102:, Cousens built an elaborate wooden framework that allowed him to raise his camera parallel to each section and to photograph each individual relief without distortion and to a uniform scale. (A full description of his working method can be found in his Annual Report for 1900 .) This task, which took Cousens and his team of assistants over two months to complete and which resulted in a collection of over 250 large-format negatives, remains a model of its kind. It further illustrates the financial and time commitment required to produce fully satisfactory visual records of archaeological subjects. While such an approach has historically been the exception rather than the rule, it remains an enduring model of photography’s unique value as a tool of record in its comprehensive scale, carefully planned organization, and technical quality.
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116:, Cousens' success at the Archeological department brought his team added responsibilities where the British India government sought to preserve the local heritage, its ancient monuments and further explore buried remains. Cousens effort helped clean up, restore and start this process of preserving India's heritage in Sindh, Gujarat, Maharashtra, Telangana, Andhra Pradesh and Karnataka.
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in 1881. In 1891, he was promoted to the
Superintendent post, where he served for nearly 20 years, retiring in 1910. With a team of artists and draftsmen, he visited remote archaeological and historic sites, surveyed the ruins and sites, and documented — with photographs — caves, temples, and other
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Cousens meticulous measurements, sketches, photographs and reports were in many cases the earliest reports of historic sites in these parts of India and
Pakistan, and brought them to the notice of wider scholarship within India, as well as Europe and the United States. His colloboration with
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By the end of the nineteenth century, the importance of comprehensive visual documentation produced to rigorous standards was becoming recognized by a few farsighted individuals, most notably Henry
Cousens in his work at the great Buddhist stupa at
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Seddon, C. N. (1934). "Mediaeval
Temples of the Dakhan. Archæological Survey of India, Volume XLVIII, Imperial Series. By Henry Cousens. 12¾ × 10, pp. vi + 86, pls. 115, ills. 17. Calcutta: Government of India Pub., 1931. 37s. 6d".
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Seddon, C. N. (1934). "Somanātha and other
Mediaeval Temples in Kāthiāwād. Being vol. xlv, Imperial Series, Archæological Survey of India. By the late Henry Cousens, M.R.A.S. Calcutta, 1931. Rs. 26.12 or 41s. 6d".
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produced a series of publications, cited throughout the 20th and 21st century. These were praised as of high quality, "beautiful photographs of temples and mosques", and important contributions by his peers:
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Sawant, R. (2010). Review of archaeological investigations in the
Protohistoric and historical archaeology of Vidarbha. Man and Environment, 35(2), pp. 45-65
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O. v Hinüber (1981), Cousens, H.: The
Antiquities of Sind (Book Review). Orientalistische Literaturzeitung, 76(6), 593 (in German)
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G.B. Deglurkar (1988), ENCYCLOPAEDIA OF INDIAN TEMPLE ARCHITECTURE, SOUTH INDIA: LOWER DRĀVIDADEŚA Vol. I, Part I & II,
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Khan, M. I. (2002). The Grand Mosque of
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The Antiquities of the Town of Dabhoi in North Gujarat (with J. Burgess)
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Journal of the Royal Asiatic Society of Great Britain & Ireland
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The Architectural Antiquities of Northern Gujarat (with J. Burgess)
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Notes on the Buildings and other Antiquarian Remains at Bijapur
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The Chalukyan Architecture of the Kanarese Districts
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