Knowledge (XXG)

Frieda Medín

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in black and white. Most of her art, which are photographs, depict the women in Puerto Rico and their treatment in such a "patriarchal" environment. Her work is not conservative in any way. It is the opposite and portraits women and the stereotypes, and social ideas and roles created and given to women in Puerto Rico
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Medín has considered herself to be a self taught photographer, and is recognized by many as an influential Puerto Rican artist. Frieda Medín is also considered by many as an "experimental photographer", "free lance photographer", and artist in "present day photography". Most of her works are depicted
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Series of three images, also printed black and white photographs. The first photograph depicts a solo with messy hair floating in the darkness surrounded by broken glass with strong clear lighting reflecting on the doll. The second photograph depicts the same doll looking at herself on a broken
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This installation death with the expectations placed on Puerto Rican women. There is actually a story behind this installation and it dealt with a Puerto Rican contestant that won a beauty pageant. In an interview when asked what she would change in Puerto Rico she stated that nothing and that
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These were self Portraits and are used to represent not only her life, but also the lives of many women in Puerto Rico. These photographs like her many others are in black and white and interact with shadows and lighting. These photographs depict her nude body.
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mirror, and the reflection of her face and side profile is shown. The third photograph depicts a girl holding the doll by one arm and only the shadow of both is seen. According to Medín, "the doll is the first weapon of society in showing a woman her role".
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Aurelia is a short film in which Frieda Medín was the director and creator. This is a film that depicts the different character that live inside a person. Like all her other works, this film focuses on women.
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everything was fine. However Frieda Medín disagreed with that statement because she saw the treatment towards women due to the patriarchal Puerto Rican society.
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These are black and white photographs just like her other works. These photographs also portray women and their lives in Puerto Rico during these times.
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in order to learn more of photography but never received anything that stated her attendance, participation, or gain of knowledge from there.
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Images of Silence: Photography from Latin America and the Caribbean in the 80s, Museum of Modern Art of Latin America, Washington, DC 1989
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Digital Archive. Los Angeles: Hammer Museum, 2019. https://hammer.ucla.edu/radical-women/artists/frieda-medin/.
26:) is a Puerto Rican artist. She works in photography, film making, experimental cinema and installations. 932: 23: 937: 887: 850: 819: 783: 773: 742: 706: 696: 665: 655: 602: 571: 521: 485: 449: 439: 407: 376: 366: 335: 325: 294: 258: 219:
Digital Archive. Los Angeles: Hammer Museum, 2019. https://hammer.ucla.edu/radical-women/art/.
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Museum of Fine Arts of the Institute of Puerto Rican Culture and I Biennial of Havana 1986
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Emiko, OCHIAI (2013), "Introduction: Intimate Work and the Construction of Asian Women",
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Emiko, OCHIAI (2013), "Introduction: Intimate Work and the Construction of Asian Women",
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Emiko, OCHIAI (2013), "Introduction: Intimate Work and the Construction of Asian Women",
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Images of Silence : Photography from Latin America and the Caribbean in the 80s.
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Plaza Las Americas with the Association of Women Artists of Puerto Rico 1989
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Installation Called Everything's Fine in Puerto Rico ASS It Is -1985
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Washington, D.C: Organization of American States, 1989. Print
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Intimate lives : work by ten contemporary Latina artists
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Intimate Lives: Work by Ten Contemporary Latina Artists
760:"The Latin American and Caribbean economies in 1989". 683:"The Latin American and Caribbean economies in 1989". 642:"The Latin American and Caribbean economies in 1989". 426:"The Latin American and Caribbean economies in 1989". 353:"The Latin American and Caribbean economies in 1989". 312:"The Latin American and Caribbean economies in 1989". 212:. Austin, Tex.?: Women & Their Work, 1993. Print. 123:Colegio Universitario de Humacao, Puerto Rico 1988 762:Economic Survey of Latin America and the Caribbean 685:Economic Survey of Latin America and the Caribbean 644:Economic Survey of Latin America and the Caribbean 428:Economic Survey of Latin America and the Caribbean 355:Economic Survey of Latin America and the Caribbean 314:Economic Survey of Latin America and the Caribbean 138:Traditions London and City Gallery, New York 1988 46:in New York in 1988. However, she also attended 80:Munecas Rotas Series- Broken Dolls Series- 1984 72:Rumbos I, II, II, - Directions I, II, III- 1984 870:"Radical Women: Latin American Art, 1960–1985" 802:"Radical Women: Latin American Art, 1960–1985" 725:"Radical Women: Latin American Art, 1960–1985" 554:"Radical Women: Latin American Art, 1960–1985" 504:"Radical Women: Latin American Art, 1960–1985" 468:"Radical Women: Latin American Art, 1960–1985" 277:"Radical Women: Latin American Art, 1960–1985" 241:"Radical Women: Latin American Art, 1960–1985" 163:"Radical Women: Latin American Art, 1960–1985" 132:New Museum of Contemporary Art, New York 1983 120:Inter- American University, Puerto Rico 1985 8: 217:Radical Women: Latin American Art, 1960-1985 199:Radical Women: Latin American Art, 1960-1985 150:, Women & Their Work, Austin, TX 1993 63:Imágenes Arrancadas -Torn Out Images- 1984 881: 813: 736: 565: 515: 479: 288: 252: 174: 232: 953:Universidad del Sagrado Corazón alumni 7: 948:Artists from San Juan, Puerto Rico 117:Art student league San juan, 1984 14: 52:Universidad del Sagrado Corazon 1: 839:Asian Women and Intimate Work 591:Asian Women and Intimate Work 396:Asian Women and Intimate Work 42:from 1986-198, and attended 969: 943:Puerto Rican women artists 38:Frieda Medín attended the 847:10.1163/9789004258082_002 599:10.1163/9789004258082_002 404:10.1163/9789004258082_002 40:University of Puerto Rico 16:Puerto Rican photographer 841:, Brill, pp. 1–34, 593:, Brill, pp. 1–34, 398:, Brill, pp. 1–34, 883:10.24926/24716839.1653 815:10.24926/24716839.1653 738:10.24926/24716839.1653 567:10.24926/24716839.1653 517:10.24926/24716839.1653 481:10.24926/24716839.1653 290:10.24926/24716839.1653 254:10.24926/24716839.1653 176:10.24926/24716839.1653 161:Medín, Frieda (2018). 24:San Juan, Puerto Rico 770:10.18356/c46324c1-en 693:10.18356/c46324c1-en 652:10.18356/c46324c1-en 542:. Los Angeles. 2019. 436:10.18356/c46324c1-en 363:10.18356/c46324c1-en 322:10.18356/c46324c1-en 204:Vargas, Kathy., and 206:Arismendi, Connie 127:Group Exhibitions 960: 917: 916: 915: 914: 902: 896: 895: 885: 866: 860: 859: 834: 828: 827: 817: 798: 792: 791: 757: 751: 750: 740: 721: 715: 714: 680: 674: 673: 639: 633: 632: 631: 630: 618: 612: 611: 586: 580: 579: 569: 550: 544: 543: 536: 530: 529: 519: 500: 494: 493: 483: 464: 458: 457: 423: 417: 416: 391: 385: 384: 350: 344: 343: 309: 303: 302: 292: 273: 267: 266: 256: 237: 197:"Frieda Medín." 188: 178: 155:External sources 113:Solo Exhibitions 968: 967: 963: 962: 961: 959: 958: 957: 923: 922: 921: 920: 912: 910: 904: 903: 899: 868: 867: 863: 857: 836: 835: 831: 800: 799: 795: 780: 759: 758: 754: 723: 722: 718: 703: 682: 681: 677: 662: 641: 640: 636: 628: 626: 620: 619: 615: 609: 588: 587: 583: 552: 551: 547: 538: 537: 533: 502: 501: 497: 466: 465: 461: 446: 425: 424: 420: 414: 393: 392: 388: 373: 352: 351: 347: 332: 311: 310: 306: 275: 274: 270: 239: 238: 234: 229: 160: 157: 110: 104: 60: 44:Film Video Arts 36: 17: 12: 11: 5: 966: 964: 956: 955: 950: 945: 940: 935: 925: 924: 919: 918: 907:Aurelia (1990) 897: 861: 855: 829: 793: 778: 752: 716: 701: 675: 660: 634: 623:Aurelia (1990) 613: 607: 581: 545: 531: 495: 459: 444: 418: 412: 386: 371: 345: 330: 304: 268: 231: 230: 228: 225: 224: 223: 220: 213: 202: 195: 189: 156: 153: 152: 151: 145: 142: 139: 136: 133: 109: 106: 59: 56: 35: 32: 15: 13: 10: 9: 6: 4: 3: 2: 965: 954: 951: 949: 946: 944: 941: 939: 936: 934: 933:Living people 931: 930: 928: 909: 908: 901: 898: 893: 889: 884: 879: 875: 871: 865: 862: 858: 856:9789004258082 852: 848: 844: 840: 833: 830: 825: 821: 816: 811: 807: 803: 797: 794: 789: 785: 781: 779:9789210583299 775: 771: 767: 763: 756: 753: 748: 744: 739: 734: 730: 726: 720: 717: 712: 708: 704: 702:9789210583299 698: 694: 690: 686: 679: 676: 671: 667: 663: 661:9789210583299 657: 653: 649: 645: 638: 635: 625: 624: 617: 614: 610: 608:9789004258082 604: 600: 596: 592: 585: 582: 577: 573: 568: 563: 559: 555: 549: 546: 541: 535: 532: 527: 523: 518: 513: 509: 505: 499: 496: 491: 487: 482: 477: 473: 469: 463: 460: 455: 451: 447: 445:9789210583299 441: 437: 433: 429: 422: 419: 415: 413:9789004258082 409: 405: 401: 397: 390: 387: 382: 378: 374: 372:9789210583299 368: 364: 360: 356: 349: 346: 341: 337: 333: 331:9789210583299 327: 323: 319: 315: 308: 305: 300: 296: 291: 286: 282: 278: 272: 269: 264: 260: 255: 250: 246: 242: 236: 233: 226: 222:Aurelia 1990 221: 218: 214: 211: 207: 203: 200: 196: 193: 190: 186: 182: 177: 172: 168: 164: 159: 158: 154: 149: 146: 143: 140: 137: 134: 131: 130: 129: 128: 124: 121: 118: 115: 114: 107: 105: 100: 99: 98:Aurelia- 1990 95: 91: 90: 86: 82: 81: 77: 74: 73: 69: 65: 64: 57: 55: 53: 49: 45: 41: 33: 31: 27: 25: 21: 911:, retrieved 906: 900: 873: 864: 838: 832: 805: 796: 761: 755: 728: 719: 684: 678: 643: 637: 627:, retrieved 622: 616: 590: 584: 557: 548: 534: 507: 498: 471: 462: 427: 421: 395: 389: 354: 348: 313: 307: 280: 271: 244: 235: 216: 209: 198: 191: 166: 147: 126: 125: 122: 119: 116: 112: 111: 101: 97: 96: 92: 88: 87: 83: 79: 78: 75: 71: 70: 66: 62: 61: 37: 28: 22:(born 1949, 20:Frieda Medín 19: 18: 938:1949 births 108:Exhibitions 927:Categories 913:2019-05-01 629:2019-05-01 227:References 892:2471-6839 824:2471-6839 788:1681-0384 747:2471-6839 711:1681-0384 670:1681-0384 576:2471-6839 526:2471-6839 490:2471-6839 454:1681-0384 381:1681-0384 340:1681-0384 299:2471-6839 263:2471-6839 185:2471-6839 48:Casa Aboy 34:Education 876:. 2018. 874:Panorama 808:. 2018. 806:Panorama 764:. 1989. 731:. 2018. 729:Panorama 687:. 1989. 646:. 1989. 560:. 2018. 558:Panorama 510:. 2018. 508:Panorama 474:. 2018. 472:Panorama 430:. 1989. 357:. 1989. 316:. 1989. 283:. 2018. 281:Panorama 247:. 2018. 245:Panorama 167:Panorama 58:Artworks 215:"Art." 890:  853:  822:  786:  776:  745:  709:  699:  668:  658:  605:  574:  524:  488:  452:  442:  410:  379:  369:  338:  328:  297:  261:  183:  888:ISSN 851:ISBN 820:ISSN 784:ISSN 774:ISBN 743:ISSN 707:ISSN 697:ISBN 666:ISSN 656:ISBN 603:ISBN 572:ISSN 522:ISSN 486:ISSN 450:ISSN 440:ISBN 408:ISBN 377:ISSN 367:ISBN 336:ISSN 326:ISBN 295:ISSN 259:ISSN 181:ISSN 50:and 878:doi 843:doi 810:doi 766:doi 733:doi 689:doi 648:doi 595:doi 562:doi 512:doi 476:doi 432:doi 400:doi 359:doi 318:doi 285:doi 249:doi 171:doi 929:: 886:. 872:. 849:, 818:. 804:. 782:. 772:. 741:. 727:. 705:. 695:. 664:. 654:. 601:, 570:. 556:. 520:. 506:. 484:. 470:. 448:. 438:. 406:, 375:. 365:. 334:. 324:. 293:. 279:. 257:. 243:. 208:. 179:. 169:. 165:. 894:. 880:: 845:: 826:. 812:: 790:. 768:: 749:. 735:: 713:. 691:: 672:. 650:: 597:: 578:. 564:: 528:. 514:: 492:. 478:: 456:. 434:: 402:: 383:. 361:: 342:. 320:: 301:. 287:: 265:. 251:: 187:. 173::

Index

San Juan, Puerto Rico
University of Puerto Rico
Film Video Arts
Casa Aboy
Universidad del Sagrado Corazon
"Radical Women: Latin American Art, 1960–1985"
doi
10.24926/24716839.1653
ISSN
2471-6839
Arismendi, Connie
"Radical Women: Latin American Art, 1960–1985"
doi
10.24926/24716839.1653
ISSN
2471-6839
"Radical Women: Latin American Art, 1960–1985"
doi
10.24926/24716839.1653
ISSN
2471-6839
doi
10.18356/c46324c1-en
ISBN
9789210583299
ISSN
1681-0384
doi
10.18356/c46324c1-en
ISBN

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