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Hugo Heyrman

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Buyck, F. Jean, Hugo Heyrman ‘Pictor Ecologicus’. Originally published as introduction to the retrospective exhibition of Hugo Heyrman’s paintings in the Antwerp Royal Museum of Fine Arts (1984, October 13 - December 9). Translated from Dutch by Joris Duytschaever.
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Monumental painting series on 'Water', 'Light', 'Time', 'A Vision is Finer than a View' and 'New Models of Reality', which Heyrman describes as painting the existential tension between ideas and images; an appeal to several senses at once, and
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In 1997, Heyrman participated at "Digital Studies: Being In Cyberspace". A landmark exhibition of new media art and theory, the first-ever online net art exhibition was organized by Mark Amerika and Alex Galloway,
232: 133:, he lives and works in Antwerp. Originally, Heyrman opted for a musical education, but transferred to the visual arts. He graduated from the Royal Academy and became a laureate of the 228:
experiments. Online since 1995, Heyrman became one of the pioneers in Net.art. He also participated in 1988 at the 'First International Symposium on Electronic Art' (FISEA) in Utrecht.
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Celant, Germano, The 47th Venice Biennial International Art Exposition "La Biennale di Venezia, Past Present Future", Venice, catalogue: 700pp, Pub. Date: July 1997. Publisher: Electa
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Fuzzy Dreamz series, a work in progress since 1996, which Heyrman describes as the transformation of his painting experiences into digital media and vice versa.
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The 'Continental Video & Filmtour' project started in front of the International Cultural Centrum ICC, Royal Palace, Meir, Antwerp, on March 31st 1973.
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His works have been presented in major international exhibitions ranging from Antwerp, Brussels, Basel, Amsterdam, Paris, Barcelona and Chicago to the
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projects, including the online exhibitions, Digital Studies: Being In Cyberspace 'ALT-X-site' (1997) New York and 'Revelation' ISEA 2000, Paris.
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in Antwerp. In addition, he studied nuclear physics during one year at the State Higher Institute for Nuclear Energy in
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In 1995, Heyrman coined the terms "tele-synaesthesia" and "post-ego". Since 1993 he is a working member of the
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Popper, Frank. From Technological to Virtual Art. Cambridge, Mass.: MIT Press, 2005. 504 pp.; 154 b/w ills.
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with his 'Mobile Museum of Modern Media' through Belgium, Germany, France and the Netherlands. (1970–73)
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https://web.archive.org/web/20050208204047/http://www.bozar.be/jpbjbs/fr/terugblik_1950.htm
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Historique, La Jeune Peinture Belge, LaurĂŠats 1950-1992, Palais des Beaux-Arts, Brussels.
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Art & Computers: an exploratory investigation on the digital transformation of art.
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See also: Histories of Internet Art: Fictions and Factions - Curation Sites,
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From his earliest work, Heyrman developed a specific vision on the nature of
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During the sixties, Heyrman profiled himself as an avant-garde artist with
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http://www.doctorhugo.org/paintings/bibliography/pictorecologicus.html
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http://www.doctorhugo.org/paintings/bibliography/picturaloption.html
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Buyck, F. Jean, Hugo Heyrman's "Pictural Option", August 1986.
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Royal Flemish Academy of Belgium for Science and the Arts
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Art & Computers: an exploratory investigation on the
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painter, filmmaker, internet pioneer, synesthesia and
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ISEA 2000 International Symposium on Electronic Art,
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http://www.doctorhugo.org/cinemabus/modernmedia.html
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Index


Florian
Zwijndrecht, Belgium
Belgian
Painting
drawing
photography
film
digital media
artist name
Belgian
new media
Zwijndrecht
National Higher Institute for Fine Arts
Mol
Universidad de La Laguna
Tenerife
digital transformation
perception
visual thinking
painting
drawing
sculpture
photography
video
film
digital media
telematic
senses
synaesthesia

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