100:, written around 1400, lists Tapissier as being among the most famous French poets, singers, and composers of the time. Around the time this account was written, and into the first decade of the 15th century, Tapissier ran a singing school in Paris; records from the Burgundian court indicate that they sent boys there to learn to sing. The peak of development of the Burgundian court chapel was in 1404, before the death of Philip, when it surpassed in splendor the chapels of the
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style. He was perhaps one of the contributors to the repertory, but if he left any secular music, or any music in the complex, mannered style, it has either been lost or remains anonymous.
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at
Avignon and the king of France, and many of Tapissier's students would have contributed to this development. Further court records show that his students "auditioned" for
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at least twice (1391, and again in 1395), where he doubtless encountered the composers and music of the
Avignon repertory; Avignon then was the center of composition on the
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All of his compositions are for three voices. Although they are all sacred, they are stylistically more akin to the
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Tapissier seems to have been mostly forgotten before the 20th-century; in 1866, the musicologist
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Craig Wright: "Johannes
Tapissier", Grove Music Online, ed. L. Macy (Accessed January 7, 2006),
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remarked that the names
Tapissier, Carmen and Cesaris were unknown to music scholars.
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The first record of his life is from 1391, when he was hired as a "
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1370 – 1408 to 1410) was a French composer and teacher of the late
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162:Only three pieces by Tapissier have survived: two
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279:(in French). Vol. 1 (2nd ed.). Paris:
316:The New Grove Dictionary of Music and Musicians
201:of the time than to most other mass movements.
111:Tapissier is among the musicians mentioned by
50:style. He was one of the first members of the
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336:(revised ed.). New York, New York:
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217:Wright, "Tapissier, Johannes", Grove.
129:N'a pas longtemps si bien chanterrent
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601:Arts in the court of Philip the Good
276:Biographie universelle des musiciens
244:Wright, "Tapissier, Johannes", Grove
46:, in the period transitional to the
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146:That they astonished all of Paris)
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74:" and composer for the court of
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334:Music in the Renaissance
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606:Medieval male composers
264:Fétis, François-Joseph
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184:Roman Catholic Church
152:François-Joseph Fétis
117:Le Champion des dames
58:, and from which the
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447:Hayne van Ghizeghem
281:Firmin Didot Frères
123:Tapissier, Carmen,
482:Johannes Tapissier
477:Guillaume le Rouge
362:Tapissier at HOASM
308:2008-05-16 at the
182:which divided the
178:which laments the
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545:Music of Burgundy
462:Reginaldus Libert
417:Arnold de Lantins
398:Burgundian School
347:978-0-393-09530-2
176:isorhythmic motet
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174:), and an
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332:(1959).
306:Archived
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102:antipope
538:Related
296:Sources
172:Sanctus
139:Cesaris
125:Cesaris
80:Avignon
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170:and a
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271:(PDF)
168:Credo
158:Music
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66:Life
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