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Sartor Resartus

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358:. While there, Teufelsdröckh is intellectually stimulated, and befriended by a few of his teachers, but frequently bullied by other students. His reflections on this time of his life are ambivalent: glad for his education, but critical of that education's disregard for actual human activity and character, as regarding both his own treatment and his education's application to politics. While at University, Teufelsdröckh encounters the same problems, but eventually gains a small teaching post and some favour and recognition from the German nobility. While interacting with these social circles, Teufelsdröckh meets a woman he calls Blumine (Goddess of Flowers; the Editor assumes this to be a pseudonym), and abandons his teaching post to pursue her. She spurns his advances for a British aristocrat named Towgood. Teufelsdröckh is thrust into a spiritual crisis, and leaves the city to wander the European countryside, but even there encounters Blumine and Towgood on their honeymoon. He sinks into a deep depression, culminating in the celebrated 337: 362:, disdaining all human activity. Still trying to piece together the fragments, the Editor surmises that Teufelsdröckh either fights in a war during this period, or at least intensely uses its imagery, which leads him to a "Centre of Indifference", and on reflection of all the ancient villages and forces of history around him, ultimately comes upon the affirmation of all life in "The Everlasting Yea". The Editor, in relief, promises to return to Teufelsdröckh's book, hoping with the insights of his assembled biography to glean some new insight into the philosophy. 321:
to be sharing as well, then conceding that he knows Teufelsdröckh personally, but that even this relationship does not explain the curiosities of the book's philosophy. The Editor remarks that he has sent requests back to Teufelsdröckh's office in Germany for more biographical information hoping for further explanation, and the remainder of Book One contains summaries of Teufelsdröckh's book, including translated quotations, accompanied by the Editor's many objections, many of them buttressed by quotations from
213: 42: 232:." Carlyle finished seven chapters of the semi-autobiographical novel depicting a young man of deeply religious upbringing being scorned in love, and thereafter wandering. He eventually finds at least philosophical consolation in a mysterious stranger named Maurice Herbert, who invites Wotton into his home and frequently discusses speculative philosophy with him. At this point, the novel abruptly shifts to highly philosophical dialogue revolving mostly around 573: 452:, German for "don't-know-where") is an imaginary European city, viewed as the focus, and as exhibiting the operation, of all the influences for good and evil of the time, described in terms which characterised city life in the first quarter of the 19th century; so universal appeared the spiritual forces at work in society at that time that it was impossible to say where they were and where they were not, and hence the name of the city, " 1074: 1040: 961: 181:, whom Carlyle intensely admired in his college years, even going by the nicknames "Jonathan" and "The Dean". In that work, the three main traditions of Western Christianity are represented by a father bestowing his three children with clothes they may never alter, but proceed to do so according to fashion. Carlyle's second influence, according to MacMechan, was his own work in translating 2027: 329:. The review becomes longer and longer due to the Editor's frustration at the philosophy, and his desire to expose its outrageous nature. At the final chapter of Book One, the Editor has received a reply from Teufelsdröckh's office in the form of several bags of paper scraps (rather esoterically organised according to the 501:
One of the recurring jokes is Carlyle giving humorously appropriate German names to places and people in the novel, such as Teufelsdröckh's publisher being named Stillschweigen and Co. (meaning Silence and Company) and lodgings being in Weissnichtwo (meaning Know-not-where). Teufelsdröckh's father is
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was intended to be a new kind of book: simultaneously factual and fictional, serious and satirical, speculative and historical. It ironically commented on its own formal structure, while forcing the reader to confront the problem of where "truth" is to be found. In this respect it develops techniques
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by the fictional philosopher Diogenes Teufelsdröckh (Professor of "Things in General" at Weissnichtwo "Know not where" University). The Editor is clearly flummoxed by the book, first struggling to explain the book in the context of contemporary social issues in England, some of which he knows Germany
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we are told that his voice screws itself aloft 'as into the song of spirits, or else the shrill mockery of fiends,' that at times we distinguish 'gleams of an ethereal love, 'soft wailings of infinite pity,' and at others "some half invisible wrinkle of a bitter sardonic humor" so that 'you look on
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The narrator of the novel, who in reviewing Teufelsdröckh's book, reveals much about his own tastes, as well as deep sympathy towards Teufelsdröckh, and much worry as to social issues of his day. His tone varies between conversational, condemning and even semi-Biblical prophecy. The Reviewer should
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and his mother a very pious woman, who to Teufelsdröckh's gratitude, raises him in utmost spiritual discipline. In very flowery language, Teufelsdröckh recalls at length the values instilled in his idyllic childhood, the Editor noting most of his descriptions originating in intense spiritual pride.
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A woman associated to the German nobility with whom Teufelsdröckh falls in love early in his career. Her spurning of him to marry Towgood leads Teufelsdröckh to the spiritual crisis that culminates in the Everlasting No. Their relationship is somewhat parodic of Werther's spurned love for Lotte in
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Hofrath Heuschrecke (i. e. State-Councillor Grasshopper) is a loose, zigzag figure, a blind admirer of Teufelsdröckh's, an incarnation of distraction distracted, and the only one who advises the editor and encourages him in his work; a victim to timidity and preyed on by an uncomfortable sense of
240:, (née Welsh) Carlyle never published it and its existence was forgotten until long after Carlyle's death. MacMechan suggests that the novel provoked Carlyle's frustration and scorn due to the "zeal for truth and his hatred for fiction" he speaks of in his letters of the time. Numerous parts of 763:"The full name, Diogenes Teufelsdröckh, God-born Devil's Dung, indicates the combination in one person of the half malicious Swiftian satire with the ethereal idealism of a Fichte or a Goethe. Carlyle calls attention to this twofold nature of his hero in numerous places. In the chapter on 772:
him almost with a shudder, as on some incarnate Mephistopheles.' His eyes again are described as sparkling with lights, which 'may indeed be reflexes of the heavenly stars, but perhaps also gleams from the region of Nether Fire'." — Johnson, William Savage (1911). "Sartor Resartus." In:
556:, visiting from England, observed its effect: "The book is acting upon them with wonderful force. It has regenerated the preaching of more than one of the clergy; and, I have reason to believe, the minds and lives of several of the laity." After its 1836 arrival in Boston as a book, 348:
At the writing of Book Two, the Editor has somewhat organised the fragments into a coherent narrative. As a boy, Teufelsdröckh was left in a basket on the doorstep of a childless couple in the German country town of Entepfuhl ("Duck-Pond"); his father a retired sergeant of
482:, to which it refers. The imaginary "Philosophy of Clothes" holds that meaning is to be derived from phenomena, continually shifting over time, as cultures reconstruct themselves in changing fashions, power-structures, and faith-systems. The book contains a very 273:, who much admired the book and Carlyle. Emerson's savvy dealing with the overseas publishers would ensure Carlyle received high compensation, which the novel did not attain in Britain. The first British edition would be published in London in 1838. 1806: 647:
wrote in 1860 that "Carlyle first took a strong hold on the cultivated mind of America by his 'Sartor Resartus,'—a work more full of seed-thoughts than any single volume of the present century," adding that the following publication of the
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There is a song called "The Taylor Done Over" which was published in London in 1785. It has been suggested that a Scottish variant was popular in Carlyle's day and may have inspired his choice of title. Another source might have been
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in November 1833 – August 1834. The novel purports to be a commentary on the thought and early life of a German philosopher called Diogenes Teufelsdröckh (which translates as 'God-born Devil's-dung'), author of a tome entitled
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recalled reading the book as a teenager until "the spirit of it somewhat entered into me". His encounter with Carlyle became one of the most enduring influences of his life, shaping his radicalism and pacifism.
281:"Sartor Resartus" is usually translated as "The Tailor Re-tailored"; it has also been rendered as "The Tailor Repatched", "The Tailor Patched", "The Clothes Volume Edited", and as "The Tailor Made Whole Again". 2238: 517:
complained to Carlyle that its initial serial publication had been received negatively in many quarters. The most substantive early treatment came in the form of an 1835 letter to Carlyle from his friend
2146: 408:(including her name "Goddess of Flowers", which may simply be a pseudonym), though, as the Editor notes, Teufelsdröckh does not take as much incentive as does Werther. Critics have associated her with 2328: 723:
in a sermon delivered in 1957: "In our moments of despair, some of us find ourselves crying out with the earnest belief of Carlyle, "It seems that God sits in His heaven and does nothing."
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musings are mulled over by a sceptical English Reviewer (referred to as Editor) who also provides fragmentary biographical material on the philosopher. The work is, in part, a parody of
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The book is increasingly recognized as "the founding text for the emergence of the serious and organized study of clothing", otherwise termed "dress studies" or "fashion theory".
203:, all of which Carlyle quotes and explicitly refers to, especially when Teufelsdröckh names his own crisis "The Sorrows of Young Teufelsdröckh". The third major influence was 503: 478: 205: 2106: 1293: 252:. Though widely and erroneously reported as having been burned by Carlyle, the unfinished novel is still extant in draft form; several passages were moved verbatim to 560:
accurately predicted that reaction would be divided between those that found it vapid and convoluted and those that found it insightful and philosophically fruitful.
1468: 1492: 248:, where Carlyle humorously turns them into Teufelsdröckh's autobiographical sketches, which the editor constantly complains are overly fragmented or derivative of 2323: 679:, and I can recall many of its pages; I know them by heart." Many of Borges' first characteristic and most admired works employ the same technique of intentional 595:
The character of his influence is best seen in the fact that many of the men who have the least agreement with his opinions are those to whom the reading of
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wrote that he "was as familiar with the everlasting Nay, the Centre of Indifference, and the everlasting Yea, as with the side walk in front of my house."
2333: 2161: 1930: 490:: based not on the acceptance of God but on the absolute freedom of the will to reject evil, and to construct meaning. This has led some writers to see 316:(in which the novel was first serialised without any distinction of the content as fictional) who is, upon request, reviewing the fictional German book 2122: 1910: 607:
upon American Literature is so vast, so pervasive, that it is difficult to overstate." Tarr notes its influence on such leading American writers as
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The English aristocrat who ultimately marries Blumine, throwing Teufelsdröckh into a spiritual crisis. If Blumine is indeed a fictionalization of
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greatly admired the book, recounting that in 1916 at age 17 " discovered, and was overwhelmed by, Thomas Carlyle. I read
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called the book "that cruel breviary of humor" and imagined a missing chapter, "The Relationship of the Hat to Music."
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serialised it in 1833–1834. The text would first appear in volume form in Boston in 1836, its publication arranged by
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Carlyle had difficulty finding a publisher for the novel, and he began composing it as an article in October 1831 at
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not be confused with Carlyle himself, seeing as much of Teufelsdröckh's life implements Carlyle's own biography.
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The novel takes the form of a long review by a somewhat cantankerous unnamed Editor for the English publication
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The Pythia's Drunken Song: Thomas Carlyle's Sartor Resartus and the Style Problem in German Idealist Philosophy
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was best received in America, where Carlyle became a dominant cultural influence and a perceived leader of the
514: 304:, who was a friend and mentor of Carlyle's, and Carlyle referenced Byron in his writings from the late 1820s. 1667: 2216: 2168: 2114: 1896: 1686:
Baker, Lee C. R. (1986). "The Open Secret of 'Sartor Resartus': Carlyle's Method of Converting His Reader,"
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the editor remembers seeing in his eyes 'gleams of an ethereal or else a diabolic fire'; in the chapter on
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where the natives drudge away and say nothing about it, as villagers all over the world contentedly do.
426:, Towgood would find his original in Captain James Winslowe Phillipps, who married Kirkpatrick in 1829. 2313: 2130: 1981: 561: 523: 487: 265: 139: 88: 2257: 2191: 1966: 1840: 1816: 706: 636: 616: 608: 527: 326: 270: 168: 1734:
Lamb, John B. (2010). "'Spiritual Enfranchisement': Sartor Resartus and the Politics of Bildung,"
2251: 1961: 1449: 1287: 1128: 355: 101: 1781: 1469:"The Ways of God in the Midst of Glaring Evil, Sermon Delivered at Dexter Avenue Baptist Church" 41: 1845: 354:
Teufelsdröckh eventually is recognized as being clever, and sent to Hinterschlag (slap-behind)
2001: 1971: 1956: 1833: 1810: 1788: 1783:
Sartor Called Resartus: The Genesis, Structure, and Style of Thomas Carlyle's First Major Work
1721: 1652: 1574: 1515: 1507: 1486: 1441: 1358: 1171: 1120: 672: 628: 553: 423: 409: 381:, the review of which forms the contents of the novel. Both professor and book are fictional. 294: 199: 149: 1865: 1077: One or more of the preceding sentences incorporates text from a publication now in the 1043: One or more of the preceding sentences incorporates text from a publication now in the 964: One or more of the preceding sentences incorporates text from a publication now in the 2211: 2006: 1713: 1512:
Compilation and Creation in Adab and Luġa: Studies in Memory of Naphtali Kinberg (1948-1997)
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The novel has been identified as containing the first appearance in English of the proverb "
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wrote that he "read it through forty times ere I left college, of which I 'kept count.'"
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cited in this work, of which the citations in the article above are only a small sample.
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surmised that the novel's invention had three literary sources. The first of these was
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Moore, Carlisle (1955). "Sartor Resartus and the Problem of Carlyle's 'Conversion',"
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from which Carlyle quotes many phrases, and to which he referred in earlier letters.
1150: 2221: 2061: 2041: 694: 588: 538:, while taking issue with Carlyle's style and what he perceived as Teufelsdröckh's 457: 413: 395:
mere physical cold, such as the majority of the state-counsellors of the day were.
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Sartor Resartus: The Life and Opinions of Herr Teufelsdröckh in Three Books
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regarded the book as "the signal for a sudden mental and moral mutiny".
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Reed, Walter L. (1971). "The Pattern of Conversion in Sartor Resartus,"
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Carlyle, Jung, and Modern Man: Jungian Concepts as Key to Carlyle's Mind
1453: 1433: 1132: 1108: 885:, Oxford University Press, 2004; online ed., 2008, accessed 10 Jan 2011. 1741:
Levine, George (1964). "'Sartor Resartus' and the Balance of Fiction,"
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Carlyle, Thomas (1896). "Introduction". In Macmechan, Archibald (ed.).
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Carlyle, Thomas; Introduction and Notes by Rodger L. Tarr (2000).
571: 335: 211: 153: 1888: 1720:. Madison and Teaneck, NJ: Fairleigh Dickinson University Press. 1627:
Carlyle, Thomas (1896n). "Notes". In Macmechan, Archibald (ed.).
1510:. In Arazi, Albert; Sadan, Joseph; Wasserstein, David J. (eds.). 1467:
University, © Stanford; Stanford; California 94305 (2015-11-25).
1282:. Berkeley: University of California Press. p. xxxii-xxxiii. 775:
Thomas Carlyle: A Study of his Literary Apprenticeship, 1814-1831
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Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle
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History of Friedrich II. of Prussia, Called Frederick the Great
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Sartor Resartus: the life and opinions of Herr Teufelsdrocke ++
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Deen, Leonard W. (1963). "Irrational Form in Sartor Resartus,"
1243:. 1871. Reprint, Boston: Houghton, Mifflin, 1899. pp. 193, 149. 236:. Though the unfinished novel deeply impressed Carlyle's wife 1712:
Kerry, Paul E.; Pionke, Albert D.; Dent, Megan, eds. (2018).
1612:. Boston and New York: Houghton Mifflin Company, pp. 403–415. 1473:
The Martin Luther King, Jr., Research and Education Institute
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Metzger, Lore (1961). "Sartor Resartus: A Victorian Faust,"
992: 990: 506:'s doctrine that "there is much, nay almost all in Names." 1337:
Ten Years of Preacher Life: Chapters from an Autobiography
819: 817: 745:", a work that addresses the process of its own creation. 719:
paraphrased a line from book 2, chapter 7, paragraph 4 of
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Heralds of Revolt; Studies in Modern Literature and Dogma
1170:(Reissued ed.). Oxford: Oxford Univ Pr. p. 67. 846: 844: 412:, with whom Carlyle himself fell in love before marrying 910:. Ed. William B. Thesing. Detroit: Gale Research, 1987. 914:
Vol. 55. Literature Resource Center. Web. 10 Jan. 2011.
730:", as well as the first English use of the expression " 1109:""Sartor Resartus": a Study in the Paradox of Despair" 643:
were among those that read and objected to the book).
1787:. Princeton, New Jersey: Princeton University Press. 1218:. 3 vols. London: Saunders and Otley, 1837. 3:220–21. 2107:
On Heroes, Hero-Worship, & the Heroic in History
2230: 2184: 2080: 2034: 1949: 1008: 1006: 333:) on which are written autobiographical fragments. 107: 95: 83: 69: 61: 51: 1780: 1644: 1350: 1155:. New York: Philosophical Library. pp. 32–33. 228:, which MacMechan refers to as "he first draft of 1322:Mott, Frank Luther. "Carlyle's American Public." 1701:. London: Hodder and Stoughton, pp. 66–101. 778:. New Haven: Yale University Press, pp. 113–114. 2329:Works originally published in Fraser's Magazine 1631:. Boston, Mass.: Ginn and Company. pp. xx. 1622:. Boston, Mass.: Ginn and Company. pp. xx. 1589: 1339:. New York: Derby and Jackson, 1859. p. 291–94. 1029:"East Did Meet West – 3," by Dr. Rizwana Rahim. 603:According to Rodger L. Tarr, "The influence of 46:Title page of the first American edition (1836) 1904: 8: 1292:: CS1 maint: multiple names: authors list ( 256:, but with their context radically changed. 30: 1754:. Malden, Mass.: Trustees of Tufts College. 1491:: CS1 maint: numeric names: authors list ( 998:Moral Desperado – A Life of Thomas Carlyle. 599:was an epoch in the history of their minds. 579:by Paul Gauguin, 1889, with Haan's copy of 2162:Occasional Discourse on the Negro Question 1911: 1897: 1889: 40: 29: 1000:London: Weidenfeld & Nicolson, p. 48. 741:used the book as an example of his term " 1716:Thomas Carlyle and the Idea of Influence 1706:Texas Studies in Literature and Language 808: 1881:, there are many themes and ideas from 1875:. London and New York: Frederick Warne. 1389:, Lecture, Delivered February 28, 1968. 1309:, vol. 91, no. 188, 1860, pp. 274–274, 1254:"Thomas Carlyle · George Eliot Archive" 1096:. London and New York: Frederick Warne. 1062:. London and New York: Frederick Warne. 983:. London and New York: Frederick Warne. 894: 883:Oxford Dictionary of National Biography 862: 850: 835: 823: 787: 756: 2123:Oliver Cromwell's Letters and Speeches 1514:. Tel Aviv: Eisenbrauns. p. 239. 1484: 1285: 1227: 1202: 1190: 244:appear in the biographical section of 2324:Novels first published in serial form 1647:Thomas Carlyle: The Critical Heritage 502:introduced as an earnest believer in 7: 1738:, Vol. 107, No. 2, pp. 259–282. 1357:. London: Allen Lane. pp. 4–5. 1311:http://www.jstor.org/stable/25107683 947: 935: 923: 697:painted the book in his portrait of 222:Carlyle worked on an earlier novel, 1775:, Vol. 38, No. 3, pp. 411–431. 1768:, Vol. 70, No. 4, pp. 662–681. 1761:, Vol. 13, No. 4, pp. 316–331. 1690:, Vol. 83, No. 2, pp. 218–235. 1606:"Chapter XXVII Teufelsdröckh 1901." 1542:Internet Encyclopedia of Philosophy 908:Victorian Prose Writers Before 1867 799:"My first favourite books had been 728:Speech is silver, silence is golden 709:valued Carlyle's ideas on silence. 654:"was in almost every one's hands." 379:Clothes, Their Origin and Influence 318:Clothes, Their Origin and Influence 146:Clothes: Their Origin and Influence 1745:, Vol. 8, No. 2, pp. 131–160. 1708:, Vol. 5, No. 3, pp. 438–451. 25: 2334:Books with atheism-related themes 2155:Critical and Miscellaneous Essays 1563:The History of English Literature 1152:A Short History of Existentialism 906:Campbell, Ian. 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(1978). 1307:The North American Review 737:Scottish literary critic 331:signs of the Latin Zodiac 39: 2279:" by Henry David Thoreau 1872:The Nuttall Encyclopædia 1779:Tennyson, G. B. (1965). 1666:Vijn, Dr. J. P. (2017). 1567:Harvard University Press 1432:apRoberts, Ruth (1996). 1383:Harvard University Press 1335:Milburn, William Henry. 1313:. Accessed 11 Apr. 2022. 1166:Carlyle, Thomas (2008). 1107:Wilson, John R. (1974). 1093:The Nuttall Encyclopædia 1059:The Nuttall Encyclopædia 980:The Nuttall Encyclopædia 291:The Deformed Transformed 122:is an 1831 novel by the 2319:Works by Thomas Carlyle 2217:Natural Supernaturalism 1866:"Sartor Resartus"  1846:"Sartor Resartus"  1239:Lowell, James Russell. 838:, pp. xxiii–xxvii. 550:Transcendental Movement 1852:Encyclopedia Americana 1759:Comparative Literature 1438:Carlyle Studies Annual 1406:London Review of Books 1324:Philological Quarterly 1258:georgeeliotarchive.org 996:Heffer, Simon (1995). 717:Martin Luther King Jr. 656:Charles Godfrey Leland 645:Andrew Preston Peabody 601: 584: 345: 219: 2309:Existentialist novels 1604:Adams, Henry (1918). 1349:McLean, Iain (1975). 683:as Carlyle, such as " 660:William Henry Milburn 593: 575: 476:used much earlier in 339: 215: 2131:Latter-Day Pamphlets 1982:James Anthony Froude 1809:, 1901 editions, on 1736:Studies in Philology 1688:Studies in Philology 1214:Martineau, Harriet. 975:Heuschrecke, Hofrath 562:James Russell Lowell 510:Reception and legacy 488:religious conversion 217:Craigenputtock House 2192:Captain of Industry 1967:Ralph Waldo Emerson 1841:Archibald MacMechan 1675:. H. Brinkman-Vijn. 1379:This Craft of Verse 1377:Jorge Luis Borges, 950:, pp. 189–194. 938:, pp. 179–181. 926:, pp. 167–177. 707:Maurice Maeterlinck 637:Nathaniel Hawthorne 617:Henry David Thoreau 609:Ralph Waldo Emerson 528:Michel de Montaigne 351:Frederick the Great 271:Ralph Waldo Emerson 169:Archibald MacMechan 36: 27:1831 Scottish novel 18:Hofrath Heuschrecke 2252:Laborare est Orare 1962:Jane Welsh Carlyle 1561:Fowler, Alastair. 1535:O'Brien, Wendell. 1401:"Don't Abandon Me" 1216:Society in America 585: 346: 220: 148:. Teufelsdröckh's 2339:Transcendentalism 2296: 2295: 2002:Kitty Kirkpatrick 1972:Francis Espinasse 1957:William Allingham 1834:Project Gutenberg 1811:Wikimedia Commons 1743:Victorian Studies 1521:978-1-57506-045-3 1385:, 2000. pp. 104. 1364:978-0-7139-0840-4 1260:. 27 October 1855 673:Jorge Luis Borges 629:Louisa May Alcott 591:wrote of Carlyle: 583:in the foreground 554:Harriet Martineau 524:François Rabelais 424:Kitty Kirkpatrick 410:Kitty Kirkpatrick 314:Fraser's Magazine 300:, was admired by 266:Fraser's Magazine 150:Transcendentalist 140:Fraser's Magazine 115: 114: 108:Publication place 89:Fraser's Magazine 16:(Redirected from 2346: 2212:Great Man theory 2115:Past and Present 2029: 2007:John Stuart Mill 1913: 1906: 1899: 1890: 1876: 1868: 1856: 1848: 1836: 1796: 1786: 1731: 1719: 1676: 1674: 1662: 1650: 1632: 1623: 1593: 1587: 1581: 1559: 1553: 1552: 1550: 1549: 1532: 1526: 1525: 1503: 1497: 1496: 1490: 1482: 1480: 1479: 1464: 1458: 1457: 1429: 1423: 1422: 1420: 1418: 1396: 1390: 1375: 1369: 1368: 1356: 1346: 1340: 1333: 1327: 1320: 1314: 1304: 1298: 1297: 1291: 1283: 1275: 1269: 1268: 1266: 1265: 1250: 1244: 1241:My Study Windows 1237: 1231: 1225: 1219: 1212: 1206: 1205:, pp. 9–10. 1200: 1194: 1188: 1182: 1181: 1163: 1157: 1156: 1147:Wahl, Jean AndrĂ© 1143: 1137: 1136: 1104: 1098: 1097: 1076: 1070: 1064: 1063: 1042: 1036: 1030: 1028: 1026: 1025: 1016:. Archived from 1010: 1001: 994: 985: 984: 963: 957: 951: 945: 939: 933: 927: 921: 915: 904: 898: 892: 886: 872: 866: 865:, p. xxvii. 860: 854: 848: 839: 833: 827: 826:, p. xxiii. 821: 812: 797: 791: 785: 779: 761: 454:Don't-know-where 160:more generally. 97:Publication date 44: 37: 21: 2354: 2353: 2349: 2348: 2347: 2345: 2344: 2343: 2299: 2298: 2297: 2292: 2226: 2180: 2091:Sartor Resartus 2076: 2030: 2021: 1945: 1922: 1917: 1883:Sartor Resartus 1879:Sartor Resartus 1859: 1839: 1826: 1822:Standard Ebooks 1817:Sartor Resartus 1807:Sartor Resartus 1803: 1778: 1728: 1711: 1683: 1681:Further reading 1672: 1665: 1659: 1642: 1629:Sartor Resartus 1626: 1619:Sartor Resartus 1615: 1601: 1596: 1588: 1584: 1560: 1556: 1547: 1545: 1534: 1533: 1529: 1522: 1505: 1504: 1500: 1483: 1477: 1475: 1466: 1465: 1461: 1440:(16): 109–116. 1431: 1430: 1426: 1416: 1414: 1398: 1397: 1393: 1376: 1372: 1365: 1348: 1347: 1343: 1334: 1330: 1321: 1317: 1305: 1301: 1284: 1280:Sartor Resartus 1277: 1276: 1272: 1263: 1261: 1252: 1251: 1247: 1238: 1234: 1226: 1222: 1213: 1209: 1201: 1197: 1189: 1185: 1178: 1168:Sartor Resartus 1165: 1164: 1160: 1145: 1144: 1140: 1106: 1105: 1101: 1086:, ed. (1907). " 1082: 1071: 1067: 1052:, ed. (1907). " 1048: 1037: 1033: 1023: 1021: 1012: 1011: 1004: 995: 988: 973:, ed. (1907). " 969: 958: 954: 946: 942: 934: 930: 922: 918: 905: 901: 893: 889: 873: 869: 861: 857: 853:, p. xxiv. 849: 842: 834: 830: 822: 815: 805:Tristram Shandy 798: 794: 786: 782: 769:Characteristics 762: 758: 754: 739:Alastair Fowler 732:meaning of life 721:Sartor Resartus 677:Sartor Resartus 641:Edgar Allan Poe 625:Margaret Fuller 621:Herman Melville 613:Emily Dickinson 605:Sartor Resartus 597:Sartor Resartus 581:Sartor Resartus 570: 546:Sartor Resartus 532:Laurence Sterne 512: 492:Sartor Resartus 479:Tristram Shandy 473:Sartor Resartus 470: 432: 368: 342:Sartor Resartus 310: 279: 254:Sartor Resartus 246:Sartor Resartus 225:Wotton Reinfred 206:Tristram Shandy 185:, particularly 174:A Tale of a Tub 166: 158:German Idealism 98: 47: 33:Sartor Resartus 28: 23: 22: 15: 12: 11: 5: 2352: 2350: 2342: 2341: 2336: 2331: 2326: 2321: 2316: 2311: 2301: 2300: 2294: 2293: 2291: 2290: 2285: 2280: 2273: 2269:Thomas Carlyle 2265: 2260: 2255: 2248: 2243: 2234: 2232: 2228: 2227: 2225: 2224: 2219: 2214: 2209: 2207:Dismal Science 2204: 2199: 2197:Carlyle circle 2194: 2188: 2186: 2182: 2181: 2179: 2178: 2173: 2165: 2158: 2151: 2143: 2135: 2127: 2119: 2111: 2103: 2095: 2086: 2084: 2078: 2077: 2075: 2074: 2069: 2067:London Library 2064: 2059: 2057:Craigenputtock 2054: 2052:21 Comely Bank 2049: 2044: 2038: 2036: 2032: 2031: 2024: 2022: 2020: 2019: 2014: 2009: 2004: 1999: 1994: 1989: 1984: 1979: 1974: 1969: 1964: 1959: 1953: 1951: 1947: 1946: 1944: 1943: 1938: 1933: 1927: 1924: 1923: 1920:Thomas Carlyle 1918: 1916: 1915: 1908: 1901: 1893: 1887: 1886: 1863:, ed. (1907). 1857: 1837: 1824: 1813: 1802: 1801:External links 1799: 1798: 1797: 1776: 1769: 1762: 1755: 1746: 1739: 1732: 1726: 1709: 1702: 1691: 1682: 1679: 1678: 1677: 1663: 1657: 1640: 1633: 1624: 1613: 1600: 1597: 1595: 1594: 1592:, p. 335. 1582: 1554: 1527: 1520: 1498: 1459: 1424: 1391: 1387:A Poet's Creed 1370: 1363: 1341: 1328: 1326:4 (1925): 248. 1315: 1299: 1270: 1245: 1232: 1220: 1207: 1195: 1183: 1176: 1158: 1138: 1099: 1065: 1031: 1002: 986: 952: 940: 928: 916: 899: 897:, p. xix. 887: 867: 855: 840: 828: 813: 792: 780: 755: 753: 750: 711:Claude Debussy 681:pseudepigraphy 569: 566: 536:Jonathan Swift 511: 508: 496:existentialist 486:conception of 469: 466: 446:Weissnichtwo": 431: 428: 367: 364: 360:Everlasting No 340:Room in which 309: 306: 278: 275: 261:Craigenputtock 179:Jonathan Swift 165: 162: 135:Thomas Carlyle 113: 112: 109: 105: 104: 99: 96: 93: 92: 85: 81: 80: 71: 67: 66: 63: 59: 58: 56:Thomas Carlyle 53: 49: 48: 45: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2351: 2340: 2337: 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582: 578: 574: 567: 565: 563: 559: 555: 551: 547: 543: 541: 537: 533: 529: 525: 521: 520:John Sterling 516: 509: 507: 505: 504:Walter Shandy 499: 497: 493: 489: 485: 481: 480: 474: 467: 465: 463: 459: 455: 451: 450:weiĂź-nicht-wo 447: 442: 440: 436: 429: 427: 425: 421: 417: 415: 411: 407: 406: 400: 396: 393: 389: 386: 382: 380: 376: 372: 365: 363: 361: 357: 352: 343: 338: 334: 332: 328: 324: 319: 315: 307: 305: 303: 299: 298: 292: 288: 282: 276: 274: 272: 268: 267: 262: 257: 255: 251: 247: 243: 239: 235: 231: 227: 226: 218: 214: 210: 208: 207: 202: 201: 196: 195: 190: 189: 184: 180: 176: 175: 170: 163: 161: 159: 155: 151: 147: 142: 141: 136: 133: 129: 125: 121: 120: 111:Great Britain 110: 106: 103: 100: 94: 91: 90: 86: 82: 79: 75: 72: 68: 64: 60: 57: 54: 50: 43: 38: 35: 34: 19: 2268: 2250: 2237: 2222:Sage writing 2167: 2153: 2145: 2137: 2129: 2121: 2113: 2105: 2097: 2090: 2089: 2062:5 Cheyne Row 2042:Arched House 1977:John Forster 1882: 1878: 1870: 1850: 1827: 1815: 1782: 1772: 1765: 1758: 1750: 1742: 1735: 1715: 1705: 1698: 1687: 1668: 1646: 1636: 1628: 1618: 1609: 1585: 1562: 1557: 1546:. Retrieved 1540: 1530: 1511: 1501: 1476:. Retrieved 1472: 1462: 1437: 1427: 1415:. Retrieved 1410: 1404: 1394: 1386: 1378: 1373: 1352: 1344: 1336: 1331: 1323: 1318: 1306: 1302: 1279: 1273: 1262:. Retrieved 1257: 1248: 1240: 1235: 1230:, p. 9. 1223: 1215: 1210: 1198: 1193:, p. 4. 1186: 1167: 1161: 1151: 1141: 1116: 1112: 1102: 1091: 1088:Weissnichtwo 1068: 1057: 1034: 1022:. Retrieved 1018:the original 997: 978: 955: 943: 931: 919: 911: 907: 902: 895:Carlyle 1896 890: 882: 870: 863:Carlyle 1896 858: 851:Carlyle 1896 836:Carlyle 1896 831: 824:Carlyle 1896 804: 800: 795: 788:Carlyle 1896 783: 774: 768: 764: 759: 747: 736: 725: 720: 715: 695:Paul Gauguin 693: 676: 671: 664: 649: 604: 602: 596: 594: 589:George Eliot 586: 580: 576: 545: 544: 515:James Fraser 513: 500: 494:as an early 491: 477: 472: 471: 461: 458:Walter Scott 453: 449: 445: 443: 434: 433: 419: 418: 414:Jane Carlyle 403: 398: 397: 391: 390: 384: 383: 378: 370: 369: 347: 341: 317: 313: 311: 296: 290: 283: 280: 264: 258: 253: 245: 241: 229: 224: 223: 221: 204: 198: 192: 186: 172: 167: 145: 138: 118: 117: 116: 87: 32: 31: 2314:1833 novels 2150:(1858–1865) 2012:John Ruskin 1941:Prose style 1861:Wood, James 1353:Keir Hardie 1228:Seigel 1971 1203:Seigel 1971 1191:Seigel 1971 1119:(2): 9–27. 1084:Wood, James 1050:Wood, James 971:Wood, James 875:Fred Kaplan 807:." qtd in ( 666:Keir Hardie 552:. In 1834, 462:Kennaquhair 456:" (cf. Sir 385:The Editor: 344:was written 327:Shakespeare 132:philosopher 78:sui generis 74:Comic novel 2303:Categories 2263:Smelfungus 1992:Leigh Hunt 1936:Philosophy 1695:"Carlyle." 1599:References 1548:2022-12-28 1478:2023-08-04 1413:(9): 19–26 1264:2022-07-21 1054:Dumbdrudge 1024:2009-03-22 743:poioumenon 633:Mark Twain 435:Dumdrudge: 366:Characters 287:Lord Byron 164:Background 126:essayist, 2288:Yggdrasil 2271:(Millais) 2246:Dryasdust 2047:Scotsbrig 1931:Allusions 1565:, p. 372 1446:1074-2670 1288:cite book 1125:0148-3331 1014:"Opinion" 948:Vijn 2017 936:Vijn 2017 924:Vijn 2017 703:Pont-Aven 587:In 1855, 568:Influence 540:pantheism 356:Gymnasium 295:Goethe's 156:, and of 128:historian 102:1833–1834 84:Publisher 2164:" (1849) 1843:(1920). 1793:65017162 1487:cite web 1454:44945752 1417:23 March 1149:(1949). 1133:26289899 801:Hudibras 484:Fichtean 420:Towgood: 399:Blumine: 392:Hofrath: 289:'s play 124:Scottish 62:Language 2258:Phoenix 2231:Related 1573:(1989) 1081::  1047::  968::  687:" and " 439:village 430:Locales 377:called 65:English 2172:(1881) 2142:(1851) 2134:(1850) 2126:(1845) 2118:(1843) 2110:(1841) 2102:(1837) 2094:(1831) 2072:Statue 2035:Places 1950:People 1791:  1724:  1655:  1577:  1518:  1452:  1444:  1361:  1174:  1131:  1123:  498:text. 468:Themes 323:Goethe 302:Goethe 250:Goethe 242:Wotton 230:Sartor 197:, and 183:Goethe 52:Author 2283:Vates 2185:Ideas 2082:Works 1673:(PDF) 1450:JSTOR 1129:JSTOR 752:Notes 297:Faust 277:Title 200:Faust 154:Hegel 70:Genre 1789:LCCN 1766:PMLA 1722:ISBN 1697:In: 1653:ISBN 1608:In: 1575:ISBN 1516:ISBN 1493:link 1442:ISSN 1419:2013 1359:ISBN 1294:link 1172:ISBN 1121:ISSN 803:and 639:and 631:and 534:and 325:and 308:Plot 238:Jane 234:Kant 130:and 1832:at 1820:at 1773:ELH 1090:". 1056:". 977:". 734:." 691:". 464:). 460:'s 177:by 2305:: 1869:. 1849:. 1569:, 1539:. 1489:}} 1485:{{ 1471:. 1448:. 1436:. 1411:28 1409:. 1403:. 1381:, 1290:}} 1286:{{ 1256:. 1127:. 1117:23 1115:. 1111:. 1005:^ 989:^ 881:, 877:, 843:^ 816:^ 705:. 627:, 623:, 619:, 615:, 611:, 542:. 530:, 526:, 416:. 263:. 191:, 76:, 2275:" 2160:" 1912:e 1905:t 1898:v 1855:. 1795:. 1730:. 1661:. 1551:. 1524:. 1495:) 1481:. 1456:. 1421:. 1367:. 1296:) 1267:. 1180:. 1135:. 1027:. 635:( 444:" 20:)

Index

Hofrath Heuschrecke

Thomas Carlyle
Comic novel
sui generis
Fraser's Magazine
1833–1834
Scottish
historian
philosopher
Thomas Carlyle
Fraser's Magazine
Transcendentalist
Hegel
German Idealism
Archibald MacMechan
A Tale of a Tub
Jonathan Swift
Goethe
Wilhelm Meister's Apprenticeship
The Sorrows of Young Werther
Faust
Tristram Shandy

Craigenputtock House
Kant
Jane
Goethe
Craigenputtock
Fraser's Magazine

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