187:) is an Argentine engineer, digital and visual artist, essayist and poet, most known as the creator of Virtual Poetry in 1995, which has been described as "of utmost significance in advancing literature as sculptural object in electronic space". He has been described as one of the rare "poet-practitioners dedicated to 3-D art".
351:
His research about the problem of synthetic space in virtual reality systems, related to previous art and literary works, establishing "previously unexamined correlations between objects and subjects", in words of
Funkhouser, gave rise to "Virtual Poetry", a new conjunction between visual reality and
406:(Kosice and Technological Art) appeared on next year, inaugurating his Aero publishing initiative; Győri investigates there the relationship between all the Kosice's creative production and the theoretical thinking that comes from the
364:,), an example of García Mayoraz's Vectorial Theory of Semantic Fields, originating from his multidisciplinary studies of Semiotics, information theory and both the human and the forthcoming
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254:(1988), prefaced by Kosice and part of the significant mathematical tradition of the Argentine poetry, according to Fabio Doctorovich was published in 1994. Poems,
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As assistant to sculptor Kosice from 1990 to 1995, Győri was responsible for the technical facts of Kosice's production. During the retrospective exhibition
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305:(The Tree of Life and its Language), a remote controlled sculpture by Kosice which incorporates sonic elements, and their display through what is known as
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301:(Graphic Sequence of a Drop of Water; a collaborative computer graphics work, 1990) was displayed. Győri participated, among others, in
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286:. These verbal experiments advanced toward other formative fields of poetry in several still unpublished works from 1989 to 1993.
263:
1050:
Picabea, María Luján (18 February 2012). "Un ensayo sobre la obra de Kosice. La imaginación como cualidad transformadora".
1209:
1204:
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1199:
229:, and became interested in non-representative and rigorous geometry formulations. The study of the paintings of
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and the computer assisted calculus of probability in the composition of the text, in order to change the usual
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His first computational and literary activities date to 1983. Győri made experiences with computer music and
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196:
975:
864:
Optische Poesie. Von den prähistorischen
Schriftzeichen bis zu den digitalen Experimenten der Gegenwart
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was published: a full color illustrated anthology; a compendium of his activity between 1984 and 2009.
348:, and the diffusion of these new topics in the artistic world are an integral part of their proposal.
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814:
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910:"La tradición poética matemático-compositivista en Argentina, y su influencia en la poesía digital"
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Rivoluzione a parole. Poesia sperimentale internazionale dal 1946 a oggi. Manifesti e testi teorici
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COSIGN 2002 Proceedings, 2nd
Conference on Computational Semiotics for Games and New Media
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282:. This work deserved to be anthologized by Julio Ortega, professor of Hispanic Studies at
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538:, in collaboration with José E. García Mayoraz, 3D digital animation video (1995).
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Győri was born in 1963, in Buenos Aires, where he lives. In 1989, he graduated as
611:, black and colored pencils and ballpoint pens on cardboard or paper (2010-2011).
387:
279:
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Ladislao Pablo Győri (English/Spanish); from 1984 up to 2003, official website
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Antología de la poesía latinoamericana del siglo XXI. El turno y la transición
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1013:"The Emergence of the Labyrinth: The Intrinsic Computational Aesthetic Form"
897:(Exh. cat.). Madrid, Spain: Museo Nacional Centro de Arte Reina Sofía. 1997.
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In the last decade Győri also produced a series of books, always related to
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309:, by means of variable columns of water and light. This work was erected in
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Digital works and projects for monumental sculptures in collaboration with
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Győri co-founded in 1994 the TEVAT group and co-wrote, the same year, the
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and also engineer José E. García
Mayoraz, and the aforementioned Kosice.
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883:. Venezuela: Secretaría de Cultura del Estado Aragua. pp. 72–91.
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515:, digital still images and 3D digital animation videos (1990-1995).
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949:(Exh. cat.). Buenos Aires: Museo Nacional de Bellas Artes. 1991.
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16:
Argentine engineer, digital and visual artist, essayist and poet
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Prehistoric
Digital Poetry: An Archaeology of Forms, 1959-1995
801:
Prehistoric
Digital Poetry: An Archaeology of Forms, 1959-1995
544:, digital still images and 3D digital animation videos (1995).
275:
851:. Ravenna, Italy: Danilo Montanari Editore. pp. 253–254.
566:, digital still images and 3D digital animation video (1996).
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Aesthetic
Animism: Digital Poetry's Ontological Implications
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935:. Mexico City: Siglo Veintiuno Editores. pp. 191–198.
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774:
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Vanguardias poéticas en el arte digital en
Latinoamérica
297:(National Museum of Fine Arts) of Buenos Aires in 1991,
1000:. Tuscaloosa: University of Alabama Press. p. 175.
866:. Berlin, Germany: Walter de Gruyter. pp. 238–240.
803:. Tuscaloosa: University of Alabama Press. p. 173.
1036:
Arte y Nuevas
Tecnologías, Premio MAMbA 2004-2003-2002
617:(Overflowing Objects), 3D digital models (2012-2015).
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of Buenos Aires, together with the project entitled
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poetry, included finally into his main project: the
233:led him to work, since 1990, in the realization of
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1039:(Exh. cat.). Buenos Aires: Fundación Telefónica.
960:"Un complejo hidroescultórico de Gyula Kosice".
1022:. Bavaria, Germany: University of Augsburg: 5.
920:(1). McGill University, Montreal, Canada: 53.
8:
550:, visual poem, tempera on cardboard (1996).
1195:21st-century Argentine short story writers
20:
914:Revista Canadiense de Estudios Hispánicos
1235:National Technological University alumni
379:, received an honorary mention from the
766:
477:, polychromed sculpture in wood (1989).
270:character (related to what Győri calls
221:, Győri subsequently experimented with
621:Object # 29, 3D printed object (2013).
1220:Argentine people of Hungarian descent
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734:Lógica de sustracciones a un cuadrado
356:, which was exhibited in 1995 at the
299:Secuencia gráfica de una gota de agua
174:
7:
1011:Lindley, Craig; et al. (2002).
842:
840:
838:
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628:, digital visual composition (2014).
509:, 3D digital animation video (1995).
503:, 3D digital animation video (1995).
371:In 2002, e-stori.ar, a navigable 3D
1190:21st-century Argentine male writers
1175:20th-century Argentine male writers
695:Maquinado aditivo en artes visuales
481:Graphic Sequence of a Drop of Water
1215:Argentine male short story writers
747:Impresiones oculares en una visita
708:Notación para lenguaje inexistente
634:, laser cut aluminum plate (2022).
324:, together with the specialist in
266:elements and postulating a strong
14:
1149:Postypographika (English/Spanish)
1054:. Vol. 9, 438. Buenos Aires.
847:Peterlini, Patrizio, ed. (2019).
381:Buenos Aires Museum of Modern Art
303:El árbol de la vida y su lenguaje
201:National Technological University
1180:20th-century short story writers
996:Funkhouser, Christopher (2007).
799:Funkhouser, Christopher (2007).
248:of these geometric structures.
217:After his meeting in 1986 with
1093:Győri, Ladislao Pablo (2010).
1069:"Digital works | art + poetry"
451:, digital still images (1986).
445:original versions (1984-1985).
295:Museo Nacional de Bellas Artes
1:
862:Dencker, Klaus Peter (2010).
605:, 3D interactive poem (2007).
1185:21st-century Argentine poets
1170:20th-century Argentine poets
682:Kosice y el arte tecnológico
404:Kosice y el arte tecnológico
179:; born on July 13, 1963, in
138:Kosice y el arte tecnológico
1097:. Buenos Aires: ARTgentina.
931:Ortega, Julio, ed. (1997).
908:Doctorovich, Fabio (2006).
599:, 3D digital models (2006).
542:Virtual Poems # 12 & 13
536:Art Criticism in Cyberspace
497:, 3D digital models (1994).
362:Art Criticism in Cyberspace
358:Galileo Galilei Planetarium
1251:
1033:Buccellato, Laura (2005).
377:Argentine national history
1225:Writers from Buenos Aires
548:Homage to Edgardo A. Vigo
528:Visual poetry, including
469:Sculpture Projects in CAD
152:
66:digital and visual artist
823:Cambridge, Massachusetts
483:, in collaboration with
291:Kosice - Works 1944/1990
238:Turning Paintings-Relief
210:, and works on Computer
172:Hungarian pronunciation:
947:Kosice. Obras 1944-1990
877:Wendorff, Anna (2010).
354:Digital Domain of Works
507:Sculpture Project # 58
461:and colored pencil on
1095:First 25 Visual Years
964:. Buenos Aires. 1993.
815:Johnston, David Jhave
669:First 25 Visual Years
519:Madí Relief-Paintings
400:First 25 Visual Years
274:), and to qualify in
1210:Argentine male poets
1073:Ladislao Pablo Győri
779:Ladislao Pablo Győri
615:Objetos desbordantes
554:Vpoems # 12 & 13
525:on wood (1990-1995).
419:Artworks (selection)
168:Ladislao Pablo Győri
25:Ladislao Pablo Győri
1205:Argentine essayists
1143:Aero (Spanish only)
396:computer technology
315:Argentine Patagonia
313:, the northwestern
197:electronic engineer
976:"Manifiesto TEVAT"
775:"About the author"
603:hommage à e.a.vigo
455:Sculpture Projects
262:, restricting the
256:information theory
246:digital animations
1200:Argentine artists
1052:Revista Ñ, Clarín
755:978-987-29866-1-2
742:978-987-86-3050-2
729:978-987-42-6589-0
716:978-987-33-6554-6
703:978-987-33-4203-5
690:978-987-33-1454-4
677:978-987-05-8040-9
664:978-950-99998-6-2
587:e-stori.ar/el_sur
564:Virtual Poem # 14
489:computer graphics
307:spectrum analyzer
203:of Buenos Aires.
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366:artificial brain
284:Brown University
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593:project (2003).
591:virtual reality
583:project (2002).
581:virtual reality
513:Virtual Reliefs
432:
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375:project around
342:semantic fields
334:virtual reality
322:TEVAT Manifesto
242:irregular frame
208:voice synthesis
193:
191:Life and career
176:[ɟøːri]
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829:. p. 162.
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1116:. Retrieved
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632:Exoplaca053c
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573:(1999-2003).
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485:Gyula Kosice
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449:Madí 3D Logo
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408:Computer Age
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219:Gyula Kosice
216:
214:since 1984.
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194:
181:Buenos Aires
167:
166:
137:
131:
120:1984–present
47:Buenos Aires
41:13 July 1963
18:
1165:1963 births
609:Exographies
577:e-storia.ar
532:(1992-1998)
530:Sound Space
398:. In 2010,
388:visual arts
280:information
278:the poetic
100:Citizenship
1159:Categories
1118:27 January
1113:Aero Edita
1078:27 January
784:27 January
761:References
338:cyberspace
57:Occupation
37:1963-07-13
962:La Prensa
895:Arte Madí
721:Exography
597:Ensembles
571:G. Kosice
475:Alocución
463:cardboard
346:et cetera
336:, art in
326:Semiotics
317:in 1992.
268:nonlinear
264:redundant
244:) and 3D
185:Argentina
109:Hungarian
106:Argentine
51:Argentina
817:(2016).
749:(2021),
736:(2019),
723:(2017),
710:(2014),
697:(2013),
684:(2011),
671:(2010),
658:(1994),
656:Estiajes
373:database
252:Estiajes
223:painting
157:.lpgyori
83:Language
63:Engineer
491:(1990).
471:(1989).
465:(1989).
459:tempera
392:writing
311:Neuquén
293:at the
199:at the
148:Website
92:English
89:Spanish
1109:"Aero"
983:Ludión
753:
740:
727:
714:
701:
688:
675:
662:
643:": -->
523:enamel
423:": -->
260:syntax
227:poetry
212:3D art
140:(2011)
134:(1995)
117:Period
75:editor
69:writer
1016:(PDF)
979:(PDF)
639:Books
443:VU-3D
440:Psion
414:Works
1120:2022
1080:2022
786:2022
751:ISBN
738:ISBN
725:ISBN
712:ISBN
699:ISBN
686:ISBN
673:ISBN
660:ISBN
645:edit
558:VRML
425:edit
394:and
332:and
276:bits
236:Madí
225:and
159:.net
72:poet
31:Born
155:www
1161::
1111:.
1071:.
1060:^
1018:.
981:.
918:31
916:.
912:.
835:^
825::
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1082:.
985:.
788:.
649:]
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240:(
170:(
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