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on the right and a House of Night on the left. One scene featured artificial owls and bats flying around the set on wires. The nine gold trees moved and danced and split apart to reveal the nine principal masquers (the trees then sank into the stage below, at a touch from Night's wand). The masquers,
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The masque was richly supplied with music, created by several composers – including
Campion himself, who contributed two "airs" for songs and a dance. The published text indicates that the music was played by a "consort of twelve," violins with three lutes, a "consort of ten" that included
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Such political and social import is a heavy load to lay on a new marriage. Within two years the couple were facing difficulties. Honoria was supposedly unfaithful and Hay was jealous; he broke open her cabinets in search of love letters and threatened her servants. Lady
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shortly after, printed by John Windet for the bookseller John Browne. Campion's verses conjoin the personal and political, hailing the marriage of Hay and Denny and looking forward to a day when
English/Scottish intermarriage will produce a new "British" citizen.
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the previous year. The intricate politics of the Stuart Court decreed some key differences between the two events; while the bill for
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dressed in carnation and cloth of silver and initially concealed in green and silver leaves, were nine knights of
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was paid by King James, the expenses of the masque for Lord Hay were covered by the powerful Howard and
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Inigo: The
Troubled Life of Inigo Jones, Architect of the English Renaissance.
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Jones's design for the masque had a sylvan theme, centered on a Grove of
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Gloriana's Face: Women, Public and
Private, in the English Renaissance.
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celebrated the marriage of an important
Scottish aristocrat
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is thinner than for some other Court masques of the era.
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Anna of
Denmark, Queen of England: A Cultural Biography.
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Music in the
English Courtly Masque, 1604–1640.
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36:, with costumes, sets and stage effects designed by
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56:Court for the 1606-7 Christmas holiday season.
128:with nine golden trees, flanked by a Bower of
100:families. The principal masquers were led by
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288:Detroit, Wayne State University Press, 1992.
284:Cerasano, S. P., and Marion Wynne-Davies.
333:International Music Score Library Project
297:4 Volumes, Oxford, Clarendon Press, 1923.
237:Chambers, Vol. 3, p. 241; Leapman, p. 93.
311:Leiden, Brill Academic Publishers, 1986.
174:on 26 January 1607 and was published in
304:London, Headline Book Publishing, 2003.
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264:Cerasano and Wynne-Davies, pp. 93–4.
170:Campion's text was entered into the
373:Greek and Roman deities in fiction
368:Plays based on classical mythology
52:. It was the premier event at the
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71:and a socially prominent English
318:Oxford, Clarendon Press, 1996.
102:Theophilus Howard, Lord Walden
82:. Hay was a favourite of King
40:. The masque was performed on
16:Play written by Thomas Campion
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192:exploited their troubles in
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200:about Stuart high society.
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104:, the son and heir of the
348:English Renaissance plays
255:Chambers, Vol. 3, p. 240.
108:. James's queen consort,
48:, in the Great Hall of
295:The Elizabethan Stage.
228:Barroll, pp. 109. 203.
329:Lord Hay's Masque
277:Barroll, John Leeds.
172:Stationers' Register
300:Leapman, Michael.
80:Edward, Lord Denny
383:Flora (mythology)
378:Diana (mythology)
210:The Lords' Masque
114:Lord Hay's Masque
65:Lord Hay's Masque
21:Lord Hay's Masque
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331:: Scores at the
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60:The marriage
44:, 6 January
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166:Publication
148:harpsichord
73:gentlewoman
38:Inigo Jones
353:1607 plays
342:Categories
216:References
196:her prose
190:Mary Wroth
120:The masque
363:Whitehall
183:Aftermath
141:The music
204:See also
94:Hymenaei
89:Hymenaei
26:Jacobean
358:Masques
272:Sources
194:Urania,
160:cornets
156:sackbut
152:bandora
84:James I
388:Apollo
176:quarto
135:Apollo
54:Stuart
30:masque
130:Flora
126:Diana
98:Cecil
46:1607
28:era
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