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distant from it; once the priest had given the signal with a torch, they would race, with the winner then setting light to the offerings. Pindar, subordinating the
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result in any gratitude" (lines 75-76); the god grants him a golden chariot and horses with untiring wings (line 87); with these Pelops defeats
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or city-state in which the festival was later staged). It was the most quoted in antiquity and was hailed as the "best of all the odes" by
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of the feast and serves up his dismembered son Pelops to the gods (lines 48-52); Pelops' shoulder is of gleaming ivory (line 35) since
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or hospitality into his ode, setting it in the context of a choral performance around Hieron's table, to the strains of the
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suggests Pindar's hopes were frustrated, his compositions soon "condemned to silence by the boorishness of the masses".
302:; the defeat of Oenomaus by Pelops provided a "legendary parallel" for the ousting from control of the festival of the
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KΓΆhnken, Adolf (1974). "Pindar as
Innovator: Poseidon Hippios and the Relevance of the Pelops Story in Olympian 1".
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or "Isle of Pelops" is named. Pindar rejects the common version of the myth, wherein
Tantalus violates the
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413:(lines 15-18). Yet the poet keeps his distance; the central mythological episode is concerned with
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Athanassaki, Lucia (2004). "Deixis, Performance, and
Poetics in Pindar's "First Olympian Ode"".
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261:, avoiding the fate of death previously meted out upon a series of vanquished suitors.
1932:
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Segal, Charles Paul (1964). "God and Man in Pindar's First and Third
Olympian Odes".
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73:. She plays the phorminx while the small bird by her feet may represent accompanying
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Nagy, Gregory (1986). "Pindar's
Olympian 1 and the Aetiology of the Olympic Games".
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Farenga, Vincent (1977). "Violent
Structure: The Writing of Pindar's Olympian I".
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last". Through his association with victors, the poet hopes to be "famed in
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between 470 and 457 BC; the sculptural programme is described at length by
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Homo Necans: the
Anthropology of Ancient Greek Sacrificial Ritual and Myth
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Sicking, C. M. J. (1983). "Pindar's First
Olympian: an interpretation".
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1071:(1986). "Pindar's Olympian 1 and the Aetiology of the Olympic Games".
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Commentaries on Pindar: Olympian Odes 1, 10, 11, Nemean 11, Isthmian 2
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1317:"Pindar's Olympian 1, 1-7 and its Relation to Bacchylides 3, 85-87"
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29:
109:, the First was positioned at the beginning of the collection by
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Cairns, Francis (1977). "'ΞΑΩΣ in Pindar's First
Olympian Ode".
982:
Cairns, Francis (1977). "'ΞΑΩΣ in Pindar's First
Olympian Ode".
819:
Written Texts and the Rise of Literate Culture in Ancient Greece
332:
268:
246:", Pelops appeals to Poseidon for help, "if the loving gifts of
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1236:
Adam, Eugene A. (1962). "Symbolism in the First Olympian Ode".
1215:
Adam, Eugene A. (1962). "Symbolism in the First Olympian Ode".
1119:
The Traffic in Praise: Pindar and the Poetics of Social Economy
88:
1479:
Nicholson, Nigel (2007). "Pindar, History, and Historicism".
439:, translated into English verse by C. A. Wheelwright (1846)
403:
Sicily" (lines 12-13). Pindar incorporates the ideology of
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At the heart of the ode is Pindar's "refashioning" of the
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among Greeks everywhere" (lines 115-6). Yet a fragment of
61:, c. 450 BC, a female figure is seated on a rock labelled
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433:, translated into English verse by Ambrose Philips (1748)
331:. The cultic centres of the sanctuary were the altar of
445:, translated into English prose by Ernest Myers (1874)
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Transactions of the American Philological Association
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Transactions of the American Philological Association
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since it included praise for the games as well as of
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Pindar's Homer: The Lyric Possession of an Epic Past
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567:"The Achilles Painter - White Ground: Middle Phase"
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1372:Howatson, M. C. (1984). "Pindar's Olympian One".
383:", and especially "the relations of kings with
50:lyre down from its peg" (lines 17-18). On this
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1020:Olympia: The Sculptures of the Temple of Zeus
399:king, as he "sways the sceptre of the law in
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367:of the Olympics in the early 5th century ".
257:in a race and wins the hand of his daughter
42:(line 102) and to the accompaniment of the
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152:and its jockey were victorious in the
69:, thus identifying her as one of the
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1188:Pindar's Olympian One: a commentary
537:Music And Image In Classical Athens
25:
597:(in Ancient Greek). Vol. I.
594:Scholia Vetera in Pindari Carmina
1588:Olympian I (English translation)
1575:
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18:Pindar's First Olympian Ode
1083:Johns Hopkins University Press
908:University of California Press
865:Johns Hopkins University Press
462:(celebrating the same victory)
421:to human ambition (line 114).
347:" (lines 90-93). According to
1:
534:Bundrick, Sheramy D. (2005).
65:, the mountain sacred to the
1438:Nairn, J. Arbuthnot (1901).
1028:. pp. 6ff., 12ff., 31f.
363:, "could reflect the actual
279:from the centre of the east
105:, glorifying victors at the
1440:"On Pindar's Olympian Odes"
1194:University of Toronto Press
1184:Gerber, Douglas E. (1982).
816:Yunis, Harvey, ed. (2007).
1965:
941:Cambridge University Press
824:Cambridge University Press
542:Cambridge University Press
1456:10.1017/S0009840X00029346
1386:10.1017/S0009840X0010335X
953:10.1017/s0009838800032730
945:The Classical Association
750:Race, William H. (1986).
591:Drachmann, A. B. (1903).
111:Aristophanes of Byzantium
1315:Eckerman, Chris (2017).
1125:Cornell University Press
117:, who first competed at
38:for performance, in the
27:Pindar's 1st Olympic Ode
1593:Olympian I (Greek text)
933:The Classical Quarterly
724:10.1163/156852583x00043
671:Verdenius, Willem Jacob
628:Oxford University Press
486:Papyrus Oxyrhynchus 222
310:
164:The ode begins with a
133:in honour of his then
129:. Pindar composed the
77:
1944:Ancient Olympic Games
1271:10.1353/are.2004.0015
1238:The Classical Outlook
1217:The Classical Outlook
792:"Deipnosophistae I.4"
267:
107:Ancient Olympic Games
33:
1572:at Wikimedia Commons
1560:at Wikimedia Commons
1444:The Classical Review
1374:The Classical Review
1046:(in Ancient Greek).
992:Franz Steiner Verlag
794:(in Ancient Greek).
648:(in Ancient Greek).
466:Curse of the Atreids
425:English translations
242:. After his "erotic
34:Pindar composed his
1939:Ancient Greek poems
1481:Classical Philology
910:. pp. 93β103.
395:, is likened to a
361:four-horse chariot
339:, and the tomb of
311:
234:, in mourning for
99:. Of his fourteen
78:
46:: "Come, take the
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1925:
1580:Works related to
1568:Media related to
1556:Media related to
1207:978-0-802-05507-1
1044:"de Gymnastica 5"
867:. pp. 116f.
833:978-0-521-03915-4
760:Twayne Publishers
551:978-0-521-84806-0
325:sacrificial rites
154:single horse race
97:Panhellenic Games
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1493:10.1086/523739
1487:(2): 208β227.
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91:to celebrate
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1040:Philostratus
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510:"Olympian I"
404:
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349:Philostratus
314:
312:
244:complaisance
210:, father of
193:
177:
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101:
100:
95:at all four
79:
52:white-ground
40:Aeolian mode
1845:Nemean odes
1524:: 211β267.
1196:. pp.
1153:Bacchylides
1127:. pp.
994:: 129β132.
947:: 199β206.
762:. pp.
460:Bacchylides
316:Homo Necans
271:flanked by
259:Hippodameia
228:reciprocity
224:Peloponnese
156:in 476 BC.
36:victory ode
1933:Categories
646:"Gallus 7"
492:References
443:Olympian 1
437:Olympian 1
431:Olympian 1
401:sheep-rich
202:, king of
150:Pherenikos
1918:Epinikion
1509:162206930
1472:162919256
1417:: 71β88.
1402:164143431
1287:161706614
1085:: 71β88.
969:170440064
900:(1983) .
788:Athenaeus
707:Mnemosyne
371:Patronage
365:aetiology
357:foot race
297:Pausanias
251:Aphrodite
206:, son of
131:epinikion
93:victories
87:composed
1570:Oenomaus
1365:26307830
1353:Arethusa
1344:44647509
1330:: 7β32.
1279:44578833
1259:Arethusa
1250:43929726
1229:43929726
1115:(1991).
1016:(1967).
859:(1990).
766:, 62β4.
718:: 61ff.
673:(1988).
622:(1964).
450:See also
411:phorminx
393:encomium
385:the gods
381:kingship
304:Pisatans
281:pediment
273:Oenomaus
255:Oenomaus
240:Poseidon
212:Thyestes
208:Tantalus
146:Syracuse
138:Hieron I
55:lekythos
44:phorminx
1911:Related
1394:3062375
1308:4476002
1166:12 July
1157:"Ode 5"
1053:10 July
1000:4476002
801:12 July
732:4431206
599:Teubner
576:14 July
397:Homeric
353:stadion
345:Alpheus
337:stadium
329:Olympia
306:by the
299:(V.10)
289:Olympia
283:of the
248:Cyprian
232:Demeter
184:Eupolis
166:priamel
63:Helicon
57:by the
1949:476 BC
1629:Pindar
1558:Pelops
1538:310806
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655:9 July
642:Lucian
624:Pindar
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519:9 July
419:limits
389:Hieron
341:Pelops
335:, the
308:Eleans
277:Pelops
218:, and
216:Atreus
200:Pelops
190:Pelops
179:sophia
160:Poetry
142:tyrant
135:patron
127:Lucian
115:Pelops
85:Pindar
48:Dorian
1534:JSTOR
1505:S2CID
1497:JSTOR
1468:S2CID
1460:JSTOR
1427:JSTOR
1398:S2CID
1390:JSTOR
1361:JSTOR
1340:JSTOR
1320:(PDF)
1304:JSTOR
1283:S2CID
1275:JSTOR
1246:JSTOR
1225:JSTOR
1095:JSTOR
996:JSTOR
990:(2).
965:S2CID
957:JSTOR
939:(2).
728:JSTOR
716:Brill
714:(1).
681:Brill
481:Kleos
456:Ode 5
406:xenia
174:areta
123:polis
121:(the
67:Muses
1813:/ 3b
1807:/ 3a
1202:ISBN
1168:2012
1133:ISBN
1129:136f
1055:2012
912:ISBN
869:ISBN
828:ISBN
803:2012
768:ISBN
685:ISBN
657:2012
578:2012
546:ISBN
521:2012
333:Zeus
275:and
269:Zeus
236:Kore
220:hero
214:and
204:Pisa
196:myth
119:Elis
89:odes
80:The
75:song
71:nine
1837:/ 7
1831:/ 6
1825:/ 5
1819:/ 4
1526:doi
1489:doi
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1452:doi
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1300:105
1267:doi
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720:doi
458:by
387:".
327:at
313:In
287:at
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