29:
331:
243:
315:. The head and body's composition are similar: both have their head slightly tiled to an angle, both forms end below the waist, horizontal marks on Lucretia dress may mirror David's bone structure, and Lucretia's chain across her dress is similar to the line of David’s shirt. While David is holding the head of Goliath, the Rembrandt shows Lucretia holding her bed tassel. Recent scholarship and exhibitions have unearthed striking connections between Rembrandt and Caravaggio. Art historian
198:
232:. While her husband was out doing his duty, her husband's friend Sextus and few of his men went to visit her. They wanted to see which man had the most virtuous wife. Lucretia graciously hosted her husband's guests, and as nightfall came all the men left, except Sextus. He was determined to have Lucretia for himself. After a couple of days had passed, he went back and told her she either sleep with him, or be killed with her servant, to be framed as an affair gone wrong.
212:
her right hand, she grips the dagger which has caused the wound to her heart, while the left hand is gripping what appears to be a bed tassel. This depiction of
Lucretia is not supposed to represent idealised beauty, rather, it accentuates the anguish she is experiencing after losing her honour. Her face embodies her despair and hopelessness, her skin is pale, and her lips are small and express her grief.
185:" arose. She had expected to marry him, after he had given her a ring belonging to his deceased wife. Rembrandt promised to pay a settlement to Dircx, on the condition that she would not change her will, which named Titus as her heir. After years of blackmailing Rembrandt, in 1650, Geertje was sent to a woman's house of correction.
211:
In this depiction of
Lucretia, she is wearing an ornate gold dress and pearl earrings, indicating her status as a woman of wealth. Her dress is somewhat disarrayed, exposing her under garment. The fabric of her undergarment is stained with blood, signifying her own acceptance of impending death. In
188:
During the trial, Rembrandt hired
Hendrickje as a housekeeper, and she became his new mistress. Even though Hendrickje and Rembrandt never married, she became his longtime partner and remained together up till Hendrickje's death. Alpers noted the patriarchal motives underlying the 1666 painting may
269:. It follows the iconographic tradition which shows Lucretia clutching the dagger before she stabbed herself. Rembrandt was known to have used family and friends as models for his paintings; the 1664 Lucretia is in the likeness of his daughter-in-law
299:'s influence spread to the Netherlands and provided adaptation of figural postures, structural principle and dark shadows. Caravaggio's style often included illuminated figures, spot-lit, emerging from surrounding shadow – a technique called
228:. During the ancient Roman and Greek era, legends of women committing suicide to keep their virtue pure were popular. It was a way to promote feminine ideals to women. As the legend goes, Lucretia was a noblewoman who was married to
189:
be
Rembrandt's guilt for not marrying Hendrickje, and the displacement of his domestic life. He knew of Hendrickje's experience and pain and used her as "Lucretia" to explore the full humanity of a woman – a tragic object of desire.
307:; she is illuminated as the focus of the painting. The dark shadowing on her face and the dark background pull her towards the viewer. There is evidence that Rembrandt pulled inspiration from Caravaggio's compositions, especially
1620:
239:, and her husband. When they arrived, she explained what had happened to her. She considered death as the only suitable punishment for her losing her chastity and value as a wife, by being raped. She stabbed herself.
133:
eras. She committed suicide to defend her honor after being raped by an
Etruscan king's son. For her self-sacrifice she is known as a heroine to the Romans, who celebrated the feminine ideals of virtue and chastity.
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when she gave birth to their illegitimate daughter, Cornelia van Rijn. She shared the guilt of the reified and sexually compromised woman which limited their position within patriarchy.
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to care for Titus. Rembrandt and Dircx soon became lovers and their relationship lasted several years. When they split, a court case for "
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possibly part of the collection of Jean-Baptist, by Nov. 1802 (Biikker/Schapelhouman/Krekeler 2014, online supplement p.21-22)
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published a study in 2020 that uses x-rays, palette comparisons and overlay analysis technology to show how
Rembrandt created
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Russell, Margarita (December 1888). "Rembrandt's
Enterprise:The Studio and the Market by Svetlana Alpers".
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Rembrandt's
Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands
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Rembrandt's
Bankruptcy: the Artist, His Patrons, and the Art Market in Seventeenth-Century Nederlands
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Rembrandt never married
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period. Rembrandt was one of the many Dutch artists who carried the story throughout
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110.2 cm × 92.3 cm (43.4 in × 36.3 in)
707:. Royal Society for the Encouragement of Art, Manufactures and Commerce: 60–62.
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782:, by Arthur M. Young, University of Pittsburgh Press, 1964, pp. 59–126.
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Link to historical findings on Rembrandt Lucretia and Caravaggio comparison
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Becker, Emil (June 1910). "Hendrickje Stoffels the Companion of Rembrand".
125:. It is an oil painting on canvas that depicts a myth about a woman named
280:
that the 1666 figure is not Lucretia, but in fact another Roman heroine,
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This painting depicts an ancient Roman legend written by Roman historian
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457:"Lucretia, Rembrandt Harmensz. van Rijn ^ Minneapolis Institute of Art"
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303:. Rembrandt borrowed influence from this style of artwork, evident in
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Hults, Linda C. “Dürer's ‘Lucretia’: Speaking the Silence of Women.”
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162:. Hendrickje had been chastised for "living like a whore", by the
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that there is a significant link to the painting and his mistress
224:, who covered the period from early Rome through to the reign of
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Becker, Emil. “Hendrickje Stoffels the Companion of Rembrandt.”
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Private Collection Lydia Augusta Jones, Minneapolis (Minnesota)
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785:
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Private Collection John Calvert Wombwell, London (England)
768:, vol. 137, no. 5389, 1988, pp. 60–62. Russell, Margarita
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Pendant portraits of Maerten Soolmans and Oopjen Coppit
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Diana Bathing with her Nymphs with Actaeon and Callisto
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Private collection Michal Hieronim Radziwill, Nieborów
619:
Small, Jocelyn Penny (1976). "The Death of Lucretia".
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Minneapolis Institute of Art, Minneapolis (Minnesota)
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Lucretia was a popular subject for artists during the
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Private Collection J. Purvis Carter, London/Florence
592:
Hirst, Michael (April 1968). "Rembrandt and Italy".
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Private collection Jean-Baptiste Wiscar, Lille/Rome
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284:, who stabbed herself to encourage her husband,
903:Bust of a Man Wearing a Gorget and Plumed Beret
771:Small, Jocelyn Penny. “The Death of Lucretia.”
235:The next day, she sent a letter to her father,
1780:Self-Portrait Wearing a White Feathered Bonnet
511:Signs: Journal of Women in Culture and Society
1820:Self-Portrait with Beret and Turned-Up Collar
1804:Self-Portrait in a Black Beret and Gold Chain
801:
481:The Story of Lucretia: Echoes of Two Cultures
8:
1207:The Archangel Raphael Leaving Tobias' Family
1768:Portrait of a Young Man with a Golden Chain
761:. Cambridge: University Press, 2006. Print.
1467:Ahasuerus and Haman at the Feast of Esther
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416:Descent from her husband Herschel V. Jones
408:1928-1927/1928 (Weller et al. 2011, no.50)
18:
775:, vol. 80, no. 4, 1976, pp. 349–360.
747:, vol. 22, no. 6, 1910, pp. 324–332.
288:, who was sentenced to death by suicide.
1629:Portrait of a Man Rising from His Chair
975:The Anatomy Lesson of Dr. Nicolaes Tulp
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380:1853-06-04 – 1862-06-28 date of auction
259:Rembrandt painted another depiction of
871:Suffer little children to come unto me
1459:Moses Breaking the Tablets of the Law
7:
2003:Descent from the Cross by Torchlight
1159:Samson Threatening His Father-In-Law
754:, vol. 16, no. 2, 1991, pp. 205–237.
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388:1877-after 1877 (Hudson 1969, no.21)
323:as a feminized copy of Caravaggio's
158:. In 1663, when he portrayed her as
2244:Mythological paintings by Rembrandt
1736:Self-Portrait with Dishevelled Hair
393:Reinhardt Galleries, New York City
1709:Portrait of a Man with Arms Akimbo
1491:The Conspiracy of Claudius Civilis
509:: Speaking the Silence of Women".
68:A Corpus of Rembrandt Paintings VI
14:
1836:Self-Portrait as the Apostle Paul
1435:Jacob Blessing the Sons of Joseph
1427:The Anatomy Lesson of Dr. Deijman
1231:Landscape with the Good Samaritan
505:Hults, Linda C. (1991). "Dürer's
483:. University of Pittsburgh Press.
2059:Cultural depictions of Rembrandt
1844:Self-Portrait as Zeuxis Laughing
1331:Abraham Serving the Three Angels
563:"Rembrandt Chronology 1636–1650"
27:
2019:The Virgin and Child with a Cat
1693:Portrait of Catharina Hooghsaet
1127:The Prodigal Son in the Brothel
1039:The Storm on the Sea of Galilee
773:American Journal of Archaeology
621:American Journal of Archaeology
2027:Christ Presented to the People
1868:Self-Portrait at the Age of 63
1852:Self-Portrait with Two Circles
1788:Self-Portrait at the Age of 34
1613:Portrait of Jacob de Gheyn III
1563:The Return of the Prodigal Son
1379:Aristotle with a Bust of Homer
967:Andromeda Chained to the Rocks
437:List of paintings by Rembrandt
396:1926-1926 (Judson 1969, no.21)
336:David with the Head of Goliath
276:There has been speculation by
1:
2092: (1954 documentary film)
1507:Syndics of the Drapers' Guild
1199:The Preacher Eleazar Swalmius
1047:A Lady and Gentleman in Black
311:, in the case of Rembrandt's
1191:Landscape with Arched Bridge
1135:Raising of the Cross (study)
1031:The Shipbuilder and his Wife
927:The Parable of the Rich Fool
863:The Stoning of Saint Stephen
123:Minneapolis Institute of Art
95:Minneapolis Institute of Art
1661:Portrait of Petronella Buys
1645:Portrait of Marten Soolmans
1621:Aeltje Pietersdr Uylenburgh
1499:Saint Matthew and the Angel
1387:A Woman Bathing in a Stream
1315:The Holy Family with Angels
1299:The Woman Taken in Adultery
1247:The Girl in a Picture Frame
1223:The Wedding Feast of Samson
911:Tobit and Anna with the Kid
150:. It has been suggested by
119:Rembrandt Harmensz van Rijn
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2089:Rembrandt: A Self-Portrait
1899:Joseph and Potiphar's Wife
1515:Homer Dictating his Verses
1255:The Scholar at the Lectern
405:, Minneapolis (Minnesota)
368:1853-06-04 date of auction
64:Rembrandt Research Project
16:1666 painting by Rembrandt
2211:
2145:I Am Rembrandt's Daughter
2054:Bibliography of Rembrandt
1760:Self-Portrait in a Gorget
1653:Portrait of Oopjen Coppit
1589:Portrait of Nicolaes Ruts
1547:Young Woman with a Lapdog
1475:The Denial of Saint Peter
1007:Philosopher in Meditation
999:Old Man with a Gold Chain
895:The Baptism of the Eunuch
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778:“The Story of Lucretia.”
479:Young M., Arthur (1964).
121:in the collection of the
26:
1923:The Artist and his Model
1717:Portrait of Dirck van Os
1637:Oval Portrait of a Woman
1239:Still Life with Peacocks
1151:The Entombment of Christ
951:Anna and the Blind Tobit
935:The Artist in his Studio
1931:The Death of the Virgin
1571:Landscape with a Castle
1443:Courtesan at her Mirror
1015:The Abduction of Europa
594:The Burlington Magazine
547:Crenshaw, Paul (2006).
461:collections.artsmia.org
267:National Gallery of Art
1677:Portrait of Maria Trip
1363:Descent from the Cross
1339:Susanna and the Elders
1183:The Blinding of Samson
1103:Descent from the Cross
1063:Descent from the Cross
959:The Raising of Lazarus
780:Echoes of Two Cultures
377:, Newcastle upon Tyne
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2254:Paintings of Lucretia
1971:Hundred Guilder Print
1395:Bathsheba at Her Bath
1023:Adoration of the Magi
919:The Flight into Egypt
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204:Bathsheba at Her Bath
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171:Saskia van Uylenburgh
164:Dutch Reformed Church
129:who lived during the
2202:Vereniging Rembrandt
2153:The Rembrandt Affair
2137:Rembrandt's J'Accuse
2097:Rembrandt fecit 1669
1271:Concord of the State
1143:The Rape of Ganymede
1055:Raising of the Cross
764:Russell, Margarita.
265:in 1664, now in the
1987:Goldweigher's Field
1963:Portrait of Jan Six
1685:Portrait of Jan Six
1605:Portrait of a Woman
1167:The Standard Bearer
991:Christ on the Cross
983:Christ with a Staff
551:. University Press.
401:Private Collection
373:Private Collection
278:Sir Lawrence Gowing
156:Hendrickje Stoffels
2140:(2008 documentary)
2121:Stealing Rembrandt
2108: (1995 novel)
2105:The Anatomy Lesson
1744:Rembrandt Laughing
1279:David and Jonathan
1111:Belshazzar's Feast
943:Samson and Delilah
887:Balaam and the Ass
360:Private collection
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309:Caravaggio's David
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2116: (1999 film)
2084: (1942 film)
2076: (1940 film)
2068: (1936 film)
2011:The Three Crosses
1701:Portrait of a Man
1669:A Polish Nobleman
1597:Portrait of a Man
1451:Saint Bartholomew
826:Lists of drawings
745:Fine Arts Journal
375:William W. Burdon
271:Magdalena Van Loo
183:breach of promise
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1995:Doctor Fautrieus
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1523:The Jewish Bride
1403:The Polish Rider
1355:The Kitchen Maid
1215:The Stone Bridge
879:History Painting
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324:
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255:Similar work
247:
246:Rembrandt's
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201:Rembrandt's
187:
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106:
105:
67:
33:
2132:(2007 film)
2124:(2003 film)
2100:(1977 film)
2044:Works about
1974:(1647–1649)
1887:(including
1855:(1665–1669)
1566:(1662–1669)
1366:(1650–1652)
1326:(1645–1648)
1026:(1632–1633)
766:RSA Journal
701:RSA Journal
659:www.nga.gov
193:Description
99:Minneapolis
2238:Categories
1374:(c. 1652)
855:The Senses
727:References
655:"Lucretia"
403:H.V. Jones
342:Provenance
297:Caravaggio
109:is a 1666
83:Dimensions
2216:Contested
2195:Rembrandt
2188:Rembrandt
2165:Namesakes
2113:Rembrandt
2081:Rembrandt
2073:Rembrandt
2065:Rembrandt
2046:Rembrandt
1863:(c. 1669)
1720:(c. 1662)
1581:Portraits
1542:(c. 1665)
1422:(c. 1655)
1242:(c. 1639)
1138:(c. 1635)
1130:(c. 1635)
1087:Artemisia
1002:(c. 1631)
954:(c. 1630)
946:(1629–30)
914:(c. 1626)
858:(1624–25)
846:Paintings
834:paintings
817:Rembrandt
531:144972422
301:tenebrism
292:Influence
237:Lucretius
160:Bathsheba
59:Catalogue
45:Rembrandt
2190:(crater)
1939:The Mill
1889:etchings
1880:Drawings
1773:disputed
1771:(1635) (
1763:(c.1629)
1555:Lucretia
1531:Lucretia
1323:The Mill
830:etchings
734:Lucretia
686:23906000
507:Lucretia
431:See also
321:Lucretia
313:Lucretia
305:Lucretia
262:Lucretia
248:Lucretia
226:Augustus
127:Lucretia
117:painter
107:Lucretia
91:Location
34:Lucretia
22:Lucretia
2198:(train)
1534:(1664)
1406:(1655)
1119:Minerva
1042:(1633)
874:(1620s)
737:in the
572:June 6,
216:Subject
144:Baroque
138:History
113:by the
2030:(1655)
2022:(1654)
2014:(1653)
2006:(1652)
1998:(1652)
1990:(1651)
1982:(1650)
1966:(1647)
1958:(1646)
1950:(1643)
1942:(1641)
1934:(1639)
1926:(1639)
1918:(1634)
1910:(1634)
1902:(1634)
1884:prints
1871:(1669)
1847:(1662)
1839:(1662)
1831:(1660)
1823:(1659)
1815:(1658)
1807:(1654)
1799:(1652)
1791:(1640)
1783:(1635)
1755:(1629)
1747:(1628)
1739:(1628)
1712:(1658)
1704:(1657)
1696:(1657)
1688:(1654)
1680:(1639)
1672:(1637)
1664:(1635)
1656:(1634)
1648:(1634)
1640:(1633)
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1616:(1632)
1608:(1632)
1600:(1632)
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1550:(1665)
1526:(1664)
1518:(1663)
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1486:(1660)
1478:(1660)
1470:(1660)
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1454:(1657)
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1438:(1656)
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1398:(1654)
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1382:(1653)
1358:(1651)
1350:(1648)
1342:(1647)
1334:(1646)
1318:(1645)
1310:(1645)
1302:(1644)
1294:(1643)
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1266:(1642)
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1234:(1638)
1226:(1638)
1218:(1637)
1210:(1637)
1202:(1637)
1186:(1636)
1178:(1636)
1170:(1636)
1162:(1635)
1154:(1635)
1146:(1635)
1122:(1635)
1114:(1635)
1106:(1634)
1098:(1634)
1090:(1634)
1082:(1634)
1074:(1634)
1066:(1633)
1058:(1633)
1050:(1633)
1034:(1633)
1018:(1632)
1010:(1632)
994:(1631)
986:(1631)
978:(1631)
970:(1631)
938:(1628)
930:(1627)
922:(1627)
906:(1626)
898:(1626)
890:(1626)
882:(1626)
866:(1625)
684:
641:503575
639:
606:875597
604:
529:
424:1934 –
286:Paetus
250:, 1664
230:Lucius
207:, 1654
75:Medium
41:Artist
1175:Danaë
1079:Flora
752:Signs
682:JSTOR
637:JSTOR
602:JSTOR
527:S2CID
443:Notes
325:David
282:Arria
175:Titus
62:314 (
1882:and
1291:Ruth
1289:and
1287:Boaz
574:2011
222:Livy
54:1666
51:Year
739:RKD
705:137
629:doi
598:110
519:doi
2240::
836:,
832:,
828:,
703:.
678:22
676:.
657:.
635:.
625:80
623:.
596:.
582:^
565:.
539:^
525:.
515:16
513:.
489:^
469:^
459:.
327:.
273:.
97:,
66:,
1891:)
1775:)
809:e
802:t
795:v
688:.
661:.
643:.
631::
608:.
576:.
533:.
521::
463:.
70:)
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