:
510:
504:
500:
497:
495:
492:
490:
487:
485:
482:
480:
477:
475:
472:
471:
467:
456:
451:
449:
447:
443:
439:
438:
433:
431:
426:
425:
420:
415:
413:
409:
408:Michael Moore
405:
401:
400:
395:
390:
386:
382:
381:
375:
372:
371:Eli M. Oboler
368:
360:
358:
356:
352:
348:
344:
339:
337:
333:
329:
324:
320:
312:
308:
301:
299:
297:
293:
289:
285:
281:
277:
272:
270:
266:
262:
258:
250:
245:
238:
236:
234:
233:
228:
227:
222:
221:
216:
215:
210:
209:Eli M. Oboler
206:
201:
199:
195:
191:
187:
183:
179:
175:
174:
165:
162:
160:
154:
151:
150:0-385-51325-9
148:
146:
142:
138:
134:
130:
126:
123:United States
122:
118:
114:
108:
105:
102:
98:
94:
90:
87:
83:
80:
76:
72:
68:
65:
62:
58:
55:
52:
48:
41:
36:
30:
19:
1341:. Retrieved
1334:the original
1289:
1268:
1240:
1216:
1212:Godwin, Mike
1188:
1163:
1157:
1150:Book reviews
1126:
1120:
1097:. Retrieved
1084:
1075:
1063:. Retrieved
1059:the original
1048:
1039:
1027:. Retrieved
1023:the original
1018:
1008:
949:
943:
903:
883:
879:
873:
854:
828:
822:
795:. Retrieved
786:
755:
749:
724:
718:
691:. Retrieved
675:
662:
643:
637:
625:. Retrieved
609:
596:
577:
571:
547:
518:
512:
435:
434:
422:
416:
403:
397:
378:
376:
364:
340:
335:
327:
318:
316:
273:
264:
260:
256:
254:
230:
224:
218:
212:
202:
193:
185:
172:
171:
170:
86:human rights
63:
29:
1315:Kembrew.com
1099:January 24,
1085:IFRT Awards
1065:January 24,
1029:January 24,
797:January 24,
442:Fox Network
347:Vanna White
296:Negativland
280:Naomi Klein
95:Non-fiction
1455:Categories
1409:Literature
688:2006101176
622:2004055289
505:References
474:Censorship
412:Al Franken
276:Sut Jhally
239:Background
1246:NYU Press
1172:0006-7385
1135:0000-0019
974:143721905
966:0149-9408
952:(3): 11.
837:0003-0937
766:181597780
741:0022-3840
693:March 17,
627:March 17,
529:274113484
432:license.
361:Reception
323:trademark
271:license.
104:Doubleday
100:Publisher
1433:Politics
1343:July 16,
1266:(2007).
1241:Net.wars
1238:(1997).
1214:(2003).
1159:Booklist
1093:Archived
1091:. 2011.
1000:Archived
791:Archived
757:WorldCat
670:(2007).
654:76961330
645:WorldCat
604:(2005).
588:55870944
579:WorldCat
520:WorldCat
452:See also
351:fair use
332:AT&T
302:Contents
164:55870944
131:Hardback
70:Language
1359:Portals
1353:license
1180:Related
421:in the
343:Dadaist
139:384 pp.
78:Subject
73:English
1297:
1276:
1252:
1224:
1200:
1170:
1133:
972:
964:
916:
861:
835:
764:
739:
686:
652:
620:
586:
559:
527:
313:(2010)
251:(1998)
50:Author
1421:Media
1373:Books
1337:(PDF)
1330:(PDF)
970:S2CID
136:Pages
92:Genre
1345:2009
1295:ISBN
1274:ISBN
1250:ISBN
1222:ISBN
1198:ISBN
1168:ISSN
1131:ISSN
1101:2011
1067:2011
1031:2011
962:ISSN
914:ISBN
859:ISBN
833:ISSN
799:2011
762:OCLC
737:ISSN
695:2014
684:LCCN
650:OCLC
629:2014
618:LCCN
584:OCLC
557:ISBN
525:OCLC
410:and
158:OCLC
145:ISBN
115:2005
1397:Law
1164:101
1127:251
954:doi
910:119
729:doi
553:212
387:of
317:In
286:—a
192:as
1457::
1248:.
1244:.
1196:.
1192:.
1162:.
1125:.
1109:^
1087:.
1083:.
1053:.
1047:.
1017:.
998:.
994:.
982:^
968:.
960:.
950:27
948:.
928:^
912:.
892:^
884:31
882:.
845:^
829:74
827:.
807:^
785:.
774:^
760:.
735:.
725:39
723:.
703:^
682:.
678:.
674:.
648:.
616:.
612:.
608:.
582:.
555:.
537:^
523:.
414:.
383:,
298:.
84:,
1361::
1347:.
1303:.
1282:.
1258:.
1230:.
1206:.
1174:.
1137:.
1103:.
1069:.
1033:.
976:.
956::
922:.
867:.
839:.
801:.
768:.
743:.
731::
697:.
656:.
631:.
590:.
565:.
531:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
