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per year. With the royal appointment, he established himself in Madrid, focusing on book publishing. He focused not only on book covers and portraits, but also typographic marks and small ornaments. Perret published at least thirty-four books while in Madrid, with more in Lisbon, where he may have
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192:. Perret moved to Madrid and was bound to take on no other work until the plates were engraved. However, the work was not completed until 1589. That year, they were collected in a small book titled
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De
Liggeren en andere historische archieven der Antwerpsche Sint Lucasgilde = Les Liggeren et autres archives historiques de la Gilde Anversoise de Saint Luc
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in 1619, with an image of
Phillip II as "defender of faith," He provided two interior illustrations on designs by the architect
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and sold by
Herrera. Despite the prohibition on taking on other work, Perret published the first of his portraits, that of the
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188:. Herrera was to provide the copper plates already drawn by his hand, and Perret was to engrave them for a fee of 600
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Between 1609 and his death, he published the covers of most of the books in Madrid. Among the books published are
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in 1594. Between 1591 and 1595, he published some allegorical engravings based on drawings provided by
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Sumaria y breve declaración de los diseños y estampas de la fábrica de San
Lorenzo del Escorial
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Compendium of the festivities that took place in the beatification of Mother Teresa de Jesús
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Compendio de las fiestas que se hicieron en la beatificación de la madre Teresa de Jesús
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Diccionario historico de los mas ilustres porfesores de las bellas artes en España
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Allgemeines Künstlerlexikon : die bildenden Künstler aller Zeiten und Völker
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Diccionario histórico de los más ilustres profesores de la Bellas Artes en España
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commissioned Perret to print images of the plants and topographical views of the
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In 1595 he was appointed as a court engraver by Philip II, with a salary of 100
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Zarco del Valle-Conde las Navas (Espinosa
Quesada), "Pedro Perret (1555-1639)"
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402:, printed in Nájera in 1618 by Juan de Mongastón, also seems to be by him.
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Los
Austrias. Grabados de la Biblioteca Nacional|catálogo de la exposición
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De la veneración que se debe a los cuerpos de los santos y a sus reliquias
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Some of his best-known works of this time are portraits, including the
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125:, with whom he had a son, also named Peter. His son, also an engraver,
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367:), by Diego de San José in 1615; Council and counselor of princes, by
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On the veneration due to the bodies of the saints and their relics
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Dutch and
Flemish Etchings, Engravings and Woodcuts ca. 1450-1700
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In 1590 he returned to
Antwerp where he became a master in the
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of Father
Ribadeneira. Also notable are the portraits of the
450:(in Spanish). Vol. I. Madrid. 1899. pp. 582–587.
708:
Los años de El
Escorial: imágenes históricas y simbólicas
746:(in Spanish). Madrid: Biblioteca Nacional (España).
238:. Copies of these three plates are preserved in the
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Un informe de Juan Gómez de Mora sobre Pedro Perret
613:(in Spanish). Vol. IV. Madrid. pp. 87–93.
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226:Daniel, Ezekiel, and Haggai, following designs by
207:Engraving of the altarpiece in the main chapel of
596:. Vol. 17. Amsterdam: Menno Hertzberger.
8:
632:(in German). Vol. 95. K.G. Saur. 1948.
121:He married Isabel de Faria, who was born in
436:: CS1 maint: location missing publisher (
145:Overview of San Lorenzo Del Escorial, 1589
27:
569:(in Spanish). Madrid: Ediciones Cátedra.
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771:"Obras digitalizadas de Pedro Perret"
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414:El Escorial en la Biblioteca Nacional
232:Icones prophetarum maiorum et minorum
186:Monastery of San Lorenzo Del Escorial
16:Flemish engraver who worked in Madrid
7:
607:Ceán Bermúdez, Juan Agustín (1800).
412:Santiago Páez, Elena; otros (1985).
263:Portrait of Saint Ignatius of Loyola
288:, published with the first part of
694:. Vol. 1. Antwerp: Baggerman.
14:
309:, which also included a strongly
259:Retrato de San Ignacio de Loyola
657:(in Spanish). pp. 142–143.
341:Bartolomé Leonardo de Argensola
234:(1594) published in Antwerp by
153:around 1555, he was a pupil of
567:Historia del grabado en España
19:For the English musician, see
1:
781:Biblioteca Nacional de España
742:Páez, Elena Santiago (1993).
705:López Torrijos, Rosa (1985).
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776:Biblioteca Digital Hispánica
380:Filipe Segundo Rey de España
337:The Conquest of the Moluccas
55:1625 (aged 69–70)
333:La conquista de las Molucas
171:William IV, Duke of Bavaria
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590:Hollstein, F.W.H. (1948).
400:Esteban Manuel de Villegas
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711:(in Spanish). p. 97.
565:Gallego, Antonio (1999).
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369:Lorenzo Ramírez de Prado
209:San Lorenzo Del Escorial
198:Empress Maria of Austria
384:Luis Cabrera de Córdoba
416:(in Spanish). Madrid.
240:Lázaro Galdiano Museum
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129:his name and went by "
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653:Saltillo, M. (1953).
313:-looking allegory of
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818:Artists from Antwerp
688:Rombouts, P (1961).
353:Sancho Dávila Toledo
798:16th-century births
390:. The cover of the
307:Sphera del Universo
305:, collected in his
291:Guzmán de Alfarache
216:Guild of Saint Luke
388:Juan Gómez de Mora
265:) included in the
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175:Elector of Cologne
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116:Philip II of Spain
114:in the service of
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803:1625 deaths
725:|work=
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372: [
322: [
299: [
278: [
273:theologian
242:in Madrid.
200:, in 1585.
792:Categories
520:References
363:(English:
347:(English:
335:(English:
315:Astronomía
284:, that of
271:Cistercian
261:(English:
137:Background
80:Occupation
727:ignored (
717:cite book
673:ignored (
663:cite book
503:ignored (
493:cite book
466:ignored (
456:cite book
432:cite book
396:Amatorias
378:in 1617;
359:in 1611;
343:in 1609,
311:mannerist
392:Eróticas
224:prophets
180:In 1584
173:and the
149:Born in
123:Portugal
108:engraver
83:Engraver
151:Antwerp
105:Flemish
94:Spanish
70:Spanish
45:Antwerp
41:c. 1555
750:
636:
573:
420:
351:), by
339:), by
247:ducats
190:ducats
112:Madrid
59:Madrid
398:, by
382:, by
376:]
326:]
303:]
282:]
267:Obras
165:with
748:ISBN
729:help
675:help
634:ISBN
571:ISBN
512:link
505:help
475:link
468:help
438:link
418:ISBN
163:Rome
157:and
52:Died
38:Born
394:or
328:.
133:".
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