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Ghiselin maintained a connection both with the French court and
Ferrara, occasionally serving as an emissary. After Josquin accepted the offer of employment in Ferrara in 1503, Ghiselin traveled with him from Paris to Ferrara, arriving on April 12 "in a splendid carriage". Ghiselin apparently
130:. Ghiselin's masses were well-known and respected, as is made clear by Petrucci choosing to publish an entire book of them, only the second book he published devoted to masses by a single composer (1503). Most of his masses are based on
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along with other students of that famous composer, it has been inferred that he may have studied with
Ockeghem, although if so, it is not known if this occurred before coming to Italy or during the mid-1490s.
118:. He probably died between then and 1511, since the records for those years are missing, and when the records resume his name is absent, and there are no further records of his activity.
51:'s decision to print a complete book of his masses immediately after his similar publication of masses by Josquin – only the second such publication in music history.
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107:, who had recently joined the spectacular musical establishment at the Estense court, remained behind, and succumbed to the contagion in July 1505.
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157:, as well as some instrumental music. His setting of "La Spagna" for four parts is probably one of the earliest settings of this famous
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As with
Josquin, Ghiselin was interested in solutions to the musical problems posed by the multiple-movement setting of the
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90:, and it is possible that he went to France and/or the Low Countries immediately after that. Since he is listed in
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sent him to France to get some singers for the Este chapel that same year. In 1492 and 1493 he was a singer in
63:, from archival mentions of him as being "da Piccardia" and "fiamengo". He may have been associated with the
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Clytus
Gottwold: "Johannes Ghiselin", Grove Music Online, ed. L. Macy (Accessed November 28, 2006),
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remained in
Ferrara until 1505, when both he and Josquin fled the outbreak of the plague there;
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Little is known about his early life, but it can be inferred that he was from the south
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Ghiselin evidently returned to the Low
Countries after fleeing Ferrara, for he was in
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for him; however, no documentary record of his having been there has yet been found.
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47:, and secular music. His reputation was considerable, as shown by music printer
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Salve Mater Salve Jesu, Chant and
Polyphony From Bohemia Around 1500
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tune for multiple parts, although its date has not been determined.
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and
Barbara Maria Willi, 2007 (KTC 1346). Contains a recording of
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The first direct record of
Ghiselin is in 1491, when he was in
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Ghiselin also wrote motets, chansons, secular songs in
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114:in 1507, receiving a considerable stipend at the
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194:. New York, W.W. Norton & Co., 1954.
248:Free scores by Johannes Verbonnet Ghiselin
252:International Music Score Library Project
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67:chapel in the 1470s during the time of
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177:. Oxford, Oxford Univ. Press, 2000.
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298:French composers of sacred music
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279:, a motet by Johannes Ghiselin.
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165:References and further reading
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273:Schola Gregoriana Pragensis
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313:French classical composers
192:Music in the Renaissance
116:Onze Lieve Vrouwe Gilde
293:Renaissance composers
206:(subscription access)
175:The Josquin Companion
134:, including works by
71:, since he composed
308:16th-century deaths
122:Music and influence
211:2008-05-16 at the
140:Alexander Agricola
49:Ottaviano Petrucci
277:O gloriosa Domina
27:1455–1511) was a
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303:1455 births
92:Jean Crétin
61:Netherlands
33:Renaissance
287:Categories
159:bassadanza
65:Burgundian
259:Recording
21:Verbonnet
209:Archived
132:chansons
96:Ockeghem
88:Florence
254:(IMSLP)
250:at the
173:, ed.,
80:Ferrara
29:Flemish
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45:motets
41:masses
219:Notes
155:Dutch
196:ISBN
179:ISBN
128:mass
55:Life
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25:fl.
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