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information within the blank cards allows the RFID reader, a digital tarot reader automaton, to interpret information hidden from the human eye. Kilby's system interprets the information contained within the cards and displays videos of a frightening future. The game could certainly be implemented as a Flash simulation or be built for a 2D monitor display system, but without the materiality of the ludic interface, without the special lighting, and without the artist dressed in a fortune teller's dress the game would not work at all. The same holds true for
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phenomena, e.g. architectural facades, skins, wearable computers, media art. "Ludic
Interfaces" is also a Masters programme development on a European level. It is the title of a European collaboration in creating a network of academic institutions and of world leading media centres to investigate, design and test publicly shared digital content. The programme development is a joint project by the University of Potsdam, Universidad Politécnica de Valencia, Universität für künstlerische und industrielle Gestaltung in Linz, and by the
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In the same year a group of game artists and scholars at
Leuphana University in Lueneburg started lecturing and writing about the theory of ludic interfaces and applied for a European grant to develop a Masters programme in Ludic Interfaces. The application was successful and the development has
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At its core, "ludic interfaces" is a subcategory of interfaces in general. The notion is not restricted to electronics or human–computer interaction, even if the terminology was developed in respect to digital technology. Various authors suggest to use the term "ludic interfaces" for non-digital
267:'s "Giant Joystick". It is the interface with all its materiality, erotic connotations and haptic features which makes the ludic installation work so well. Ludic interfaces can also facilitate play in a musical sense. The "postvinyl" performance, originally commissioned by futuresonic festival
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Jess Kilby's RFID Tarot table consists of a hand-painted black table with letters and signs drawn upon it, and a white set of cards containing radio-frequency tags. The installation is an example for a ludic set-up where the interface contributes significantly to the magic of the game. Hidden
168:) curators Gunalan Nadarajan and Vladimir Todorović to describe a panel section of ISEA2008 in Singapore. The term was introduced with the aim of counterbalancing the tendency of "infantilization of play" and stressing the "complicities between technology and pleasure".
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The notion of "ludic interfaces" has also historical roots in artistic practice and analysis of interfaces (cf. Christa
Sommerer, Laurent Mignonneau), the notion of "playfulness" as a design and arts strategy, or the "Ludic Society" arts organisation.
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The various tools and concepts associated with ludic interface development differ from mainstream technological systems that employ human computer interfacing and interaction. Ludic interfaces tend to be more playful, are
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http://inm.de/index.cfm?siteid=190&CFID=3969946&CFTOKEN=5bbbde746c0b288f-653F9F40-A892-243B-D200A47407920729&jsessionid=80308ba15754$ 1E$ 2F$ 3
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An introduction to the field appropriate for general audiences is a publication to be issued in summer of 2010 by furtherfield, London.
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Ludic interface design was first defined in 2002 by
William Gaver, in "Designing for Homo Ludens", expanded in a later article in 2009.
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Ludic interface experiment by student Jess Kilby from
University of Salford, using RFID tag technology for a digital tarot reader.
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An interview about Ludic
Interfaces by Digital Arts and Architecture Lab with Mathias Fuchs can be found on
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Gaver, William (2009). "Designing for Homo Ludens, Still.". In Binder, T; Löwgren, J; Malmborg, L (eds.).
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Ludic interface by
Mathias Fuchs, using Djing tools in combination with a game engine: "postvinyl"
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research and design draws on concepts introduced by Dutch historian and cultural theorist
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in 2004 recontextualizes a computer game in a performance environment.
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Sommerer, Christa/ King, Dorothée/ Mignonneau, Laurent (2008).
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Student experiment in
Interface Design developed at UP Valencia
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Sommerer, Christa/ Lakhmi, Jain/ Mignonneau, Laurent (2008).
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Gaver, William (June 2002). "Designing for Homo Ludens".
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The Art and
Science of Interface and Interaction Design
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Interface
Cultures: Artistic Aspects of Interaction
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may be too technical for most readers to understand
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