321:“In the early 1990s I had the fortune to able to live in London for a while as a student. This was a time when a new generation of artists came to attention, in fact not only they, but British art in general. Brit art was hip. the YBA was, for instance, comparable to the so-called “Young Wilds” of the 1980s in Germany. This was the artistic climate for Paul Freud's training. This was the time of Paul Freud's art studies and under these Goldsmithian influences, he said, according to the preface to one of his exhibitions; “Painting life seemed to me to be the most appropriate and radical thing to do.” I like it. It shows a certain scepticism about the social political potential that art offers as well as about trends. This is a view, which places the driving force, his driving force for his creative work, into a closely positioned, elementary realm, namely himself. But this position is also a very individual one. A position outside the mainstream."
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Paul Freud's previous work has referred to a latent spirituality and a vivid observational capacity; the series of seven contemporary studies; Reverie, H2O, Cosmic
Identification, The Journey, Ocean Feeling, Lignum Vitae and Inner Workings of a Sunshine Mind inspire a peaceful sense of tranquillity.
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Paul Freud attended
Woolverstone Hall School, an ILEA boarding school in Suffolk, before leaving to take A levels in Sociology, Psychology and Art elsewhere. He later joined an Art Foundation course at Camberwell College of Arts, followed by a BA (Hons) in Fine Art at Goldsmiths University, London,
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The Edge of
Abstraction is described by Paul Freud as his "most oceanic" body of work, all created during the past 20 years, featuring expressive drawings in black colourfast and lightfast Indian ink, and oil on canvas.
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On 19 October 2019, Paul Freud's exhibition The Edge of
Abstraction opened at The Royal Exchange, London, sponsored by Fortnum and Mason, and featured in Country and Town House Magazine, and The Times Diary.
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Following are extracts from a speech by Kai
Kaehler, Director of Kunsthalle Bremerhaven given at a Private View of Paul Freud's work 24 September 2018:
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The artist has established a significant presence within the German market, and has been interviewed by public broadcaster ARD television.
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was first coined by French novelist and playwright
Romaine Rolland, in a letter to Sigmund Freud, in reference to a sense of eternity.
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https://www.independent.co.uk/news/people/lucian-freud-s-son-fails-in-high-court-battle-over-artist-s-ps42m-secret-trust-9638653.html
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2006 A series of drawings and paintings of Pope John Paul II at the moment of his demise at Andrew
Mummery, Shoreditch, London, UK
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Paul Freud's work has been described by Dan Crowe, writer at
British Vogue as “radically traditional.” April 2006
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2012 A series of
Drawings of the Crucification and Other Religious Work at Julian Hartnoll Gallery, London, UK
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The artist has travelled extensively and previously resided in New York, Los
Angeles, South Africa and Brazil.
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Paul Freud discusses his exhibition The Edge of Abstraction with The Times Diary at Alinea, The Royal Exchange
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2018 Figurative and abstract drawings at Kunsthalle Bremerhaven Gallery, Germany
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2012 Charcoal on Paper Drawings at Scandinavian Drawing, Scandinavia
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A non-extensive list of cultural partners and exhibitors includes:
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2009 Group show in June 2009 at Trinity Contemporary, London, UK
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2019 The Edge of Abstraction, Alinea, The Royal Exchange London
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2008 - 2014 Solo exhibition at Drawing Museum, Laholm, Sweden
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from the article and its talk page, especially if potentially
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and Katherine Margaret McAdam, and great-grandson of
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