Knowledge (XXG)

James Roberts (painter)

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420: 102: 155: 473: 22: 98:, daughter of Hawkins, considered that flattery from Hayes was the reason her father agreed to sit for Roberts, that the result was uncharacteristic, and that the book shown was a novel. 554: 457: 510: 36:(1753–ca.1809) was a painter active in England in the later 18th century. He is best known as a portraitist, though he also painted landscapes and miniatures. 549: 529: 367: 325: 269: 419: 450: 539: 503: 244: 179: 299: 204: 171: 559: 534: 443: 496: 293: 86:
intended for a published series of engravings, but in the end only one issue of the engravings came out. He portrayed
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For a period Roberts worked in Oxford as a drawing master, where he fell under the influence of
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He was the son of a landscape engraver, also named James Roberts. He exhibited annually at the
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The Lost World of James Smithson: Science, Revolution and the Birth of the Smithsonian
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During this period (around 1784 to 1795) Roberts made drawings of the sculptures of
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Roberts worked on a set of dramatic portraits, to be engraved for the book series
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Information about James Roberts at the National Portrait Gallery website
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This article about a British painter born in the 18th century is a
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The Life and Work of William and Philip Hayes: 1708-1777--1738-1797
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The Life and Work of William and Philip Hayes: 1708-1777--1738-1797
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By 1795, Roberts had an appointment as portrait painter to the
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This biographical article about a painter from England is a
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The Dictionary of British Watercolour Artists up to 1920
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holds 52 portraits by Roberts or copied from his work.
161:, engraving of 1790 after Anne Damer and James Roberts 94:
was unique, the only portrait for which Hawkins sat.
127:, in 1788 and 1789. In 1789 he was designer for 90:in water-colour and in pastel. His portrait of 303:. Vol. 48. London: Smith, Elder & Co. 504: 451: 75:. While at Oxford he painted his portrait of 8: 208:(online ed.). Oxford University Press. 511: 497: 458: 444: 79:, for Smithson's M.A. graduation in 1786. 555:British painter, 18th-century birth stubs 239:. Antique Collectors' Club. p. 291. 205:Oxford Dictionary of National Biography 191: 29:1786, after a painting by James Roberts 197: 195: 320:. Taylor & Francis. p. 262. 294:"Roberts, James (fl.1775-1800)"  283: 281: 174:. He exhibited again annually at the 7: 469: 467: 416: 414: 123:Roberts was also a scene painter at 483:. You can help Knowledge (XXG) by 430:. You can help Knowledge (XXG) by 260:Heather Ewing (15 December 2010). 112:after James Roberts, a scene from 14: 550:18th-century English male artists 202:Wagstaff, John. "Hawkins, John". 180:National Portrait Gallery, London 471: 418: 300:Dictionary of National Biography 356:Simon Heighes (8 April 2014). 314:Simon Heighes (8 April 2014). 264:. A&C Black. p. 116. 1: 530:18th-century English painters 362:. Routledge. pp. 56–7. 222:UK public library membership 576: 466: 413: 540:English portrait painters 235:H. L. Mallalieu (1986). 96:Laetitia Matilda Hawkins 178:from 1795 to 1799. The 106:Marlborough Theatricals 214:10.1093/ref:odnb/12674 162: 120: 53:Bell's British Theatre 30: 560:English painter stubs 535:English male painters 383:"Notes and Queries". 157: 104: 73:John Baptist Malchair 24: 141:Henry Seymour Conway 130:The Maid of the Oaks 108:, 1788 engraving by 391:(Summer 1965): 144. 139:. a translation by 48:from 1773 to 1784. 163: 121: 84:Anne Seymour Damer 31: 492: 491: 439: 438: 369:978-1-135-61810-0 341:pastellists.com, 327:978-1-135-61817-9 271:978-1-4088-2075-9 220:(Subscription or 136:False Appearances 55:. These were for 567: 513: 506: 499: 475: 468: 460: 453: 446: 422: 415: 393: 392: 385:Theatre Notebook 380: 374: 373: 353: 347: 338: 332: 331: 311: 305: 304: 296: 285: 276: 275: 257: 251: 250: 232: 226: 225: 217: 199: 172:Duke of Clarence 145:Trompeurs Dehors 575: 574: 570: 569: 568: 566: 565: 564: 520: 519: 518: 517: 465: 464: 411: 402: 397: 396: 382: 381: 377: 370: 355: 354: 350: 339: 335: 328: 313: 312: 308: 287: 286: 279: 272: 259: 258: 254: 247: 234: 233: 229: 219: 201: 200: 193: 188: 168: 149:Louis de Boissy 125:Blenheim Palace 69: 42: 17: 16:English painter 12: 11: 5: 573: 571: 563: 562: 557: 552: 547: 542: 537: 532: 522: 521: 516: 515: 508: 501: 493: 490: 489: 476: 463: 462: 455: 448: 440: 437: 436: 423: 409: 408: 401: 400:External links 398: 395: 394: 375: 368: 348: 333: 326: 306: 291:, ed. (1896). 277: 270: 252: 245: 227: 190: 189: 187: 184: 167: 164: 77:James Smithson 68: 65: 41: 38: 15: 13: 10: 9: 6: 4: 3: 2: 572: 561: 558: 556: 553: 551: 548: 546: 543: 541: 538: 536: 533: 531: 528: 527: 525: 514: 509: 507: 502: 500: 495: 494: 488: 486: 482: 477: 474: 470: 461: 456: 454: 449: 447: 442: 441: 435: 433: 429: 424: 421: 417: 412: 407: 404: 403: 399: 390: 386: 379: 376: 371: 365: 361: 360: 352: 349: 346: 344: 343:James Roberts 337: 334: 329: 323: 319: 318: 310: 307: 302: 301: 295: 290: 284: 282: 278: 273: 267: 263: 256: 253: 248: 246:1-85149-025-6 242: 238: 231: 228: 223: 215: 211: 207: 206: 198: 196: 192: 185: 183: 181: 177: 176:Royal Academy 173: 165: 160: 156: 152: 150: 146: 142: 138: 137: 132: 131: 126: 119: 115: 114:David Garrick 111: 107: 103: 99: 97: 93: 89: 85: 80: 78: 74: 67:Oxford period 66: 64: 62: 58: 54: 49: 47: 46:Royal Academy 39: 37: 35: 34:James Roberts 28: 23: 19: 485:expanding it 478: 432:expanding it 425: 410: 388: 384: 378: 358: 351: 342: 336: 316: 309: 298: 261: 255: 236: 230: 203: 169: 158: 144: 134: 128: 122: 118:The Guardian 117: 105: 92:John Hawkins 88:Philip Hayes 81: 70: 52: 50: 43: 33: 32: 27:John Hawkins 18: 545:1753 births 289:Lee, Sidney 524:Categories 224:required.) 166:Later life 159:The Osprey 116:'s comedy 110:John Jones 40:Early life 57:John Bell 366:  324:  268:  243:  218: 133:, and 61:vellum 345:(PDF) 186:Notes 481:stub 428:stub 364:ISBN 322:ISBN 266:ISBN 241:ISBN 25:Sir 389:XIV 210:doi 147:by 143:of 526:: 387:. 297:. 280:^ 194:^ 151:. 63:. 512:e 505:t 498:v 487:. 459:e 452:t 445:v 434:. 372:. 330:. 274:. 249:. 216:. 212::

Index


John Hawkins
Royal Academy
John Bell
vellum
John Baptist Malchair
James Smithson
Anne Seymour Damer
Philip Hayes
John Hawkins
Laetitia Matilda Hawkins

John Jones
David Garrick
Blenheim Palace
The Maid of the Oaks
False Appearances
Henry Seymour Conway
Louis de Boissy

Duke of Clarence
Royal Academy
National Portrait Gallery, London


Oxford Dictionary of National Biography
doi
10.1093/ref:odnb/12674
UK public library membership
ISBN

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