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redrew France's borders, Böninger moved the factory to Paris to avoid the new import taxes. Langer returned to Düsseldorf, where he helped resurrect the academy and once more took up his position as director, with special attention to the art gallery. In 1806, when the gallery was moved to Munich, he
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In 1781, he married Maria
Josepha Kleyen (1760–1843), daughter of the engraver Johann Joseph Kleyen, and they had three sons. She created etchings under the name "Josephine Langen" and one of their sons,
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He was named a professor at the academy in 1784. Five years later, after a lengthy study trip in
Holland, he became its director. In 1794, when the
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4th edition. Volume 10, Verlag des
Bibliographischen Instituts, Leipzig/Vienna 1885–1892, p. 503.
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His paintings were mostly religious in nature. Many of his sketches and drawings are preserved at the
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The estate of Johann Peter and Robert von Langer in the
Bayerischen Staatsbibliothek
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294:(in German), vol. 17, Leipzig: Duncker & Humblot, pp. 678–679
337:(in German), vol. 13, Berlin: Duncker & Humblot, pp. 591–593
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brought a halt to activities at the academy, he and his family moved to
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Malerwerke des neunzehnten
Jahrhunderts. Beitrag zur Kunstgeschichte
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His father, Anton Langer (1721–1788), was the gardener for the
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followed it there and became the first director of the new
162:) was a German painter, engraver and wallpaper designer.
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227:was said to be one of their regular customers.
266:"Johann Peter von Langer", The British Museum
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402:Academic staff of Kunstakademie Düsseldorf
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185:. He began his studies in 1775, under
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360:Johann Peter Langer
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