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to unexpectedly find her playing his music on the instrument. However, Swafford described the rest of the music's tone as "lamenting", and the choral text to be "consoling the sorrowful with submission to fate". The musicologist Misha Donat believed that Brahms possibly addressed the work to Clara to
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texture, that you rarely consider the voices just in their mutual clashing—because for you the proper and complementary is always associated right away. But you cannot ask that of the listener, even the most musical; and since all art is meant to inspire collective delight, since that is its holiest
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Joachim approved of Brahms's work, describing it as "On the whole very beautiful..." However, Joachim criticized the music's lack of harmony: "But there are many harsh places! For example, in the Amen in question, the tenor, which is beautiful in and of itself, clashes all too harshly with the alto
355:, and Brahms places special emphasis in these verses by having the two canons coincide at the lines "Sei stille" (be calm) and "Steh feste" (be steadfast). The canonic theme is inverted in the middle verse in
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and soprano at the place marked!" The violinist proceeded to accuse Brahms of being more concerned over counterpoint than beauty: "Your ear is so used to rough harmonies, of such
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209:'s odes ("Geistliche Lieder"). Below is both the original German text and an English translation:
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Ultimately, the only one of these contrapuntal exercises Brahms considered for publishing was the
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in 1864 as Brahms's Op. 30. The work was first performed on July 2, 1865 at St. James's Church,
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655:. Translated by Weiner, H. B.; Miall, Bernard. Boston and New York: Houghton Mifflin Company.
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dated the piece's composition to April 1856). Brahms himself wrote to
Joachim: "No doubt the
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cited the work as an example of "Brahms's astounding mastery of contrapuntal writing".
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631:. Translated by Bernhardt-Kabisch, Ernest. Frankfurt am Main: Peter Lang.
347:. The three verses of the text, separated by organ interludes, are set to
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does not especially please you? The interludes are quite terrible? The '
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173:' (I mean the word generally) will do; that part pleases me the most."
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Swafford suggested the music's organ opening references a fantasy of
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The
Compleat Brahms: A Guide to the Musical Works of Johannes Brahms
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studies. Among the works Brahms composed during this exchange was
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Johannes Brahms, "Free but Alone": A Life for a Poetic Music
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console her while she dealt with her husband's illness.
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The text is the ninth of the 17th-century German writer
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There are a few spelling and punctuation variants in
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149:Beginning in March 1856, Brahms and the violinist
161:, which Brahms sent to Joachim on June 5, 1856 (
312:The composition is scored for four-part mixed
153:engaged in a weekly "back and forth" trade of
105:(English: "Sacred Song" or "Spiritual Song"),
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597:Donat, Misha (1999). "Geistliches Lied". In
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141:, and it was eventually published in 1864.
133:. It was written as part of an exchange of
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363:in the organ, and the work concludes on a
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1303:International Johannes Brahms Competition
1109:Variations and Fugue on a Theme by Handel
716:International Music Score Library Project
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609:. New York: W. W. Norton & Company.
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182:virtue, I beg you to think about that."
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324:. Brahms marked the autograph score of
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125:. The composition is in the form of a
1201:"Wiegenlied (Lullaby)", Op. 49, no. 4
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16:Choral composition by Johannes Brahms
7:
1188:Two Songs for Voice, Viola and Piano
113:is an 1856 work for four-part mixed
1103:Three Intermezzi for piano, Op. 117
512:ed. Lappenberg (Stuttgart 1865) p.
592:. Leipzig: Breitkopf & Härtel.
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1116:Variations on a Theme of Paganini
339:The organ prelude is based on an
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217:LaĂź dich nur nichts nicht dauren
510:Paul Flemings Deutsche Gedichte
1063:Four Pieces for Piano, Op. 119
818:Variations on a Theme by Haydn
351:. The outer two verses are in
1:
1093:Six Pieces for Piano, Op. 118
688:. New York: Alfred A. Knopf.
137:exercises between Brahms and
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684:Johannes Brahms: A Biography
1278:Brahms Museum, MĂĽrzzuschlag
1022:Two String Quartets, Op. 51
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1268:Brahms House (Baden-Baden)
783:Academic Festival Overture
345:Schumann's Fourth Symphony
328:with "Double canon at the
230:Was willst du heute sorgen
1370:Motets by Johannes Brahms
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808:Symphony No. 4 in E minor
803:Symphony No. 3 in F major
798:Symphony No. 2 in D major
793:Symphony No. 1 in C minor
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662:"Geistliches Lied, Op 30"
652:Brahms: His Life and Work
189:, which was published by
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660:Haylock, Julian (1991).
297:is, and is acknowledged,
215:
1273:Brahms Museum (Hamburg)
1139:Fest- und GedenksprĂĽche
1133:Eleven Chorale Preludes
1098:Sixteen Waltzes, Op. 39
263:Let nothing afflict you
243:Sei nur in allem Handel
261:
191:Breitkopf & Härtel
75:"Geistliches Lied" by
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284:who gives also to you
1169:Liebeslieder Waltzes
1007:String Quintet No. 2
1002:String Quintet No. 1
997:String Quartet No. 3
844:Piano Concerto No. 2
839:Piano Concerto No. 1
769:List of compositions
249:Was Gott beschleuĂźt,
1195:Vier ernste Gesänge
1037:Violin Sonata No. 3
1032:Violin Sonata No. 2
1027:Violin Sonata No. 1
1017:String Sextet No. 2
1012:String Sextet No. 1
972:Piano Quartet No. 3
967:Piano Quartet No. 2
962:Piano Quartet No. 1
499:, pp. 374–375.
398:, pp. 373–374.
1308:Musical cryptogram
1298:German Romanticism
1183:Two Motets, Op. 74
1126:Other compositions
1088:Rhapsodies, Op. 79
1083:Piano Sonata No. 3
1078:Piano Sonata No. 2
1073:Piano Sonata No. 1
1058:Fantasies, Op. 116
937:Cello Sonata No. 2
932:Cello Sonata No. 1
722:"Geistliches Lied"
664:. Hyperion Records
625:Floros, Constantin
289:In all your doings
34:Choral composition
1375:1856 compositions
1357:
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1177:Neue Liebeslieder
887:Gesang der Parzen
638:978-3-631-61260-6
305:
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251:das ist und heiĂźt
238:der gibt auch dir
223:Wie Gott es fĂĽgt,
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1261:Related articles
1235:Named for Brahms
1162:Geistliches Lied
1068:Hungarian Dances
1053:Ballades, Op. 10
992:Piano Trio No. 3
987:Piano Trio No. 2
982:Piano Trio No. 1
947:Clarinet Sonatas
942:Clarinet Quintet
875:
868:A German Requiem
776:Orchestral works
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724:. Oxford Lieder.
714:: Scores at the
711:Geistliches Lied
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326:Geistliches Lied
295:What God decrees
236:steht allem fĂĽr,
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187:Geistliches Lied
159:Geistliches Lied
102:Geistliches Lied
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834:Double Concerto
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813:Tragic Overture
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117:accompanied by
111:Johannes Brahms
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540:Geiringer 1936
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372:Clara Schumann
365:plagal cadence
334:Karl Geiringer
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286:what is yours.
271:so may my will
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151:Joseph Joachim
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678:Swafford, Jan
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291:be steadfast;
282:is in charge,
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207:Paul Flemming
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50:The composer
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1293:Brahms-Preis
1252:Brahms Inlet
1225:F-A-E Sonata
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1146:Fünf Gesänge
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666:. Retrieved
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473:Haylock 1991
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353:E-flat major
349:ternary form
338:
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219:mit Trauren,
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163:Jan Swafford
158:
155:contrapuntal
148:
135:contrapuntal
127:double canon
101:
100:
99:
18:
1242:1818 Brahms
1154:FĂĽnf Lieder
1046:Piano works
915:Triumphlied
858:Vocal works
827:Concertante
485:Floros 2010
461:Brahms 1864
446:Floros 2010
361:pedal point
293:stand firm!
273:be content.
265:with grief;
247:steh feste!
245:ohn Wandel,
232:auf morgen?
227:mein Wille.
221:sei stille!
55: 1855
1364:Categories
668:August 13,
555:Donat 1999
525:Donat 1999
497:Donat 1999
434:Donat 1999
396:Donat 1999
383:References
299:the best.
253:das Beste.
240:das Deine.
179:polyphonic
145:Background
1156:, Op. 105
1148:, Op. 104
957:Horn Trio
788:Serenades
109:. 30, by
91:Published
1339:Category
1313:Three Bs
1190:, Op. 91
1171:, Op. 52
680:(1997).
649:(1936).
627:(2010).
586:(1864).
341:inverted
267:be calm!
234:Der Eine
195:Chemnitz
83:Composed
1321:(Berio)
901:Rinaldo
601:(ed.).
577:Sources
357:C minor
280:The One
692:
635:
613:
376:Robert
314:chorus
256:Amen.
115:chorus
1349:Audio
894:Nänie
330:ninth
322:piano
318:organ
308:Music
167:canon
123:piano
119:organ
690:ISBN
670:2021
633:ISBN
611:ISBN
201:Text
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