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558:. The exhausted corpse lies on the ground in the entrance of a cave, the hands held before it on the left side, and the woman is behind it. It is in the evening after a thunderstorm, and that forlorn figure in blue clothes - the loose clothes are agitated by the wind - is sharply outlined against a sky in which violet clouds with golden edges are floating. She too stretches out her empty arms before her in a large gesture of despair, and one sees the good sturdy hands of a working woman. The shape of the figure with its streaming clothes is nearly as broad as it is high. And the face of the dead man is in the shadow - but the pale head of the woman stands out clearly against a cloud - a contrast which causes those two heads to seem like one somber-hued flower and one pale flower, arranged in such a way as mutually to intensify the effect."
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2107:, Christ is depicted symbolically through the sun to evoke the healing powers of faith. Christ is further referenced in two ways by the setting and circumstance. First, miraculously, he brought Lazarus back to life again. It also foretold Christ's own death and resurrection. The painting includes the dead Lazarus and his two sisters. White, yellow and violet were used for Lazarus and the cave. One of the women is in a vibrant green dress and orange hair. The other wears a striped green and pink gown and has black hair. Behind them is the countryside of blue and a bright yellow sun.
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artists who were there." Of the Doré reprise, he said, "Convicts walking in a circle surrounded by high prison walls, a canvas inspired by Doré of a terrifying ferocity and which is also symbolic of his end. Wasn't life like that for him, a high prison like this with such high walls - so high…and these people walking endlessly round this pit, weren't they the poor artists, the poor damned souls walking past under the whip of
Destiny?"
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819:. Van Gogh explored the various influences, molding them into a style that was uniquely his own. The Japanese paintings represent Van Gogh's search for serenity, which he describes in a letter to his sister during this period, "Having as much of this serenity as possible, even though one knows little – nothing – for certain, is perhaps a better remedy for all diseases than all the things that are sold at the chemist's shop."
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466:"Eug. Delacroix, when he did a Gethsemane, had been beforehand to see what an olive grove was like on the spot, and the same for the sea whipped up by a strong mistral, and because he must have said to himself, these people we know from history, doges of Venice, crusaders, apostles, holy women, were of the same type as, and lived in a similar way to, their present-day descendants."
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155:. Millet's work, who greatly influenced Van Gogh, figures prominently in this series. He wrote to Theo about these copies: "I started making them inadvertently and now find that I can learn from them and that they give me a kind of comfort. My brush then moves through my fingers like a bow over the strings of a violin – completely for my pleasure."
1193:"Book of Hours" that held that rural life was structured by the rhythms of God and nature. In this work, the man and woman walk to the fields, silhouetted by the morning sun. The simple composition depicts the harshness of their lives. Van Gogh said of Millet's work, "they seem to have been painted with the very earth they were going to till."
1102:. Van Gogh did not intend for his works to be literal copies of the originals. Speaking specifically of the works after Millet, he explained, "it's not copying pure and simple that one would be doing. It is rather translating into another language, the one of colors, the impressions of chiaroscuro and white and black." He made a copy of
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From
Rembrandt, Van Gogh learned how to paint light into darkness. Rembrandt's influence seemed present one evening in 1877 when Van Gogh walked through Amsterdam. He wrote: "the ground was dark, the sky still lit by the glow of the sun, already gone down, the row of houses and towers standing out
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Van Gogh spoke of the symbolic meaning of the reaper: "For I see in this reaper — a vague figure fighting like a devil in the midst of the heat to get to the end of his task — I see in him the image of death, in the sense that humanity might be the wheat he is reaping. So it is — if you like — the
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Van Gogh Museum says of Millet's influence on Van Gogh: "Millet's paintings, with their unprecedented depictions of peasants and their labors, mark a turning point in 19th-century art. Before Millet, peasant figures were just one of many elements in picturesque or nostalgic scenes. In Millet's work,
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Having made over 30 works of the sower, Van Gogh explored the symbolism of sowing: "One does not expect to get from life what one has already learned it cannot give; rather, one begins to see more clearly that life is a kind of sowing time, and the harvest is not yet here." As the sower cast seeds,
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During the winter months at Saint-Remy Van Gogh had a shortage of subjects for his work. Residing at Saint-Paul asylum, he did not have the freedom he enjoyed in the past, the weather was too cold to work outdoors and he did not have access to models for paintings. Van Gogh took up copying some of
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Van Gogh used a photograph of the original painting for this work. Rather than vibrant colors, here he used softer shades of yellow, green and blue. The picture depicts the father, having put down his tools, holding his arms outstretched for his child's first steps. The mother protectively guides
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Following Van Gogh's funeral, Émile
Bernard wrote of the studies around his coffin: "On the walls of the room where his body was laid out all his last canvases were hung making a sort of halo for him and the brilliance of the genius that radiated from them made this death even more painful for us
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Rather than representing "a triumphant Christ in glory," he depicted Christ in his most perilous and painful period, his crucifixion and death. Of capturing the scenes of his religious work from long ago, Van Gogh described
Delacroix's perspective of how to paint the historical religious figures:
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for irrevocable death." Of the reaper Van Gogh expressed his symbolic, spiritual view of those who worked close to nature in a letter to his sister in 1889: "aren’t we, who live on bread, to a considerable extent like wheat, at least aren't we forced to submit to growing like a plant without the
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woodcut, which he had in his collection, inspired Van Gogh for its simplicity. The cloudburst, for instance, is conveyed by parallel lines. Such techniques were revered, but also difficult to execute when creating the wood block stamp for printing. By making a painting, Van Gogh's brushstrokes
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Van Gogh wrote to his brother Theo of
Daumier's artistic perspective and humanity: "What impressed me so much at the time was something so stout and manly in Daumier's conception, something that made me think It must be good to think and to feel like that and to overlook or ignore a multitude of
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Van Gogh used Millet's work, and Alfred
Delaunay's etching of Millet's work, as inspiration for this painting. In Van Gogh's version he added black crows and made the winter scene more bleak, deserted and cold. His choice of color, composition and brushstroke make this work uniquely his own.
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ideal where artists worked cooperatively, focused on a common idea, to reach heights artistically "beyond the power of the isolated individual." As a means of clarification, he stated that did not mean that several painters would work on the same picture, but they will each create a work that
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things and to concentrate on what makes us sit up and think and what touches us as human beings more directly and personally than meadows or clouds." Daumier's artistic talents included painting, sculpting and creating lithographs. He was well known for his social and political commentary.
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114:, France, where Van Gogh admitted himself, he strived to have subjects during the cold winter months. Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists. About twenty-one of the works were copies after, or inspired by,
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166:. Saint-Paul asylum, housed in an old monastery, may have provided some of the inspiration for the specific subject. The nuns devoutness sometimes annoyed him, but he did find solace in religion. He wrote: "I am not indifferent, and pious thoughts often console me in my suffering."
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as inspiration for this painting of women digging in the frozen snow. Unlike the others, this work is not a literal translation of the original painting. The setting sun casts a warm glow over the fields of snow. The cool colors of the field contrast to the red in the sun and sky.
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Van Gogh made the PietĂ paintings from a lithograph of
Delacroix's painting. The subject and composition from the original remain, but Van Gogh brings his own style to the artwork. Of the PietĂ , Van Gogh writes: "The Delacroix is a "PietĂ " that is to say the dead Christ with the
728:, who lived in Paris, acquainted Parisians with information about Japan. In addition to providing information about its history, climate and visual arts, Hayashi explained what it was like to live in Japan, such as its customs, religion, education, religion, and the nature of
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Van Gogh's appreciation for Millet's work stemmed from the soulfulness he brought to the works, specifically honoring peasants' agricultural role. Plowing, sowing, and harvesting were seen by Van Gogh as symbols for man's command of nature and its eternal cycles of life.
917:"softened the boldness of the Japanese woodcut." Calligraphic figures, borrowed from other Japanese prints, fill the border around the image. Rather than following the color patterns of the original woodcut print, he used bright colors or contrasting colors.
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another farmer is seen in a nearby field ploughing the field. Van Gogh depicted the sower in "its simplest form" and with the colors of blue, red, yellow, purple and orange, giving life and meaning to the composition of the eternal cycles of life.
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While remaining true to Millet's composition, Van Gogh uses color to depict the peaceful nature of the mid-day rest. Use of contrasting colors, blue-violet against yellow-orange brings an intensity to the work that is uniquely his style.
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Van Gogh's work shows it is beautiful for its simplicity and appreciation of nature. The woman's expression is hidden to us and appears like one of the waiting bundles of wheat. The true focus of the scene is the woman's bent back.
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118:. Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique. Spiritual meaning and emotional comfort were expressed through symbolism and color. His brother
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Theo wrote Van Gogh: "The copies after Millet are perhaps the best things you have done yet, and induce me to believe that on the day you turn to painting compositions of figures, we may look forward to great surprises."
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asserts that Van Gogh may have identified with Christ "who had also suffered and been misunderstood." They also offer the conjecture of some scholars of a resemblance between the Van Gogh and the red-bearded Christ in
1334:. A lamp casts long shadows of many colors on the floor of the humble cottage. The painting includes soft shades of green and purple. The work was based on a print by Millet from his series, the four times of day.
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works, evokes Van Gogh's sense of isolation, like an imprisoned or dying man. Although sad, there is a sense of comfort offered. In a letter to his brother, Theo, Van Gogh mentioned that he found making it and
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It's not clear if Van Gogh was copying after particular
Rembrandt works for his copies or the spirit of the figures he portrayed. Examples of Rembrandt's angels and Lazarus are here for illustrative purposes.
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739:. Influenced by other Japanese prints, he added a "watery landscape" of bamboo and water lilies. Frogs and cranes, terms used in 19th century France for prostitutes, with a distance boat adorn the border.
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is one example of how
Bernard's simplified form influenced his work. Bernard also taught Van Gogh about how to manipulate perspective in his work. Just as Van Gogh used color to express emotion, he used
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as well as several others, fell into my oils and paints and was damaged. This upset me terribly, and I am now busy making a painting of it, as you will see." Although stained, the lithograph survived.
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above, the lights in the windows everywhere, everything reflected in the water." Van Gogh found
Rembrandt particularly adept at his observation of nature and expressing emotion with great tenderness.
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Japanese woodblock prints. He used color to emulate the effect of the printer's ink, such as the red and greens in the background and the tint of green on the white blossoms. After he moved to
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The source was a woodcut (27.3 x 21.9 cm) by Jean-Baptise Millet after his brother Jean-François Millet. Its strong contour line was the inspiration for Vincent van Gogh's
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opposite of that sower I tried to do before. But there is nothing sad in this death, it goes its way in broad daylight with sun flooding everything with a light of pure gold."
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196:, was a close personal friend to Van Gogh. Bernard influenced Van Gogh artistically several ways. Bernard outlined figures in black, replicating the look of religious
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greatly influenced Van Gogh, both for the beautiful subject matter and the style of flat patterns of colors, without shadow. Van Gogh collected hundreds of Japanese
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246:: "Let me make it perfectly clear that I was looking forward to seeing the sort of things that are in that painting of yours which Gauguin has, those
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855:, Van Gogh wrote to his sister that he no longer needed to dream of going to Japan, "because I am always telling myself that here I am in Japan."
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In this work the farmer ends his day against the background of an evening sky. Van Gogh painted vivid colors of yellow and violet in his unique
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power to move, by which I mean in whatever way our imagination impels us, and to being reaped when we are ripe, like the same wheat?"
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The work depicts happy life of a rural family: father, mother and child. Here the image seems bathed in yellow light like that of the
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326:. The picture depicts, almost entirely in shades of violet, a peaceful scene of a mother sitting by a fire with her baby on her lap.
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behind himself. If one hasn't a horse, one is one's own horse." Referring to painting of peasants Van Gogh wrote to his brother
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is one of many examples of how Van Gogh and one of his friend's brought their unique temperaments and skills to a single idea.
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409:, 25 October 1862, under the title "Physiologie du buveur, les quatre ages" ("Psychology of drinkers, the four ages")
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In man's mastery of the cycles of nature: "the sower and the wheat sheaf stood for eternity, and the reaper and his
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women walking in a meadow so beautifully composed, the colour with such naive distinction." Gauguin made a work,
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as a source of inspiration for his work. The painting is located at the Musée des Beaux-Arts de Lille in France.
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series, Van Gogh mentioned that absent models, he was pleased to have seven of the ten in the series completed.
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who strides like an elemental force of nature across the cold, newly broken earth, is such an icon that
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The Van Gogh Museum relates how Van Gogh hastily began work on the PietĂ : "The Delacroix lithograph
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his favorite works of others, which became the primary source of his work during the winter months.
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influence helped Van Gogh develop artistically and gain knowledge of color theory. To his brother
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in the copy after Rembrandt. However it is unknown whether or not this was Van Gogh's intention.
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style. While he brands the work with his own style, he remains true to Millet's composition.
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made many copies of other people's work between 1887 and early 1890, which can be considered
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Van Gogh copied and enlarged the image. He created a bright yellow background and colorful
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2533:"Vincent van Gogh. Letter to Anthon van Rappard. Written 18–19 September 1882 in The Hague"
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3125:. Brusells: Mercatorfonds with Van Gogh Museum and Museum of Modern Art. pp. 12, 25.
2754:"Vincent van Gogh. Letter to Wilhelmina van Gogh. Written 19 September 1889 in Saint-RĂ©my"
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The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent van Gogh and Paul Gauguin
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The pursuit of spiritual wisdom: the thought and art of Vincent van Gogh and Paul Gauguin
2616:"Vincent van Gogh. Letter to Theo van Gogh. Written 10 or 11 February 1890 in Saint-RĂ©my"
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The pursuit of spiritual wisdom: the thought and art of Vincent van Gogh and Paul Gauguin
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Van Gogh made twenty-one paintings in Saint-RĂ©my that were "translations" of the work of
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individual men and women became heroic and real. Millet was the only major artist of the
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Venturing Upon Dizzy Heights: Lectures and Essays on Philosophy, Literature and the Arts
2673:"Vincent van Gogh. Letter to Theo van Gogh. Written 7 or 8 September 1889 in Saint-RĂ©my"
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3719:. Brusells: Mercatorfonds with Van Gogh Museum and Museum of Modern Art. p. 123.
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3204:. Brusells: Mercatorfonds with Van Gogh Museum and Museum of Modern Art. p. 101.
2431:"Vincent van Gogh. Letter to Emile Bernard. Written c. 20 November 1889 in Saint-RĂ©my"
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3493:. Brusells: Mercatorfonds with Van Gogh Museum and Museum of Modern Art. p. 28.
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As a demonstration of the sharing of artistic viewpoints, Van Gogh painted a copy in
2727:"Vincent van Gogh. Letter to Theo van Gogh. Written 19 September 1889 in Saint-RĂ©my"
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3254:. New Haven and London: Yale University Press, with Glasgow Museum. p. 128.
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and likened the works of the great Japanese artists, like Hiroshige, to those of
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which included depiction of Christ as a suffering servant, worked on reprises of
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2260:"Vincent van Gogh. Letter to Theo van Gogh. Written 24 September 1888 in Arles"
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3741:"Vincent van Gogh. Letter to Theo van Gogh. Written 3 May 1890 in Saint-RĂ©my"
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3663:"Letter 216: To Theo van Gogh. The Hague, on or about Monday, 10 April 1882"
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2560:"Letter from Vincent van Gogh to Theo van Gogh, The Hague, 22 October 1882"
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In 1889 Van Gogh expressed a desire to make copies of paintings, including
2209:"Van Gogh and Japan review – from strange obsession to lasting impression"
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as a means of artistic expression and a vehicle to "modernize" his work.
2808:"Emile Bernard. Letter to Albert Aurier. Written 2 August 1890 in Paris"
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by Vincent van Gogh 1890 Van Gogh Museum, Amsterdam, Netherlands (F677)
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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art
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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art
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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art
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is believed to be the first of three oil paintings made by Van Gogh of
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227:
197:
2354:. Grand Rapids, MI: William B. Eerdsman Publishing. pp. 150–151.
1925:
Collection Sara and Moshe Mayer, Tel Aviv Museum of Art, Israel (F696)
2862:"Title page of Paris Illustré "Le Japon' vol. 4, May 1886, no. 45-46"
2003:
1505:
1288:
965:
Van Gogh used Jordaen's subject and composition for his rendition of
736:
680:
3251:
Millet to Matisse: Nineteenth- and Twentieth-century French painting
254:
which was may have been inspired by Bernard's work of Breton women.
3798:
1237:
1064:
1035:
1020:
1011:
1890 Palais des Beaux-Arts de Lille, Lille, France (F822, JH2095)
852:
832:
was well known for series of prints of famous Japanese landmarks.
788:
721:
297:
91:
2650:. Grand Rapids, MI: William B. Eerdsman Publishing. p. 157.
2381:. Grand Rapids, MI: William B. Eerdsman Publishing. p. 104.
204:. This resulted in a flattened, more primitive work. Van Gogh's
3436:. Grand Rapids, MI: William B. Eerdsman Publishing. p. 33.
3802:
3713:
Van Gogh, V; van Heugten, S; Pissarro, J; Stolwijk, C (2008).
3487:
Van Gogh, V; van Heugten, S; Pissarro, J; Stolwijk, C (2008).
3198:
Van Gogh, V; van Heugten, S; Pissarro, J; Stolwijk, C (2008).
3119:
Van Gogh, V; van Heugten, S; Pissarro, J; Stolwijk, C (2008).
1263:
Memorial Art Gallery of the University of Rochester, Rochester
231:"nonetheless belong together and complement each other." The
3433:
At Eternity's Gate: The Spiritual Vision Of Vincent van Gogh
2949:. Cranbury: Associated University Presses. pp. 55, 59.
2647:
At Eternity's Gate: The Spiritual Vision Of Vincent van Gogh
2378:
At Eternity's Gate: The Spiritual Vision Of Vincent van Gogh
2351:
At Eternity's Gate: The Spiritual Vision Of Vincent van Gogh
1988:
1979:
1941:
1911:
1902:
1876:
1859:
1831:
1814:
1790:
1760:
1744:
1716:
1707:
1683:
1674:
1646:
1637:
1599:
1590:
1569:
1560:
1527:
1518:
1487:
1478:
1438:
1422:
1398:
1382:
1356:
1339:
1320:
1303:
1266:
1249:
1215:
1198:
1157:
1137:
139:
marks the start of a series of paintings that Van Gogh made
122:
would call the pieces in the series some of his best work.
3463:. Mineola, NY, USA: Dover Publications. pp. 202–203.
1087:: "How shall I ever manage to paint what I love so much?"
2327:. Mineola, NY, USA: Dover Publications. pp. 56–57.
384:
after Daumier's work in Saint-Remy about February 1890.
5661:
Paintings of Saint-RĂ©my-de-Provence by Vincent van Gogh
3688:"Snow-covered Field with a Harrow (after Millet), 1890"
3083:
A Real Van Gogh: How the Art World Struggles with Truth
2510:. Cranbury: Associated University Presses. p. 96.
977:
notes that the painting is a color study of an etching
162:
were included in the series, notable exceptions in his
2888:"Ando Hiroshige, Japanese Art Influencing Western Art"
1095:
who was not interested in 'pure' landscape painting."
3409:. Cranbury: Associated University Press. p. 99.
2588:. Brandeis University Libraries. 2003. Archived from
3675:
I thought: how much one can do with one single line!
2235:"The Japanese Prints that Inspired Vincent van Gogh"
885:
Japonaiserie: Flowering Plum Tree (after Hiroshige),
5612:
5589:
5543:
5380:
5344:
5285:
5186:
4989:
4809:
4616:
4549:
4517:
4471:
4369:
4353:
Farmhouses in Loosduinen near The Hague at Twilight
4281:
4272:
A Girl in the Street, Two Coaches in the Background
4242:
4235:
3909:
3836:
2704:. London: Frances Lincoln Limited. pp. 30–31.
1774:
The Stedelijk Museum, Amsterdam, Netherlands (F648)
969:A later artist, Edward Hopper, also used Jordaen's
945:
Japonaiserie: Bridge in the Rain (after Hiroshige),
83:
73:
65:
55:
38:
4600:Agostina Segatori Sitting in the Café du Tambourin
4572:View of Paris from Vincent's Room in the Rue Lepic
4385:Congregation Leaving the Reformed Church in Nuenen
3147:
2921:
3193:
3191:
3154:. Alexandria, VA, USA: Time-Life Books. pp.
3482:
3480:
3028:"The Bridge in the Rain (after Hiroshige), 1887"
2928:. Alexandria, VA, USA: Time-Life Books. p.
2297:Permanent collection > Saint-RĂ©my - 1889-1890
1551:Of making this painting, and others of Millet's
1353:Lauren Rogers Museum of Art, Laurel, Mississippi
4903:A Meadow in the Mountains: Le Mas de Saint-Paul
4751:Memory of the Garden at Etten (Ladies of Arles)
3641:. New York: Peter Lang Publishing. p. 55.
3384:. The Metropolitan Museum of Art. December 2008
3059:. University of California Press. p. 130.
3003:. London: Frances Lincoln Limited. p. 42.
2976:. London: Frances Lincoln Limited. p. 54.
2785:. University of California Press. p. 165.
2609:
2607:
2408:. University of California Press. p. 198.
3114:
3112:
2639:
2637:
2586:"Daumier and His World, Timeline Introduction"
3814:
3378:"Vincent van Gogh: First Steps, after Millet"
3282:. Musee d'Orsay website. 2006. Archived from
2920:Wallace, R (1969). of Time-Life Books (ed.).
930:Evening Shower at Atake and the Great Bridge,
8:
3886:Nazi looting of artworks by Vincent van Gogh
3584:Van Gogh and God: A Creative Spiritual Quest
3526:(16). New York: News Group Publications: 101
2915:
2913:
1629:Peasant Woman Binding Sheaves (after Millet)
913:Evening Shower at Atake and the Great Bridge
366:In 1882 Van Gogh had remarked that he found
5110:Peasant Woman Against a Background of Wheat
4973:View of the Asylum and Chapel of Saint-RĂ©my
4462:Head of an Old Farmer's Wife in a White Hat
3587:. Chicago: Loyola Press. pp. 120–121.
3086:. Amsterdam University Press. p. 265.
2287:
2285:
2283:
2281:
2279:
2277:
1189:. This idea is reportedly derived from the
720:The magazine issue was entirely devoted to
238:Van Gogh wrote to Bernard his trade of the
5519:"Vincent and the Doctor" (2010 TV episode)
4508:Skull of a Skeleton with Burning Cigarette
4239:
3821:
3807:
3799:
3614:. United States: Arno Press. p. 134.
2316:
2314:
2018:places the painting as one of van Gogh's "
1122:
544:Vatican Collection of Modern Religious Art
538:The PietĂ (after Delacroix), first version
35:
3311:. Menard Art Museum. 2011. Archived from
3022:
3020:
2827:
2825:
2096:Half Figure of an Angel (after Rembrandt)
716:magazine which inspired Van Gogh to make
310:Van Gogh painted a work of the engraving
4360:Three Figures near a Canal with Windmill
3248:Kelvingrove Museum; Art Gallery (2002).
2856:
2854:
2175:The Raising of Lazarus (after Rembrandt)
2112:The Raising of Lazarus (after Rembrandt)
2105:The Raising of Lazarus (after Rembrandt)
712:print appeared on the May 1886 cover of
483:
354:The Man is at Sea (after Demont-Breton),
5671:Series of paintings by Vincent van Gogh
5203:Meadows near Rijswijk and the Schenkweg
4910:A Road at Saint-Remy with Female Figure
4251:Beach at Scheveningen in Stormy Weather
2200:
2116:
2040:
1125:
983:
919:
857:
741:
629:
525:by Delacroix as a learning experience.
386:
328:
256:
27:Series of paintings by Vincent van Gogh
5666:Paintings of Paris by Vincent van Gogh
4593:Imperial Fritillaries in a Copper Vase
3555:. Toledo Museum of Art. Archived from
2483:. Yale University Press. p. 232.
2009:Van Gogh used the women from Millet's
322:. Her engraving was exhibited at the
5152:Prisoners' Round (after Gustave Doré)
5054:Landscape with a Carriage and a Train
4818:Valley with Ploughman Seen from Above
2481:Jules Breton, Painter of Peasant Life
2066:The Angel Appearing to the Shepherds,
1997:Two Peasant Women Digging in the Snow
1890:Tel Aviv Museum of Art, Israel (F699)
1166:Morning: Peasant Couple Going to Work
1032:(after Millet), 1881, drawing, (F830)
838:Flowering Plum Tree (after Hiroshige)
672:Prisoners' Round (after Gustave Doré)
603:Prisoners' Round (after Gustave Doré)
7:
4723:A Lane in the Public Garden at Arles
3762:Van Gogh Face to Face: The Portraits
3716:Van Gogh and the Colors of the Night
3490:Van Gogh and the Colors of the Night
3201:Van Gogh and the Colors of the Night
3122:Van Gogh and the Colors of the Night
3056:Edward Hopper: an intimate biography
903:Bridge in the Rain (after Hiroshige)
795:available to the west. The works of
506:The Good Samaritan (after Delacroix)
4709:The Painter on the Road to Tarascon
4311:Landscape with a Church at Twilight
2833:"The Courtesan (after Eisen), 1887"
825:, one of the last great masters of
5372:Monastery of Saint-Paul de Mausole
4533:Vase with White and Red Carnations
3692:Permanent Collection, Peasant Life
3546:"Wheat Field with Reapers, Auvers"
1412:Niarchos Collection, Zurich (F690)
614:. This work like the reprises of
25:
4825:View of Arles, Flowering Orchards
4779:Arles: View from the Wheat Fields
4765:Interior of a Restaurant in Arles
4501:Peasant Woman Digging Up Potatoes
3968:Still life paintings, Netherlands
3382:Heilbrunn Timeline of Art History
3150:The World of Van Gogh (1853-1890)
2924:The World of Van Gogh (1853-1890)
2189:List of works by Vincent van Gogh
1017:Copies after Jean-François Millet
306:Copy after Virginie Demont Breton
226:. Van Gogh wrote to Bernard of a
158:Several religious works, such as
5117:Still Life: Vase with Pink Roses
5033:Doctor Gachet's Garden in Auvers
3032:Permanent Collection, Landscapes
2837:Permanent Collection, Landscapes
2167:
2152:
2137:
2119:
2088:
2073:
2058:
2043:
1950:Snow covered Field with a Harrow
1938:Osterreichische Gallerie, Vienna
1187:The Four Hours of the Day (1860)
1001:
986:
937:
922:
877:
860:
759:
744:
701:Van Gogh become acquainted with
662:
632:
563:
530:
498:
448:Van Gogh, motivated by the book
414:
389:
346:
331:
278:
259:
47:
5275:Old Vineyard with Peasant Woman
5195:Boy Cutting Grass with a Sickle
5166:Landscape at Auvers in the Rain
4896:Self-Portrait with Bandaged Ear
4695:Portrait of the Artist's Mother
4653:Still Life: Vase with Oleanders
4108:DĂ©coration for the Yellow House
3865:The Letters of Vincent van Gogh
3305:"End of the day (after Millet)"
2293:"PietĂ (after Delacroix), 1889"
791:opened itself to trade, making
356:1889, Private collection (F644)
222:of a sketch made by Bernard of
5326:Torso of Venus and a Landscape
5318:Portrait of a Man in a Top Hat
5211:The 'Laakmolen' near The Hague
5138:Wheatfield Under Thunderclouds
4945:Green Wheat Field with Cypress
4399:Landscape with Pollard Willows
4392:The Parsonage Garden at Nuenen
4222:Lost works by Vincent van Gogh
1371:The Metropolitan Museum of Art
783:Copies after Utagawa Hiroshige
294:Civica Galleria d'Arte Moderna
1:
5656:Paintings by Vincent van Gogh
5625:Van Gogh immersive experience
5571:Theo van Gogh (film director)
5259:Drawbridge in Nieuw-Amsterdam
4196:Saint-Paul Asylum, Saint-RĂ©my
3764:. Thames and Hudson, p. 198.
3667:Vincent van Gogh: The Letters
3460:Vincent van Gogh: A Biography
2454:"Visionary with a paintbrush"
2324:Vincent van Gogh: A Biography
2233:Small, Zachary (2018-11-20).
1752:Two Men Turning Over the Soil
1608:Peasant Woman Binding Sheaves
439:Copies after Eugène Delacroix
423:Men Drinking (after Daumier),
5397:Portrait of Vincent van Gogh
5103:Blossoming Chestnut Branches
5019:Thatched Cottages and Houses
4959:The Ravine of the Peyroulets
3939:Van Gogh's family in his art
3514:Larson, K (April 16, 1984).
3358:. Van Gogh Museum. 2005–2011
3352:"Night (after Millet), 1889"
3176:. Van Gogh Museum. 2005–2011
2452:Dorment, R (July 25, 2006).
1933:Winter: The Plain of Chailly
1452:Kroller-Muller Museum (F689)
981:made of Jordaen's painting.
625:Men Drinking (after Daumier)
427:The Art Institute of Chicago
373:both beautiful and soulful.
5219:Church Pew with Worshippers
4917:Enclosed Field with Peasant
4889:Self-portrait without beard
4688:Starry Night Over the RhĂ´ne
4586:A Woman Walking in a Garden
4455:Avenue of Poplars at Sunset
4448:Avenue of Poplars in Autumn
4008:Still life paintings, Paris
3276:"The siesta (after Millet)"
2866:Van Gogh's Literary Sources
1757:Museum of Fine Arts, Boston
1692:Peasant Woman Cutting Straw
1435:Museum of Fine Arts, Boston
1395:Museum of Fine Arts, Boston
1279:Evening, the End of the Day
1212:Museum of Fine Arts, Boston
1181:Millet created a series of
947:by Vincent van Gogh, 1887,
887:by Vincent van Gogh, 1887,
869:The Plum Orchard In Kameido
769:by Vincent van Gogh, 1887,
767:The Courtesan (after Eisen)
571:The PietĂ (after Delacroix)
5687:
5605:(1978, revised 1989; "JH")
5251:Landscape with Wheelbarrow
5124:Portrait of Adeline Ravoux
5005:Road with Cypress and Star
4938:Wheat Field with Cypresses
4625:Madame Roulin and Her Baby
4413:Cart with Red and White Ox
4258:Girl in White in the Woods
4077:Copies by Vincent van Gogh
3976:Old Church Tower at Nuenen
3229:. van Gogh, J. WebExhibits
2760:. van Gogh, J. WebExhibits
2733:. van Gogh, J. WebExhibits
2679:. van Gogh, J. WebExhibits
2622:. van Gogh, J. WebExhibits
2566:. van Gogh, J. WebExhibits
2539:. van Gogh, J. WebExhibits
2051:Abraham with three angels,
1828:Museum of Fine Art, Boston
371:The Four Ages of a Drinker
267:Breton Women in the Meadow
29:
5445:Vincent and Theo van Gogh
5405:The Painter of Sunflowers
4480:Still Life with Straw Hat
4325:Footbridge across a Ditch
3932:Peasant Character Studies
3788:. Oxford: Phaidon, 1980.
3457:Meier-Graefe, J (1987) .
3053:Levin, G (January 1998).
2321:Meier-Graefe, J (1987) .
2103:In Van Gogh's version of
1583:Private collection (F698)
1578:Peasant Woman with a Rake
1501:Private Collection (F688)
961:Copy after Jacob Jordaens
362:Copy after Honoré Daumier
341:by Virginie Demont-Breton
290:Breton Women and Children
213:distortion of perspective
207:Crows over the Wheatfield
46:
5597:Jacob Baart de la Faille
5357:Van Gogh House (Drenthe)
4346:Farm with Stacks of Peat
4084:Langlois Bridge at Arles
3309:Collection, European Art
2620:Vincent van Gogh Letters
2564:Vincent van Gogh Letters
2537:Vincent van Gogh Letters
2002:Foundation E.G. BĂĽhrle,
1868:La grande bergère assise
1536:The Reaper with a Sickle
1465:wrote of Millet's work:
1317:Fine Arts Museum, Boston
1154:, Amsterdam, Netherlands
787:In the mid-19th century
606:was made by Van Gogh at
252:Breton Women at a Pardon
185:Copy after Émile Bernard
5561:Johanna van Gogh-Bonger
5302:Marsh with Water Lilies
5096:The Town Hall at Auvers
4607:Red Cabbages and Garlic
4579:Portrait of Père Tanguy
4565:Wheat Field with a Lark
4227:Display at Les XX, 1890
4203:Auvers size 30 canvases
4000:Le Moulin de la Galette
2460:. Telegraph Media Group
2160:The Raising of Lazarus,
2145:The Raising of Lazarus,
2128:Resurrection of Lazarus
2020:reminisces of the North
752:A courtesan, Nishiki-e,
693:Copy after Keisai Eisen
597:Copy after Gustave Doré
451:The Imitation of Christ
18:PietĂ (after Delacroix)
5026:Portrait of Dr. Gachet
4832:Portrait of Doctor Rey
4800:Orchard with Cypresses
4427:Water Mill at Opwetten
4297:Farmhouses Among Trees
3170:"Jean-François Millet"
2029:Copies after Rembrandt
1993:
1984:
1946:
1916:
1907:
1881:
1864:
1836:
1819:
1795:
1787:Musée du Louvre, Paris
1765:
1749:
1721:
1712:
1688:
1679:
1651:
1642:
1604:
1595:
1574:
1565:
1546:Amsterdam, Netherlands
1532:
1523:
1492:
1483:
1443:
1427:
1403:
1387:
1377:the child's movement.
1361:
1344:
1325:
1308:
1271:
1254:
1220:
1203:
1162:
1146:Morning: Going to Work
1142:
1055:
1033:
316:Virginie Demont-Breton
292:, November 1888,
112:Saint-RĂ©my-de-Provence
5452:"Vincent" (1971 song)
5367:Kröller-Müller Museum
5227:Woman on Her Deathbed
5145:Wheatfield with Crows
4980:The Large Plane Trees
4793:Farmhouse in Provence
4730:Falling Autumn Leaves
4681:Café Terrace at Night
4526:Vase with Red Poppies
4494:Peasant Woman Digging
4148:Paintings of Children
4070:Trees and Undergrowth
3901:Lost Arles sketchbook
3786:The Complete Van Gogh
3562:on September 28, 2011
2479:Lacouture, A (2002).
1992:
1983:
1954:Plough and the Harrow
1945:
1915:
1906:
1880:
1863:
1835:
1818:
1794:
1764:
1748:
1720:
1711:
1687:
1678:
1650:
1641:
1603:
1594:
1573:
1564:
1531:
1522:
1491:
1482:
1442:
1426:
1402:
1386:
1360:
1343:
1324:
1307:
1270:
1253:
1228:Noon - Rest from Work
1219:
1202:
1161:
1141:
1049:Kröller-Müller Museum
1039:
1024:
1009:Cows (after Jordaens)
797:Japanese print makers
641:Newgate Exercise yard
583:, Netherlands (F630)
518:, Netherlands (F630)
512:Kröller-Müller Museum
40:Noon - Rest from Work
5599:(1928 and 1970; "F")
5235:Landscape with Trees
5068:The Church at Auvers
5047:White House at Night
4786:Sunset at Montmajour
4434:Water Mill at Kollen
4318:Landscape with Dunes
3960:Water Mill at Gennep
3430:Erickson, K (1998).
3356:Permanent Collection
3174:Permanent Collection
2644:Erickson, K (1998).
2375:Erickson, K (1998).
2348:Erickson, K (1998).
2081:Jacob with an angel,
2006:, Switzerland (F695)
1852:, Netherlands (F634)
1769:Two Peasants Digging
1737:, Netherlands (F692)
1667:, Netherlands (F693)
1473:uses it as a logo."
1471:Simon & Schuster
1100:Jean-François Millet
1069:Jean-François Millet
724:. Japanese author,
646:London: A Pilgrimage
145:Jean-François Millet
116:Jean-François Millet
4632:Landscape with Snow
3896:Cultural depictions
3581:Edwards, C (1989).
3403:Maurer, N (1999) .
3225:Harrison, R (ed.).
3146:Wallace, R (1969).
3106:Hulsker (1980), 474
2997:Mancoff, D (1999).
2970:Mancoff, D (1999).
2943:Maurer, N (1999) .
2806:Harrison, R (ed.).
2752:Harrison, R (ed.).
2725:Harrison, R (ed.).
2698:Mancoff, D (1999).
2671:Harrison, R (ed.).
2614:Harrison, R (ed.).
2558:Harrison, R (ed.).
2531:Harrison, R (ed.).
2504:Maurer, N (1999) .
2429:Harrison, R (ed.).
2258:Harrison, R (ed.).
1873:Various collections
909:Utagawa Hiroshige's
849:Utagawa Hiroshige's
845:Flowering Plum Tree
5533:At Eternity's Gate
5506:Vincent in Brixton
5466:Vincent & Theo
5243:Peatery in Drenthe
5012:At Eternity's Gate
4406:Cart with Black Ox
4339:A Wind-Beaten Tree
4290:Cows in the Meadow
4132:Flowering Orchards
4030:Outskirts of Paris
3516:"Poet of Peasants"
3000:Van Gogh's Flowers
2973:Van Gogh's Flowers
2701:Van Gogh's Flowers
1994:
1985:
1947:
1917:
1908:
1882:
1865:
1840:The Sheep-Shearers
1837:
1820:
1807:, Amsterdam (F670)
1796:
1766:
1750:
1722:
1713:
1700:, Amsterdam (F697)
1689:
1680:
1652:
1643:
1605:
1596:
1575:
1566:
1533:
1524:
1493:
1484:
1444:
1428:
1404:
1388:
1362:
1345:
1326:
1309:
1272:
1258:The End of the Day
1255:
1221:
1204:
1163:
1143:
1119:Table of paintings
1056:
1047:Arles, June 1888,
1034:
669:Vincent van Gogh,
523:The Good Samaritan
480:Table of paintings
456:Eugène Delacroix's
421:Vincent van Gogh,
5633:
5632:
5620:The Vincent Award
5581:Johannes Stricker
5182:
5181:
5131:Plain near Auvers
5082:Farms near Auvers
5075:Daubigny's Garden
4772:A Lane near Arles
4487:The Potato Eaters
4441:Village at Sunset
4124:Hospital in Arles
4116:The Roulin Family
3726:978-0-87070-736-0
3608:Barr, A (1966) .
3520:New York Magazine
3500:978-0-87070-736-0
3261:978-0-902752-65-8
3211:978-0-87070-736-0
3132:978-0-87070-736-0
3080:Tromp, H (2010).
3034:. Van Gogh Museum
3010:978-0-7112-2908-2
2983:978-0-7112-2908-2
2868:. Van Gogh Museum
2839:. Van Gogh Museum
2779:Zemel, C (1997).
2711:978-0-7112-2908-2
2402:Zemel, C (1997).
2299:. Van Gogh Museum
2026:
2025:
1871:Woodcut, c. 1874
1553:Work in the Field
1463:New York Magazine
1373:, New York (F668)
1285:Menard Art Museum
706:wood block prints
655:Blanchard Jerrold
627:quite difficult.
608:Saint-Paul asylum
594:
593:
490:Name and Details
339:Her Man is at Sea
133:The PietĂ (after
108:Saint-Paul asylum
104:appropriation art
97:
96:
16:(Redirected from
5678:
5513:The Yellow House
5389:Vincent van Gogh
5294:87 Hackford Road
5040:Houses at Auvers
4867:The Starry Night
4839:Crab on its Back
4744:The Red Vineyard
4702:Bedroom in Arles
4674:Van Gogh's Chair
4667:The Yellow House
4332:Marshy Landscape
4240:
3854:List of drawings
3830:Vincent van Gogh
3823:
3816:
3809:
3800:
3772:
3758:
3752:
3751:
3749:
3747:
3737:
3731:
3730:
3710:
3704:
3703:
3701:
3699:
3684:
3678:
3677:
3659:
3653:
3652:
3632:
3626:
3625:
3611:Vincent van Gogh
3605:
3599:
3598:
3578:
3572:
3571:
3569:
3567:
3561:
3550:
3542:
3536:
3535:
3533:
3531:
3511:
3505:
3504:
3484:
3475:
3474:
3454:
3448:
3447:
3427:
3421:
3420:
3400:
3394:
3393:
3391:
3389:
3374:
3368:
3367:
3365:
3363:
3348:
3342:
3341:
3331:
3325:
3324:
3322:
3320:
3301:
3295:
3294:
3292:
3291:
3272:
3266:
3265:
3245:
3239:
3238:
3236:
3234:
3222:
3216:
3215:
3195:
3186:
3185:
3183:
3181:
3166:
3160:
3159:
3153:
3143:
3137:
3136:
3116:
3107:
3104:
3098:
3097:
3077:
3071:
3070:
3050:
3044:
3043:
3041:
3039:
3024:
3015:
3014:
2994:
2988:
2987:
2967:
2961:
2960:
2940:
2934:
2933:
2927:
2917:
2908:
2907:
2905:
2903:
2898:on March 3, 2016
2894:. Archived from
2884:
2878:
2877:
2875:
2873:
2858:
2849:
2848:
2846:
2844:
2829:
2820:
2819:
2817:
2815:
2803:
2797:
2796:
2776:
2770:
2769:
2767:
2765:
2758:Van Gogh letters
2749:
2743:
2742:
2740:
2738:
2731:Van Gogh letters
2722:
2716:
2715:
2695:
2689:
2688:
2686:
2684:
2677:Van Gogh letters
2668:
2662:
2661:
2641:
2632:
2631:
2629:
2627:
2611:
2602:
2601:
2599:
2597:
2592:on July 23, 2011
2582:
2576:
2575:
2573:
2571:
2555:
2549:
2548:
2546:
2544:
2528:
2522:
2521:
2501:
2495:
2494:
2476:
2470:
2469:
2467:
2465:
2449:
2443:
2442:
2440:
2438:
2426:
2420:
2419:
2399:
2393:
2392:
2372:
2366:
2365:
2345:
2339:
2338:
2318:
2309:
2308:
2306:
2304:
2289:
2272:
2271:
2269:
2267:
2255:
2249:
2248:
2246:
2245:
2230:
2224:
2223:
2221:
2220:
2205:
2171:
2156:
2141:
2123:
2092:
2077:
2062:
2047:
1655:The Sheaf-Binder
1172:Hermitage Museum
1123:
1041:Vincent van Gogh
1026:Vincent van Gogh
1005:
990:
941:
926:
881:
864:
763:
748:
726:Tadamasa Hayashi
697:While living in
666:
636:
616:Eugène Delacroix
567:
534:
502:
484:
418:
393:
368:Honoré Daumier's
350:
335:
286:Vincent van Gogh
282:
263:
192:, an artist and
143:artists such as
100:Vincent van Gogh
60:Vincent van Gogh
51:
36:
32:Vincent van Gogh
21:
5686:
5685:
5681:
5680:
5679:
5677:
5676:
5675:
5636:
5635:
5634:
5629:
5608:
5585:
5539:
5407:(1888 painting)
5391:(1886 painting)
5376:
5362:Maison Van Gogh
5352:Van Gogh Museum
5340:
5281:
5178:
4985:
4805:
4612:
4545:
4513:
4467:
4365:
4277:
4231:
4156:The Wheat Field
4140:Almond Blossoms
3911:
3905:
3891:Posthumous fame
3832:
3827:
3781:
3776:
3775:
3760:Sund, J (2000)
3759:
3755:
3745:
3743:
3739:
3738:
3734:
3727:
3712:
3711:
3707:
3697:
3695:
3686:
3685:
3681:
3671:Van Gogh Museum
3661:
3660:
3656:
3649:
3635:Ross, B (208).
3634:
3633:
3629:
3622:
3607:
3606:
3602:
3595:
3580:
3579:
3575:
3565:
3563:
3559:
3548:
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3318:
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3303:
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3289:
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3269:
3262:
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3242:
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3197:
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3177:
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3145:
3144:
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3133:
3118:
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3110:
3105:
3101:
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3025:
3018:
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2991:
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2957:
2942:
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2669:
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2635:
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2623:
2613:
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2605:
2595:
2593:
2584:
2583:
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2569:
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2556:
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2540:
2530:
2529:
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2518:
2503:
2502:
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2463:
2461:
2451:
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2434:
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2427:
2423:
2416:
2401:
2400:
2396:
2389:
2374:
2373:
2369:
2362:
2347:
2346:
2342:
2335:
2320:
2319:
2312:
2302:
2300:
2291:
2290:
2275:
2265:
2263:
2257:
2256:
2252:
2243:
2241:
2232:
2231:
2227:
2218:
2216:
2207:
2206:
2202:
2197:
2185:
2178:
2172:
2163:
2157:
2148:
2142:
2133:
2124:
2099:
2093:
2084:
2078:
2069:
2063:
2054:
2048:
2031:
2001:
1999:
1995:
1960:Van Gogh Museum
1958:
1956:
1948:
1937:
1935:
1924:
1922:
1918:
1889:
1887:
1885:The Shepherdess
1883:
1872:
1870:
1866:
1846:Van Gogh Museum
1844:
1842:
1838:
1827:
1825:
1821:
1805:Van Gogh Museum
1803:
1801:
1797:
1786:
1784:
1773:
1771:
1767:
1756:
1754:
1731:Van Gogh Museum
1729:
1727:
1723:
1698:Van Gogh Museum
1696:
1694:
1690:
1661:Van Gogh Museum
1659:
1657:
1653:
1614:Van Gogh Museum
1612:
1610:
1606:
1582:
1580:
1576:
1542:Van Gogh Museum
1540:
1538:
1534:
1500:
1498:
1494:
1453:
1451:
1449:
1445:
1434:
1432:
1413:
1411:
1409:
1405:
1394:
1392:
1369:
1367:
1363:
1352:
1350:
1346:
1327:
1316:
1314:
1310:
1283:
1281:
1273:
1262:
1260:
1256:
1240:, France (F686)
1232:
1230:
1222:
1211:
1209:
1205:
1178:, Russia (F684)
1170:
1168:
1164:
1152:Van Gogh Museum
1150:
1148:
1144:
1121:
1109:(Des glaneuses)
1093:Barbizon School
1061:
1019:
1012:
1006:
997:
991:
963:
956:
949:Van Gogh Museum
942:
933:
927:
906:
896:
889:Van Gogh Museum
882:
873:
865:
841:
785:
778:
771:Van Gogh Museum
764:
755:
754:by Keisai Eisen
749:
695:
684:
683:, Russia (F669)
667:
658:
637:
599:
577:Van Gogh Museum
575:
573:
542:
540:
510:
508:
487:Van Gogh Image
482:
463:Good Samaritan.
446:
441:
434:
419:
410:
394:
364:
357:
351:
342:
336:
308:
301:
300:, Italy (F1422)
283:
274:
264:
194:Catholic mystic
187:
170:Van Gogh Museum
128:
34:
28:
23:
22:
15:
12:
11:
5:
5684:
5682:
5674:
5673:
5668:
5663:
5658:
5653:
5651:1890 paintings
5648:
5646:1889 paintings
5638:
5637:
5631:
5630:
5628:
5627:
5622:
5616:
5614:
5610:
5609:
5607:
5606:
5600:
5593:
5591:
5587:
5586:
5584:
5583:
5578:
5573:
5568:
5566:Andries Bonger
5563:
5558:
5553:
5547:
5545:
5541:
5540:
5538:
5537:
5529:
5525:Loving Vincent
5521:
5516:
5510:
5502:
5494:
5486:
5478:
5474:Vincent and Me
5470:
5462:
5454:
5449:
5441:
5433:
5425:
5417:
5409:
5401:
5393:
5384:
5382:
5378:
5377:
5375:
5374:
5369:
5364:
5359:
5354:
5348:
5346:
5342:
5341:
5339:
5338:
5334:Head of a Girl
5330:
5322:
5314:
5306:
5298:
5297:(1873 or 1874)
5289:
5287:
5283:
5282:
5280:
5279:
5271:
5263:
5255:
5247:
5239:
5231:
5223:
5215:
5207:
5199:
5190:
5188:
5184:
5183:
5180:
5179:
5177:
5176:
5169:
5162:
5155:
5148:
5141:
5134:
5127:
5120:
5113:
5106:
5099:
5092:
5085:
5078:
5071:
5064:
5057:
5050:
5043:
5036:
5029:
5022:
5015:
5008:
5001:
4993:
4991:
4987:
4986:
4984:
4983:
4976:
4969:
4962:
4955:
4948:
4941:
4934:
4927:
4920:
4913:
4906:
4899:
4892:
4885:
4877:
4870:
4863:
4856:
4849:
4842:
4835:
4828:
4821:
4813:
4811:
4807:
4806:
4804:
4803:
4796:
4789:
4782:
4775:
4768:
4761:
4754:
4747:
4740:
4733:
4726:
4719:
4712:
4705:
4698:
4691:
4684:
4677:
4670:
4663:
4660:The Night Café
4656:
4649:
4642:
4635:
4628:
4620:
4618:
4614:
4613:
4611:
4610:
4603:
4596:
4589:
4582:
4575:
4568:
4561:
4553:
4551:
4547:
4546:
4544:
4543:
4540:The Kingfisher
4536:
4529:
4521:
4519:
4515:
4514:
4512:
4511:
4504:
4497:
4490:
4483:
4475:
4473:
4469:
4468:
4466:
4465:
4458:
4451:
4444:
4437:
4430:
4423:
4420:Lane in Autumn
4416:
4409:
4402:
4395:
4388:
4381:
4373:
4371:
4367:
4366:
4364:
4363:
4356:
4349:
4342:
4335:
4328:
4321:
4314:
4307:
4300:
4293:
4285:
4283:
4279:
4278:
4276:
4275:
4268:
4261:
4254:
4246:
4244:
4237:
4233:
4232:
4230:
4229:
4224:
4219:
4211:Double-squares
4206:
4200:
4192:
4184:
4176:
4168:
4160:
4152:
4144:
4136:
4128:
4120:
4112:
4104:
4100:Boats du RhĂ´ne
4096:
4092:Saintes-Maries
4088:
4080:
4074:
4066:
4058:
4050:
4042:
4034:
4026:
4023:Self portraits
4020:
4012:
4004:
3996:
3988:
3980:
3972:
3964:
3956:
3948:
3942:
3936:
3928:
3922:
3915:
3913:
3907:
3906:
3904:
3903:
3898:
3893:
3888:
3883:
3878:
3876:Auberge Ravoux
3873:
3868:
3861:
3856:
3851:
3846:
3840:
3838:
3834:
3833:
3828:
3826:
3825:
3818:
3811:
3803:
3797:
3796:
3780:
3777:
3774:
3773:
3753:
3732:
3725:
3705:
3679:
3654:
3647:
3627:
3620:
3600:
3593:
3573:
3537:
3506:
3499:
3476:
3469:
3449:
3442:
3422:
3415:
3395:
3369:
3343:
3326:
3315:on May 4, 2011
3296:
3267:
3260:
3240:
3217:
3210:
3187:
3161:
3138:
3131:
3108:
3099:
3092:
3072:
3065:
3045:
3016:
3009:
2989:
2982:
2962:
2955:
2935:
2909:
2892:Ando Hiroshige
2879:
2850:
2821:
2798:
2791:
2771:
2744:
2717:
2710:
2690:
2663:
2656:
2633:
2603:
2577:
2550:
2523:
2516:
2496:
2489:
2471:
2444:
2421:
2414:
2394:
2387:
2367:
2360:
2340:
2333:
2310:
2273:
2250:
2225:
2199:
2198:
2196:
2193:
2192:
2191:
2184:
2181:
2180:
2179:
2173:
2166:
2164:
2158:
2151:
2149:
2143:
2136:
2134:
2125:
2118:
2101:
2100:
2094:
2087:
2085:
2083:Rembrandt 1659
2079:
2072:
2070:
2064:
2057:
2055:
2049:
2042:
2030:
2027:
2024:
2023:
2007:
1986:
1976:
1975:
1971:
1939:
1929:
1928:
1926:
1920:Woman Spinning
1909:
1899:
1898:
1891:
1874:
1856:
1855:
1853:
1829:
1823:Shearing Sheep
1811:
1810:
1808:
1799:The Woodcutter
1788:
1782:The Woodcutter
1778:
1777:
1775:
1758:
1741:
1740:
1738:
1714:
1704:
1703:
1701:
1681:
1671:
1670:
1668:
1644:
1634:
1633:
1625:
1597:
1587:
1586:
1584:
1567:
1557:
1556:
1549:
1525:
1515:
1514:
1502:
1485:
1475:
1474:
1454:
1436:
1419:
1418:
1414:
1396:
1379:
1378:
1374:
1354:
1336:
1335:
1328:
1318:
1300:
1299:
1292:
1291:, Japan (F649)
1282:November 1889
1275:Man in a Field
1264:
1246:
1245:
1241:
1213:
1195:
1194:
1179:
1176:St. Petersburg
1155:
1134:
1133:
1130:
1129:Van Gogh Image
1127:
1120:
1117:
1060:
1057:
1018:
1015:
1014:
1013:
1007:
1000:
998:
992:
985:
962:
959:
958:
957:
943:
936:
934:
928:
921:
905:
901:Japonaiserie:
899:
898:
897:
883:
876:
874:
866:
859:
840:
836:Japonaiserie:
834:
784:
781:
780:
779:
765:
758:
756:
750:
743:
718:The Courtesan.
714:Paris Illustré
710:Keisai Eisen's
694:
691:
686:
685:
677:Pushkin Museum
668:
661:
659:
639:Gustave Doré,
638:
631:
598:
595:
592:
591:
584:
568:
560:
559:
556:Mater Dolorosa
551:
535:
527:
526:
519:
503:
495:
494:
491:
488:
481:
478:
445:
442:
440:
437:
436:
435:
420:
413:
411:
406:Monde Illustré
397:Honoré Daumier
395:
388:
380:Van Gogh made
363:
360:
359:
358:
352:
345:
343:
337:
330:
318:, daughter of
307:
304:
303:
302:
284:
277:
275:
273:, August 1888
265:
258:
200:images of the
186:
183:
149:Honoré Daumier
127:
124:
95:
94:
85:
81:
80:
75:
71:
70:
67:
63:
62:
57:
53:
52:
44:
43:
42:(after Millet)
30:Main article:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5683:
5672:
5669:
5667:
5664:
5662:
5659:
5657:
5654:
5652:
5649:
5647:
5644:
5643:
5641:
5626:
5623:
5621:
5618:
5617:
5615:
5611:
5604:
5601:
5598:
5595:
5594:
5592:
5588:
5582:
5579:
5577:
5574:
5572:
5569:
5567:
5564:
5562:
5559:
5557:
5554:
5552:
5551:Theo van Gogh
5549:
5548:
5546:
5542:
5536:
5534:
5530:
5528:
5526:
5522:
5520:
5517:
5514:
5511:
5509:
5507:
5503:
5501:
5499:
5495:
5493:
5491:
5487:
5485:
5483:
5479:
5477:
5475:
5471:
5469:
5467:
5463:
5461:
5459:
5455:
5453:
5450:
5448:
5447:(1963 statue)
5446:
5442:
5440:
5438:
5434:
5432:
5430:
5429:Lust for Life
5426:
5424:
5422:
5418:
5416:
5414:
5413:Lust for Life
5410:
5408:
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5402:
5400:
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5061:Girl in White
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4881:Self-portrait
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4716:Les Alyscamps
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4558:Poppy Flowers
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4236:Oil paintings
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3857:
3855:
3852:
3850:
3849:List of works
3847:
3845:
3842:
3841:
3839:
3835:
3831:
3824:
3819:
3817:
3812:
3810:
3805:
3804:
3801:
3795:
3794:0-7148-2028-8
3791:
3787:
3784:Hulsker, Jan
3783:
3782:
3778:
3771:
3770:0-500-09290-7
3767:
3763:
3757:
3754:
3742:
3736:
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3728:
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3664:
3658:
3655:
3650:
3648:9781433102875
3644:
3640:
3639:
3631:
3628:
3623:
3621:0-7146-2039-4
3617:
3613:
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3601:
3596:
3594:0-8294-0621-2
3590:
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3470:9780486252537
3466:
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3453:
3450:
3445:
3443:0-8028-3856-1
3439:
3435:
3434:
3426:
3423:
3418:
3416:0-8386-3749-3
3412:
3408:
3407:
3399:
3396:
3383:
3379:
3373:
3370:
3357:
3353:
3347:
3344:
3340:. p. 17.
3339:
3338:
3330:
3327:
3314:
3310:
3306:
3300:
3297:
3286:on 2017-04-27
3285:
3281:
3277:
3271:
3268:
3263:
3257:
3253:
3252:
3244:
3241:
3228:
3221:
3218:
3213:
3207:
3203:
3202:
3194:
3192:
3188:
3175:
3171:
3165:
3162:
3158:, 14, 21, 30.
3157:
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3142:
3139:
3134:
3128:
3124:
3123:
3115:
3113:
3109:
3103:
3100:
3095:
3093:9789089641762
3089:
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3068:
3066:9780520214750
3062:
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3017:
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3006:
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2993:
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2979:
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2956:0-8386-3749-3
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2880:
2867:
2863:
2857:
2855:
2851:
2838:
2834:
2828:
2826:
2822:
2810:. van Gogh, J
2809:
2802:
2799:
2794:
2792:9780520088498
2788:
2784:
2783:
2775:
2772:
2759:
2755:
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2657:0-8028-3856-1
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2517:0-8386-3749-3
2513:
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2500:
2497:
2492:
2490:0-300-09575-9
2486:
2482:
2475:
2472:
2459:
2458:The Telegraph
2455:
2448:
2445:
2433:. van Gogh, J
2432:
2425:
2422:
2417:
2415:9780520088498
2411:
2407:
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2334:9780486252537
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2278:
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2262:. van Gogh, J
2261:
2254:
2251:
2240:
2239:Hyperallergic
2236:
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2021:
2017:
2012:
2008:
2005:
1998:
1991:
1987:
1982:
1978:
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1972:
1969:
1965:
1961:
1957:January, 1890
1955:
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1297:
1296:pointillistic
1293:
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1234:Musée d'Orsay
1229:
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1107:
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1101:
1096:
1094:
1088:
1086:
1082:
1078:
1074:
1070:
1066:
1063:The "peasant
1058:
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1038:
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931:
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920:
918:
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904:
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894:
890:
886:
880:
875:
872:by Hiroshige
871:
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403:, 1862; from
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349:
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324:Salon of 1889
321:
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281:
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271:Émile Bernard
268:
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190:Émile Bernard
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120:Theo van Gogh
117:
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105:
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93:
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88:Musée d'Orsay
86:
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79:
78:Oil on canvas
76:
72:
68:
64:
61:
58:
54:
50:
45:
41:
37:
33:
19:
5556:Wil van Gogh
5532:
5524:
5512:
5505:
5497:
5492:(1990 opera)
5489:
5481:
5473:
5465:
5457:
5444:
5439:(1956 opera)
5436:
5428:
5420:
5415:(1934 novel)
5412:
5404:
5396:
5388:
5332:
5324:
5316:
5308:
5300:
5292:
5273:
5267:Breton Women
5265:
5257:
5249:
5241:
5233:
5225:
5217:
5209:
5201:
5193:
5187:Watercolours
5171:
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5143:
5136:
5129:
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5115:
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5094:
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5017:
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4996:
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4957:
4950:
4943:
4936:
4929:
4922:
4915:
4908:
4901:
4894:
4887:
4880:
4874:The Gardener
4872:
4865:
4858:
4851:
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4830:
4823:
4816:
4798:
4791:
4784:
4777:
4770:
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4756:
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4737:L'Arlésienne
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4707:
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4605:
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3992:Wheat Fields
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3779:Bibliography
3761:
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3557:the original
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2238:
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2215:. 2019-06-04
2213:The Guardian
2212:
2203:
2174:
2162:by Rembrandt
2159:
2147:by Rembrandt
2144:
2132:by Rembrandt
2126:
2111:
2109:
2104:
2102:
2095:
2080:
2065:
2050:
2036:
2032:
2011:The Gleaners
2010:
1996:
1953:
1949:
1932:
1919:
1894:
1884:
1867:
1839:
1822:
1798:
1781:
1768:
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1725:The Thresher
1724:
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1126:Millet Image
1113:
1111:by Millet.
1108:
1105:The Gleaners
1103:
1097:
1089:
1073:Jules Breton
1062:
1044:
1029:
1008:
993:
970:
966:
964:
944:
932:by Hiroshige
929:
911:
907:
902:
884:
867:
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842:
837:
826:
821:
815:, Hals, and
793:Japanese art
786:
766:
751:
734:
717:
713:
708:. In Paris,
696:
687:
670:
651:Gustave Doré
644:
640:
624:
601:
600:
587:
570:
548:Vatican City
537:
522:
505:
468:
462:
458:
449:
447:
422:
404:
401:The Drinkers
400:
382:Men Drinking
381:
379:
375:
370:
365:
353:
338:
320:Jules Breton
311:
309:
289:
266:
244:Paul Gauguin
240:Breton Women
239:
237:
233:Breton Women
232:
224:Breton woman
217:
205:
188:
174:
168:
159:
157:
132:
129:
98:
39:
5603:Jan Hulsker
5590:Cataloguers
5576:Anton Mauve
5535:(2018 film)
5527:(2017 film)
5515:(2007 film)
5508:(2003 play)
5500:(1991 film)
5484:(1990 film)
5476:(1990 film)
5468:(1990 film)
5460:(1987 film)
5431:(1956 film)
5423:(1948 film)
5173:Poppy Field
4952:The Diggers
4304:Bulb Fields
4188:Butterflies
4172:Olive Trees
4151:(1888–1890)
4143:(1888–1890)
4079:(1887–1890)
4073:(1887–1890)
4065:(1887–1889)
4025:(1886–1889)
3995:(1885–1890)
3955:(1883–1885)
3941:(1881–1888)
3935:(1881–1885)
3927:(1881–1890)
3919:Early works
3694:. 2005–2011
3280:Collections
2098:1889 (F624)
2016:Jan Hulsker
2000:April, 1890
1968:Netherlands
1826:ca. 1852-53
1622:Netherlands
1365:First Steps
1348:First Steps
1332:Holy Family
1149:ca. 1858-60
975:Jan Hulsker
620:Rembrandt's
470:Delacroix's
202:Middle Ages
106:. While at
5640:Categories
5381:Portrayals
5159:Tree Roots
4998:The Siesta
4860:Lilac Bush
4758:Les Arènes
4646:The Zouave
4062:Sunflowers
4016:Montmartre
3859:Chronology
3673:. Note 2.
3553:Collection
3334:Zemel, C.
3290:2011-04-17
2244:2021-04-12
2219:2021-04-12
2195:References
2053:Rembrandt
1496:The Reaper
1467:The Sower,
1459:Kay Larson
1224:The Siesta
1207:Noon: Rest
1077:modern art
1059:Background
1045:The Sower,
996:, Jordaens
979:Dr. Gachet
730:its people
612:Saint-RĂ©my
444:Background
312:Man at Sea
220:watercolor
160:The PietĂ ,
126:Background
4931:Cypresses
4846:Two Crabs
4639:La Mousmé
4265:Lying Cow
4199:(1889–90)
4191:(1889–90)
4135:(1888–89)
4127:(1888–89)
4119:(1888–89)
4019:(1886–87)
4011:(1886–87)
3984:Amsterdam
3979:(1884–85)
3971:(1884–85)
3947:(1882–83)
3925:Portraits
3921:(1881–82)
3910:Groups of
3844:Biography
3746:April 15,
3698:April 15,
3530:April 17,
3388:April 15,
3362:April 14,
3319:April 15,
3233:April 15,
3180:April 14,
3038:April 15,
2902:April 15,
2872:April 15,
2843:April 15,
2814:April 15,
2764:April 15,
2737:April 15,
2683:April 15,
2626:April 15,
2596:April 15,
2570:April 15,
2543:April 15,
2464:April 17,
2437:April 15,
2303:April 16,
2266:April 15,
2068:Rembrandt
1964:Amsterdam
1850:Amsterdam
1735:Amsterdam
1665:Amsterdam
1618:Amsterdam
1447:The Sower
1430:The Sower
1407:The Sower
1390:The Sower
1185:entitled
1132:Comments
1030:The Sower
953:Amsterdam
893:Amsterdam
823:Hiroshige
813:Rembrandt
801:Hiroshige
775:Amsterdam
588:La PietĂ ,
581:Amsterdam
493:Comments
175:The PietĂ
153:Rembrandt
135:Delacroix
5498:Van Gogh
5437:Van Gogh
5421:Van Gogh
5286:Drawings
5089:The Cows
4378:Two Rats
4038:Asnières
3952:Cottages
3566:April 1,
2183:See also
1785:ca. 1853
1351:ca. 1858
1191:medieval
1183:woodcuts
703:Japanese
675:, 1890,
431:Illinois
314:made by
84:Location
5613:Related
5490:Vincent
5458:Vincent
5345:Museums
4215:Squares
4209:Auvers
3837:General
1261:1867-69
1053:Otterlo
828:Ukiyo-e
817:Vermeer
805:Hokusai
699:Antwerp
643:, from
550:(F757)
516:Otterlo
425:1890,
228:utopian
198:woodcut
179:Lazarus
5544:Family
5482:Dreams
5399:(1887)
5337:(1888)
5329:(1887)
5321:(1882)
5313:(1882)
5310:Sorrow
5305:(1881)
5278:(1890)
5270:(1888)
5262:(1883)
5254:(1883)
5246:(1883)
5238:(1883)
5230:(1883)
5222:(1882)
5214:(1882)
5206:(1882)
5198:(1881)
4883:(1889)
4853:Irises
4218:(1890)
4205:(1890)
4183:(1889)
4175:(1889)
4167:(1889)
4164:Reaper
4159:(1889)
4111:(1888)
4103:(1888)
4095:(1888)
4087:(1888)
4057:(1887)
4049:(1887)
4041:(1887)
4033:(1887)
4003:(1886)
3987:(1885)
3963:(1884)
3871:Health
3792:
3768:
3723:
3645:
3618:
3591:
3497:
3467:
3440:
3413:
3258:
3208:
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2708:
2654:
2514:
2487:
2412:
2385:
2358:
2331:
2004:Zurich
1970:(F632)
1895:Sorrow
1624:(F700)
1548:(F687)
1506:scythe
1289:Komaki
1081:harrow
955:(F372)
895:(F371)
809:prints
777:(F373)
737:kimono
681:Moscow
657:, 1872
433:(F667)
248:Breton
164:oeuvre
74:Medium
56:Artist
4046:Seine
3912:works
3881:Death
3560:(PDF)
3549:(PDF)
1923:1889
1772:1889
1611:1889
1581:1889
1450:1889
1368:1890
1312:Night
1238:Paris
1065:genre
967:Cows.
853:Arles
789:Japan
722:Japan
459:Pieta
298:Milan
141:after
92:Paris
4990:1890
4924:Rain
4810:1889
4617:1888
4550:1887
4518:1886
4472:1885
4370:1884
4282:1883
4243:1882
4213:and
3945:Sien
3790:ISBN
3766:ISBN
3748:2011
3721:ISBN
3700:2011
3643:ISBN
3616:ISBN
3589:ISBN
3568:2011
3532:2011
3495:ISBN
3465:ISBN
3438:ISBN
3411:ISBN
3390:2011
3364:2011
3321:2011
3256:ISBN
3235:2011
3206:ISBN
3182:2011
3127:ISBN
3088:ISBN
3061:ISBN
3040:2011
3005:ISBN
2978:ISBN
2951:ISBN
2904:2011
2874:2011
2845:2011
2816:2011
2787:ISBN
2766:2011
2739:2011
2706:ISBN
2685:2011
2652:ISBN
2628:2011
2598:2011
2572:2011
2545:2011
2512:ISBN
2485:ISBN
2466:2011
2439:2011
2410:ISBN
2383:ISBN
2356:ISBN
2329:ISBN
2305:2011
2268:2011
1936:1862
1888:1889
1843:1889
1802:1890
1755:1866
1728:1889
1695:1889
1658:1889
1539:1889
1499:1889
1433:1850
1410:1889
1393:1850
1315:1867
1231:1890
1210:1866
1169:1890
1085:Theo
994:Cows
971:Cows
843:The
803:and
653:and
618:and
574:1889
541:1889
509:1890
474:Theo
461:and
177:and
151:and
69:1890
66:Year
4966:Ivy
2110:In
2022:".
1952:or
1627:In
1461:of
1277:or
1226:or
649:by
610:in
269:by
242:to
110:in
5642::
3690:.
3669:.
3665:.
3551:.
3524:17
3522:.
3518:.
3479:^
3380:.
3354:.
3307:.
3278:.
3190:^
3172:.
3156:10
3111:^
3030:.
3019:^
2930:70
2912:^
2890:.
2864:.
2853:^
2835:.
2824:^
2756:.
2729:.
2675:.
2636:^
2618:.
2606:^
2562:.
2535:.
2456:.
2313:^
2295:.
2276:^
2237:.
2211:.
1966:,
1962:,
1897:.
1848:,
1733:,
1663:,
1620:,
1616:,
1544:,
1287:,
1236:,
1174:,
1071:,
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1028:,
951:,
891:,
799:,
773:,
732:.
679:,
579:,
546:,
514:,
429:,
399:,
296:,
288:,
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90:,
3822:e
3815:t
3808:v
3750:.
3729:.
3702:.
3651:.
3624:.
3597:.
3570:.
3534:.
3503:.
3473:.
3446:.
3419:.
3392:.
3366:.
3323:.
3293:.
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3237:.
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3096:.
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2986:.
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2876:.
2847:.
2818:.
2795:.
2768:.
2741:.
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2687:.
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2493:.
2468:.
2441:.
2418:.
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2337:.
2307:.
2270:.
2247:.
2222:.
2130:,
830:,
137:)
20:)
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