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To this core of prayers, John added a Book of
Figures intended to serve as a devotional and meditative focus for the prayers, and an autobiographical account of his visionary experiences which he called the Book of Visions. Here he describes his first vision of the virgin Mary at Chartres, his later
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After assuming a high-ranking position as provost of
Morigny in 1308, John continued to elaborate his work. By 1310 he had added the first version of a Book of Figures, sending out new materials to a growing circle of followers. He also added a Book of Visions, which narrates his journey from sin to
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The Book of
Figures was rewritten twice before gaining the Virgin's approval for its release, and rewritten again in 1315 in response to external criticism by certain unnamed "barking dogs" that the figures looked too much like necromancy. According to the
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in 1323. However various versions of the work survive in manuscript copies with a broad distribution across Europe. Most manuscripts show traces of personalization by users, testifying to the work's ongoing importance after the condemnation.
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has at its core a Book of
Prayers, written at the University of Orléans between 1301 and 1308, promising infused knowledge of the liberal arts and other disciplines to operators who obtain the Virgin’s license to use it.
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Both works direct the reader through a long and detailed series of fasts and prayers that promise to give the reader knowledge of the liberal arts and improve memory, eloquence and perseverance.
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Edition and
Commentary by Claire Fanger and Nicholas Watson. Toronto: Pontifical institute of Medieval Studies, 2015 (
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magical practices, his encounters with demons, and his ultimate rejection of magic arts under the Virgin’s protection.
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Rewriting Magic: An
Exegesis of the Visionary Autobiography of a Fourteenth-century French Monk
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For John's biography, see Watson's
Introduction A, in Claire Fanger and Nicholas Watson,
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Born in the last quarter of the 13th century, John of
Morigny began his education at the
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Un moment vécu d'éternité. Histoire médiévale des apparitions mariales (V°-XV° siècles)
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The Book of
Visions was translated by Claire Fanger and Nicholas Watson in 2001 as
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202:"Manuscripts and manuscript catalogues with entries for Liber florum"
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Manuscripts and manuscript catalogues with entries for Liber florum
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Le Ciel sur la Terre. Les apparitions de la Vierge au Moyen Ă‚ge.
190:"The Prologue of John of Morigny's Liber Visionum: Introduction"
179:(University Park: Penn State University Press, 2015), chapter 4.
165:"The Prologue of John of Morigny's Liber Visionum: Translation"
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L'Ars notoria au Moyen Age. Introduction et Ă©dition critique.
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Sylvie Barnay, "La mariophanie au regard de Jean de
Morigny"
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L'Ars notoria au Moyen Age. Introduction et Ă©dition critique
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adapts the structure and goals of a work of late medieval
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See Fanger's Introduction B in Fanger and Watson, eds.,
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73:redemption as well as that of his sister, Bridget.
253:Edition of several manuscripts in Sylvie Barnay,
154:(Florence: Sismel - Edizioni del Galluzzo, 2007).
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19:(end 13th century - 14th century) was a French
23:renowned for his work on the form of medieval
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150:On the Ars notoria see Julien Véronèse,
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114:was confiscated and publicly burned at
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188:Claire Fanger and Nicholas Watson,
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262:"Prologue to the Liber Visionum."
240:The Flowers of Heavenly Teaching.
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