319:
591:
1162:
1055:
572:
234:
67:
31:
733:
128:
754:
2694:
2433:
890:. Where there were cycles of illustrations in illuminated manuscripts, these were normally collected together at the start of the book, or of the Gospels, rather than appearing throughout the text at the relevant places, something hardly found in Western manuscripts at all, and slow to develop in printed bibles. In the East this was more common; the 6th-century Byzantine
642:
written names or titles were commonly included in the background of scenes in art; this was much less often done in the Early
Medieval West, probably not least because few laymen would have been able to read them and understand the Latin. The difficulties this could cause are shown in the 12 small
42:
with 21 scenes from
Annunciation to Resurrection: Top row: Annunciation, Nativity, Visit of the Three Magi, Flight to Egypt, Baptism of Christ, Raising of Lazarus, Entry to Jerusalem, Last Supper. Middle row: Washing of feet, Agony in the Garden, Arrest of Christ, Trial before the Sanhedrin, Trial
86:
They are often grouped in series or cycles of works in a variety of media, from book illustrations to large cycles of wall paintings, and most of the subjects forming the narrative cycles have also been the subjects of individual works, though with greatly varying frequency. By around 1000, the
724:'s famous study of 13th-century French cathedral art analyses many cycles, and discusses the lack of emphasis on the "public life is dismissed in four scenes, the Baptism, the Marriage at Cana, the Temptation and the Transfiguration, which moreover it is rare to find all together".
855:
contains eight miracles in its thirteen scenes. Neither of these features was to be typical of later art, but they are comparable to features of cycles in smaller objects of the period such as carved caskets and a gold pendant medallion of the late 6th century.
709:, though not specifically described in the Gospels, was thought to be implied by the accounts there of the episodes before and after. Vernacular art was less policed by the clergy, and works such as some medieval tiles from
662:, which were both easy to recognise as images, with Lazarus normally shown tightly wrapped in a white shroud, but standing up. Paintings in hospitals were more likely to show scenes of the miraculous cures. An exception is
110:
with that of Jesus. Subjects showing the life of Jesus during his active life as a teacher, before the days of the
Passion, were relatively few in medieval art, for a number of reasons. From the Renaissance, and in
647:; about a century after the book was created captions were added to these images by a monk, which may already misidentify one scene. It was around this time that miracle scenes, which had often been prominent in
894:
has an unframed miniature at the bottom of every surviving page, and this style of illustrating the
Gospels continued to be found in later Greek Gospel books, compelling the artist to devote more pictures to the
318:
1341:
Schiller has sections on each of these, and many other less common subjects. Mâle's
Chapter 2 analyses 13th-century French Cathedral scenes in the text, and an appendix listing the contents of many.
1115:
From the
Renaissance the numbers shown widened slightly, and the three main scenes of the Prodigal Son – the high living, herding the pigs, and the return – became the clear favourites.
863:
contain the only painted scenes to have survived in quantity, though many scenes have survived from the applied arts, especially ivories, and some in cast bronze. The period of Christ's
2469:
772:
547:
a fixed group of twelve scenes were often depicted as a set. These are sometimes described as the "Twelve Great Feasts", although three of them are different from the twelve modern
590:
2018:
43:
before Pilate, Flagellation. Bottom row: Ecce homo, Carrying the cross, Christ falls, Crucifixion, Deposition from the cross, Harrowing of Hell, Resurrection.
2462:
551:. Neither group includes Easter/the Resurrection, which had a unique higher status. The group in art are: Annunciation, Nativity, Presentation, Baptism,
548:
1161:
2013:
2008:
1655:
1618:, The Gothic Image: Religious Art in France of the Thirteenth Century, English translation of 3rd ed, 1913, Collins, London (and many other editions),
2564:
2118:
1570:
291:
2455:
627:, and no doubt also those scenes which lent themselves to a readily identifiable image tended to be preferred. Devotional practices such as the
2661:
1689:
1275:
tapestry designs for the
Sistine Chapel, a cycle of the lives of saints Peter and Paul, with some scenes from the Life of Christ (see also the
502:
1248:
2066:
2574:
2046:
1790:
1635:
1229:
302:
832:
91:
became largely settled in the
Western and Eastern churches, and was mainly based on the major feasts celebrated in the church calendars.
2683:
532:
2371:
1623:
1187:
1054:
1205:, cycle of 40 images, mostly full-page. The Nativity story has 7 scenes, and from the Annunciation to the Return from Egypt takes 13.
2579:
1610:
1596:
1559:
1406:
1080:, four were shown in medieval art almost to the exclusion of the others, but not normally mixed in with the narrative scenes of the
993:
619:
334:
1475:
2247:
2205:
2146:
1661:
2777:
2218:
2041:
1882:
1452:
1359:
1137:, a portrait of himself "as" the Son, revelling with his wife, is like many artists' depictions, a way of dignifying a genre
1133:
609:, both of which were given prominence by the devotional writers on whose works many cycles appear to be based. Of these, the
713:
can show fanciful apocryphal legends that either hardly ever appeared in church art, or were destroyed at some later date.
571:
2524:
2492:
2307:
1924:
1785:
1308:
211:
987:(16 scenes, 1507–1512). These were distributed all over Europe, and often used as patterns by less ambitious painters.
952:, this medium was also used, usually with a small medallion for each scene, requiring a very compressed composition. The
775:. Below are the Works, above the post-Resurrection scenes. The birth and childhood scenes are on the front, as part of a
2589:
2413:
2175:
1714:
1384:
Vulpes Fossa Habent or the
Miracle of the Bent Woman in the Gospels of St. Augustine, Corpus Christi College, Cambridge,
999:
635:
352:
346:
115:
art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in
2559:
654:
However, some miracles commonly used as paradigms for
Christian doctrines continued to be represented, especially the
285:
2502:
2158:
2061:
1991:
1752:
1682:
1192:
767:. The middle section has the Passion sequence, beginning with the entry to Jerusalem (bottom left) and ending with
623:
were two of the most popular from the 14th century onwards. Another influence, especially in smaller churches, was
556:
233:
188:
59:
on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as
2673:
2626:
2529:
2190:
2093:
1109:
420:
207:
71:
1241:, a large combined Life of Christ and of the Virgin with nearly fifty scenes in total, on both sides of a panel
2738:
2549:
2497:
2240:
2113:
1914:
1852:
1313:
1093:
601:
After the Early Christian period, the selection of scenes to illustrate was led by the occasions celebrated as
385:
262:
179:
66:
878:
was the main type of manuscript to receive lavish illumination in this period, the emphasis was on depicting
2631:
2584:
2168:
1807:
1220:
1027:
794:. Miracles are very often shown, but the Crucifixion is absent until the 5th century, when it originated in
473:
435:
144:
30:
2641:
2609:
2408:
2335:
2001:
1770:
1217:
by Giotto, a large combined Life of Christ and of the Virgin in fresco with nearly forty narrative scenes.
1015:
860:
732:
458:
395:
193:
2782:
2733:
2728:
2646:
2539:
2534:
2514:
2507:
2290:
2223:
2128:
2108:
1943:
1857:
1747:
1675:
1303:
1181:
706:
644:
628:
555:, Transfiguration, Entry into Jerusalem, Crucifixion of Jesus, Harrowing of Hell, Ascension, Pentecost,
464:
217:
198:
184:
103:
663:
127:
2257:
2252:
2028:
1919:
1780:
1124:
818:
479:
441:
272:
173:
99:
2756:
2594:
2228:
1899:
1818:
1814:
1724:
1293:
937:
933:
879:
783:
648:
560:
361:
306:
1504:
2751:
2713:
2636:
2569:
2418:
2403:
2398:
2285:
2264:
2085:
2075:
1948:
1892:
1872:
1298:
1202:
979:: large (7 scenes before 1500, with a further 5 in 1510) and small (36 scenes in 1510) cycles in
827:
795:
552:
446:
429:
370:
297:
165:
107:
1238:
1004:
825:
has a cycle from 432–430 on the birth and infancy of Christ together with other scenes from the
763:
745:
753:
2656:
2519:
2366:
2313:
2185:
2051:
1971:
1862:
1847:
1842:
1802:
1757:
1742:
1639:
1619:
1606:
1592:
1417:
1402:
1355:
1116:
1097:
1073:
1058:
972:
791:
698:
614:
484:
390:
249:
241:
221:
95:
60:
39:
2614:
2544:
2056:
2036:
1877:
1867:
1835:
1830:
1795:
1775:
1709:
1401:(1 volume version, edited by Herbert L. Kessler), 48–50, University of Chicago Press, 1988,
1276:
1272:
1214:
1166:
1146:
1077:
964:
914:
868:
702:
624:
579:
522:
425:
405:
326:
257:
116:
75:
2678:
2667:
2604:
2554:
2381:
2344:
1931:
1909:
1764:
1208:
1085:
941:
768:
602:
527:
516:
400:
379:
374:
356:
278:
237:
203:
79:
967:
had first scenes, then whole cycles, which were also one of the most common subjects for
798:, soon followed by the Nativity in much the form still seen in Orthodox icons today. The
281:, the first miracle recorded in the Gospels, and the only one at which Mary was present.
2693:
2436:
2376:
2235:
2136:
1996:
1986:
1981:
1976:
1483:
1259:
1105:
1003:
are examples of a large number of scenes, in these case over twenty, shown in a single
957:
891:
887:
851:
is notable for still not containing, among its thirteen scenes, a Crucifixion, and the
490:
410:
94:
The most common subjects were grouped around the birth and childhood of Jesus, and the
63:, and also many types of portrait or devotional subjects without a narrative element.
2771:
2599:
2195:
2180:
1958:
1936:
1904:
1729:
1615:
1235:, a series of small panel paintings speculatively attributed to the circle of Cimabue
1150:
1138:
1039:
945:
929:
925:
721:
639:
544:
52:
1092:, mid 12th century) illustrated here provides an exception to this. These were: the
17:
2718:
2318:
2296:
2269:
2141:
2098:
1737:
1196:
1101:
1065:
1018:, but prints and book illustrations were acceptable, as free from the suspicion of
988:
907:
810:
606:
595:
510:
245:
882:, and relatively few contained narrative cycles; these are in fact more common in
1649:
674:
originally had 29 scenes of the miracles (now 27), probably derived from a Greek
2723:
2302:
2163:
2153:
1887:
1664:
from Augusta State University – see under Jesus Christ, after alphabet of saints
944:) by art historians, and were very common, though most have now vanished. After
902:
875:
675:
506:
340:
88:
1211:, English manuscript of the mid-12th century, the prefatory cycle now dispersed
2323:
1823:
1394:
1263:
1242:
1089:
949:
910:
787:
717:
451:
365:
112:
1591:,1971 (English trans from German), Lund Humphries, London, p. 56 & figs,
2620:
2388:
1128:
1120:
1061:
984:
968:
682:
415:
1644:
2651:
1280:
1267:
1131:
depicted the story several times, although in at least one of his works,
1019:
806:
are both often found earlier, but the choice of scenes is very variable.
468:
322:
55:
comprises a number of different subjects showing events from the life of
1605:,1972 (English trans from German), Lund Humphries, London, figs 471–75,
505:, which was not represented directly in the 1st millennium. Instead the
106:. Many cycles covered only one of these groups, and others combined the
2447:
2329:
2213:
1252:
1043:
1034:(1521), where 13 matched pairs of woodcuts contrasted a scene from the
980:
883:
836:
1123:
of the Prodigal Son amongst the pigs (1496), a popular subject in the
2393:
2349:
1966:
1174:
1170:
953:
814:
758:
736:
671:
667:
583:
35:
1380:
928:
scenes on the other, the latter usually chosen for pre-figuring the
1650:
Thesis on the cycle in the Avila Bible by Monica Ann Walker-Vadillo
1528:, Dover Books, New York, 1963. All images at Harvard external link.
693:, although some minor details, like the boys climbing trees in the
382:– if included, usually the only Passion scene not to include Christ
2708:
1698:
1448:
1160:
1053:
752:
731:
710:
589:
570:
232:
126:
65:
56:
1539:
The Complete Engravings, Etchings and Drypoints of Albrecht Durer
1184:, Italian, about 600, now only a quarter survives. Many miracles.
822:
2451:
1671:
349:, much more popular as a single subject from the Renaissance on
337:, a late medieval development, not based on any Gospel episode.
960:
showing the Lives of Christ and Moses are an unusual variant.
899:. Scenes with miracles were more often found in cycles of the
643:
narrative scenes from the Gospel of Luke in the 6th-century
1038:
with an anti-Catholic scene. But otherwise scenes from the
651:, became much more rare in the art of the Western Church.
513:
finding an empty tomb was shown, or the next three scenes.
1199:
gospel book, with some 60 scenes, including many parables
1022:. Nonetheless, there were surprisingly few cycles of the
155:
The main scenes found in art during the Middle Ages are:
1667:
1226:, a series of small panel paintings attributed to Giotto
701:
was not an episode witnessed or mentioned by any of the
720:
the selection of scenes was at its most standardized.
924:
was often shown on one side of a church, paired with
294:, much more common in the Eastern than Western church
2701:
2485:
2359:
2278:
2204:
2127:
2084:
2027:
1957:
1723:
1010:In Protestant areas production of paintings of the
786:contains a number of narrative scenes collected on
594:Untypical scene from a large 19th-century cycle by
163:These scenes also could form part of cycles of the
685:Gospels that remain a feature of the depiction of
1007:image of Jerusalem; another is illustrated here.
867:still seems relatively prominent compared to the
325:of the life and death of Christ, from the early
240:, Morgan leaf M.521 (recto); mixed miracles and
638:did not score well on any of these counts. In
220:, the last episode of Jesus's childhood in the
2019:Names and titles of Jesus in the New Testament
1645:The Passion Cycle in the English Parish Church
975:produced a total of three print cycles of the
2463:
1683:
1447:Schiller, I, 153. The medallion was found at
886:and other types of book, especially from the
8:
1352:A History of Ideas and Images in Italian Art
549:Great feasts in the Eastern Orthodox Church
187:(Three Kings), sometimes combined with the
2470:
2456:
2448:
2014:New Testament places associated with Jesus
2009:Historical background of the New Testament
1690:
1676:
1668:
859:For the rest of the Early Medieval period
847:of Christ from the early 6th century. The
813:monumental cycles to have survived are in
87:choice of scenes for the remainder of the
1399:The Mosaic Decoration of San Marco Venice
2341:Jacob (paternal grandfather per Matthew)
705:but was approved by the Church, and the
317:
244:. The last square has the story of the
29:
1526:The Complete Woodcuts of Albrecht Durer
1325:
2575:Christ in the House of Martha and Mary
874:Although this was the period when the
1603:Iconography of Christian Art, Vol. II
1354:, p. 127, 1983, John Murray, London,
1112:also appear in Early Medieval works.
936:. Such schemes were later called the
275:, often divided into its three parts.
7:
1589:Iconography of Christian Art, Vol. I
1476:"Miracles, Augusta State University"
1153:) is one of his most popular works.
1030:made a famous propaganda set of the
839:has cycles on opposite walls of the
303:Jesus at the home of Martha and Mary
533:Ascension of Jesus in Christian art
135:shown in a number of small scenes,
119:and especially book illustrations.
2332:(traditional maternal grandfather)
2326:(traditional maternal grandmother)
1656:Dürer's three print Passion cycles
1262:, by a team of masters, including
25:
2580:Christ Taking Leave of His Mother
994:Scenes from the Passion of Christ
932:scene according to the theory of
620:Meditations on the Life of Christ
335:Christ taking leave of his Mother
176:, showing the conception of Jesus
2692:
2432:
2431:
1032:Passion of Christ and Antichrist
452:Side of Jesus pierced by a spear
2560:Christ and the Woman of Samaria
2338:(paternal grandfather per Luke)
1420:, Victoria & Albert Museum]
1157:Individual cycles with articles
831:, the dedicatee of the church.
343:, Christ's entry into Jerusalem
2042:Quest for the historical Jesus
1453:Istanbul Archaeological Museum
1134:The Prodigal Son in the Tavern
689:have fewer equivalents in the
681:The scenes originating in the
670:where a 12th-century cycle of
34:16th-century Italian cycle in
1:
2525:Rest on the Flight into Egypt
1541:, Dover Books, New York, 1972
1309:List of New Testament stories
1249:Vyšší Brod (Hohenfurth) cycle
605:, and those mentioned in the
248:in 8 scenes, the penultimate
212:Rest on the Flight into Egypt
136:
2550:Miraculous Draught of Fishes
1014:stopped very soon after the
1000:Advent and Triumph of Christ
578:from the large cycle in the
347:Jesus and the money changers
159:Birth and childhood sequence
2679:Incredulity of Saint Thomas
1141:or tavern scene. His late
1084:, though the page from the
631:also influenced selection.
286:Samaritan woman at the well
2799:
2585:Purification of the Temple
2535:Presentation in the Temple
2503:Adoration of the Shepherds
1992:Five Discourses of Matthew
1572:Return of the Prodigal Son
1193:Codex Aureus of Echternach
1143:Return of the Prodigal Son
557:Dormition of the Theotokos
539:Byzantine set of 12 scenes
476:, or "Anointing of Christ"
305:, sometimes seen from the
189:Adoration of the Shepherds
82:, 1st third of 5th century
2747:
2690:
2627:Christ Carrying the Cross
2530:Massacre of the Innocents
2427:
1705:
1110:Labourers in the Vineyard
906:and other apostles, from
497:Resurrection to Ascension
421:Christ carrying the Cross
208:Massacre of the Innocents
72:Massacre of the Innocents
2739:List of statues of Jesus
2540:Christ Among the Doctors
2219:In comparative mythology
1314:List of statues of Jesus
1094:Wise and Foolish Virgins
790:and in paintings in the
401:The Crowning with Thorns
386:Sanhedrin Trial of Jesus
292:Transfiguration of Jesus
288:is occasionally depicted
263:Miraculous catch of fish
180:Nativity of Jesus in art
51:as a narrative cycle in
2372:Interactions with women
1658:from Harvard Art Museum
1028:Lucas Cranach the Elder
861:illuminated manuscripts
741:Temptation on the Mount
436:Crucifixion in the arts
2642:Descent from the Cross
2382:Mary, sister of Martha
2002:Oral gospel traditions
1177:
1069:
1064:of the parable of the
1046:were more often seen.
963:From the 15th century
940:(and in book form the
833:Sant'Appollinare Nuovo
780:
771:, top right, 2nd row;
750:
613:("Life of Christ") by
598:
587:
461:(Deposition of Christ)
459:Descent from the Cross
396:Flagellation of Christ
330:
265:, more often found in
253:
210:. Later sometimes the
194:Circumcision of Christ
152:
83:
44:
27:Set of subjects in art
2778:Life of Christ in art
2734:Life of Christ Museum
2729:Stations of the Cross
2508:Adoration of the Magi
2109:Life of Christ Museum
2104:Life of Christ in art
1662:Christian Iconography
1304:Life of Christ Museum
1182:St. Augustine Gospels
1164:
1057:
800:Adoration of the Magi
756:
735:
707:Lamentation of Christ
697:, are tolerated. The
645:St. Augustine Gospels
629:Stations of the Cross
593:
574:
503:Resurrection of Jesus
465:Lamentation of Christ
321:
236:
218:Finding in the Temple
199:Presentation of Jesus
185:Adoration of the Magi
130:
70:Ivory panel with the
69:
33:
2479:Life of Jesus in art
1925:Sayings on the cross
1883:Entry into Jerusalem
1636:The Romanesque cycle
1560:Gerard van Honthorst
1233:(circle of Cimabue?)
1125:Northern Renaissance
1072:Of the thirty or so
956:on the walls of the
948:became important in
880:Evangelist portraits
819:Santa Maria Maggiore
603:Feasts of the Church
576:Entry into Jerusalem
487:, not in the Gospels
480:Entombment of Christ
442:Raising of the Cross
391:Christ before Pilate
273:Temptation of Christ
174:Annunciation to Mary
147:(lower left) to the
141:Entry into Jerusalem
18:Life of Jesus in art
2595:Agony in the Garden
2414:Race and appearance
2352:(traditional uncle)
2258:Jesus the Splendour
1900:Agony in the Garden
1815:Sermon on the Mount
1537:Strauss, Walter L.
1294:Chronology of Jesus
1068:with his pigs, 1536
784:Early Christian art
649:Early Christian art
561:Death of the Virgin
362:Agony in the Garden
307:Counter-Reformation
2714:Depiction of Jesus
2570:Raising of Lazarus
2399:Rejection of Jesus
2076:Christ myth theory
1893:Farewell Discourse
1438:Schiller, II, 26–7
1379:Lewine, Carol F.;
1370:Schiller, I, 152–3
1299:Depiction of Jesus
1203:St. Albans Psalter
1178:
1070:
828:Life of the Virgin
781:
777:Life of the Virgin
751:
695:Entry to Jerusalem
687:Life of the Virgin
664:St Mark's Basilica
660:Raising of Lazarus
636:miracles of Christ
599:
588:
553:Raising of Lazarus
371:Betrayal of Christ
331:
298:Raising of Lazarus
254:
166:Life of the Virgin
153:
123:Most common scenes
108:Life of the Virgin
84:
45:
2765:
2764:
2657:Harrowing of Hell
2615:Mocking of Christ
2545:Baptism of Christ
2520:Flight into Egypt
2445:
2444:
2367:Language of Jesus
2314:Brothers of Jesus
2186:Session of Christ
2062:Mara bar Serapion
1863:Great Commandment
1758:Flight into Egypt
1640:St Albans Psalter
1505:"Vatican Museums"
1098:Dives and Lazarus
1078:canonical Gospels
1074:parables of Jesus
1059:Hans Sebald Beham
977:Passion of Christ
920:In painting, the
888:Romanesque period
792:Catacombs of Rome
699:Harrowing of Hell
615:Ludolph of Saxony
485:Harrowing of Hell
314:Passion of Christ
250:Dives and Lazarus
242:parables of Jesus
222:Canonical Gospels
98:, leading to his
96:Passion of Christ
76:Baptism of Christ
61:Christ in Majesty
40:Gaudenzio Ferrari
16:(Redirected from
2790:
2696:
2674:Supper at Emmaus
2605:Taking of Christ
2555:Marriage at Cana
2472:
2465:
2458:
2449:
2435:
2434:
2310:(alleged father)
2164:Person of Christ
2037:Historical Jesus
1868:Olivet Discourse
1796:Great Commission
1692:
1685:
1678:
1669:
1575:
1568:
1562:
1557:
1551:
1548:
1542:
1535:
1529:
1522:
1516:
1515:
1513:
1512:
1501:
1495:
1494:
1492:
1491:
1482:. Archived from
1471:
1465:
1464:Schiller, I, 154
1462:
1456:
1445:
1439:
1436:
1430:
1427:
1421:
1415:
1409:
1392:
1386:
1377:
1371:
1368:
1362:
1348:
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869:High Middle Ages
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625:liturgical drama
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2783:Medieval art
2757:Christianity
2719:Christ Child
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2662:Resurrection
2637:Stabat Mater
2619:
2610:Flagellation
2515:Circumcision
2493:Annunciation
2478:
2319:Holy Kinship
2270:Master Jesus
2248:Baháʼí Faith
2142:Christianity
2129:Christianity
2103:
2099:Christ Child
2094:Bibliography
1944:Resurrection
1858:Homelessness
1767:(apocryphal)
1748:Virgin birth
1738:Annunciation
1730:Jesus's life
1602:
1601:G Schiller,
1588:
1587:G Schiller,
1571:
1566:
1555:
1546:
1538:
1533:
1525:
1520:
1509:. Retrieved
1499:
1488:. Retrieved
1484:the original
1479:
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1413:
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1337:
1328:
1251:, 9 panels,
1230:
1221:
1188:Castelseprio
1142:
1132:
1114:
1102:Prodigal Son
1081:
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1066:Prodigal Son
1035:
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989:Hans Memling
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757:The rear of
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611:Vita Christi
610:
607:Nicene Creed
600:
596:James Tissot
575:
542:
511:Myrrhbearers
447:Stabat Mater
329:in Ethiopia.
269:of apostles.
266:
246:Prodigal Son
164:
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154:
151:(centre top)
148:
143:through the
140:
132:
104:Resurrection
93:
85:
48:
46:
2752:Visual arts
2724:Holy Family
2647:Lamentation
2632:Crucifixion
2590:Last Supper
2345:Descendants
2303:Holy Family
2286:Genealogies
2253:Manichaeism
2159:Incarnation
2154:Christology
2147:1st century
2029:Historicity
1920:Crucifixion
1888:Last Supper
1395:Demus, Otto
1016:Reformation
903:Saint Peter
876:Gospel book
749:(1308-1311)
676:gospel book
521:Meeting or
507:Three Marys
353:Last Supper
341:Palm Sunday
145:Golden Gate
100:Crucifixion
89:Middle Ages
2772:Categories
2191:Son of God
2086:Depictions
1824:Beatitudes
1781:Temptation
1725:Chronology
1616:Emile Mâle
1582:References
1511:2012-06-05
1490:2012-06-05
1418:Tring tile
1360:0719539714
1264:Botticelli
1243:altarpiece
1090:Canterbury
969:blockbooks
950:Gothic art
911:sarcophagi
788:sarcophagi
722:Emile Mâle
683:apocryphal
586:, c. 1266.
474:Epitaphios
366:Gethsemane
113:Protestant
2684:Ascension
2621:Ecce homo
2419:Sexuality
2404:Criticism
2389:Christmas
2265:Mandaeism
2241:Ahmadiyya
1949:Ascension
1873:Anointing
1808:Disciples
1791:Selecting
1550:Mâle, 195
1429:Mâle, 177
1173:cycle by
1129:Rembrandt
1121:engraving
1062:engraving
985:engraving
809:The only
796:Palestine
743:from his
430:Holy Face
416:Ecce homo
206:, or the
149:Ascension
2498:Nativity
2437:Category
2308:Panthera
2293:(mother)
2052:Josephus
1905:Betrayal
1848:Miracles
1843:Parables
1803:Ministry
1786:Apostles
1743:Nativity
1288:See also
1281:Masaccio
1268:Perugino
1253:Bohemian
1224:(Giotto)
1197:Ottonian
1104:and the
1050:Parables
1044:parables
1020:idolatry
934:typology
901:life of
884:psalters
802:and the
773:sequence
617:and the
323:Triptych
309:onwards.
252:in four.
2702:Related
2360:Related
2330:Joachim
2224:Judaism
2214:Jesuism
2114:Statues
2067:Gospels
2057:Tacitus
2047:Sources
1972:Matthew
1967:Gospels
1878:Passion
1831:Prayers
1776:Baptism
1765:Infancy
1710:Outline
1638:in the
1480:Aug.edu
1145:(1662,
1108:. The
1076:in the
981:woodcut
954:frescos
913:to the
849:Passion
845:Passion
837:Ravenna
804:Baptism
716:By the
672:mosaics
133:Passion
2486:Topics
2394:Easter
2350:Clopas
2297:Joseph
2279:Family
2176:Relics
2137:Christ
1932:Burial
1910:Arrest
1622:
1609:
1595:
1405:
1358:
1255:Gothic
1175:Giotto
1171:fresco
1127:, and
1100:, the
965:prints
815:mosaic
764:Maestà
759:Duccio
746:Maestà
737:Duccio
728:Cycles
668:Venice
584:Giotto
355:, and
117:prints
78:, and
36:fresco
2709:Jesus
2652:Pietà
2236:Islam
1915:Trial
1819:Plain
1699:Jesus
1449:Adana
1381:JSTOR
1320:Notes
897:Works
865:Works
853:Works
841:Works
711:Tring
469:Pietà
267:Lives
57:Jesus
2336:Heli
2324:Anne
2291:Mary
1987:John
1982:Luke
1977:Mark
1937:Tomb
1620:ISBN
1607:ISBN
1593:ISBN
1403:ISBN
1356:ISBN
1266:and
1082:Life
1042:and
1036:Life
1024:Life
1012:Life
997:and
922:Life
871:.
843:and
823:Rome
761:'s
658:and
634:The
467:and
373:and
284:The
131:The
102:and
47:The
1728:of
1279:by
1026:.
991:'s
971:.
835:in
821:in
739:'s
666:in
582:by
563:).
543:In
509:or
364:of
38:by
2774::
1478:.
1397:,
1149:,
1096:,
917:.
817::
678:.
169::
137:c.
74:,
2471:e
2464:t
2457:v
1817:/
1691:e
1684:t
1677:v
1514:.
1493:.
1283:)
1245:.
1088:(
779:.
559:(
432:)
428:(
224:.
214:.
20:)
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