Knowledge (XXG)

Ligature (instrument)

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rails may be either metal, wood, or plastic. Pressure plates may also have raised contact points, prongs, or a concave form to control contact with the reed. Some bands are designed for minimal contact with the mouthpiece, allowing even less absorption of the reed's vibrations. Nevertheless, in theory, the reed string remains the best means of fixing the reed with regard to its vibration behaviour, which is why some manufacturers have recently started to offer reed screws in which the reed is held in place with strings, usually made of rubber. With the screw, the tension of the strings can be varied, making the sound brighter or darker.
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Various features are incorporated into the design of ligatures to hold the reed securely while minimizing pressure distortion of the reed and allowing maximum vibration. Contact rails may be either parallel or transverse to the reed, on either a metal band or pressure plate type ligature. The contact
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invented a metal ligature to replace twine. String is still used by clarinetists, especially in Germany. Modern German mouthpieces have a groove cut into the outside of the mouthpiece to facilitate wrapping with a string ligature. Some modern clarinetists even opt to use shoestring as a ligature
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A ligature must be placed properly in order to allow best performance on a reed instrument. The ligature must be placed at least halfway down the stock of the reed and the screws must not be overtightened, in order to allow free vibration and not distort the reed.
203:. Ligatures fall into two general categories, depending on whether the band contacts the reed or a pressure plate, either riding the band or adjusted inward from a block mounted on the band, using a thumbscrew, is used. 179:. The ligature must secure the reed firmly against the table of the mouthpiece while allowing it to vibrate freely. The earliest ligatures were lengths of string wrapped over the reed and tied. 322: 341: 315: 50: 308: 346: 191:
Ligatures are most commonly made out of metal and plated in nickel, silver, or gold. Ligatures are also made out of wire, wire mesh,
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substitute as it is more easily adjustable than string. Other modern clarinetists use electrical tape as a ligature.
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Champione on Clarinet: A Complete Guide to Clarinet Playing and Instruction
280: 176: 137: 200: 192: 129: 26: 296: 57:. Unsourced material may be challenged and removed. 133:Saxophone mouthpiece with ligature (Silverstein) 255:. Mineola, New York: Dover Publications, 1980. 141:Clarinet mouthpieces with different ligatures: 316: 8: 268:. London, England: Kahn & Averill, 1995. 323: 309: 342:Woodwind instrument parts and accessories 117:Learn how and when to remove this message 136: 128: 239:The Cambridge Companion to the Clarinet 216: 199:, heavy nylon fabric, wood, string, or 227:. Fairfield, Ohio: John Ten-Ten, 2001. 7: 277: 275: 55:adding citations to reliable sources 242:. Cambridge University Press, 1995. 295:. You can help Knowledge (XXG) by 147:3 conical ring made of hard rubber 25: 253:The Clarinet and Clarinet Playing 279: 31: 42:needs additional citations for 1: 149:4 reed cord (only in Germany) 18:Ligature (musical instrument) 363: 274: 159:is a device which holds a 151:1 to 3 also for saxophones 66:"Ligature" instrument 347:Woodwind instrument stubs 287:This article relating to 289:single-reed instruments 169:single-reed instrument 152: 134: 140: 132: 51:improve this article 223:Campione, Carmine. 153: 145:2 textile ligature 135: 304: 303: 127: 126: 119: 101: 16:(Redirected from 354: 325: 318: 311: 283: 276: 269: 262: 256: 249: 243: 234: 228: 221: 143:1 metal ligature 122: 115: 111: 108: 102: 100: 59: 35: 27: 21: 362: 361: 357: 356: 355: 353: 352: 351: 332: 331: 330: 329: 273: 272: 263: 259: 250: 246: 236:Lawson, Colin. 235: 231: 222: 218: 213: 150: 148: 146: 144: 142: 123: 112: 106: 103: 60: 58: 48: 36: 23: 22: 15: 12: 11: 5: 360: 358: 350: 349: 344: 334: 333: 328: 327: 320: 313: 305: 302: 301: 284: 271: 270: 264:Harvey, Paul. 257: 244: 229: 215: 214: 212: 209: 125: 124: 39: 37: 30: 24: 14: 13: 10: 9: 6: 4: 3: 2: 359: 348: 345: 343: 340: 339: 337: 326: 321: 319: 314: 312: 307: 306: 300: 298: 294: 290: 285: 282: 278: 267: 261: 258: 254: 251:Pino, David. 248: 245: 241: 240: 233: 230: 226: 220: 217: 210: 208: 204: 202: 198: 194: 189: 185: 182: 178: 174: 170: 166: 162: 158: 139: 131: 121: 118: 110: 99: 96: 92: 89: 85: 82: 78: 75: 71: 68: –  67: 63: 62:Find sources: 56: 52: 46: 45: 40:This article 38: 34: 29: 28: 19: 297:expanding it 286: 265: 260: 252: 247: 237: 232: 224: 219: 205: 190: 186: 156: 154: 113: 107:October 2022 104: 94: 87: 80: 73: 61: 49:Please help 44:verification 41: 181:Iwan Müller 336:Categories 211:References 171:such as a 165:mouthpiece 77:newspapers 266:Saxophone 197:naugahyde 173:saxophone 163:onto the 177:clarinet 157:ligature 201:leather 193:plastic 91:scholar 93:  86:  79:  72:  64:  291:is a 167:of a 98:JSTOR 84:books 293:stub 161:reed 70:news 175:or 53:by 338:: 195:, 155:A 324:e 317:t 310:v 299:. 120:) 114:( 109:) 105:( 95:· 88:· 81:· 74:· 47:. 20:)

Index

Ligature (musical instrument)

verification
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adding citations to reliable sources
"Ligature" instrument
news
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Learn how and when to remove this message


reed
mouthpiece
single-reed instrument
saxophone
clarinet
Iwan Müller
plastic
naugahyde
leather
The Cambridge Companion to the Clarinet
Stub icon
single-reed instruments
stub
expanding it
v
t

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