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Johannes Tapissier

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89:, written around 1400, lists Tapissier as being among the most famous French poets, singers, and composers of the time. Around the time this account was written, and into the first decade of the 15th century, Tapissier ran a singing school in Paris; records from the Burgundian court indicate that they sent boys there to learn to sing. The peak of development of the Burgundian court chapel was in 1404, before the death of Philip, when it surpassed in splendor the chapels of the 80:
style. He was perhaps one of the contributors to the repertory, but if he left any secular music, or any music in the complex, mannered style, it has either been lost or remains anonymous.
97:, the new Duke of Burgundy, in 1408, and they performed at services later that same year. Tapissier was dead by August 1410, but no further details on the circumstances have emerged. 93:
at Avignon and the king of France, and many of Tapissier's students would have contributed to this development. Further court records show that his students "auditioned" for
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at least twice (1391, and again in 1395), where he doubtless encountered the composers and music of the Avignon repertory; Avignon then was the center of composition on the
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All of his compositions are for three voices. Although they are all sacred, they are stylistically more akin to the
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Tapissier seems to have been mostly forgotten before the 20th-century; in 1866, the musicologist
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Craig Wright: "Johannes Tapissier", Grove Music Online, ed. L. Macy (Accessed January 7, 2006),
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remarked that the names Tapissier, Carmen and Cesaris were unknown to music scholars.
553: 318: 176: 76: 475: 400: 152: 445: 72: 350: 90: 187: 160: 68: 307:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. 355: 183:, wrote a Gloria which forms a probable pair with Tapissier's Credo 59:
The first record of his life is from 1391, when he was hired as a "
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1370 – 1408 to 1410) was a French composer and teacher of the late
273: 156: 359: 291: 526: 505: 484: 393: 151:Only three pieces by Tapissier have survived: two 67:. He went with the duke on his travels, going to 268:(in French). Vol. 1 (2nd ed.). Paris: 305:The New Grove Dictionary of Music and Musicians 190:of the time than to most other mass movements. 100:Tapissier is among the musicians mentioned by 39:style. He was one of the first members of the 371: 43:, the group of composers associated with the 8: 378: 364: 356: 325:(revised ed.). New York, New York: 199: 206:Wright, "Tapissier, Johannes", Grove. 118:N'a pas longtemps si bien chanterrent 7: 590:Arts in the court of Philip the Good 265:Biographie universelle des musiciens 233:Wright, "Tapissier, Johannes", Grove 35:, in the period transitional to the 132:Not long ago they did sing so well, 135:That they astonished all of Paris) 14: 63:" and composer for the court of 570:French male classical composers 86:Règles de la seconde rhĂ©torique 179:, one of the composers of the 1: 575:15th-century French composers 303:Craig Wright, "Burgundy", in 28: 121:Qu'ilz esbahirent tout Paris 560:Burgundian school composers 611: 565:French classical composers 327:W. W. Norton & Company 272:. p. 417 – via 224:Wright, "Burgundy", Grove 323:Music in the Renaissance 126:(Tapissier, Carmen, and 595:Medieval male composers 253:FĂ©tis, François-Joseph 539:Franco-Flemish School 292:(subscription access) 173:Roman Catholic Church 141:François-Joseph FĂ©tis 106:Le Champion des dames 47:, and from which the 585:15th-century deaths 436:Hayne van Ghizeghem 270:Firmin Didot Frères 112:Tapissier, Carmen, 471:Johannes Tapissier 466:Guillaume le Rouge 351:Tapissier at HOASM 297:2008-05-16 at the 171:which divided the 167:which laments the 104:in his long poem, 17:Johannes Tapissier 547: 546: 534:Music of Burgundy 451:Reginaldus Libert 406:Arnold de Lantins 387:Burgundian School 336:978-0-393-09530-2 165:isorhythmic motet 95:John the Fearless 51:style developed. 45:Dukes of Burgundy 41:Burgundian School 602: 513:Guillaume Du Fay 497:Johannes Legrant 421:Johannes Cesaris 380: 373: 366: 357: 340: 278: 277: 261: 249: 243: 240: 234: 231: 225: 222: 216: 213: 207: 204: 61:valet de chambre 30: 610: 609: 605: 604: 603: 601: 600: 599: 550: 549: 548: 543: 522: 501: 492:Hugo de Lantins 480: 456:Clement Liebert 431:Pierre Fontaine 416:Antoine Busnois 411:Gilles Binchois 389: 384: 347: 337: 317: 299:Wayback Machine 287: 282: 281: 259: 251: 250: 246: 241: 237: 232: 228: 223: 219: 214: 210: 205: 201: 196: 149: 102:Martin le Franc 65:Philip the Bold 57: 12: 11: 5: 608: 606: 598: 597: 592: 587: 582: 577: 572: 567: 562: 552: 551: 545: 544: 542: 541: 536: 530: 528: 524: 523: 521: 520: 518:John Dunstaple 515: 509: 507: 503: 502: 500: 499: 494: 488: 486: 482: 481: 479: 478: 473: 468: 463: 458: 453: 448: 443: 441:Nicolas Grenon 438: 433: 428: 423: 418: 413: 408: 403: 397: 395: 391: 390: 385: 383: 382: 375: 368: 360: 354: 353: 346: 345:External links 343: 342: 341: 335: 319:Reese, Gustave 315: 301: 286: 283: 280: 279: 257:"Aaron—Bohrer" 244: 235: 226: 217: 208: 198: 197: 195: 192: 169:Western Schism 148: 145: 137: 136: 133: 130: 123: 122: 119: 116: 83:The anonymous 56: 53: 49:Franco-Flemish 25:Jean de Noyers 21:Jean Tapissier 13: 10: 9: 6: 4: 3: 2: 607: 596: 593: 591: 588: 586: 583: 581: 578: 576: 573: 571: 568: 566: 563: 561: 558: 557: 555: 540: 537: 535: 532: 531: 529: 525: 519: 516: 514: 511: 510: 508: 504: 498: 495: 493: 490: 489: 487: 483: 477: 474: 472: 469: 467: 464: 462: 461:Robert Morton 459: 457: 454: 452: 449: 447: 444: 442: 439: 437: 434: 432: 429: 427: 424: 422: 419: 417: 414: 412: 409: 407: 404: 402: 399: 398: 396: 392: 388: 381: 376: 374: 369: 367: 362: 361: 358: 352: 349: 348: 344: 338: 332: 328: 324: 320: 316: 314: 313:1-56159-174-2 310: 306: 302: 300: 296: 293: 289: 288: 284: 275: 271: 267: 266: 258: 254: 248: 245: 242:Reese, p. 12. 239: 236: 230: 227: 221: 218: 215:Reese, p. 13. 212: 209: 203: 200: 193: 191: 189: 184: 182: 181:ars subtilior 178: 177:Baude Cordier 174: 170: 166: 162: 158: 155:movements (a 154: 146: 144: 142: 134: 131: 129: 125: 124: 120: 117: 115: 111: 110: 109: 107: 103: 98: 96: 92: 88: 87: 81: 79: 78: 77:ars subtilior 74: 70: 66: 62: 54: 52: 50: 46: 42: 38: 34: 26: 22: 18: 580:1370s births 476:Jacobus Vide 470: 401:Adrien Basin 322: 304: 263: 247: 238: 229: 220: 211: 202: 185: 180: 150: 138: 105: 99: 84: 82: 75: 58: 24: 20: 16: 15: 446:Gilles Joye 426:Jean Cousin 73:manneristic 37:Renaissance 33:Middle Ages 554:Categories 506:Influences 194:References 163:), and an 485:Uncertain 394:Composers 321:(1959). 295:Archived 255:(1866). 188:chansons 91:antipope 527:Related 285:Sources 161:Sanctus 128:Cesaris 114:Cesaris 69:Avignon 333:  311:  159:and a 19:(also 274:IMSLP 260:(PDF) 157:Credo 147:Music 331:ISBN 309:ISBN 153:mass 55:Life 27:) ( 556:: 329:. 262:. 175:. 108:: 29:c. 23:, 379:e 372:t 365:v 339:. 276:.

Index

Middle Ages
Renaissance
Burgundian School
Dukes of Burgundy
Franco-Flemish
valet de chambre
Philip the Bold
Avignon
manneristic
ars subtilior
Règles de la seconde rhétorique
antipope
John the Fearless
Martin le Franc
Cesaris
Cesaris
François-Joseph Fétis
mass
Credo
Sanctus
isorhythmic motet
Western Schism
Roman Catholic Church
Baude Cordier
chansons
Fétis, François-Joseph
"Aaron—Bohrer"
Biographie universelle des musiciens
Firmin Didot Frères
IMSLP

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