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268:) is a critique of Romantic and Modernist conceptions of listening. Paying close attention to arrangements as "signed listenings" and to the juridical history of the listener, Szendy suggests an alternative model based on deconstruction: listening, he argues (quoting
352:). The specifically cosmopolitical dimension of mankind in Kant, Szendy argues, does not reside in the traditional, "vertical" definitions that locate man between the beast and the divine, but in the "horizontal" comparison that projects him in outer space.
322:(2002), Szendy rethinks the concept of body as construed in the history of Western musical thought and sketches the outlines of a "general organology" based on the rhetorical concept of "effiction". In his book on
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366:(2012), Szendy develops his reflections on the concept of world into a theory of film as a "cineworld" ("cinémonde") always exposed to its radical finitude.
340:, 2008) analyzes haunting melodies as powerful articulations or jointings between the psyche and the global market. Globalization becomes the key motive of
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344:(2011), a reading of Carl Schmitt and Kant that follows the trail of extraterrestrial presence in many of the philosopher's major works (from his
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253:(born 1966 in Paris) is a French philosopher and musicologist. He is the David Herlihy Professor of Humanities and Comparative Literature at
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proposes an archeology of overhearing, following many paths, from the Bible to spy movies like
Hitchcock's
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Musica practica : arrangements et phonographies de
Monteverdi Ă James Brown
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507:, traduction française et préface de Peter Szendy, Éditions Contrechamps, 2006.
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446:, traduction française et préface de Peter Szendy, Éditions La Caserne, 1995.
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362:, oscillating between cosmetics and cosmopolitics. In his latest book,
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Kant chez les extraterrestres : philosofictions cosmopolitiques
392:, with an afterword by Gil Anidjar, Fordham University Press, 2010.
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The
Supermarket of the Visible: Toward a General Economy of Images
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Kant chez les extraterrestres: philosofictions cosmopolitiques
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Les prophéties du texte-Léviathan : lire selon
Melville
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and Haijun Park (40min), interview with Peter Szendy, on
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Pouvoirs de la lecture. De Platon au livre Ă©lectronique
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L'Apocalypse-cinéma : 2012 et autres fins du monde
462:, L'Harmattan, coll. « Esthétiques », 1997.
535:A Coups de points. La ponctuation comme expérience
364:L'apocalypse-cinéma. 2012 et autres fins du monde
295:in order to show how the act of listening always
444:Sur quelques relations entre musique et peinture
389:Prophecies of Leviathan. Reading Past Melville
328:Prophecies of Leviathan. Reading Past Melville
8:
567:Université Paris Ouest: List of publications
517:Tubes : la philosophie dans le juke-box
511:Sur écoute : esthétique de l'espionnage
358:draws on the two meanings of the Greek word
200:. There might be a discussion about this on
486:Membres fantĂ´mes : des corps musiciens
350:anthropology from a Pragmatic Point of View
320:Membres fantĂ´mes : des corps musiciens
53:Learn how and when to remove these messages
466:Écoute : une histoire de nos oreilles
492:Wonderland : la musique, recto-verso
238:Learn how and when to remove this message
220:Learn how and when to remove this message
161:Learn how and when to remove this message
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494:(avec Georges Aperghis), Bayard, 2004.
293:Postscript on the Societies of Control
277:Sur écoute. Esthétique de l'espionnage
421:All Ears: The Aesthetics of Espionage
338:Tubes. La philosophie dans le juk-box
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264:(2001, English translation in 2008:
262:Écoute, une histoire de nos oreilles
16:French philosopher and musicologist
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637:21st-century French musicologists
632:20th-century French musicologists
432:, Fordham University Press, 2019.
424:, Fordham University Press, 2016.
416:, Fordham University Press, 2015.
408:, Fordham University Press, 2013.
400:, Fordham University Press, 2011.
384:, Fordham University Press, 2008.
34:This article has multiple issues.
647:21st-century French philosophers
642:20th-century French philosophers
480:Machinations de Georges Aperghis
413:Phantom Limbs: On Musical Bodies
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397:Hits. Philosophy in the Jukebox
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42:or discuss these issues on the
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299:issues of power and dominion.
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452:, suivi d'un texte inédit de
377:Listen: a history of our ears
356:Kant chez les extraterrestres
266:Listen, A History of Our Ears
91:secondary or tertiary sources
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75:biography of a living person
652:21st-century French writers
543:, Éditions de Minuit, 2017.
537:, Éditions de Minuit, 2013.
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541:Le Supermarché du visible
662:Brown University faculty
602:, 2013 (ISSN 2117-4725)
592:, video documentary by
582:Les Éditions de Minuit
549:, La DĂ©couverte, 2022.
370:Publications (English)
89:Please help by adding
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380:, with a foreword by
279:(2007), he draws on
190:confusing or unclear
588:Stardust Philosophy
442:Theodor W. Adorno,
283:'s analysis of the
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78:relies too much on
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470:Ascoltando
301:Sur Ă©coute
285:Panopticon
192:to readers
121:newspapers
80:references
39:improve it
599:ParisLike
324:Moby Dick
45:talk page
281:Foucault
99:libelous
348:to his
297:entails
289:Deleuze
188:may be
135:scholar
505:Ecrits
360:kosmos
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