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up via pulley (presumably by
Trippetta, who has arranged the room to help with the scheme) far above the crowd. Hop-Frog puts on a spectacle so that the guests presume "the whole matter as a well-contrived pleasantry". He claims he can identify the culprits by looking at them up close. He climbs up to their level, grits his teeth again, and holds a torch close to the men's faces. They quickly catch fire: "In less than half a minute the whole eight ourang-outangs were blazing fiercely, amid the shrieks of the multitude who gazed at them from below, horror-stricken, and without the power to render them the slightest assistance". Finally, before escaping through a sky-light, Hop-Frog identifies the men in costume:
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219:. This king has an insatiable sense of humor: "he seemed to live only for joking". Both Hop-Frog and his best friend, the dancer Trippetta (also small, but beautiful and well-proportioned), have been stolen from their homeland and essentially function as slaves. Because of his physical deformity, which prevents him from walking upright, the King nicknames him "Hop-Frog".
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662:(2006), "a visually striking piece of theatrical storytelling, is Tait's adaptation of 'Hop-Frog'. In this play, the device of the Chorus functions exceptionally well, as one male and one female actor help narrate the story and speak for all of the supporting characters, who are represented by objects such as a long piece of wood and a collection of candles."
158:, first published in 1849. The title character, a person with dwarfism taken from his homeland, becomes the jester of a king particularly fond of practical jokes. Taking revenge on the king and his cabinet for the king's striking of his friend and fellow dwarf Trippetta, he dresses the king and his cabinet as
230:
full. Trippetta begs the king to stop. Though
Trippetta is said to be a favorite of his, he pushes her and throws a goblet of wine into her face in front of seven members of his cabinet council. The violent act makes Hop-Frog grind his teeth. The powerful men laugh at the expense of the two servants
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in highly flammable costumes made with pitch and flax. When a candle was mistakenly brought into the tent where the performance was occurring, the fire quickly spread to the performers within the close quarters, four of whom would die from the wounds, the King only being saved by the quick thinking
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kind in reality, if not precisely ourang-outangs". Many rush for the doors to escape, but the King had insisted the doors be locked; the keys are left with Hop-Frog. Amidst the chaos, Hop-Frog attaches a chain from the ceiling to the chain linked around the men in costume. The chain then pulls them
307:
The grating of Hop-Frog's teeth, right after Hop-Frog witnesses the king splash wine in
Trippetta's face, and again just before Hop-Frog sets the eight men on fire, may well be symbolic. Poe often used teeth as a sign of mortality, as with the lips writhing about the teeth of the mesmerized man in
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tales, in which a murderer apparently escapes without punishment. In "The Cask of
Amontillado", the victim wears motley; in "Hop-Frog", the murderer also dons such attire. However, while "The Cask of Amontillado" is told from the murderer's point of view, "Hop-Frog" is told from an unidentified
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267:... what manner of people these maskers are. They are a great king and his seven privy-councillors—a king who does not scruple to strike a defenceless girl, and his seven councillors who abet him in the outrage. As for myself, I am simply Hop-Frog, the jester—and
432:. It originally carried the full title "Hop Frog; Or, The Eight Chained Ourang-Outangs". In a letter to friend Nancy Richmond, Poe wrote: "The 5 prose pages I finished yesterday are called — what do you think? — I am sure you will never guess —
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but 'conferred upon him'" and is susceptible to wine ... when insulted and forced to drink becomes insane with rage". Like Hop-Frog, Poe was bothered by those who urged him to drink, despite a single glass of wine making him drunk.
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as "Prince
Prospero". Enraged by Prospero's friend Alfredo hitting his partner for accidentally knocking his cup of wine during her dance number, the dwarf artist sets him on fire during the masquerade after dressing him up in a
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The tale is arguably autobiographical in other ways. The jester Hop-Frog, like Poe, is "kidnapped from home and presented to the king" (his wealthy foster father John Allan), "bearing a name not given in
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The ending explains that, after that night, neither Hop-Frog nor
Tripetta were ever seen again. It is implied that she was his accomplice and that they fled together back to their home country.
319:"The Cask of Amontillado" represents Poe's attempt at literary revenge on a personal enemy, and "Hop-Frog" may have had a similar motivation. As Poe had been pursuing relationships with
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and depicts all "normal" characters being dressed in masks and costumes (designed by Taymor) with only Hop-Frog and
Trippetta shown as they truly are. Poe's poems "
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for a masquerade. In front of the king's guests, Hop-Frog murders them all by setting their costumes on fire before escaping with
Trippetta.
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chained together. The men love the idea of scaring their guests and agree to wear tight-fitting shirts and pants saturated with
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Benton, Richard P. (1987). "Friends and
Enemies: Women in the Life of Edgar Allan Poe". In Fisher, Benjamin Franklin (ed.).
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Patillo, Laura Grace (Spring 2006). "Review: The Fall of the House of Usher and Other Plays
Inspired by Edgar Allan Poe".
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Rust, Richard D. (Fall 2001). "Punish with Impunity: Poe, Thomas Dunn English and 'The Cask of Amontillado'".
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spread gossip and incited scandal about alleged improprieties. At the center of this gossip was a woman named
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979:"Black Midi share jam spoken word album 'The Black Midi Anthology Vol. 1: Tales of Suspense and Revenge'"
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The court jester Hop-Frog, "being also a dwarf and a cripple", is the much-abused "fool" of the unnamed
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costume. Hop-Frog (called Hop-Toad in the film) is played by the actor Skip Martin, who was a "
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adapted "Hop-Frog" as a spoken-word piece with instrumental accompaniment on their album
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and ask Hop-Frog (who suddenly becomes sober and cheerful) for advice on an upcoming
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As predicted, the guests are shocked and many believe the men to be real "beasts of
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was not a respectable journal "in a literary point of view", it paid very well.
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who protected him from the flames beneath the folds of her great skirt. Citing
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Critical analysis has suggested that Poe wrote the story as a form of literary
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Illustrated versions of the story appeared in the horror comic magazines
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Hop-Frog, Trippetta, the king and his councilors, 1935 illustration by
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A radio-drama production of "Hop-Frog" was broadcast in 1998 in the
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Reed Crandall (artist) and Archie Goodwin (story): "Hop-Frog".
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The Black Midi Anthology Vol. 1: Tales of Suspense and Revenge
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240:
756:. Baltimore, Maryland: Edgar Allan Poe Society. p. 16.
741:(2). Philadelphia, Pennsylvania: St. Joseph's University.
708:. New Haven, Connecticut: Yale University Press. p.
536:
Elements of the tale are suggested in climax of the 1962
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The tale first appeared in the March 17, 1849 edition of
644:. One of the tracks is a song called "Hop-Frog" sung by
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made the earliest film adaptation of "Hop-Frog" in 1910.
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A plot similar to "Hop-Frog" is used as a side plot in
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is based on this story. Laura Grace Pattillo wrote in
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Works originally published in The Flag of Our Union
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Edgar A. Poe: Mournful and Never-ending Remembrance
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858:The Biology of Horror: Gothic Literature and Film
1582:The Narrative of Arthur Gordon Pym of Nantucket
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1482:The System of Doctor Tarr and Professor Fether
1045:, March 17, 1849, page 2. Library of Congress.
148:Hop-Frog; Or, the Eight Chained Ourang-Outangs
62:Hop-Frog; Or, the Eight Chained Ourang-Outangs
1265:The Unparalleled Adventure of One Hans Pfaall
1065:
8:
1468:The Thousand-and-Second Tale of Scheherazade
385:squire, the king and five others dressed as
204:Hop Frog's last joke, 1935 illustration by
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754:Myths and Reality: The Mysterious Mr. Poe
381:in January 1393. At the suggestion of a
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679:. The story is narrated by lead singer
304:third-person narrator's point of view.
1314:The Conversation of Eiros and Charmion
371:Poe could have based the story on the
29:
1825:Edgar Allan Poe: Once Upon a Midnight
891:Edgar Allan Poe: A Critical Biography
819:Edgar Allan Poe: A Critical Biography
614:" are also used as part of the story.
7:
1617:Tales of the Grotesque and Arabesque
1489:The Facts in the Case of M. Valdemar
955:(1). University Park, Pennsylvania:
310:The Facts in the Case of M. Valdemar
704:Poe, Death, and the Life of Writing
631:and included music composed by her.
398:as his source, Jack Morgan, of the
1879:Fictional characters with dwarfism
1775:Tales of Mystery & Imagination
863:Southern Illinois University Press
312:" or the obsession with teeth in "
25:
596:as "The King". The film aired on
1909:Short stories by Edgar Allan Poe
1904:Short stories adapted into films
1724:Edgar Allan Poe House and Museum
1024:
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499:was inspired by and named after
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1689:Virginia Eliza Clemm Poe (wife)
588:fame starred as "Hop-Frog" and
574:directed a short film entitled
1709:Rosalie Mackenzie Poe (sister)
1419:A Tale of the Ragged Mountains
1300:The Fall of the House of Usher
937:#11 (July 14, 1966), pp. 5-12.
895:Johns Hopkins University Press
823:Johns Hopkins University Press
634:The story features as part of
424:-based newspaper published by
27:Short story by Edgar Allan Poe
1:
1655:The Conchologist's First Book
1549:The Philosophy of Composition
1349:Never Bet the Devil Your Head
1335:The Murders in the Rue Morgue
889:Quinn, Arthur Hobson (1998).
817:Quinn, Arthur Hobson (1998).
627:. The story was performed by
1809:The Loves of Edgar Allan Poe
1590:The Journal of Julius Rodman
1342:A Descent into the Maelström
533:with an older woman's voice.
400:University of Missouri–Rolla
222:Hop-Frog reacts severely to
1704:William Henry Poe (brother)
1535:The Philosophy of Furniture
1370:The Masque of the Red Death
1034:public domain audiobook at
957:Penn State University Press
777:Silverman, Kenneth (1991).
700:Kennedy, J. Gerald (1987).
513:The Masque of the Red Death
1935:
1542:Morning on the Wissahiccon
1377:The Mystery of Marie RogĂŞt
949:The Edgar Allan Poe Review
735:The Edgar Allan Poe Review
660:The Edgar Allan Poe Review
447:He explained that, though
440:Eddy writing a story with
1609:Tamerlane and Other Poems
1087:
578:adapted from "Hop-Frog".
484:'s 1896 painting titled,
48:
37:
1384:The Pit and the Pendulum
1293:The Man That Was Used Up
861:. Carbondale, Illinois:
547:The Phantom of the Opera
488:, is based on the story.
1496:The Cask of Amontillado
1475:The Imp of the Perverse
1461:Some Words with a Mummy
1286:The Devil in the Belfry
893:. Baltimore, Maryland:
845:Tuchman (1979), 503–505
821:. Baltimore, Maryland:
444:a name as 'Hop-Frog'!"
359:, and Locke's husband.
297:The Cask of Amontillado
1899:Mass murder in fiction
1869:Fiction about regicide
1729:National Historic Site
1699:David Poe Jr. (father)
1528:Maelzel's Chess Player
1184:A Dream Within a Dream
612:A Dream Within a Dream
467:
392:Joan, Duchess of Berry
292:
273:
169:against a woman named
1874:Fiction about revenge
1244:MS. Found in a Bottle
1230:The Duc de L'Omelette
1043:The Flag of Our Union
855:Morgan, Jack (2002).
665:In 2020, the British
638:'s 2003 double album
625:National Public Radio
592:as "Trippetta", with
462:
449:The Flag of Our Union
430:Maturin Murray Ballou
417:The Flag of Our Union
404:The Biology of Horror
286:
108:The Flag of Our Union
1914:Works about dwarfism
1894:Horror short stories
1817:The Man with a Cloak
1563:Eureka: A Prose Poem
1556:The Poetic Principle
1454:The Purloined Letter
1440:The Angel of the Odd
1426:The Premature Burial
1328:The Man of the Crowd
1021:at Wikimedia Commons
924:#11 (February 1954).
379:Charles VI of France
269:this is my last jest
1889:Fictional regicides
1757:film and television
1391:The Tell-Tale Heart
1135:The City in the Sea
920:(art): "Hop-Frog".
580:Michael J. Anderson
410:Publication history
345:Thomas Dunn English
321:Sarah Helen Whitman
299:", is one of Poe's
154:by American writer
58:Original title
1864:1849 short stories
1752:In popular culture
1694:Eliza Poe (mother)
1149:The Conqueror Worm
1142:The Haunted Palace
865:. pp. 41–42.
603:American Playhouse
486:Hop-Frog's Revenge
476:Henri Desfontaines
468:
333:Elizabeth F. Ellet
293:
171:Elizabeth F. Ellet
1884:Fictional jesters
1851:
1850:
1841:The Pale Blue Eye
1363:The Oval Portrait
1121:Sonnet to Science
1017:Media related to
1005:Works related to
785:. New York City:
667:experimental rock
629:Winifred Phillips
516:(1964), starring
426:Frederick Gleason
357:Ermina Jane Locke
295:The story, like "
243:and covered with
140:
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119:Frederick Gleason
16:(Redirected from
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1663:The Balloon-Hoax
1447:Thou Art the Man
1321:The Business Man
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550:(directed by
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1398:The Gold-Bug
1090:Bibliography
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1041:"Hop-Frog",
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177:Plot summary
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103:Published in
61:
1844:(2022 film)
1836:(2012 film)
1828:(2004 play)
1820:(1951 film)
1812:(1942 film)
1804:(1915 film)
1796:(1909 film)
1769:Poe Toaster
1719:Poe Cottage
1601:Collections
1205:Annabel Lee
646:David Bowie
620:Radio Tales
576:Fool's Fire
482:James Ensor
455:Adaptations
289:James Ensor
152:short story
98:Publication
92:Short story
39:Short story
1858:Categories
1785:Portrayals
1735:The Stylus
1714:Poe Museum
789:. p.
688:References
671:Black Midi
652:Lance Tait
623:series on
594:Tom Hewitt
585:Twin Peaks
531:overdubbed
265:distinctly
263:I now see
237:orangutans
233:masquerade
160:orangutans
125:Media type
33:"Hop-Frog"
1833:The Raven
1801:The Raven
1198:The Bells
1170:The Raven
1114:Al Aaraaf
1107:Tamerlane
959:: 80–82.
922:Nightmare
641:The Raven
608:The Bells
570:In 1992,
559:Nightmare
538:Universal
474:director
434:Hop-Frog!
115:Publisher
1737:magazine
1636:Politian
1558:" (1846)
1551:" (1846)
1544:" (1844)
1537:" (1840)
1530:" (1836)
1512:" (1849)
1510:Hop-Frog
1505:" (1846)
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1356:Eleonora
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1251:Berenice
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1191:Eldorado
1186:" (1849)
1179:" (1847)
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1158:" (1843)
1151:" (1843)
1144:" (1839)
1137:" (1831)
1130:" (1831)
1128:To Helen
1123:" (1829)
1116:" (1829)
1109:" (1827)
1036:LibriVox
1031:Hop-Frog
1019:Hop-Frog
1007:Hop-Frog
965:41506252
656:Hop-Frog
636:Lou Reed
501:Hop-Frog
493:symphony
387:Wild Men
314:Berenice
279:Analysis
249:midnight
150:") is a
144:Hop-Frog
84:Genre(s)
76:Language
18:Hop Frog
1682:Related
1258:Morella
1237:Bon-Bon
1177:Ulalume
1163:Eulalie
610:" and "
523:gorilla
491:A 1926
365:baptism
301:revenge
228:goblets
224:alcohol
167:revenge
79:English
68:Country
1674:(1849)
1666:(1844)
1658:(1839)
1639:(1835)
1620:(1840)
1612:(1827)
1593:(1840)
1585:(1837)
1574:Novels
1566:(1848)
1520:Essays
1272:Ligeia
1156:Lenore
963:
935:Creepy
901:
869:
829:
797:
760:
716:
564:Creepy
542:Hammer
472:French
422:Boston
383:Norman
291:, 1898
88:Horror
1762:music
1742:Death
1647:Other
1215:Tales
1098:Poems
961:JSTOR
669:band
128:Print
1628:Play
899:ISBN
867:ISBN
827:ISBN
795:ISBN
758:ISBN
714:ISBN
561:and
442:such
438:your
420:, a
323:and
256:some
245:flax
217:king
984:NME
791:407
600:'s
598:PBS
582:of
510:'s
495:by
316:".
241:tar
41:by
1860::
981:.
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881:^
809:^
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20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
