81:
295:
385:
711:
428:
288:
137:
959:
254:
220:
159:. This was disputed throughout the 19th century—a published review by A. Wolf of the Imperial Ballet's 1849–1850 season credits the work as
954:
848:
361:
663:
281:
572:
112:
484:
155:
Marius Petipa claimed sole authorship of the 1849 revival in St. Petersburg in his memoirs, in which he refers to the work as
964:
508:
687:
639:
760:
377:
116:
824:
776:
556:
152:
in the lead role, and in 1833 staged the work for the
Imperial Ballet in St. Petersburg where it was not well received.
329:
911:
768:
412:
212:
Pipers
Enzyklopädie des Musiktheaters: Spontini : Agnes von Hohenstaufen bis Zumsteeg : Die Geisterinsel:
925:
588:
420:
64:
476:
404:
337:
215:. Pipers Enzyklopädie des Musiktheaters: Oper, Operette, Musical, Ballet (in German). Piper. pp. 221–222.
727:
540:
164:
695:
655:
444:
353:
800:
752:
719:
832:
273:
903:
548:
532:
492:
468:
436:
92:
revising
Gyrowetz's score. First presented in Paris, France, on November 7, 1832. Principal dancers:
133:
870:
623:
172:
141:
862:
596:
250:
244:
216:
180:
53:
840:
580:
524:
452:
100:
49:
703:
500:
68:
17:
816:
604:
564:
460:
93:
89:
948:
647:
516:
305:
149:
120:
175:, with only Perrot having contributed one of the ballet's dances. In the biography
108:
99:
Revival by Jules Perrot, Marius Petipa and Jean Petipa in 2 acts-2 scenes for the
210:
808:
784:
671:
369:
792:
744:
111:
revising Carafa's 1832 version of
Gyrowetz's score. First presented at the
140:, in Paris in 1823. In 1832 Titus restaged his 1823 production of for the
878:
736:
679:
631:
345:
321:
183:, the ballet's choreography is credited to Jean Petipa, except for the
145:
277:
167:'s study of the ballet of Tsarist St. Petersburg, titled
889:
615:
396:
313:
115:
in St. Petersburg, Russia on
December 20 [
849:The Little Humpbacked Horse (as "The Tsar Maiden")
82:Ballet du Théâtre de l'Académie Royale de Musique
246:Schubert's Late Lieder: Beyond the Song-Cycles
119:December 8] 1849. Principal Dancers:
289:
136:created a ballet with the same title for the
8:
933:The Romance of the Rosebud and the Butterfly
171:, the work is attributed to Petipa's father
249:. Cambridge University Press. p. 158.
177:Jules Perrot: Master of the Romantic Ballet
688:Le Diable à Quatre (as "The Willful Wife")
296:
282:
274:
541:Ondine (as "The Naiad and the Fisherman")
897:Les Ruses d'Amour or The Trial of Damis
362:The Rose, the Violet, and the Butterfly
201:
41:Natalie, oder Das schweizer Milchmädche
7:
80:Revival by Filippo Taglioni for the
373:(*1858, *1863, *1868, *1885, *1899)
330:Le Diable amoureux (as "Satanella")
209:Dahlhaus, C.; Döhring, S. (1997).
25:
163:, while in the ballet historian
138:Théâtre de la Porte Saint-Martin
113:Imperial Bolshoi Kamenny Theatre
48:in 2 acts, with choreography by
640:La Vivandière (as "Markitenka")
161:"Jules Perrot's new production"
86:Nathalie, ou la Laitière suisse
1:
378:A Marriage During the Regency
304:The ballets and *revivals of
191:which are credited to Perrot.
960:Ballets by Adalbert Gyrowetz
349:(*1850, *1884, *1899, *1903)
105:Lydia, ou la Laitière Suisse
71:on Monday, October 8, 1821.
35:Lydia, ou la Laitière Suisse
955:Ballets by Filippo Taglioni
769:The Caprices of a Butterfly
981:
589:The Daughter of the Snows
157:"a new ballet of my own."
61:Das schweizer Milchmädche
29:Lydia, the Swiss Milkmaid
919:The Heart of the Marquis
557:The Adventures of Peleus
338:Leda, the Swiss Milkmaid
179:by the ballet historian
18:Leda, the Swiss Milkmaid
728:The Sacrifices to Cupid
833:The Awakening of Flora
421:The Pharaoh's Daughter
65:Theater am Kärntnertor
965:1821 ballet premieres
656:The Night and the Day
469:The Benevolent Cupid
429:The Beauty of Lebanon
165:Alexander Pleshcheyev
46:Demi-Caractère ballet
761:The Enchanted Forest
715:(1886, *1887, *1900)
488:(1868, *1891, *1903)
437:The Traveling Dancer
424:(1862, *1885, *1898)
777:The Sleeping Beauty
696:La Fille Mal Gardée
683:(*1884, 1899, 1903)
386:The Parisian Market
354:The Star of Granada
243:Youens, S. (2006).
59:First presented as
712:The King's Command
624:La Fille du Danube
142:Court Opera Ballet
942:
941:
935:(never presented)
597:Frizak the Barber
256:978-0-521-02875-2
222:978-3-492-02421-1
132:The Balletmaster
54:Adalbert Gyrowetz
16:(Redirected from
972:
926:The Magic Mirror
856:The Cavalry Halt
298:
291:
284:
275:
268:
267:
265:
263:
240:
234:
233:
231:
229:
206:
103:under the title
84:under the title
50:Filippo Taglioni
21:
980:
979:
975:
974:
973:
971:
970:
969:
945:
944:
943:
938:
885:
704:The Magic Pills
611:
485:Le Roi Candaule
405:The Blue Dahlia
392:
309:
302:
272:
271:
261:
259:
257:
242:
241:
237:
227:
225:
223:
208:
207:
203:
198:
129:
101:Imperial Ballet
77:
69:Austrian Empire
23:
22:
15:
12:
11:
5:
978:
976:
968:
967:
962:
957:
947:
946:
940:
939:
937:
936:
930:
922:
916:
908:
900:
893:
891:
887:
886:
884:
883:
875:
867:
859:
853:
845:
837:
829:
821:
817:The Nutcracker
813:
805:
797:
789:
781:
773:
765:
757:
749:
741:
732:
724:
723:(*1886, *1899)
716:
708:
700:
692:
684:
676:
668:
660:
652:
644:
636:
628:
619:
617:
613:
612:
610:
609:
601:
593:
585:
577:
569:
561:
553:
545:
544:(*1874, *1892)
537:
529:
521:
513:
505:
497:
489:
481:
473:
465:
457:
449:
441:
433:
425:
417:
409:
400:
398:
394:
393:
391:
390:
382:
374:
366:
358:
350:
342:
334:
326:
325:(*1847, *1881)
317:
315:
311:
310:
303:
301:
300:
293:
286:
278:
270:
269:
255:
235:
221:
200:
199:
197:
194:
193:
192:
185:Scène dansante
153:
128:
125:
124:
123:
97:
94:Marie Taglioni
90:Michele Carafa
76:
73:
24:
14:
13:
10:
9:
6:
4:
3:
2:
977:
966:
963:
961:
958:
956:
953:
952:
950:
934:
931:
928:
927:
923:
920:
917:
914:
913:
909:
906:
905:
901:
898:
895:
894:
892:
888:
881:
880:
876:
873:
872:
868:
865:
864:
860:
857:
854:
851:
850:
846:
843:
842:
838:
835:
834:
830:
827:
826:
822:
819:
818:
814:
811:
810:
806:
803:
802:
798:
795:
794:
790:
787:
786:
782:
779:
778:
774:
772:(1889, *1895)
771:
770:
766:
763:
762:
758:
756:(1889, *1895)
755:
754:
750:
747:
746:
742:
739:
738:
733:
730:
729:
725:
722:
721:
717:
714:
713:
709:
706:
705:
701:
698:
697:
693:
690:
689:
685:
682:
681:
677:
674:
673:
669:
666:
665:
661:
658:
657:
653:
650:
649:
645:
642:
641:
637:
634:
633:
629:
626:
625:
621:
620:
618:
614:
608:(1879, *1896)
607:
606:
602:
599:
598:
594:
591:
590:
586:
583:
582:
578:
575:
574:
570:
568:(1877, *1900)
567:
566:
562:
560:(1876, *1897)
559:
558:
554:
551:
550:
546:
543:
542:
538:
535:
534:
530:
527:
526:
522:
519:
518:
517:The Two Stars
514:
511:
510:
506:
503:
502:
498:
496:(1869, *1871)
495:
494:
490:
487:
486:
482:
479:
478:
474:
471:
470:
466:
463:
462:
458:
455:
454:
450:
447:
446:
442:
439:
438:
434:
431:
430:
426:
423:
422:
418:
415:
414:
410:
408:(1860, *1875)
407:
406:
402:
401:
399:
395:
389:(1859, *1861)
388:
387:
383:
380:
379:
375:
372:
371:
367:
364:
363:
359:
356:
355:
351:
348:
347:
343:
340:
339:
335:
332:
331:
327:
324:
323:
319:
318:
316:
312:
307:
306:Marius Petipa
299:
294:
292:
287:
285:
280:
279:
276:
258:
252:
248:
247:
239:
236:
224:
218:
214:
213:
205:
202:
195:
190:
186:
182:
178:
174:
170:
166:
162:
158:
154:
151:
150:Fanny Elssler
147:
143:
139:
135:
134:Antoine Titus
131:
130:
126:
122:
121:Fanny Elssler
118:
114:
110:
106:
102:
98:
95:
91:
87:
83:
79:
78:
74:
72:
70:
66:
62:
57:
55:
52:and music by
51:
47:
43:
42:
37:
36:
31:
30:
19:
932:
924:
918:
912:Harlequinade
910:
902:
896:
877:
869:
861:
855:
847:
839:
831:
823:
815:
807:
801:A Fairy Tale
799:
791:
783:
775:
767:
759:
753:The Talisman
751:
743:
735:
726:
720:La Esmeralda
718:
710:
702:
694:
686:
678:
670:
662:
654:
646:
638:
630:
622:
603:
595:
587:
579:
571:
563:
555:
547:
539:
531:
523:
515:
507:
499:
491:
483:
475:
467:
459:
451:
443:
435:
427:
419:
411:
403:
384:
376:
368:
360:
352:
344:
336:
328:
320:
260:. Retrieved
245:
238:
226:. Retrieved
211:
204:
189:Pas de trois
188:
184:
176:
168:
160:
156:
109:Cesare Pugni
104:
85:
60:
58:
45:
40:
39:
34:
33:
28:
27:
26:
904:The Seasons
809:La Sylphide
565:La Bayadère
549:The Bandits
533:Le Papillon
493:Don Quixote
413:Terpsichore
370:Le Corsaire
173:Jean Petipa
144:in Berlin,
949:Categories
825:Cinderella
793:Kalkabrino
745:The Vestal
648:Pâquerette
196:References
181:Ivor Guest
169:Our Ballet
67:, Vienna,
871:Bluebeard
863:The Pearl
841:Swan Lake
664:Pygmalion
477:The Slave
308:in Russia
262:March 30,
228:March 30,
879:Raymonda
785:Nénuphar
737:Fiametta
672:Coppélia
509:Catarina
75:Revivals
38:, or as
32:(a.k.a.
890:1900–03
852:(*1895)
844:(*1895)
812:(*1892)
764:(*1889)
699:(*1885)
691:(*1885)
680:Giselle
675:(*1884)
651:(*1882)
643:(*1881)
632:Zoraiya
627:(*1880)
616:1880–99
581:Ariadne
536:(*1874)
525:Camargo
512:(*1870)
464:(*1867)
453:Titania
445:Florida
397:1860–79
346:Giselle
333:(*1848)
322:Paquita
314:1847–59
146:Prussia
88:, with
63:at the
44:) is a
929:(1903)
921:(1902)
915:(1900)
907:(1900)
899:(1900)
882:(1898)
874:(1896)
866:(1896)
858:(1896)
836:(1894)
828:(1893)
820:(1892)
804:(1891)
796:(1891)
788:(1890)
780:(1890)
748:(1888)
740:(1887)
731:(1886)
707:(1886)
667:(1883)
659:(1883)
635:(1881)
600:(1879)
592:(1879)
584:(1878)
576:(1878)
573:Roxana
552:(1875)
528:(1872)
520:(1871)
504:(1870)
501:Trilby
480:(1868)
472:(1868)
456:(1866)
448:(1866)
440:(1864)
432:(1863)
416:(1861)
381:(1858)
365:(1857)
357:(1855)
341:(1849)
253:
219:
187:and a
605:Mlada
461:Faust
148:with
127:Notes
107:with
264:2019
251:ISBN
230:2019
217:ISBN
117:O.S.
951::
734:*
56:.
297:e
290:t
283:v
266:.
232:.
96:.
20:)
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