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Édouard-Léon Scott de Martinville

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44: 345:, was initially played at a speed that produced what seemed to be a 10-second recording of the voice of a woman or child singing at an ordinary musical tempo. The researchers leading the project later found that a misunderstanding about an included reference frequency had resulted in a doubling of the correct playback speed, and that it was actually a 20-second recording of a man, probably Scott himself, singing the song very slowly. It is now the earliest known intelligible recording of singing in existence, predating, by 28 years, several 1888 256: 426:. According to FirstSounds.org, these stories are variations of a myth that likely first appeared in print in a 1969 book about antique collecting, in which the Lincoln recording is explicitly categorized as a legend and dismissed as based on "garbled accounts". There is no solid evidence that such a recording ever existed. Scott did not visit the US in the 1860s and therefore could not have recorded Lincoln himself, as one version of the legend claims he did. 167: 395:, this phonautogram is now the earliest known recording of intelligible human speech. Recordings of Scott's voice made in 1857 have also survived, but they are only unintelligible snippets. However, since then one of these recordings (1857 cornet scale recording) has been restored, and earlier records from 1853 experiments have been found and conserved. 146:
As a printer by trade, he was able to read accounts of the latest scientific discoveries and became an inventor. Scott de Martinville was interested in recording the sound of human speech in a way similar to that achieved by the then-new technology of photography for light and image. He hoped for a
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From 1853, he became fascinated in a mechanical means of transcribing vocal sounds. While proofreading some engravings for a physics textbook, he came across drawings of auditory anatomy. He sought to mimic the working in a mechanical device, substituting an elastic membrane for the
367: 368: 369: 218:, the phonautograph created only visual images of the sound and did not have the ability to play back its recordings. Scott de Martinville's intention was for the device's waves to be read by humans as one would read text, which proved unfeasible. 791:; it is first sung by a single congregant, then repeated, melody and lyric, by everyone attending the day’s Mass. In English translation, its words are " Your Cross and Ressurrection,/ You Have Set Us Free". 366: 498:
Essai de classification méthodique et synoptique des romans de chevalerie inédits et publiés. Premier appendice au catalogue raisonné des livres de la bibliothèque de M. Ambroise Firmin-Didot
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Scott de Martinville managed to sell several phonautographs to scientific laboratories for use in the investigation of sound. It proved useful in the study of vowel sounds and was used by
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that could record the whole of a conversation without any omissions. His earliest interest was in an improved form of stenography, and he was the author of several papers on
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Scott de Martinville also became interested in the relationship between linguistics, people's names and their character, and published a paper on the subject (1857).
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reported the playback of a phonautogram recorded on 9 April 1860. The recording was converted from "squiggles on paper" to a playable digital audio file with the
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Additional recordings include tuning fork, Au Clair de la lune, opening lines of Torquato Tasso's pastoral drama Aminta, Vocal scale and Fly, little bee.
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which inscribed an image on a lampblack-coated, hand-cranked cylinder. Scott built several devices with the help of acoustic instrument maker
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The recording slowed down to match what is now believed to be the correct speed; the result reveals a man's voice, presumably Scott's.
818: 640: 831: 801: 537: 914: 703: 43: 1074: 832:"Earliest Known Sound Recordings Revealed Researchers unveil imprints made 20 years before Edison invented phonograph" 403: 940: 1069: 915:"Lost Language, Political Voices and Earliest Known Recording Among 25 Named to the National Recording Registry" 1079: 192: 545: 226: 601: 406:, which selects recordings annually that are "culturally, historically, or aesthetically significant". 507: 1049: 1044: 333: 1027: 657: 399: 341: 945: 762: 597: 495: 472: 325: 320: 230: 222: 636: 630: 187:, which moved a stylus he proposed would press on a paper, wood, or glass surface covered in 484: 388: 171: 439:
Jugement d'un ouvrier sur les romans et les feuilletons à l'occasion de Ferrand et Mariette
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It has been claimed that in 1863, Scott's phonautograph was used to make a recording of
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The melody is also that of the ancient "Response Before the Gospel" used during the
571: 195:. On 25 March 1857, he received French patent #17,897/31,470 for the phonautograph. 448: 349:
wax cylinder phonograph recordings of a massed chorus performing Handel's oratorio
967: 166: 693: 460: 436: 293: 272: 419: 148: 131:; 25 April 1817 – 26 April 1879) was a French printer, bookseller and inventor. 728: 422:. A phonautogram of Lincoln's voice was supposedly among the artifacts kept by 996:. Translated by Alexander J. Ellis. London: Longmans, Green, 1875, p. 20. 888: 310: 215: 391:, has also been found. Recorded around 1860, probably after the recording of 188: 152: 1011:
Media Technology and Society: a History from the Telegraph to the Internet
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On the Sensations of Tone as a Physiological Basis for the Theory of Music
191:. On 26 January 1857, he delivered his design in a sealed envelope to the 17: 203: 184: 180: 658:"The Phonautographic Manuscripts of Édouard-Léon Scott de Martinville" 451:
Histoire de la sténographie depuis les temps anciens jusqu'à nos jours
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Earliest recognizable recording of the human voice, from 9 April 1860.
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The Phonautographic Manuscripts of Édouard-Léon Scott de Martinville
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Le Problème de la parole s'écrivant elle-même. La France, l'Amérique
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Notice sur la vie et les travaux de M. Adolphe-Noël Desvergers
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used a horn attached to a diaphragm which vibrated a stiff
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He invented the earliest known sound recording device, the
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A phonautogram by Scott containing the opening lines of
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Illustration of a phonautograph. The barrel is made of
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Encyclopedia of Recorded Sound in the United States
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Inventing the earliest known sound recording device
112: 95: 79: 60: 34: 387:, which is the earliest audible record of spoken 138:, which was patented in France on 25 March 1857. 941:"In Love With Technology, as Long as It's Dusty" 629:Hankins, Thomas L.; Robert J. Silverman (1995). 919:Library of Congress, Washington, D.C. 20540 USA 862:"Leon Scott's COMPLETE DISCOGRAPHY 1853 - 1860" 758:"Researchers Play Tune Recorded Before Edison" 889:"Restored ! 1857 Cornet Scale Recording" 8: 598:"Sound Recording Predates Edison Phonograph" 531: 529: 508: 496: 485: 473: 461: 449: 437: 339:The recording, part of the French folk song 675:"Origins of Sound Recording: The Inventors" 398:Scott's phonautograms were selected by the 328:technology, developed by scientists at the 158:He was married twice and had six children. 802:"Earliest Known Sound Recordings Revealed" 42: 31: 624: 622: 620: 618: 1006:. New York: Garland, 1993, p. 615. 968:"The 'Lost' Tracing of Lincoln's Voice" 855: 853: 525: 128:[e.dwaʁ.le.ɔ̃skɔtdəmaʁ.tɛ̃.vil] 27:French printer and inventor (1817–1879) 308: 751: 749: 330:Lawrence Berkeley National Laboratory 155:and a history of the subject (1849). 126: 7: 656:de Martinville, Édouard-Léon Scott. 572:"Oldest recorded voices sing again" 1055:19th-century French businesspeople 1013:. New York : Routledge, 1998. 819:The 1888 Crystal Palace recordings 538:"Leon Scott and the Phonautograph" 463:Les Noms de baptême et les prénoms 309:Problems playing these files? See 25: 1065:French people of Scottish descent 663:. Translated by Feaster, Patrick. 123:Édouard-Léon Scott de Martinville 36:Édouard-Léon Scott de Martinville 291: 270: 214:'s later invention of 1877, the 939:Hafner, Katie (25 March 1999). 706:from the original on 2 May 2018 632:Instruments and the Imagination 838:. U.S. News & World Report 410:Abraham Lincoln recording myth 1: 1060:19th-century French inventors 756:Rosen, Jody (27 March 2008). 692:Fabry, Merrill (1 May 2018). 475:Fixation graphique de la voix 183:, a series of levers for the 1000:History of the Phonautograph 806:U.S. News & World Report 542:Recording Technology History 50:Les Merveilles de la science 404:National Recording Registry 1101: 1085:History of sound recording 830:Cowen, Ron (1 June 2009). 402:as a 2010 addition to the 41: 1002:Marco, Guy A., editor. 546:University of San Diego 536:Schoenherr, Steven E. 509: 497: 486: 474: 462: 450: 438: 374: 259: 198:To collect sound, the 175: 602:National Public Radio 372: 359:Additional recordings 258: 169: 992:Helmholtz, Hermann. 334:Berkeley, California 400:Library of Congress 393:Au clair de la lune 342:Au clair de la lune 287:Au clair de la lune 266:Au clair de la lune 246:Au clair de la lune 244:Rediscovery of the 227:Heinrich Schneebeli 1075:French booksellers 946:The New York Times 763:The New York Times 552:on 7 February 2018 381:'s pastoral drama 375: 321:The New York Times 260: 223:Franciscus Donders 193:Académie Française 176: 1070:People from Paris 970:. 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Archived from 533: 512: 500: 489: 477: 465: 453: 441: 418:'s voice at the 371: 298: 297: 277: 276: 257: 235:manometric flame 172:Plaster of Paris 130: 86: 70: 68: 46: 32: 21: 1100: 1099: 1095: 1094: 1093: 1091: 1090: 1089: 1080:French printers 1035: 1034: 1024:FirstSounds.org 1020: 989: 987:Further reading 984: 983: 973: 971: 966: 965: 961: 951: 949: 938: 937: 933: 923: 921: 913: 912: 908: 898: 896: 886: 885: 881: 871: 869: 859: 858: 851: 841: 839: 829: 828: 824: 817: 813: 800: 799: 795: 789:Catholic Church 782: 778: 768: 766: 755: 754: 747: 737: 735: 733:FirstSounds.ORG 727: 726: 719: 709: 707: 691: 690: 686: 673: 672: 668: 660: 655: 654: 650: 643: 628: 627: 616: 606: 604: 596: 595: 591: 581: 579: 578:. 28 March 2008 570: 569: 565: 555: 553: 535: 534: 527: 522: 432: 416:Abraham Lincoln 412: 363: 361: 352:Israel in Egypt 316: 315: 307: 305: 304: 303: 302: 299: 292: 289: 283: 282: 281: 278: 271: 268: 261: 255: 250: 164: 144: 108: 91: 88: 84: 75: 72: 66: 64: 56: 37: 28: 23: 22: 15: 12: 11: 5: 1098: 1096: 1088: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1047: 1037: 1036: 1033: 1032: 1019: 1018:External links 1016: 1015: 1014: 1007: 997: 988: 985: 982: 981: 959: 931: 906: 879: 849: 822: 811: 793: 787:season by the 776: 745: 717: 684: 666: 648: 641: 614: 589: 563: 524: 523: 521: 518: 517: 516: 504: 492: 481: 469: 457: 445: 431: 428: 411: 408: 379:Torquato Tasso 360: 357: 306: 300: 290: 285: 284: 279: 269: 264: 263: 262: 253: 252: 251: 249: 242: 208:Rudolph Koenig 163: 160: 143: 140: 118: 117: 114: 113:Known for 110: 109: 107: 106: 103: 99: 97: 93: 92: 89: 87:(aged 62) 81: 77: 76: 73: 62: 58: 57: 48:Portrait from 47: 39: 38: 35: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1097: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1042: 1040: 1031: 1030: 1025: 1022: 1021: 1017: 1012: 1008: 1005: 1001: 998: 995: 991: 990: 986: 969: 963: 960: 948: 947: 942: 935: 932: 920: 916: 910: 907: 894: 890: 883: 880: 867: 863: 856: 854: 850: 837: 833: 826: 823: 820: 815: 812: 807: 803: 797: 794: 790: 786: 780: 777: 765: 764: 759: 752: 750: 746: 734: 730: 724: 722: 718: 705: 701: 700: 695: 688: 685: 680: 676: 670: 667: 659: 652: 649: 644: 642:0-691-00549-4 638: 634: 633: 625: 623: 621: 619: 615: 603: 599: 593: 590: 577: 573: 567: 564: 551: 547: 543: 539: 532: 530: 526: 519: 514: 513: 511: 505: 502: 501: 499: 493: 491: 490: 488: 482: 479: 478: 476: 470: 467: 466: 464: 458: 455: 454: 452: 446: 443: 442: 440: 434: 433: 429: 427: 425: 424:Thomas Edison 421: 417: 409: 407: 405: 401: 396: 394: 390: 386: 385: 380: 358: 356: 354: 353: 348: 344: 343: 337: 335: 331: 327: 323: 322: 314: 312: 288: 267: 247: 243: 241: 238: 236: 232: 228: 224: 219: 217: 213: 212:Thomas Edison 209: 205: 201: 200:phonautograph 196: 194: 190: 186: 182: 173: 168: 162:Phonautograph 161: 159: 156: 154: 150: 141: 139: 137: 136:phonautograph 132: 129: 124: 115: 111: 104: 101: 100: 98: 94: 90:Paris, France 83:26 April 1879 82: 78: 74:Paris, France 71:25 April 1817 63: 59: 55: 54:Louis Figuier 51: 45: 40: 33: 30: 19: 1028: 1026:, including 1010: 1003: 999: 993: 972:. Retrieved 962: 950:. Retrieved 944: 934: 922:. Retrieved 918: 909: 897:. Retrieved 892: 887:Orbin, Joe. 882: 870:. Retrieved 865: 860:Orbin, Joe. 840:. Retrieved 836:Science News 835: 825: 814: 805: 796: 779: 767:. Retrieved 761: 736:. Retrieved 732: 708:. Retrieved 697: 687: 678: 669: 651: 631: 605:. Retrieved 592: 580:. Retrieved 566: 554:. Retrieved 550:the original 541: 506: 494: 483: 471: 459: 447: 435: 430:Publications 413: 397: 392: 382: 376: 350: 340: 338: 319: 317: 245: 239: 220: 197: 177: 157: 145: 133: 122: 121: 85:(1879-04-26) 49: 29: 1050:1879 deaths 1045:1817 births 974:23 February 952:23 February 738:2 September 679:www.nps.gov 420:White House 231:Rene Marage 149:stenography 142:Early years 96:Occupations 1039:Categories 520:References 311:media help 216:phonograph 105:Bookseller 67:1817-04-25 18:Leon Scott 318:In 2008, 248:recording 210:. Unlike 189:lampblack 153:shorthand 899:20 March 872:20 March 769:27 March 704:Archived 582:29 March 556:27 March 181:tympanum 147:form of 924:21 June 893:YouTube 866:YouTube 842:26 June 681:. 2017. 607:5 April 389:Italian 204:bristle 185:ossicle 102:Printer 785:Lenten 710:26 May 639:  515:(1878) 503:(1870) 480:(1857) 468:(1857) 456:(1849) 444:(1847) 384:Aminta 347:Edison 661:(PDF) 326:IRENE 976:2013 954:2013 926:2022 901:2019 874:2019 844:2009 771:2008 740:2023 712:2022 699:Time 637:ISBN 609:2008 584:2008 558:2008 229:and 80:Died 61:Born 576:BBC 332:in 52:by 1041:: 943:. 917:. 891:. 864:. 852:^ 834:. 804:. 760:. 748:^ 731:. 720:^ 702:. 696:. 677:. 617:^ 600:. 574:. 544:. 540:. 528:^ 355:. 336:. 225:, 978:. 956:. 928:. 903:. 876:. 846:. 808:. 773:. 742:. 714:. 645:. 611:. 586:. 560:. 313:. 174:. 125:( 69:) 65:( 20:)

Index

Leon Scott

Louis Figuier
[e.dwaʁ.le.ɔ̃skɔtdəmaʁ.tɛ̃.vil]
phonautograph
stenography
shorthand

Plaster of Paris
tympanum
ossicle
lampblack
Académie Française
phonautograph
bristle
Rudolph Koenig
Thomas Edison
phonograph
Franciscus Donders
Heinrich Schneebeli
Rene Marage
manometric flame
Au clair de la lune
Au clair de la lune
media help
The New York Times
IRENE
Lawrence Berkeley National Laboratory
Berkeley, California
Au clair de la lune

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