70:
284:
374:
700:
417:
277:
126:
948:
243:
209:
148:. This was disputed throughout the 19th century—a published review by A. Wolf of the Imperial Ballet's 1849–1850 season credits the work as
943:
837:
350:
652:
270:
561:
101:
473:
144:
Marius Petipa claimed sole authorship of the 1849 revival in St. Petersburg in his memoirs, in which he refers to the work as
953:
497:
676:
628:
749:
366:
105:
813:
765:
545:
141:
in the lead role, and in 1833 staged the work for the
Imperial Ballet in St. Petersburg where it was not well received.
318:
900:
757:
401:
201:
Pipers
Enzyklopädie des Musiktheaters: Spontini : Agnes von Hohenstaufen bis Zumsteeg : Die Geisterinsel:
914:
577:
409:
53:
465:
393:
326:
204:. Pipers Enzyklopädie des Musiktheaters: Oper, Operette, Musical, Ballet (in German). Piper. pp. 221–222.
716:
529:
153:
684:
644:
433:
342:
789:
741:
708:
821:
262:
892:
537:
521:
481:
457:
425:
81:
revising
Gyrowetz's score. First presented in Paris, France, on November 7, 1832. Principal dancers:
122:
859:
612:
161:
130:
851:
585:
239:
233:
205:
169:
42:
829:
569:
513:
441:
89:
38:
692:
489:
57:
805:
593:
553:
449:
82:
78:
937:
636:
505:
294:
138:
109:
164:, with only Perrot having contributed one of the ballet's dances. In the biography
97:
88:
Revival by Jules Perrot, Marius Petipa and Jean Petipa in 2 acts-2 scenes for the
199:
797:
773:
660:
358:
781:
733:
100:
revising Carafa's 1832 version of
Gyrowetz's score. First presented at the
129:, in Paris in 1823. In 1832 Titus restaged his 1823 production of for the
867:
725:
668:
620:
334:
310:
172:, the ballet's choreography is credited to Jean Petipa, except for the
134:
266:
156:'s study of the ballet of Tsarist St. Petersburg, titled
878:
604:
385:
302:
104:
in St. Petersburg, Russia on
December 20 [
838:The Little Humpbacked Horse (as "The Tsar Maiden")
71:Ballet du Théâtre de l'Académie Royale de Musique
235:Schubert's Late Lieder: Beyond the Song-Cycles
108:December 8] 1849. Principal Dancers:
278:
125:created a ballet with the same title for the
8:
922:The Romance of the Rosebud and the Butterfly
160:, the work is attributed to Petipa's father
238:. Cambridge University Press. p. 158.
166:Jules Perrot: Master of the Romantic Ballet
677:Le Diable à Quatre (as "The Willful Wife")
285:
271:
263:
530:Ondine (as "The Naiad and the Fisherman")
886:Les Ruses d'Amour or The Trial of Damis
351:The Rose, the Violet, and the Butterfly
190:
30:Natalie, oder Das schweizer Milchmädche
7:
69:Revival by Filippo Taglioni for the
362:(*1858, *1863, *1868, *1885, *1899)
319:Le Diable amoureux (as "Satanella")
198:Dahlhaus, C.; Döhring, S. (1997).
14:
152:, while in the ballet historian
127:Théâtre de la Porte Saint-Martin
102:Imperial Bolshoi Kamenny Theatre
37:in 2 acts, with choreography by
629:La Vivandière (as "Markitenka")
150:"Jules Perrot's new production"
75:Nathalie, ou la Laitière suisse
1:
367:A Marriage During the Regency
293:The ballets and *revivals of
180:which are credited to Perrot.
949:Ballets by Adalbert Gyrowetz
338:(*1850, *1884, *1899, *1903)
94:Lydia, ou la Laitière Suisse
60:on Monday, October 8, 1821.
24:Lydia, ou la Laitière Suisse
944:Ballets by Filippo Taglioni
758:The Caprices of a Butterfly
970:
578:The Daughter of the Snows
146:"a new ballet of my own."
50:Das schweizer Milchmädche
18:Lydia, the Swiss Milkmaid
908:The Heart of the Marquis
546:The Adventures of Peleus
327:Leda, the Swiss Milkmaid
168:by the ballet historian
717:The Sacrifices to Cupid
822:The Awakening of Flora
410:The Pharaoh's Daughter
54:Theater am Kärntnertor
954:1821 ballet premieres
645:The Night and the Day
458:The Benevolent Cupid
418:The Beauty of Lebanon
154:Alexander Pleshcheyev
35:Demi-Caractère ballet
750:The Enchanted Forest
704:(1886, *1887, *1900)
477:(1868, *1891, *1903)
426:The Traveling Dancer
413:(1862, *1885, *1898)
766:The Sleeping Beauty
685:La Fille Mal Gardée
672:(*1884, 1899, 1903)
375:The Parisian Market
343:The Star of Granada
232:Youens, S. (2006).
48:First presented as
701:The King's Command
613:La Fille du Danube
131:Court Opera Ballet
931:
930:
924:(never presented)
586:Frizak the Barber
245:978-0-521-02875-2
211:978-3-492-02421-1
121:The Balletmaster
43:Adalbert Gyrowetz
961:
915:The Magic Mirror
845:The Cavalry Halt
287:
280:
273:
264:
257:
256:
254:
252:
229:
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218:
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92:under the title
73:under the title
39:Filippo Taglioni
969:
968:
964:
963:
962:
960:
959:
958:
934:
933:
932:
927:
874:
693:The Magic Pills
600:
474:Le Roi Candaule
394:The Blue Dahlia
381:
298:
291:
261:
260:
250:
248:
246:
231:
230:
226:
216:
214:
212:
197:
196:
192:
187:
118:
90:Imperial Ballet
66:
58:Austrian Empire
12:
11:
5:
967:
965:
957:
956:
951:
946:
936:
935:
929:
928:
926:
925:
919:
911:
905:
897:
889:
882:
880:
876:
875:
873:
872:
864:
856:
848:
842:
834:
826:
818:
810:
806:The Nutcracker
802:
794:
786:
778:
770:
762:
754:
746:
738:
730:
721:
713:
712:(*1886, *1899)
705:
697:
689:
681:
673:
665:
657:
649:
641:
633:
625:
617:
608:
606:
602:
601:
599:
598:
590:
582:
574:
566:
558:
550:
542:
534:
533:(*1874, *1892)
526:
518:
510:
502:
494:
486:
478:
470:
462:
454:
446:
438:
430:
422:
414:
406:
398:
389:
387:
383:
382:
380:
379:
371:
363:
355:
347:
339:
331:
323:
315:
314:(*1847, *1881)
306:
304:
300:
299:
292:
290:
289:
282:
275:
267:
259:
258:
244:
224:
210:
189:
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174:Scène dansante
142:
117:
114:
113:
112:
86:
83:Marie Taglioni
79:Michele Carafa
65:
62:
13:
10:
9:
6:
4:
3:
2:
966:
955:
952:
950:
947:
945:
942:
941:
939:
923:
920:
917:
916:
912:
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902:
898:
895:
894:
890:
887:
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883:
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877:
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869:
865:
862:
861:
857:
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849:
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840:
839:
835:
832:
831:
827:
824:
823:
819:
816:
815:
811:
808:
807:
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800:
799:
795:
792:
791:
787:
784:
783:
779:
776:
775:
771:
768:
767:
763:
761:(1889, *1895)
760:
759:
755:
752:
751:
747:
745:(1889, *1895)
744:
743:
739:
736:
735:
731:
728:
727:
722:
719:
718:
714:
711:
710:
706:
703:
702:
698:
695:
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690:
687:
686:
682:
679:
678:
674:
671:
670:
666:
663:
662:
658:
655:
654:
650:
647:
646:
642:
639:
638:
634:
631:
630:
626:
623:
622:
618:
615:
614:
610:
609:
607:
603:
597:(1879, *1896)
596:
595:
591:
588:
587:
583:
580:
579:
575:
572:
571:
567:
564:
563:
559:
557:(1877, *1900)
556:
555:
551:
549:(1876, *1897)
548:
547:
543:
540:
539:
535:
532:
531:
527:
524:
523:
519:
516:
515:
511:
508:
507:
506:The Two Stars
503:
500:
499:
495:
492:
491:
487:
485:(1869, *1871)
484:
483:
479:
476:
475:
471:
468:
467:
463:
460:
459:
455:
452:
451:
447:
444:
443:
439:
436:
435:
431:
428:
427:
423:
420:
419:
415:
412:
411:
407:
404:
403:
399:
397:(1860, *1875)
396:
395:
391:
390:
388:
384:
378:(1859, *1861)
377:
376:
372:
369:
368:
364:
361:
360:
356:
353:
352:
348:
345:
344:
340:
337:
336:
332:
329:
328:
324:
321:
320:
316:
313:
312:
308:
307:
305:
301:
296:
295:Marius Petipa
288:
283:
281:
276:
274:
269:
268:
265:
247:
241:
237:
236:
228:
225:
213:
207:
203:
202:
194:
191:
184:
179:
175:
171:
167:
163:
159:
155:
151:
147:
143:
140:
139:Fanny Elssler
136:
132:
128:
124:
123:Antoine Titus
120:
119:
115:
111:
110:Fanny Elssler
107:
103:
99:
95:
91:
87:
84:
80:
76:
72:
68:
67:
63:
61:
59:
55:
51:
46:
44:
41:and music by
40:
36:
32:
31:
26:
25:
20:
19:
921:
913:
907:
901:Harlequinade
899:
891:
885:
866:
858:
850:
844:
836:
828:
820:
812:
804:
796:
790:A Fairy Tale
788:
780:
772:
764:
756:
748:
742:The Talisman
740:
732:
724:
715:
709:La Esmeralda
707:
699:
691:
683:
675:
667:
659:
651:
643:
635:
627:
619:
611:
592:
584:
576:
568:
560:
552:
544:
536:
528:
520:
512:
504:
496:
488:
480:
472:
464:
456:
448:
440:
432:
424:
416:
408:
400:
392:
373:
365:
357:
349:
341:
333:
325:
317:
309:
249:. Retrieved
234:
227:
215:. Retrieved
200:
193:
178:Pas de trois
177:
173:
165:
157:
149:
145:
98:Cesare Pugni
93:
74:
49:
47:
34:
29:
28:
23:
22:
17:
16:
15:
893:The Seasons
798:La Sylphide
554:La Bayadère
538:The Bandits
522:Le Papillon
482:Don Quixote
402:Terpsichore
359:Le Corsaire
162:Jean Petipa
133:in Berlin,
938:Categories
814:Cinderella
782:Kalkabrino
734:The Vestal
637:Pâquerette
185:References
170:Ivor Guest
158:Our Ballet
56:, Vienna,
860:Bluebeard
852:The Pearl
830:Swan Lake
653:Pygmalion
466:The Slave
297:in Russia
251:March 30,
217:March 30,
868:Raymonda
774:Nénuphar
726:Fiametta
661:Coppélia
498:Catarina
64:Revivals
27:, or as
21:(a.k.a.
879:1900–03
841:(*1895)
833:(*1895)
801:(*1892)
753:(*1889)
688:(*1885)
680:(*1885)
669:Giselle
664:(*1884)
640:(*1882)
632:(*1881)
621:Zoraiya
616:(*1880)
605:1880–99
570:Ariadne
525:(*1874)
514:Camargo
501:(*1870)
453:(*1867)
442:Titania
434:Florida
386:1860–79
335:Giselle
322:(*1848)
311:Paquita
303:1847–59
135:Prussia
77:, with
52:at the
33:) is a
918:(1903)
910:(1902)
904:(1900)
896:(1900)
888:(1900)
871:(1898)
863:(1896)
855:(1896)
847:(1896)
825:(1894)
817:(1893)
809:(1892)
793:(1891)
785:(1891)
777:(1890)
769:(1890)
737:(1888)
729:(1887)
720:(1886)
696:(1886)
656:(1883)
648:(1883)
624:(1881)
589:(1879)
581:(1879)
573:(1878)
565:(1878)
562:Roxana
541:(1875)
517:(1872)
509:(1871)
493:(1870)
490:Trilby
469:(1868)
461:(1868)
445:(1866)
437:(1866)
429:(1864)
421:(1863)
405:(1861)
370:(1858)
354:(1857)
346:(1855)
330:(1849)
242:
208:
176:and a
594:Mlada
450:Faust
137:with
116:Notes
96:with
253:2019
240:ISBN
219:2019
206:ISBN
106:O.S.
940::
723:*
45:.
286:e
279:t
272:v
255:.
221:.
85:.
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