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depicts his parterre design centered on the garden front of the
Luxembourg Palace. Basically a square within a square, it was crowned at the far end by a half circle the width of the inner square. The great square was centered on a pool of water with a single jet in a sunken plat surrounded by four
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Hazlehurst 1966, p. 56, suggests that the parterre could have been executed anytime after 11 April 1615, when the first stone for the palace was set, and that the garden had probably reached its definitive form by 1629, when the palace was almost finished (see p.
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and colored gravels, were set in wide gravel walks. The design, likely executed sometime between 1615 and 1629, expressed variety within a unified ensemble and was best appreciated from the windows of the
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Boyceau's book is the first French work to treat the esthetic of gardening, not simply its practice. It was designed for the patron rather than for the gardener, but it had an influence on the designs of
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The design, with its semi-circular exedra at the top, provided a model for a standard type of marquetry mirror frame that was produced in
Amsterdam and London, c. 1660–1680 (Percy Macquoid,
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Hazlehurst 1966, p. 60, suggests modifications were made soon after the exile of Marie de MĂ©dicis in 1631, when her monogram would no longer have been regarded as suitable.
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interrupted at their centers by circular motifs bearing outward-facing, smaller versions of the monogram. The compartments, all filled with fine
44:(French formal garden). His nephew Jacques de Menours, who produced the volume, included an engraved frontispiece with the portrait of Boyceau.
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Traité du iardinage selon les raisons de la nature et de l'art. Ensemble divers desseins de parterres, pelouzes, bosquets et autres ornements
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was published in 1638. Its sixty engravings after
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57:. The accompanying text asserts that some of these designs have been used at royal residences: the
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Metropolitan Museum, Jacques
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Laurent Paya (2012) on
Jacques Boyceau and the 1638 edition of
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compartments, each incorporating an inward-facing monogram of
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and ennobled for his efforts, as the sieur de la
Barauderie.
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According to the inscription on his portrait engraved by
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324:Jacques Boyceau and the French Formal Garden
232:, not "Baraudière" as is sometimes reported.
194:View from the palace, engraved by Zeillerus
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47:A few of the plates show formally planted
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30:Jacques Boyceau, sieur de la Barauderie
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374:Architectura website
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71:Versailles
34:Louis XIII
55:parterres
244:bosquets
226:Archived
126:rinceaux
114:spandrel
50:bosquets
372:at the
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130:boxwood
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