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in sales before deciding to sell it to another for more 25,000 francs in profits. And since unlicensed copies abounded in
Leipzig, London, Berlin, Brussels and Milan, this amount was just a partial estimative of the impact that it aroused on the musical scene of the time. The last allotment received
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was so large that he came to think about pushing all his pupils, with the exception of the best ones, over to other teachers at the conservatoire on his return to Paris from
Switzerland. The demand for the bulk of his music by the Swiss retailers was surprisingly large enough that his publishing
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accompaniment, being the melody in the second strain supported by two other contrapuntal voices. Harmonically, this bass evokes the "musette" attached to many an eighteenth-century gavotte.
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According to expert Robert
Offergeld, after more than 2.000 copies sold in Paris alone, the publishing company, which held the rights to the piece, earned 250,000
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149:"'Benacci', a publisher of Lyon who came to Paris expressly to induce me to sell him a manuscript... offered 10,000 francs for the copyright of the
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124:'s personal belongings by the Soviet mathematician and musicologist Serge Dianin, which some scholars insist was used as a model for his
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notwithstanding more than 2,000 copies of the latter had been sold here: my publishers, the 'Escudiers', answered:
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rescore it for his instrument, and even a hand-written copy of the piece was found in
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Graham's
American monthly magazine of literature, art, and fashion, Vol. 42
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Graham's
American monthly magazine of literature, art, and fashion, Vol. 42
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in two strain lines. The first of the two, which make up the piece, has a
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pieces" that
Gottschalk composed between 1844 and 1846. Based on the
33:, it was written in France around 1846 as one of the four "Louisiana
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kept it in his repertoire for years, as well as the great pianists
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161:" (Gottschalk, in a letter to his father dated May 1850) Source:
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365:"The Gottschalk Legend - Grand Fantasy for a Great Many Pianos"
112:. Moreover, the piece was actually played on the cello by
25:, Op. 5, is a composition for piano by American composer
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Where the Word Ends: The Life of Louis Moreau
Gottschalk
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If you were to offer us 60,000, we should refuse it.
48:), it was alternatively published with the subtitle
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633:Solo piano compositions by Louis Moreau Gottschalk
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264:America's Music: From the Pilgrims to the Present
85:by Gottschalk from the publisher 'Escudiers' for
64:The composition is an irregular sentence of 128
100:made a four-hand arrangement of the piece, and
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399:Le Bananier, Op. 5 - Louis Moreau Gottschalk
213:. University of Illinois Press. p. 77.
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394:International Music Score Library Project
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268:. University of Illinois Press. pp.
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239:"Le bananier 'Chanson nègre', RO21 Op 5"
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643:Piano compositions in the Romantic era
453:Symphony No. 1 "La nuit des tropiques"
90:company in Paris could not supply it.
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29:. Dedicated to the famous pianist
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96:introduced it to Central Europe.
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1:
339:. LSU Press. pp. 88–89.
116:, while the French violinist
207:Starr, S. Frederick (2000).
56:at the time of its release.
305:. G.R. Graham. p. 64.
299:Graham, George Rex (1853).
169:. G.R. Graham. p. 64.
163:Graham, George Rex (1853).
664:
542:Great Galloping Gottschalk
52:and was widely popular in
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555:Clara Gottschalk Peterson
333:Loggins, Vernon (1958).
648:Compositions in C minor
439:Louis Moreau Gottschalk
260:Chase, Gilbert (1992).
210:Louis Moreau Gottschalk
27:Louis Moreau Gottschalk
513:Souvenir de Porto Rico
560:Vera Brodsky Lawrence
21:(The Banana Tree) in
284:bamboula gottschalk.
363:Offergeld, Robert.
390:Le Bananier, Op. 5
367:. Thompsonian.info
241:. Hyperion Records
237:Nicholas, Jeremy.
39:Creole folk melody
638:1846 compositions
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522:Grande Tarantelle
126:Polovtsian Dances
122:Alexander Borodin
114:Jacques Offenbach
42:En avan' Grenadie
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44:(contraction of
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128:in his opera
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243:. Retrieved
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118:Léon Reynier
110:Alfred Jaëll
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480:Le Bananier
131:Prince Igor
98:Carl Czerny
87:Le Bananier
18:Le Bananier
627:Categories
549:Tarantella
346:080710373X
279:0252062752
220:0252068769
185:References
46:Grenadiers
504:The Banjo
471:La Savane
446:Orchestra
155:Bananier,
578:Category
524:, Op. 67
515:, Op. 31
506:, Op. 15
497:, Op. 11
151:Bamboula
591:Portals
534:Related
482:, Op. 5
473:, Op. 3
403:YouTube
311:1590031
175:1590031
70:musette
23:C minor
526:(1864)
517:(1857)
508:(1853)
499:(1848)
490:(1848)
484:(1846)
475:(1846)
455:(1859)
371:5 July
343:
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245:5 July
217:
173:
82:Francs
35:Creole
617:Music
463:Piano
138:Notes
54:Paris
373:2012
341:ISBN
307:OCLC
274:ISBN
247:2012
215:ISBN
171:OCLC
153:and
108:and
66:bars
401:on
270:290
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355:^
319:^
291:^
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272:.
229:^
193:^
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431:e
424:t
417:v
375:.
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177:.
133:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.